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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF8149CE it is the complementary color #207EB6CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF8149CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF8149CE shade: #E48144CE, #F59357CE, #FFA56ACE, #FFB77DCE and #FFC990CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF8149CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF8149CE shade: #DF8149CE, #CE6F36CE, #BD5D23CE, #AC4B10CE and #9B3900CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF8149CE shade: #DF8149, #DF5849 and #DF4949

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF8149CE shade: #DF8149, #DFA949, #DFD249, #C4DF49 and #9BDF49

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF8149CE shade matches the following richer shades: #DF8149 and #F07D38

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF8149CE shade: #DF8149, #CE855A, #BC8A6C, #AB8E7D and #9A928E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF8149CE shade: #DF4962, #DF5849, #DF8049, #DFA849 and #DFD049

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF8149CE shade: #B55820, #D86926, #DF8149, #E5996C and #EBB18F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF8149CE shade: #DF8149, #8ADF49 and #494EDF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF8149CE shade: #DF8149, #49DF80 and #8049DF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF8149CE shade: #DF8149, #8ADF49, #49A8DF and #9E49DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF8149CE shade: #DF8149, #5DDF49, #49A8DF and #CB49DF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 54 / 10

HEX #DF8149CE

RGBA 223 129 73 0.81

HSLA 22.4, 0.7%, 0.58%, 0.81

LABA 63.23, 31.55, 45.27, 0.81

 

Complementary color

CMYK 67 / 25 / 0 / 23

HEX #207EB6CE

RGBA 32 126 182 0.81

HSLA 202.4, 0.7%, 0.42%, 0.81

LABA 50.22, -6.52, -36.95, 0.81

 

CMYK 0 / 35 / 57 / 9

HEX #E48144CE

RGBA 228 129 68 0.81

HSLA 22.88, 0.75%, 0.58%, 0.81

LABA 63.85, 33.29, 48.62, 0.81

 

CMYK 0 / 32 / 52 / 3

HEX #F59357CE

RGBA 245 147 87 0.81

HSLA 22.78, 0.89%, 0.65%, 0.81

LABA 70.15, 31.76, 46.88, 0.81

 

CMYK 0 / 29 / 47 / 0

HEX #FFA56ACE

RGBA 255 165 106 0.81

HSLA 23.76, 1%, 0.71%, 0.81

LABA 75.58, 27.63, 43.99, 0.81

 

CMYK 0 / 23 / 41 / 0

HEX #FFB77DCE

RGBA 255 183 125 0.81

HSLA 26.77, 1%, 0.75%, 0.81

LABA 79.96, 19.73, 39.69, 0.81

 

CMYK 0 / 17 / 35 / 0

HEX #FFC990CE

RGBA 255 201 144 0.81

HSLA 30.81, 1%, 0.78%, 0.81

LABA 84.51, 12.12, 35.76, 0.81

 

CMYK 0 / 34 / 54 / 10

HEX #DF8149CE

RGBA 223 129 73 0.81

HSLA 22.4, 0.7%, 0.58%, 0.81

LABA 63.23, 31.55, 45.27, 0.81

 

CMYK 0 / 37 / 60 / 16

HEX #CE6F36CE

RGBA 206 111 54 0.81

HSLA 22.5, 0.61%, 0.51%, 0.81

LABA 56.84, 33.17, 47.05, 0.81

 

CMYK 0 / 41 / 66 / 21

HEX #BD5D23CE

RGBA 189 93 35 0.81

HSLA 22.6, 0.69%, 0.44%, 0.81

LABA 50.42, 34.95, 48.67, 0.81

 

CMYK 0 / 46 / 73 / 26

HEX #AC4B10CE

RGBA 172 75 16 0.81

HSLA 22.69, 0.83%, 0.37%, 0.81

LABA 44, 36.88, 49.59, 0.81

 

CMYK 0 / 51 / 81 / 32

HEX #9B3900CE

RGBA 155 57 0 0.81

HSLA 22.06, 1%, 0.3%, 0.81

LABA 37.65, 38.82, 49, 0.81

 

CMYK 0 / 42 / 67 / 13

HEX #DF8149

RGB 223 129 73

HSL 22.4, 0.7%, 0.58%

LAB 63.23, 31.55, 45.27

 

CMYK 0 / 61 / 67 / 13

HEX #DF5849

RGB 223 88 73

HSL 6, 0.7%, 0.58%

LAB 55.22, 51.8, 35.94

 

CMYK 0 / 67 / 67 / 13

HEX #DF4949

RGB 223 73 73

HSL 0, 0.7%, 0.58%

LAB 52.88, 58.11, 33.11

 

CMYK 0 / 42 / 67 / 13

HEX #DF8149

RGB 223 129 73

HSL 22.4, 0.7%, 0.58%

LAB 63.23, 31.55, 45.27

 

CMYK 0 / 24 / 67 / 13

HEX #DFA949

RGB 223 169 73

HSL 38.4, 0.7%, 0.58%

LAB 72.59, 10.2, 55.58

 

CMYK 0 / 6 / 67 / 13

HEX #DFD249

RGB 223 210 73

HSL 54.8, 0.7%, 0.58%

LAB 83.05, -11.1, 66.49

 

CMYK 12 / 0 / 67 / 13

HEX #C4DF49

RGB 196 223 73

HSL 70.8, 0.7%, 0.58%

LAB 84.48, -28.52, 67.28

 

CMYK 30 / 0 / 67 / 13

HEX #9BDF49

RGB 155 223 73

HSL 87.2, 0.7%, 0.58%

LAB 81.96, -44.12, 63.88

 

CMYK 0 / 42 / 67 / 13

HEX #DF8149

RGB 223 129 73

HSL 22.4, 0.7%, 0.58%

LAB 63.23, 31.55, 45.27

 

CMYK 0 / 48 / 77 / 6

HEX #F07D38

RGB 240 125 56

HSL 22.5, 0.86%, 0.58%

LAB 64.55, 39.56, 55.51

 

CMYK 0 / 42 / 67 / 13

HEX #DF8149

RGB 223 129 73

HSL 22.4, 0.7%, 0.58%

LAB 63.23, 31.55, 45.27

 

CMYK 0 / 35 / 56 / 19

HEX #CE855A

RGB 206 133 90

HSL 22.24, 0.54%, 0.58%

LAB 62.2, 23.65, 34.59

 

CMYK 0 / 27 / 43 / 26

HEX #BC8A6C

RGB 188 138 108

HSL 22.5, 0.37%, 0.58%

LAB 61.61, 15.23, 23.53

 

CMYK 0 / 17 / 27 / 33

HEX #AB8E7D

RGB 171 142 125

HSL 22.17, 0.21%, 0.58%

LAB 61.21, 8.28, 13.14

 

CMYK 0 / 5 / 8 / 40

HEX #9A928E

RGB 154 146 142

HSL 20, 0.06%, 0.58%

LAB 61.12, 2.22, 3.16

 

CMYK 0 / 67 / 56 / 13

HEX #DF4962

RGB 223 73 98

HSL 350, 0.7%, 0.58%

LAB 53.31, 59.68, 18.98

 

CMYK 0 / 61 / 67 / 13

HEX #DF5849

RGB 223 88 73

HSL 6, 0.7%, 0.58%

LAB 55.22, 51.8, 35.94

 

CMYK 0 / 43 / 67 / 13

HEX #DF8049

RGB 223 128 73

HSL 22, 0.7%, 0.58%

LAB 63.02, 32.07, 45.02

 

CMYK 0 / 25 / 67 / 13

HEX #DFA849

RGB 223 168 73

HSL 38, 0.7%, 0.58%

LAB 72.34, 10.73, 55.31

 

CMYK 0 / 7 / 67 / 13

HEX #DFD049

RGB 223 208 73

HSL 54, 0.7%, 0.58%

LAB 82.53, -10.1, 65.96

 

CMYK 0 / 51 / 82 / 29

HEX #B55820

RGB 181 88 32

HSL 22.55, 0.7%, 0.42%

LAB 48.14, 34.22, 47.44

 

CMYK 0 / 51 / 82 / 15

HEX #D86926

RGB 216 105 38

HSL 22.58, 0.7%, 0.5%

LAB 56.92, 39.64, 54.82

 

CMYK 0 / 42 / 67 / 13

HEX #DF8149

RGB 223 129 73

HSL 22.4, 0.7%, 0.58%

LAB 63.23, 31.55, 45.27

 

CMYK 0 / 33 / 53 / 10

HEX #E5996C

RGB 229 153 108

HSL 22.31, 0.7%, 0.66%

LAB 69.84, 23.73, 35.15

 

CMYK 0 / 25 / 39 / 8

HEX #EBB18F

RGB 235 177 143

HSL 22.17, 0.7%, 0.74%

LAB 76.73, 16.8, 25.61

 

CMYK 0 / 42 / 67 / 13

HEX #DF8149

RGB 223 129 73

HSL 22.4, 0.7%, 0.58%

LAB 63.23, 31.55, 45.27

 

CMYK 38 / 0 / 67 / 13

HEX #8ADF49

RGB 138 223 73

HSL 94, 0.7%, 0.58%

LAB 81.1, -49.98, 62.73

 

CMYK 67 / 65 / 0 / 13

HEX #494EDF

RGB 73 78 223

HSL 238, 0.7%, 0.58%

LAB 41.52, 43.34, -74.4

 

CMYK 0 / 42 / 67 / 13

HEX #DF8149

RGB 223 129 73

HSL 22.4, 0.7%, 0.58%

LAB 63.23, 31.55, 45.27

 

CMYK 67 / 0 / 43 / 13

HEX #49DF80

RGB 73 223 128

HSL 142, 0.7%, 0.58%

LAB 79.47, -59.98, 35.28

 

CMYK 43 / 67 / 0 / 13

HEX #8049DF

RGB 128 73 223

HSL 262, 0.7%, 0.58%

LAB 45.2, 54.88, -68.21

 

CMYK 0 / 42 / 67 / 13

HEX #DF8149

RGB 223 129 73

HSL 22.4, 0.7%, 0.58%

LAB 63.23, 31.55, 45.27

 

CMYK 38 / 0 / 67 / 13

HEX #8ADF49

RGB 138 223 73

HSL 94, 0.7%, 0.58%

LAB 81.1, -49.98, 62.73

 

CMYK 67 / 25 / 0 / 13

HEX #49A8DF

RGB 73 168 223

HSL 202, 0.7%, 0.58%

LAB 65.55, -10.83, -35.97

 

CMYK 29 / 67 / 0 / 13

HEX #9E49DF

RGB 158 73 223

HSL 274, 0.7%, 0.58%

LAB 48.71, 60.75, -62.34

 

CMYK 0 / 42 / 67 / 13

HEX #DF8149

RGB 223 129 73

HSL 22.4, 0.7%, 0.58%

LAB 63.23, 31.55, 45.27

 

CMYK 58 / 0 / 67 / 13

HEX #5DDF49

RGB 93 223 73

HSL 112, 0.7%, 0.58%

LAB 79.38, -62.89, 60.37

 

CMYK 67 / 25 / 0 / 13

HEX #49A8DF

RGB 73 168 223

HSL 202, 0.7%, 0.58%

LAB 65.55, -10.83, -35.97

 

CMYK 9 / 67 / 0 / 13

HEX #CB49DF

RGB 203 73 223

HSL 292, 0.7%, 0.58%

LAB 54.85, 70.32, -52.15

 

Description

Color code: HEX #DF8149CE | qconv.com Color code: HEX #DF8149CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 129 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 129 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 54 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 54% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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