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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF89FD it is the complementary color #207602. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF89FD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF89FD shade: #E489F8, #F59BFF, #FFADFF, #FFBFFF and #FFD1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF89FD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF89FD shade: #DF89FD, #CE77EA, #BD65D7, #AC53C4 and #9B41B1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF89FD shade: #DE86FD, #FD86FC, #FD86DC, #FD86BC and #FD869C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF89FD shade: #DE86FD, #BE86FD, #9E86FD and #8686FD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF89FD shade matches the following richer shades: #DE86FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF89FD shade: #DE86FD, #DA90F3, #D59AE9, #D0A4DF and #CBAED6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF89FD shade: #9E86FD, #BE86FD, #DE86FD, #FD86FD and #FD86DE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF89FD shade: #C935FC, #D35EFD, #DE86FD, #E9AFFE and #F4D8FE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF89FD shade: #DF89FD, #FD868E and #86FDAE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF89FD shade: #DF89FD, #FDDE86 and #86FDDE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF89FD shade: #DF89FD, #FD868E, #A6FD86 and #86FDF5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF89FD shade: #DF89FD, #FDA286, #A6FD86 and #86E1FD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 46 / 0 / 1

HEX #DF89FD

RGB 223 137 253

HSL 284.48, 0.97%, 0.76%

LAB 69.94, 51.46, -44.77

 

Complementary color

CMYK 73 / 0 / 98 / 54

HEX #207602

RGB 32 118 2

HSL 104.48, 0.97%, 0.24%

LAB 43.16, -44.59, 47.17

 

CMYK 8 / 45 / 0 / 3

HEX #E489F8

RGB 228 137 248

HSL 289.19, 0.89%, 0.75%

LAB 70.29, 51.88, -41.46

 

CMYK 4 / 39 / 0 / 0

HEX #F59BFF

RGB 245 155 255

HSL 294, 1%, 0.8%

LAB 76.12, 48.88, -36.05

 

CMYK 0 / 32 / 0 / 0

HEX #FFADFF

RGB 255 173 255

HSL 300, 1%, 0.84%

LAB 80.94, 42.6, -28.53

 

CMYK 0 / 25 / 0 / 0

HEX #FFBFFF

RGB 255 191 255

HSL 300, 1%, 0.87%

LAB 84.86, 33.2, -22.55

 

CMYK 0 / 18 / 0 / 0

HEX #FFD1FF

RGB 255 209 255

HSL 300, 1%, 0.91%

LAB 88.96, 23.75, -16.36

 

CMYK 12 / 46 / 0 / 1

HEX #DF89FD

RGB 223 137 253

HSL 284.48, 0.97%, 0.76%

LAB 69.94, 51.46, -44.77

 

CMYK 12 / 49 / 0 / 8

HEX #CE77EA

RGB 206 119 234

HSL 285.39, 0.73%, 0.69%

LAB 63.55, 52.21, -44.5

 

CMYK 12 / 53 / 0 / 16

HEX #BD65D7

RGB 189 101 215

HSL 286.32, 0.59%, 0.62%

LAB 57.11, 52.92, -44.17

 

CMYK 12 / 58 / 0 / 23

HEX #AC53C4

RGB 172 83 196

HSL 287.26, 0.49%, 0.55%

LAB 50.62, 53.54, -43.74

 

CMYK 12 / 63 / 0 / 31

HEX #9B41B1

RGB 155 65 177

HSL 288.21, 0.46%, 0.47%

LAB 44.12, 53.97, -43.13

 

CMYK 12 / 47 / 0 / 1

HEX #DE86FD

RGB 222 134 253

HSL 284.37, 0.97%, 0.76%

LAB 69.24, 52.72, -45.89

 

CMYK 0 / 47 / 0 / 1

HEX #FD86FC

RGB 253 134 252

HSL 300.5, 0.97%, 0.76%

LAB 72.87, 61.07, -39.4

 

CMYK 0 / 47 / 13 / 1

HEX #FD86DC

RGB 253 134 220

HSL 316.64, 0.97%, 0.76%

LAB 71.62, 55.83, -23.78

 

CMYK 0 / 47 / 26 / 1

HEX #FD86BC

RGB 253 134 188

HSL 332.77, 0.97%, 0.76%

LAB 70.57, 51.22, -7.61

 

CMYK 0 / 47 / 38 / 1

HEX #FD869C

RGB 253 134 156

HSL 348.91, 0.97%, 0.76%

LAB 69.71, 47.32, 9.04

 

CMYK 12 / 47 / 0 / 1

HEX #DE86FD

RGB 222 134 253

HSL 284.37, 0.97%, 0.76%

LAB 69.24, 52.72, -45.89

 

CMYK 25 / 47 / 0 / 1

HEX #BE86FD

RGB 190 134 253

HSL 268.24, 0.97%, 0.76%

LAB 65.82, 44.09, -51.51

 

CMYK 38 / 47 / 0 / 1

HEX #9E86FD

RGB 158 134 253

HSL 252.1, 0.97%, 0.76%

LAB 62.85, 35.92, -56.4

 

CMYK 47 / 47 / 0 / 1

HEX #8686FD

RGB 134 134 253

HSL 240, 0.97%, 0.76%

LAB 60.97, 30.3, -59.52

 

CMYK 12 / 47 / 0 / 1

HEX #DE86FD

RGB 222 134 253

HSL 284.37, 0.97%, 0.76%

LAB 69.24, 52.72, -45.89

 

CMYK 12 / 47 / 0 / 1

HEX #DE86FD

RGB 222 134 253

HSL 284.37, 0.97%, 0.76%

LAB 69.24, 52.72, -45.89

 

CMYK 10 / 41 / 0 / 5

HEX #DA90F3

RGB 218 144 243

HSL 284.85, 0.8%, 0.76%

LAB 70.4, 44.4, -38.64

 

CMYK 9 / 34 / 0 / 9

HEX #D59AE9

RGB 213 154 233

HSL 284.81, 0.64%, 0.76%

LAB 71.65, 35.56, -31.27

 

CMYK 7 / 26 / 0 / 13

HEX #D0A4DF

RGB 208 164 223

HSL 284.75, 0.48%, 0.76%

LAB 73.08, 26.55, -23.65

 

CMYK 5 / 19 / 0 / 16

HEX #CBAED6

RGB 203 174 214

HSL 283.5, 0.33%, 0.76%

LAB 74.71, 17.68, -16.3

 

CMYK 38 / 47 / 0 / 1

HEX #9E86FD

RGB 158 134 253

HSL 252.1, 0.97%, 0.76%

LAB 62.85, 35.92, -56.4

 

CMYK 25 / 47 / 0 / 1

HEX #BE86FD

RGB 190 134 253

HSL 268.24, 0.97%, 0.76%

LAB 65.82, 44.09, -51.51

 

CMYK 12 / 47 / 0 / 1

HEX #DE86FD

RGB 222 134 253

HSL 284.37, 0.97%, 0.76%

LAB 69.24, 52.72, -45.89

 

CMYK 0 / 47 / 0 / 1

HEX #FD86FD

RGB 253 134 253

HSL 300, 0.97%, 0.76%

LAB 72.91, 61.24, -39.88

 

CMYK 0 / 47 / 12 / 1

HEX #FD86DE

RGB 253 134 222

HSL 315.63, 0.97%, 0.76%

LAB 71.7, 56.14, -24.78

 

CMYK 20 / 79 / 0 / 1

HEX #C935FC

RGB 201 53 252

HSL 284.62, 0.97%, 0.6%

LAB 54.02, 81.83, -69.77

 

CMYK 17 / 63 / 0 / 1

HEX #D35EFD

RGB 211 94 253

HSL 284.15, 0.98%, 0.68%

LAB 60.73, 69.06, -59.45

 

CMYK 12 / 47 / 0 / 1

HEX #DE86FD

RGB 222 134 253

HSL 284.37, 0.97%, 0.76%

LAB 69.24, 52.72, -45.89

 

CMYK 8 / 31 / 0 / 0

HEX #E9AFFE

RGB 233 175 254

HSL 284.05, 0.98%, 0.84%

LAB 79.12, 34.59, -30.98

 

CMYK 4 / 15 / 0 / 0

HEX #F4D8FE

RGB 244 216 254

HSL 284.21, 0.95%, 0.92%

LAB 89.63, 16.31, -14.93

 

CMYK 12 / 46 / 0 / 1

HEX #DF89FD

RGB 223 137 253

HSL 284.48, 0.97%, 0.76%

LAB 69.94, 51.46, -44.77

 

CMYK 0 / 47 / 44 / 1

HEX #FD868E

RGB 253 134 142

HSL 355.97, 0.97%, 0.76%

LAB 69.39, 45.85, 16.43

 

CMYK 47 / 0 / 31 / 1

HEX #86FDAE

RGB 134 253 174

HSL 140.17, 0.97%, 0.76%

LAB 90.95, -50.5, 27.67

 

CMYK 12 / 46 / 0 / 1

HEX #DF89FD

RGB 223 137 253

HSL 284.48, 0.97%, 0.76%

LAB 69.94, 51.46, -44.77

 

CMYK 0 / 12 / 47 / 1

HEX #FDDE86

RGB 253 222 134

HSL 44.37, 0.97%, 0.76%

LAB 89.32, -0.44, 46.89

 

CMYK 47 / 0 / 12 / 1

HEX #86FDDE

RGB 134 253 222

HSL 164.37, 0.97%, 0.76%

LAB 91.95, -40.86, 4.46

 

CMYK 12 / 46 / 0 / 1

HEX #DF89FD

RGB 223 137 253

HSL 284.48, 0.97%, 0.76%

LAB 69.94, 51.46, -44.77

 

CMYK 0 / 47 / 44 / 1

HEX #FD868E

RGB 253 134 142

HSL 355.97, 0.97%, 0.76%

LAB 69.39, 45.85, 16.43

 

CMYK 34 / 0 / 47 / 1

HEX #A6FD86

RGB 166 253 134

HSL 103.87, 0.97%, 0.76%

LAB 91.72, -47.27, 48.59

 

CMYK 47 / 0 / 3 / 1

HEX #86FDF5

RGB 134 253 245

HSL 175.97, 0.97%, 0.76%

LAB 92.54, -35.51, -6.6

 

CMYK 12 / 46 / 0 / 1

HEX #DF89FD

RGB 223 137 253

HSL 284.48, 0.97%, 0.76%

LAB 69.94, 51.46, -44.77

 

CMYK 0 / 36 / 47 / 1

HEX #FDA286

RGB 253 162 134

HSL 14.12, 0.97%, 0.76%

LAB 75.1, 30.75, 28.6

 

CMYK 34 / 0 / 47 / 1

HEX #A6FD86

RGB 166 253 134

HSL 103.87, 0.97%, 0.76%

LAB 91.72, -47.27, 48.59

 

CMYK 47 / 11 / 0 / 1

HEX #86E1FD

RGB 134 225 253

HSL 194.12, 0.97%, 0.76%

LAB 85, -20, -22.06

 

Description

Color code: HEX #DF89FD | qconv.com Color code: HEX #DF89FD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 137 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 137 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 46 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 46% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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