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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF7F1D it is the complementary color #2080E2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF7F1D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF7F1D shade: #E47F18, #F5912B, #FFA33E, #FFB551 and #FFC764

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF7F1D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF7F1D shade: #DF7F1D, #CE6D0A, #BD5B00, #AC4900 and #9B3700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF7F1D shade: #DD7E1D, #DD4A1D and #DD1D1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF7F1D shade: #DD7E1D, #DDB21D, #D5DD1D, #A1DD1D and #6DDD1D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF7F1D shade matches the following richer shades: #DD7E1D and #F17E09

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF7F1D shade: #DD7E1D, #C97E31, #B57E45, #A17D59 and #8C7D6E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF7F1D shade: #DD1D23, #DD4A1D, #DD7D1D, #DDB01D and #D7DD1D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF7F1D shade: #945413, #B96918, #DD7E1D, #E6923D and #EBA762

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF7F1D shade: #DF7F1D, #56DD1D and #301DDD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF7F1D shade: #DF7F1D, #1DDD7D and #7D1DDD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF7F1D shade: #DF7F1D, #56DD1D, #1D7DDD and #A31DDD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF7F1D shade: #DF7F1D, #1DDD1D, #1D7DDD and #DD1DDD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 87 / 13

HEX #DF7F1D

RGB 223 127 29

HSL 30.31, 0.77%, 0.49%

LAB 62.47, 30.89, 63.1

 

Complementary color

CMYK 86 / 43 / 0 / 11

HEX #2080E2

RGB 32 128 226

HSL 210.31, 0.77%, 0.51%

LAB 53.21, 8.88, -57.22

 

CMYK 0 / 44 / 89 / 11

HEX #E47F18

RGB 228 127 24

HSL 30.29, 0.81%, 0.49%

LAB 63.13, 32.85, 65.31

 

CMYK 0 / 41 / 82 / 4

HEX #F5912B

RGB 245 145 43

HSL 30.3, 0.91%, 0.56%

LAB 69.35, 30.87, 65.42

 

CMYK 0 / 36 / 76 / 0

HEX #FFA33E

RGB 255 163 62

HSL 31.4, 1%, 0.62%

LAB 74.7, 26.23, 63.59

 

CMYK 0 / 29 / 68 / 0

HEX #FFB551

RGB 255 181 81

HSL 34.48, 1%, 0.66%

LAB 78.98, 17.7, 59.88

 

CMYK 0 / 22 / 61 / 0

HEX #FFC764

RGB 255 199 100

HSL 38.32, 1%, 0.7%

LAB 83.46, 9.47, 56.2

 

CMYK 0 / 43 / 87 / 13

HEX #DF7F1D

RGB 223 127 29

HSL 30.31, 0.77%, 0.49%

LAB 62.47, 30.89, 63.1

 

CMYK 0 / 47 / 95 / 19

HEX #CE6D0A

RGB 206 109 10

HSL 30.31, 0.91%, 0.42%

LAB 56.17, 33.02, 62.06

 

CMYK 0 / 52 / 100 / 26

HEX #BD5B00

RGB 189 91 0

HSL 28.89, 1%, 0.37%

LAB 49.86, 35.31, 58.84

 

CMYK 0 / 58 / 100 / 33

HEX #AC4900

RGB 172 73 0

HSL 25.47, 1%, 0.34%

LAB 43.56, 37.65, 53.8

 

CMYK 0 / 65 / 100 / 39

HEX #9B3700

RGB 155 55 0

HSL 21.29, 1%, 0.3%

LAB 37.3, 39.76, 48.82

 

CMYK 0 / 43 / 87 / 13

HEX #DD7E1D

RGB 221 126 29

HSL 30.31, 0.77%, 0.49%

LAB 61.98, 30.59, 62.59

 

CMYK 0 / 67 / 87 / 13

HEX #DD4A1D

RGB 221 74 29

HSL 14.06, 0.77%, 0.49%

LAB 52.24, 55.46, 54.8

 

CMYK 0 / 87 / 87 / 13

HEX #DD1D1D

RGB 221 29 29

HSL 0, 0.77%, 0.49%

LAB 47.42, 68.89, 50.95

 

CMYK 0 / 43 / 87 / 13

HEX #DD7E1D

RGB 221 126 29

HSL 30.31, 0.77%, 0.49%

LAB 61.98, 30.59, 62.59

 

CMYK 0 / 19 / 87 / 13

HEX #DDB21D

RGB 221 178 29

HSL 46.56, 0.77%, 0.49%

LAB 74.38, 2.87, 72.52

 

CMYK 4 / 0 / 87 / 13

HEX #D5DD1D

RGB 213 221 29

HSL 62.5, 0.77%, 0.49%

LAB 84.97, -22.33, 80.74

 

CMYK 27 / 0 / 87 / 13

HEX #A1DD1D

RGB 161 221 29

HSL 78.75, 0.77%, 0.49%

LAB 81.5, -43.15, 76.46

 

CMYK 51 / 0 / 87 / 13

HEX #6DDD1D

RGB 109 221 29

HSL 95, 0.77%, 0.49%

LAB 79.07, -60.57, 73.44

 

CMYK 0 / 43 / 87 / 13

HEX #DD7E1D

RGB 221 126 29

HSL 30.31, 0.77%, 0.49%

LAB 61.98, 30.59, 62.59

 

CMYK 0 / 48 / 96 / 5

HEX #F17E09

RGB 241 126 9

HSL 30.26, 0.93%, 0.49%

LAB 64.68, 38.41, 70.24

 

CMYK 0 / 43 / 87 / 13

HEX #DD7E1D

RGB 221 126 29

HSL 30.31, 0.77%, 0.49%

LAB 61.98, 30.59, 62.59

 

CMYK 0 / 37 / 76 / 21

HEX #C97E31

RGB 201 126 49

HSL 30.39, 0.61%, 0.49%

LAB 59.49, 22.82, 51.86

 

CMYK 0 / 30 / 62 / 29

HEX #B57E45

RGB 181 126 69

HSL 30.54, 0.45%, 0.49%

LAB 57.25, 15.35, 39.05

 

CMYK 0 / 22 / 45 / 37

HEX #A17D59

RGB 161 125 89

HSL 30, 0.29%, 0.49%

LAB 55.04, 9.11, 24.94

 

CMYK 0 / 11 / 21 / 45

HEX #8C7D6E

RGB 140 125 110

HSL 30, 0.12%, 0.49%

LAB 53.35, 3.17, 10.27

 

CMYK 0 / 87 / 84 / 13

HEX #DD1D23

RGB 221 29 35

HSL 358.13, 0.77%, 0.49%

LAB 47.46, 69.01, 48.08

 

CMYK 0 / 67 / 87 / 13

HEX #DD4A1D

RGB 221 74 29

HSL 14.06, 0.77%, 0.49%

LAB 52.24, 55.46, 54.8

 

CMYK 0 / 43 / 87 / 13

HEX #DD7D1D

RGB 221 125 29

HSL 30, 0.77%, 0.49%

LAB 61.76, 31.12, 62.42

 

CMYK 0 / 20 / 87 / 13

HEX #DDB01D

RGB 221 176 29

HSL 45.94, 0.77%, 0.49%

LAB 73.88, 3.93, 72.12

 

CMYK 3 / 0 / 87 / 13

HEX #D7DD1D

RGB 215 221 29

HSL 61.88, 0.77%, 0.49%

LAB 85.12, -21.5, 80.93

 

CMYK 0 / 43 / 87 / 42

HEX #945413

RGB 148 84 19

HSL 30.23, 0.77%, 0.33%

LAB 42.28, 21.96, 45.63

 

CMYK 0 / 43 / 87 / 27

HEX #B96918

RGB 185 105 24

HSL 30.19, 0.77%, 0.41%

LAB 52.38, 26.57, 54.37

 

CMYK 0 / 43 / 87 / 13

HEX #DD7E1D

RGB 221 126 29

HSL 30.31, 0.77%, 0.49%

LAB 61.98, 30.59, 62.59

 

CMYK 0 / 37 / 73 / 10

HEX #E6923D

RGB 230 146 61

HSL 30.18, 0.77%, 0.57%

LAB 67.81, 24.81, 56.14

 

CMYK 0 / 29 / 58 / 8

HEX #EBA762

RGB 235 167 98

HSL 30.22, 0.77%, 0.65%

LAB 73.66, 17.91, 45.2

 

CMYK 0 / 43 / 87 / 13

HEX #DF7F1D

RGB 223 127 29

HSL 30.31, 0.77%, 0.49%

LAB 62.47, 30.89, 63.1

 

CMYK 61 / 0 / 87 / 13

HEX #56DD1D

RGB 86 221 29

HSL 102.19, 0.77%, 0.49%

LAB 78.33, -66.49, 72.51

 

CMYK 78 / 87 / 0 / 13

HEX #301DDD

RGB 48 29 221

HSL 245.94, 0.77%, 0.49%

LAB 31.18, 65.09, -90.39

 

CMYK 0 / 43 / 87 / 13

HEX #DF7F1D

RGB 223 127 29

HSL 30.31, 0.77%, 0.49%

LAB 62.47, 30.89, 63.1

 

CMYK 87 / 0 / 43 / 13

HEX #1DDD7D

RGB 29 221 125

HSL 150, 0.77%, 0.49%

LAB 78.14, -65.11, 34.93

 

CMYK 43 / 87 / 0 / 13

HEX #7D1DDD

RGB 125 29 221

HSL 270, 0.77%, 0.49%

LAB 38.65, 71.17, -77.78

 

CMYK 0 / 43 / 87 / 13

HEX #DF7F1D

RGB 223 127 29

HSL 30.31, 0.77%, 0.49%

LAB 62.47, 30.89, 63.1

 

CMYK 61 / 0 / 87 / 13

HEX #56DD1D

RGB 86 221 29

HSL 102.19, 0.77%, 0.49%

LAB 78.33, -66.49, 72.51

 

CMYK 87 / 43 / 0 / 13

HEX #1D7DDD

RGB 29 125 221

HSL 210, 0.77%, 0.49%

LAB 52.01, 8.62, -56.34

 

CMYK 26 / 87 / 0 / 13

HEX #A31DDD

RGB 163 29 221

HSL 281.88, 0.77%, 0.49%

LAB 44.07, 76.12, -68.7

 

CMYK 0 / 43 / 87 / 13

HEX #DF7F1D

RGB 223 127 29

HSL 30.31, 0.77%, 0.49%

LAB 62.47, 30.89, 63.1

 

CMYK 87 / 0 / 87 / 13

HEX #1DDD1D

RGB 29 221 29

HSL 120, 0.77%, 0.49%

LAB 77.32, -75.24, 71.23

 

CMYK 87 / 43 / 0 / 13

HEX #1D7DDD

RGB 29 125 221

HSL 210, 0.77%, 0.49%

LAB 52.01, 8.62, -56.34

 

CMYK 0 / 87 / 0 / 13

HEX #DD1DDD

RGB 221 29 221

HSL 300, 0.77%, 0.49%

LAB 53.46, 85.35, -53.07

 

Description

Color code: HEX #DF7F1D | qconv.com Color code: HEX #DF7F1D | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 127 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 127 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 87 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 87% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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