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Color name
HEX #DF87803F

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Complementary color

Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF87803F it is the complementary color #20787F3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Lighter colors

Exposures are based on the same hue and represent lighter versions of the current color #DF87803F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF87803F shade: #E4877B3F, #F5998E3F, #FFABA13F, #FFBDB43F and #FFCFC73F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Darker colors

Shades are based on the same hue and represent a darker version of the current color #DF87803F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF87803F shade: #DF87803F, #CE756D3F, #BD635A3F, #AC51473F and #9B3F343F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF87803F shade: #DF8881 and #DF8181

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF87803F shade: #DF8881, #DFA181, #DFBB81, #DFD481 and #D1DF81

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF87803F shade matches the following richer shades: #DF8881, #EC7D74 and #F97267

An example is the development from a pale pink to a strong and bright red.

Paler colors

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF87803F shade: #DF8881, #D3928D, #C69D9A, #B9A8A7 and #ACB3B4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

Analogue colors

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF87803F shade: #DF81AD, #DF8193, #DF8781, #DFA081 and #DFB981

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

Monochromatic colors

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF87803F shade: #CF493F, #D76860, #DF8881, #E8A7A2 and #F0C6C3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

Partial complementary colors

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF87803F shade: #DF8780, #C6DF81 and #81A0DF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

Triadic colors

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF87803F shade: #DF8780, #81DF87 and #8781DF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF87803F shade: #DF8780, #C6DF81, #81D9DF and #9A81DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

Square colors

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF87803F shade: #DF8780, #AADF81, #81D9DF and #B681DF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 11 / 3

RGBA 223 135 128 0.25

HSLA 4.42, 0.6%, 0.69%, 0.25

LABA 65.42, 32.88, 18.18, 0.25

Complementary color

CMYK 19 / 1 / 0 / 13

RGBA 32 120 127 0.25

HSLA 184.42, 0.6%, 0.31%, 0.25

LABA 46, -22.55, -11.23, 0.25

Lighter colors

CMYK 0 / 10 / 12 / 3

RGBA 228 135 123 0.25

HSLA 6.86, 0.66%, 0.69%, 0.25

LABA 65.94, 34.27, 21.81, 0.25

CMYK 0 / 9 / 11 / 1

RGBA 245 153 142 0.25

HSLA 6.41, 0.84%, 0.76%, 0.25

LABA 72.33, 33.22, 20.34, 0.25

CMYK 0 / 8 / 9 / 0

RGBA 255 171 161 0.25

HSLA 6.38, 1%, 0.82%, 0.25

LABA 77.85, 29.65, 17.79, 0.25

CMYK 0 / 6 / 7 / 0

RGBA 255 189 180 0.25

HSLA 7.2, 1%, 0.85%, 0.25

LABA 82.35, 22.55, 13.87, 0.25

CMYK 0 / 5 / 5 / 0

RGBA 255 207 199 0.25

HSLA 8.57, 1%, 0.89%, 0.25

LABA 87, 15.72, 10.36, 0.25

Darker colors

CMYK 0 / 10 / 11 / 3

RGBA 223 135 128 0.25

HSLA 4.42, 0.6%, 0.69%, 0.25

LABA 65.42, 32.88, 18.18, 0.25

CMYK 0 / 11 / 12 / 5

RGBA 206 117 109 0.25

HSLA 4.95, 0.5%, 0.62%, 0.25

LABA 58.93, 33.97, 19.73, 0.25

CMYK 0 / 12 / 13 / 6

RGBA 189 99 90 0.25

HSLA 5.45, 0.43%, 0.55%, 0.25

LABA 52.38, 35.15, 21.5, 0.25

CMYK 0 / 13 / 15 / 8

RGBA 172 81 71 0.25

HSLA 5.94, 0.42%, 0.48%, 0.25

LABA 45.79, 36.4, 23.58, 0.25

CMYK 0 / 15 / 17 / 10

RGBA 155 63 52 0.25

HSLA 6.41, 0.5%, 0.41%, 0.25

LABA 39.19, 37.69, 26.07, 0.25

Warmer colors

CMYK 0 / 39 / 42 / 13

RGB 223 136 129

HSL 4.47, 0.59%, 0.69%

LAB 65.66, 32.46, 17.95

CMYK 0 / 42 / 42 / 13

RGB 223 129 129

HSL 0, 0.59%, 0.69%

LAB 64.14, 36.15, 15.86

Colder colors

CMYK 0 / 39 / 42 / 13

RGB 223 136 129

HSL 4.47, 0.59%, 0.69%

LAB 65.66, 32.46, 17.95

CMYK 0 / 28 / 42 / 13

RGB 223 161 129

HSL 20.43, 0.59%, 0.69%

LAB 71.39, 19.08, 25.75

CMYK 0 / 16 / 42 / 13

RGB 223 187 129

HSL 37.02, 0.59%, 0.69%

LAB 77.76, 5.21, 34.16

CMYK 0 / 5 / 42 / 13

RGB 223 212 129

HSL 52.98, 0.59%, 0.69%

LAB 84.15, -7.75, 42.34

CMYK 6 / 0 / 42 / 13

RGB 209 223 129

HSL 68.94, 0.59%, 0.69%

LAB 85.96, -18.73, 44.38

Richer colors

CMYK 0 / 39 / 42 / 13

RGB 223 136 129

HSL 4.47, 0.59%, 0.69%

LAB 65.66, 32.46, 17.95

CMYK 0 / 47 / 51 / 7

RGB 236 125 116

HSL 4.5, 0.76%, 0.69%

LAB 64.77, 41.77, 24.33

CMYK 0 / 54 / 59 / 2

RGB 249 114 103

HSL 4.52, 0.92%, 0.69%

LAB 64.29, 50.82, 31.31

Paler colors

CMYK 0 / 39 / 42 / 13

RGB 223 136 129

HSL 4.47, 0.59%, 0.69%

LAB 65.66, 32.46, 17.95

CMYK 0 / 31 / 33 / 17

RGB 211 146 141

HSL 4.29, 0.44%, 0.69%

LAB 66.77, 23.92, 12.57

CMYK 0 / 21 / 22 / 22

RGB 198 157 154

HSL 4.09, 0.28%, 0.69%

LAB 68.35, 14.75, 7.37

CMYK 0 / 9 / 10 / 27

RGB 185 168 167

HSL 3.33, 0.11%, 0.69%

LAB 70.25, 5.97, 2.74

CMYK 4 / 1 / 0 / 29

RGB 172 179 180

HSL 187.5, 0.05%, 0.69%

LAB 72.43, -2.25, -1.37

Analogue colors

CMYK 0 / 42 / 22 / 13

RGB 223 129 173

HSL 331.91, 0.59%, 0.69%

LAB 65.28, 41.7, -7.45

CMYK 0 / 42 / 34 / 13

RGB 223 129 147

HSL 348.51, 0.59%, 0.69%

LAB 64.56, 38.22, 6.24

CMYK 0 / 39 / 42 / 13

RGB 223 135 129

HSL 3.83, 0.59%, 0.69%

LAB 65.44, 32.99, 17.65

CMYK 0 / 28 / 42 / 13

RGB 223 160 129

HSL 19.79, 0.59%, 0.69%

LAB 71.16, 19.62, 25.43

CMYK 0 / 17 / 42 / 13

RGB 223 185 129

HSL 35.74, 0.59%, 0.69%

LAB 77.26, 6.27, 33.51

Monochromatic colors

CMYK 0 / 65 / 70 / 19

HSL 4.17, 0.6%, 0.53%

LAB 49.97, 52.32, 34.68

CMYK 0 / 52 / 55 / 16

HSL 4.03, 0.6%, 0.61%

LAB 57.26, 42.89, 25.18

CMYK 0 / 39 / 42 / 13

RGB 223 136 129

HSL 4.47, 0.59%, 0.69%

LAB 65.66, 32.46, 17.95

CMYK 0 / 28 / 30 / 9

RGB 232 167 162

HSL 4.29, 0.6%, 0.77%

LAB 74.45, 23.29, 12.1

CMYK 0 / 18 / 19 / 6

RGB 240 198 195

HSL 4, 0.6%, 0.85%

LAB 83.37, 14.42, 7.09

Partial complementary colors

CMYK 0 / 39 / 43 / 13

RGB 223 135 128

HSL 4.42, 0.6%, 0.69%

LAB 65.42, 32.88, 18.18

CMYK 11 / 0 / 42 / 13

RGB 198 223 129

HSL 75.96, 0.59%, 0.69%

LAB 85.18, -22.94, 43.23

CMYK 42 / 28 / 0 / 13

RGB 129 160 223

HSL 220.21, 0.59%, 0.69%

LAB 65.85, 5.37, -35.31

Triadic colors

CMYK 0 / 39 / 43 / 13

RGB 223 135 128

HSL 4.42, 0.6%, 0.69%

LAB 65.42, 32.88, 18.18

CMYK 42 / 0 / 39 / 13

RGB 129 223 135

HSL 123.83, 0.59%, 0.69%

LAB 81.4, -45.7, 34.61

CMYK 39 / 42 / 0 / 13

RGB 135 129 223

HSL 243.83, 0.59%, 0.69%

LAB 58.21, 24.91, -47.28

Rectangular (tetradic) colors

CMYK 0 / 39 / 43 / 13

RGB 223 135 128

HSL 4.42, 0.6%, 0.69%

LAB 65.42, 32.88, 18.18

CMYK 11 / 0 / 42 / 13

RGB 198 223 129

HSL 75.96, 0.59%, 0.69%

LAB 85.18, -22.94, 43.23

CMYK 42 / 3 / 0 / 13

RGB 129 217 223

HSL 183.83, 0.59%, 0.69%

LAB 81.63, -24.92, -11.26

CMYK 31 / 42 / 0 / 13

RGB 154 129 223

HSL 255.96, 0.59%, 0.69%

LAB 59.8, 29.94, -44.66

Square colors

CMYK 0 / 39 / 43 / 13

RGB 223 135 128

HSL 4.42, 0.6%, 0.69%

LAB 65.42, 32.88, 18.18

CMYK 24 / 0 / 42 / 13

RGB 170 223 129

HSL 93.83, 0.59%, 0.69%

LAB 83.39, -33.23, 40.6

CMYK 42 / 3 / 0 / 13

RGB 129 217 223

HSL 183.83, 0.59%, 0.69%

LAB 81.63, -24.92, -11.26

CMYK 18 / 42 / 0 / 13

RGB 182 129 223

HSL 273.83, 0.59%, 0.69%

LAB 62.49, 37.83, -40.25

Description

Color code: HEX #DF87803F | qconv.com

Color code: HEX #DF87803F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 135 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.

In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 11 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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PANTONE® to RAL®

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PANTONE® to HKS®

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PANTONE® to Sherwin Williams®

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Sherwin Williams® to HEX

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Sherwin Williams® to RAL®

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Sherwin Williams® to HKS®

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