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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF87FE it is the complementary color #207801. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF87FE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF87FE shade: #E487F9, #F599FF, #FFABFF, #FFBDFF and #FFCFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF87FE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF87FE shade: #DF87FE, #CE75EB, #BD63D8, #AC51C5 and #9B3FB2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF87FE shade: #DF86FE, #FE86FD, #FE86DC, #FE86BC and #FE869C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF87FE shade: #DF86FE, #BE86FE, #9E86FE and #8686FE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF87FE shade matches the following richer shades: #DF86FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF87FE shade: #DF86FE, #DA90F4, #D59AEA, #D0A4E0 and #CCADD6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF87FE shade: #9E86FE, #BE86FE, #DE86FE, #FE86FE and #FE86DE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF87FE shade: #C934FD, #D45DFD, #DF86FE, #E9AFFE and #F4D8FF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF87FE shade: #DF87FE, #FE868E and #86FEAE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF87FE shade: #DF87FE, #FEDE86 and #86FEDE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF87FE shade: #DF87FE, #FE868E, #A6FE86 and #86FEF6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF87FE shade: #DF87FE, #FEA286, #A6FE86 and #86E2FE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 47 / 0 / 0

HEX #DF87FE

RGB 223 135 254

HSL 284.37, 0.98%, 0.76%

LAB 69.59, 52.68, -45.87

 

Complementary color

CMYK 73 / 0 / 99 / 53

HEX #207801

RGB 32 120 1

HSL 104.37, 0.98%, 0.24%

LAB 43.86, -45.31, 47.96

 

CMYK 8 / 46 / 0 / 2

HEX #E487F9

RGB 228 135 249

HSL 288.95, 0.9%, 0.75%

LAB 69.94, 53.08, -42.56

 

CMYK 4 / 40 / 0 / 0

HEX #F599FF

RGB 245 153 255

HSL 294.12, 1%, 0.8%

LAB 75.71, 49.91, -36.68

 

CMYK 0 / 33 / 0 / 0

HEX #FFABFF

RGB 255 171 255

HSL 300, 1%, 0.84%

LAB 80.52, 43.64, -29.18

 

CMYK 0 / 26 / 0 / 0

HEX #FFBDFF

RGB 255 189 255

HSL 300, 1%, 0.87%

LAB 84.42, 34.25, -23.22

 

CMYK 0 / 19 / 0 / 0

HEX #FFCFFF

RGB 255 207 255

HSL 300, 1%, 0.91%

LAB 88.5, 24.79, -17.06

 

CMYK 12 / 47 / 0 / 0

HEX #DF87FE

RGB 223 135 254

HSL 284.37, 0.98%, 0.76%

LAB 69.59, 52.68, -45.87

 

CMYK 12 / 50 / 0 / 8

HEX #CE75EB

RGB 206 117 235

HSL 285.25, 0.75%, 0.69%

LAB 63.21, 53.42, -45.59

 

CMYK 13 / 54 / 0 / 15

HEX #BD63D8

RGB 189 99 216

HSL 286.15, 0.6%, 0.62%

LAB 56.78, 54.12, -45.25

 

CMYK 13 / 59 / 0 / 23

HEX #AC51C5

RGB 172 81 197

HSL 287.07, 0.5%, 0.55%

LAB 50.32, 54.7, -44.79

 

CMYK 13 / 65 / 0 / 30

HEX #9B3FB2

RGB 155 63 178

HSL 288, 0.48%, 0.47%

LAB 43.85, 55.07, -44.15

 

CMYK 12 / 47 / 0 / 0

HEX #DF86FE

RGB 223 134 254

HSL 284.5, 0.98%, 0.76%

LAB 69.39, 53.19, -46.18

 

CMYK 0 / 47 / 0 / 0

HEX #FE86FD

RGB 254 134 253

HSL 300.5, 0.98%, 0.76%

LAB 73.03, 61.51, -39.68

 

CMYK 0 / 47 / 13 / 0

HEX #FE86DC

RGB 254 134 220

HSL 317, 0.98%, 0.76%

LAB 71.75, 56.13, -23.58

 

CMYK 0 / 47 / 26 / 0

HEX #FE86BC

RGB 254 134 188

HSL 333, 0.98%, 0.76%

LAB 70.7, 51.55, -7.4

 

CMYK 0 / 47 / 39 / 0

HEX #FE869C

RGB 254 134 156

HSL 349, 0.98%, 0.76%

LAB 69.84, 47.66, 9.25

 

CMYK 12 / 47 / 0 / 0

HEX #DF86FE

RGB 223 134 254

HSL 284.5, 0.98%, 0.76%

LAB 69.39, 53.19, -46.18

 

CMYK 25 / 47 / 0 / 0

HEX #BE86FE

RGB 190 134 254

HSL 268, 0.98%, 0.76%

LAB 65.87, 44.32, -51.98

 

CMYK 38 / 47 / 0 / 0

HEX #9E86FE

RGB 158 134 254

HSL 252, 0.98%, 0.76%

LAB 62.91, 36.18, -56.86

 

CMYK 47 / 47 / 0 / 0

HEX #8686FE

RGB 134 134 254

HSL 240, 0.98%, 0.76%

LAB 61.02, 30.59, -59.98

 

CMYK 12 / 47 / 0 / 0

HEX #DF86FE

RGB 223 134 254

HSL 284.5, 0.98%, 0.76%

LAB 69.39, 53.19, -46.18

 

CMYK 12 / 47 / 0 / 0

HEX #DF86FE

RGB 223 134 254

HSL 284.5, 0.98%, 0.76%

LAB 69.39, 53.19, -46.18

 

CMYK 11 / 41 / 0 / 4

HEX #DA90F4

RGB 218 144 244

HSL 284.4, 0.82%, 0.76%

LAB 70.44, 44.6, -39.12

 

CMYK 9 / 34 / 0 / 8

HEX #D59AEA

RGB 213 154 234

HSL 284.25, 0.66%, 0.76%

LAB 71.69, 35.76, -31.76

 

CMYK 7 / 27 / 0 / 12

HEX #D0A4E0

RGB 208 164 224

HSL 284, 0.49%, 0.76%

LAB 73.12, 26.75, -24.14

 

CMYK 5 / 19 / 0 / 16

HEX #CCADD6

RGB 204 173 214

HSL 285.37, 0.33%, 0.76%

LAB 74.56, 18.55, -16.53

 

CMYK 38 / 47 / 0 / 0

HEX #9E86FE

RGB 158 134 254

HSL 252, 0.98%, 0.76%

LAB 62.91, 36.18, -56.86

 

CMYK 25 / 47 / 0 / 0

HEX #BE86FE

RGB 190 134 254

HSL 268, 0.98%, 0.76%

LAB 65.87, 44.32, -51.98

 

CMYK 13 / 47 / 0 / 0

HEX #DE86FE

RGB 222 134 254

HSL 284, 0.98%, 0.76%

LAB 69.28, 52.92, -46.36

 

CMYK 0 / 47 / 0 / 0

HEX #FE86FE

RGB 254 134 254

HSL 300, 0.98%, 0.76%

LAB 73.07, 61.69, -40.15

 

CMYK 0 / 47 / 13 / 0

HEX #FE86DE

RGB 254 134 222

HSL 316, 0.98%, 0.76%

LAB 71.82, 56.44, -24.57

 

CMYK 21 / 79 / 0 / 1

HEX #C934FD

RGB 201 52 253

HSL 284.48, 0.98%, 0.6%

LAB 53.99, 82.29, -70.37

 

CMYK 16 / 63 / 0 / 1

HEX #D45DFD

RGB 212 93 253

HSL 284.63, 0.98%, 0.68%

LAB 60.71, 69.72, -59.48

 

CMYK 12 / 47 / 0 / 0

HEX #DF86FE

RGB 223 134 254

HSL 284.5, 0.98%, 0.76%

LAB 69.39, 53.19, -46.18

 

CMYK 8 / 31 / 0 / 0

HEX #E9AFFE

RGB 233 175 254

HSL 284.05, 0.98%, 0.84%

LAB 79.12, 34.59, -30.98

 

CMYK 4 / 15 / 0 / 0

HEX #F4D8FF

RGB 244 216 255

HSL 283.08, 1%, 0.92%

LAB 89.66, 16.5, -15.41

 

CMYK 12 / 47 / 0 / 0

HEX #DF87FE

RGB 223 135 254

HSL 284.37, 0.98%, 0.76%

LAB 69.59, 52.68, -45.87

 

CMYK 0 / 47 / 44 / 0

HEX #FE868E

RGB 254 134 142

HSL 356, 0.98%, 0.76%

LAB 69.52, 46.2, 16.64

 

CMYK 47 / 0 / 31 / 0

HEX #86FEAE

RGB 134 254 174

HSL 140, 0.98%, 0.76%

LAB 91.24, -50.91, 28.06

 

CMYK 12 / 47 / 0 / 0

HEX #DF87FE

RGB 223 135 254

HSL 284.37, 0.98%, 0.76%

LAB 69.59, 52.68, -45.87

 

CMYK 0 / 13 / 47 / 0

HEX #FEDE86

RGB 254 222 134

HSL 44, 0.98%, 0.76%

LAB 89.41, -0.04, 47.02

 

CMYK 47 / 0 / 13 / 0

HEX #86FEDE

RGB 134 254 222

HSL 164, 0.98%, 0.76%

LAB 92.23, -41.31, 4.86

 

CMYK 12 / 47 / 0 / 0

HEX #DF87FE

RGB 223 135 254

HSL 284.37, 0.98%, 0.76%

LAB 69.59, 52.68, -45.87

 

CMYK 0 / 47 / 44 / 0

HEX #FE868E

RGB 254 134 142

HSL 356, 0.98%, 0.76%

LAB 69.52, 46.2, 16.64

 

CMYK 35 / 0 / 47 / 0

HEX #A6FE86

RGB 166 254 134

HSL 104, 0.98%, 0.76%

LAB 92, -47.69, 48.94

 

CMYK 47 / 0 / 3 / 0

HEX #86FEF6

RGB 134 254 246

HSL 176, 0.98%, 0.76%

LAB 92.84, -35.73, -6.66

 

CMYK 12 / 47 / 0 / 0

HEX #DF87FE

RGB 223 135 254

HSL 284.37, 0.98%, 0.76%

LAB 69.59, 52.68, -45.87

 

CMYK 0 / 36 / 47 / 0

HEX #FEA286

RGB 254 162 134

HSL 14, 0.98%, 0.76%

LAB 75.22, 31.13, 28.78

 

CMYK 35 / 0 / 47 / 0

HEX #A6FE86

RGB 166 254 134

HSL 104, 0.98%, 0.76%

LAB 92, -47.69, 48.94

 

CMYK 47 / 11 / 0 / 0

HEX #86E2FE

RGB 134 226 254

HSL 194, 0.98%, 0.76%

LAB 85.31, -20.23, -22.12

 

Description

Color code: HEX #DF87FE | qconv.com Color code: HEX #DF87FE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 135 green and 254 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 135 254 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 47 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 47% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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