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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF834D4C it is the complementary color #207CB24C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF834D4C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF834D4C shade: #E483484C, #F5955B4C, #FFA76E4C, #FFB9814C and #FFCB944C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF834D4C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF834D4C shade: #DF834D4C, #CE713A4C, #BD5F274C, #AC4D144C and #9B3B014C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF834D4C shade: #E0834D, #E05C4D and #E04D4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF834D4C shade: #E0834D, #E0AB4D, #E0D24D, #C5E04D and #9EE04D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF834D4C shade matches the following richer shades: #E0834D and #F17F3C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF834D4C shade: #E0834D, #CF885E, #BE8C6F, #AD9180 and #9C9591

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF834D4C shade: #E04D66, #E05C4D, #E0834D, #E0AA4D and #E0D14D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF834D4C shade: #BA5921, #D96B2A, #E0834D, #E69C70 and #ECB493

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF834D4C shade: #DF834D, #8DE04D and #4D52E0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF834D4C shade: #DF834D, #4DE083 and #834DE0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF834D4C shade: #DF834D, #8DE04D, #4DAAE0 and #A04DE0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF834D4C shade: #DF834D, #61E04D, #4DAAE0 and #CC4DE0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 20 / 4

HEX #DF834D4C

RGBA 223 131 77 0.3

HSLA 22.19, 0.7%, 0.59%, 0.3

LABA 63.72, 30.73, 43.78, 0.3

 

Complementary color

CMYK 25 / 9 / 0 / 9

HEX #207CB24C

RGBA 32 124 178 0.3

HSLA 202.19, 0.7%, 0.41%, 0.3

LABA 49.42, -6.83, -35.9, 0.3

 

CMYK 0 / 13 / 21 / 3

HEX #E483484C

RGBA 228 131 72 0.3

HSLA 22.69, 0.74%, 0.59%, 0.3

LABA 64.32, 32.45, 47.17, 0.3

 

CMYK 0 / 12 / 19 / 1

HEX #F5955B4C

RGBA 245 149 91 0.3

HSLA 22.6, 0.89%, 0.66%, 0.3

LABA 70.64, 30.97, 45.42, 0.3

 

CMYK 0 / 10 / 17 / 0

HEX #FFA76E4C

RGBA 255 167 110 0.3

HSLA 23.59, 1%, 0.72%, 0.3

LABA 76.08, 26.88, 42.56, 0.3

 

CMYK 0 / 8 / 15 / 0

HEX #FFB9814C

RGBA 255 185 129 0.3

HSLA 26.67, 1%, 0.75%, 0.3

LABA 80.48, 19.03, 38.3, 0.3

 

CMYK 0 / 6 / 13 / 0

HEX #FFCB944C

RGBA 255 203 148 0.3

HSLA 30.84, 1%, 0.79%, 0.3

LABA 85.05, 11.49, 34.42, 0.3

 

CMYK 0 / 12 / 20 / 4

HEX #DF834D4C

RGBA 223 131 77 0.3

HSLA 22.19, 0.7%, 0.59%, 0.3

LABA 63.72, 30.73, 43.78, 0.3

 

CMYK 0 / 14 / 22 / 6

HEX #CE713A4C

RGBA 206 113 58 0.3

HSLA 22.3, 0.6%, 0.52%, 0.3

LABA 57.31, 32.3, 45.58, 0.3

 

CMYK 0 / 15 / 24 / 8

HEX #BD5F274C

RGBA 189 95 39 0.3

HSLA 22.4, 0.66%, 0.45%, 0.3

LABA 50.86, 34.05, 47.31, 0.3

 

CMYK 0 / 17 / 27 / 10

HEX #AC4D144C

RGBA 172 77 20 0.3

HSLA 22.5, 0.79%, 0.38%, 0.3

LABA 44.42, 35.95, 48.52, 0.3

 

CMYK 0 / 19 / 30 / 12

HEX #9B3B014C

RGBA 155 59 1 0.3

HSLA 22.6, 0.99%, 0.31%, 0.3

LABA 38.02, 37.88, 48.84, 0.3

 

CMYK 0 / 42 / 66 / 12

HEX #E0834D

RGB 224 131 77

HSL 22.04, 0.7%, 0.59%

LAB 63.85, 31.13, 43.97

 

CMYK 0 / 59 / 66 / 12

HEX #E05C4D

RGB 224 92 77

HSL 6.12, 0.7%, 0.59%

LAB 56.13, 50.57, 34.82

 

CMYK 0 / 66 / 66 / 12

HEX #E04D4D

RGB 224 77 77

HSL 0, 0.7%, 0.59%

LAB 53.7, 57.05, 31.85

 

CMYK 0 / 42 / 66 / 12

HEX #E0834D

RGB 224 131 77

HSL 22.04, 0.7%, 0.59%

LAB 63.85, 31.13, 43.97

 

CMYK 0 / 24 / 66 / 12

HEX #E0AB4D

RGB 224 171 77

HSL 38.37, 0.7%, 0.59%

LAB 73.23, 9.79, 54.49

 

CMYK 0 / 6 / 66 / 12

HEX #E0D24D

RGB 224 210 77

HSL 54.29, 0.7%, 0.59%

LAB 83.17, -10.46, 65.05

 

CMYK 12 / 0 / 66 / 12

HEX #C5E04D

RGB 197 224 77

HSL 71.02, 0.7%, 0.59%

LAB 84.85, -28.35, 66.15

 

CMYK 29 / 0 / 66 / 12

HEX #9EE04D

RGB 158 224 77

HSL 86.94, 0.7%, 0.59%

LAB 82.44, -43.19, 62.89

 

CMYK 0 / 42 / 66 / 12

HEX #E0834D

RGB 224 131 77

HSL 22.04, 0.7%, 0.59%

LAB 63.85, 31.13, 43.97

 

CMYK 0 / 47 / 75 / 5

HEX #F17F3C

RGB 241 127 60

HSL 22.21, 0.87%, 0.59%

LAB 65.13, 39.09, 54.32

 

CMYK 0 / 42 / 66 / 12

HEX #E0834D

RGB 224 131 77

HSL 22.04, 0.7%, 0.59%

LAB 63.85, 31.13, 43.97

 

CMYK 0 / 34 / 55 / 19

HEX #CF885E

RGB 207 136 94

HSL 22.3, 0.54%, 0.59%

LAB 63.08, 22.76, 33.56

 

CMYK 0 / 26 / 42 / 25

HEX #BE8C6F

RGB 190 140 111

HSL 22.03, 0.38%, 0.59%

LAB 62.38, 15.27, 22.93

 

CMYK 0 / 16 / 26 / 32

HEX #AD9180

RGB 173 145 128

HSL 22.67, 0.22%, 0.59%

LAB 62.25, 7.84, 12.94

 

CMYK 0 / 4 / 7 / 39

HEX #9C9591

RGB 156 149 145

HSL 21.82, 0.05%, 0.59%

LAB 62.17, 1.83, 3.02

 

CMYK 0 / 66 / 54 / 12

HEX #E04D66

RGB 224 77 102

HSL 349.8, 0.7%, 0.59%

LAB 54.15, 58.7, 17.76

 

CMYK 0 / 59 / 66 / 12

HEX #E05C4D

RGB 224 92 77

HSL 6.12, 0.7%, 0.59%

LAB 56.13, 50.57, 34.82

 

CMYK 0 / 42 / 66 / 12

HEX #E0834D

RGB 224 131 77

HSL 22.04, 0.7%, 0.59%

LAB 63.85, 31.13, 43.97

 

CMYK 0 / 24 / 66 / 12

HEX #E0AA4D

RGB 224 170 77

HSL 37.96, 0.7%, 0.59%

LAB 72.98, 10.32, 54.22

 

CMYK 0 / 7 / 66 / 12

HEX #E0D14D

RGB 224 209 77

HSL 53.88, 0.7%, 0.59%

LAB 82.9, -9.96, 64.78

 

CMYK 0 / 52 / 82 / 27

HEX #BA5921

RGB 186 89 33

HSL 21.96, 0.7%, 0.43%

LAB 49.12, 35.75, 48.18

 

CMYK 0 / 51 / 81 / 15

HEX #D96B2A

RGB 217 107 42

HSL 22.29, 0.7%, 0.51%

LAB 57.5, 39.15, 53.73

 

CMYK 0 / 42 / 66 / 12

HEX #E0834D

RGB 224 131 77

HSL 22.04, 0.7%, 0.59%

LAB 63.85, 31.13, 43.97

 

CMYK 0 / 32 / 51 / 10

HEX #E69C70

RGB 230 156 112

HSL 22.37, 0.7%, 0.67%

LAB 70.71, 22.88, 34.15

 

CMYK 0 / 24 / 38 / 7

HEX #ECB493

RGB 236 180 147

HSL 22.25, 0.7%, 0.75%

LAB 77.63, 16.05, 24.69

 

CMYK 0 / 41 / 65 / 13

HEX #DF834D

RGB 223 131 77

HSL 22.19, 0.7%, 0.59%

LAB 63.72, 30.73, 43.78

 

CMYK 37 / 0 / 66 / 12

HEX #8DE04D

RGB 141 224 77

HSL 93.88, 0.7%, 0.59%

LAB 81.57, -49.08, 61.7

 

CMYK 66 / 63 / 0 / 12

HEX #4D52E0

RGB 77 82 224

HSL 237.96, 0.7%, 0.59%

LAB 42.75, 41.81, -72.94

 

CMYK 0 / 41 / 65 / 13

HEX #DF834D

RGB 223 131 77

HSL 22.19, 0.7%, 0.59%

LAB 63.72, 30.73, 43.78

 

CMYK 66 / 0 / 42 / 12

HEX #4DE083

RGB 77 224 131

HSL 142.04, 0.7%, 0.59%

LAB 79.91, -59.14, 34.36

 

CMYK 42 / 66 / 0 / 12

HEX #834DE0

RGB 131 77 224

HSL 262.04, 0.7%, 0.59%

LAB 46.33, 53.68, -66.91

 

CMYK 0 / 41 / 65 / 13

HEX #DF834D

RGB 223 131 77

HSL 22.19, 0.7%, 0.59%

LAB 63.72, 30.73, 43.78

 

CMYK 37 / 0 / 66 / 12

HEX #8DE04D

RGB 141 224 77

HSL 93.88, 0.7%, 0.59%

LAB 81.57, -49.08, 61.7

 

CMYK 66 / 24 / 0 / 12

HEX #4DAAE0

RGB 77 170 224

HSL 202.04, 0.7%, 0.59%

LAB 66.3, -10.96, -35.35

 

CMYK 29 / 66 / 0 / 12

HEX #A04DE0

RGB 160 77 224

HSL 273.88, 0.7%, 0.59%

LAB 49.69, 59.55, -61.31

 

CMYK 0 / 41 / 65 / 13

HEX #DF834D

RGB 223 131 77

HSL 22.19, 0.7%, 0.59%

LAB 63.72, 30.73, 43.78

 

CMYK 57 / 0 / 66 / 12

HEX #61E04D

RGB 97 224 77

HSL 111.84, 0.7%, 0.59%

LAB 79.83, -61.92, 59.32

 

CMYK 66 / 24 / 0 / 12

HEX #4DAAE0

RGB 77 170 224

HSL 202.04, 0.7%, 0.59%

LAB 66.3, -10.96, -35.35

 

CMYK 9 / 66 / 0 / 12

HEX #CC4DE0

RGB 204 77 224

HSL 291.84, 0.7%, 0.59%

LAB 55.61, 69.15, -51.5

 

Description

Color code: HEX #DF834D4C | qconv.com Color code: HEX #DF834D4C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 131 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 131 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 20 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 20% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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