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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF7EDB it is the complementary color #208124. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF7EDB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF7EDB shade: #E47ED6, #F590E9, #FFA2FC, #FFB4FF and #FFC6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF7EDB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF7EDB shade: #DF7EDB, #CE6CC8, #BD5AB5, #AC48A2 and #9B368F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF7EDB shade: #DE7CDA, #DE7CC0, #DE7CA6, #DE7C8B and #DE7C7C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF7EDB shade: #DE7CDA, #C87CDE, #AE7CDE, #937CDE and #7C7CDE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF7EDB shade matches the following richer shades: #DE7CDA, #EC6FE6 and #F962F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF7EDB shade: #DE7CDA, #D18ACE, #C497C2, #B7A4B6 and #AAB1AA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF7EDB shade: #AD7CDE, #C87CDE, #DE7CDB, #DE7CC1 and #DE7CA7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF7EDB shade: #CE3AC8, #D65BD1, #DE7CDA, #E79DE4 and #EFBEED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF7EDB shade: #DF7EDB, #DE937C and #7CDEBA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF7EDB shade: #DF7EDB, #DBDE7C and #7CDBDE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF7EDB shade: #DF7EDB, #DE937C, #7CDE80 and #7CC8DE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF7EDB shade: #DF7EDB, #DEB17C, #7CDE80 and #7CAADE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 2 / 13

HEX #DF7EDB

RGB 223 126 219

HSL 302.47, 0.6%, 0.68%

LAB 66.31, 50.67, -31.72

 

Complementary color

CMYK 75 / 0 / 72 / 49

HEX #208124

RGB 32 129 36

HSL 122.47, 0.6%, 0.32%

LAB 47.15, -46.31, 40.66

 

CMYK 0 / 45 / 6 / 11

HEX #E47ED6

RGB 228 126 214

HSL 308.24, 0.65%, 0.69%

LAB 66.73, 51.29, -28.24

 

CMYK 0 / 41 / 5 / 4

HEX #F590E9

RGB 245 144 233

HSL 307.13, 0.83%, 0.76%

LAB 73.05, 50.58, -28.82

 

CMYK 0 / 36 / 1 / 0

HEX #FFA2FC

RGB 255 162 252

HSL 301.94, 1%, 0.82%

LAB 78.54, 47.74, -30.61

 

CMYK 0 / 29 / 0 / 0

HEX #FFB4FF

RGB 255 180 255

HSL 300, 1%, 0.85%

LAB 82.44, 38.96, -26.23

 

CMYK 0 / 22 / 0 / 0

HEX #FFC6FF

RGB 255 198 255

HSL 300, 1%, 0.89%

LAB 86.44, 29.52, -20.16

 

CMYK 0 / 43 / 2 / 13

HEX #DF7EDB

RGB 223 126 219

HSL 302.47, 0.6%, 0.68%

LAB 66.31, 50.67, -31.72

 

CMYK 0 / 48 / 3 / 19

HEX #CE6CC8

RGB 206 108 200

HSL 303.67, 0.5%, 0.62%

LAB 59.9, 51.36, -31.14

 

CMYK 0 / 52 / 4 / 26

HEX #BD5AB5

RGB 189 90 181

HSL 304.85, 0.43%, 0.55%

LAB 53.46, 51.98, -30.45

 

CMYK 0 / 58 / 6 / 33

HEX #AC48A2

RGB 172 72 162

HSL 306, 0.41%, 0.48%

LAB 46.99, 52.44, -29.57

 

CMYK 0 / 65 / 8 / 39

HEX #9B368F

RGB 155 54 143

HSL 307.13, 0.48%, 0.41%

LAB 40.56, 52.59, -28.42

 

CMYK 0 / 44 / 2 / 13

HEX #DE7CDA

RGB 222 124 218

HSL 302.45, 0.6%, 0.68%

LAB 65.75, 51.2, -32.03

 

CMYK 0 / 44 / 14 / 13

HEX #DE7CC0

RGB 222 124 192

HSL 318.37, 0.6%, 0.68%

LAB 64.76, 46.83, -18.98

 

CMYK 0 / 44 / 25 / 13

HEX #DE7CA6

RGB 222 124 166

HSL 334.29, 0.6%, 0.68%

LAB 63.92, 42.95, -5.52

 

CMYK 0 / 44 / 37 / 13

HEX #DE7C8B

RGB 222 124 139

HSL 350.82, 0.6%, 0.68%

LAB 63.18, 39.5, 8.81

 

CMYK 0 / 44 / 44 / 13

HEX #DE7C7C

RGB 222 124 124

HSL 0, 0.6%, 0.68%

LAB 62.84, 37.85, 16.88

 

CMYK 0 / 44 / 2 / 13

HEX #DE7CDA

RGB 222 124 218

HSL 302.45, 0.6%, 0.68%

LAB 65.75, 51.2, -32.03

 

CMYK 10 / 44 / 0 / 13

HEX #C87CDE

RGB 200 124 222

HSL 286.53, 0.6%, 0.68%

LAB 63.32, 45.53, -38.25

 

CMYK 22 / 44 / 0 / 13

HEX #AE7CDE

RGB 174 124 222

HSL 270.61, 0.6%, 0.68%

LAB 60.51, 38.09, -42.86

 

CMYK 34 / 44 / 0 / 13

HEX #937CDE

RGB 147 124 222

HSL 254.08, 0.6%, 0.68%

LAB 57.93, 30.69, -47.09

 

CMYK 44 / 44 / 0 / 13

HEX #7C7CDE

RGB 124 124 222

HSL 240, 0.6%, 0.68%

LAB 56.06, 24.85, -50.18

 

CMYK 0 / 44 / 2 / 13

HEX #DE7CDA

RGB 222 124 218

HSL 302.45, 0.6%, 0.68%

LAB 65.75, 51.2, -32.03

 

CMYK 0 / 53 / 3 / 7

HEX #EC6FE6

RGB 236 111 230

HSL 302.88, 0.77%, 0.68%

LAB 65.68, 63.46, -38.68

 

CMYK 0 / 61 / 2 / 2

HEX #F962F3

RGB 249 98 243

HSL 302.38, 0.93%, 0.68%

LAB 66.02, 74.47, -45.22

 

CMYK 0 / 44 / 2 / 13

HEX #DE7CDA

RGB 222 124 218

HSL 302.45, 0.6%, 0.68%

LAB 65.75, 51.2, -32.03

 

CMYK 0 / 34 / 1 / 18

HEX #D18ACE

RGB 209 138 206

HSL 302.54, 0.44%, 0.68%

LAB 66.66, 37.74, -24.07

 

CMYK 0 / 23 / 1 / 23

HEX #C497C2

RGB 196 151 194

HSL 302.67, 0.28%, 0.68%

LAB 67.85, 24.12, -15.71

 

CMYK 0 / 10 / 1 / 28

HEX #B7A4B6

RGB 183 164 182

HSL 303.16, 0.12%, 0.68%

LAB 69.47, 10.16, -6.74

 

CMYK 4 / 0 / 4 / 31

HEX #AAB1AA

RGB 170 177 170

HSL 120, 0.04%, 0.68%

LAB 71.48, -3.78, 2.72

 

CMYK 22 / 44 / 0 / 13

HEX #AD7CDE

RGB 173 124 222

HSL 270, 0.6%, 0.68%

LAB 60.4, 37.81, -43.03

 

CMYK 10 / 44 / 0 / 13

HEX #C87CDE

RGB 200 124 222

HSL 286.53, 0.6%, 0.68%

LAB 63.32, 45.53, -38.25

 

CMYK 0 / 44 / 1 / 13

HEX #DE7CDB

RGB 222 124 219

HSL 301.84, 0.6%, 0.68%

LAB 65.79, 51.38, -32.52

 

CMYK 0 / 44 / 13 / 13

HEX #DE7CC1

RGB 222 124 193

HSL 317.76, 0.6%, 0.68%

LAB 64.8, 46.99, -19.49

 

CMYK 0 / 44 / 25 / 13

HEX #DE7CA7

RGB 222 124 167

HSL 333.67, 0.6%, 0.68%

LAB 63.95, 43.09, -6.05

 

CMYK 0 / 72 / 3 / 19

HEX #CE3AC8

RGB 206 58 200

HSL 302.43, 0.6%, 0.52%

LAB 52.19, 72.42, -43.23

 

CMYK 0 / 57 / 2 / 16

HEX #D65BD1

RGB 214 91 209

HSL 302.44, 0.6%, 0.6%

LAB 58.4, 63.1, -38.52

 

CMYK 0 / 44 / 2 / 13

HEX #DE7CDA

RGB 222 124 218

HSL 302.45, 0.6%, 0.68%

LAB 65.75, 51.2, -32.03

 

CMYK 0 / 32 / 1 / 9

HEX #E79DE4

RGB 231 157 228

HSL 302.43, 0.61%, 0.76%

LAB 74, 38.63, -24.77

 

CMYK 0 / 21 / 1 / 6

HEX #EFBEED

RGB 239 190 237

HSL 302.45, 0.6%, 0.84%

LAB 82.54, 25.29, -16.62

 

CMYK 0 / 43 / 2 / 13

HEX #DF7EDB

RGB 223 126 219

HSL 302.47, 0.6%, 0.68%

LAB 66.31, 50.67, -31.72

 

CMYK 0 / 34 / 44 / 13

HEX #DE937C

RGB 222 147 124

HSL 14.08, 0.6%, 0.68%

LAB 67.91, 25.68, 23.79

 

CMYK 44 / 0 / 16 / 13

HEX #7CDEBA

RGB 124 222 186

HSL 157.96, 0.6%, 0.68%

LAB 81.88, -37.17, 8.74

 

CMYK 0 / 43 / 2 / 13

HEX #DF7EDB

RGB 223 126 219

HSL 302.47, 0.6%, 0.68%

LAB 66.31, 50.67, -31.72

 

CMYK 1 / 0 / 44 / 13

HEX #DBDE7C

RGB 219 222 124

HSL 61.84, 0.6%, 0.68%

LAB 86.38, -14.85, 47.5

 

CMYK 44 / 1 / 0 / 13

HEX #7CDBDE

RGB 124 219 222

HSL 181.84, 0.6%, 0.68%

LAB 81.96, -27.33, -10.26

 

CMYK 0 / 43 / 2 / 13

HEX #DF7EDB

RGB 223 126 219

HSL 302.47, 0.6%, 0.68%

LAB 66.31, 50.67, -31.72

 

CMYK 0 / 34 / 44 / 13

HEX #DE937C

RGB 222 147 124

HSL 14.08, 0.6%, 0.68%

LAB 67.91, 25.68, 23.79

 

CMYK 44 / 0 / 42 / 13

HEX #7CDE80

RGB 124 222 128

HSL 122.45, 0.6%, 0.68%

LAB 80.79, -47.78, 37.29

 

CMYK 44 / 10 / 0 / 13

HEX #7CC8DE

RGB 124 200 222

HSL 193.47, 0.6%, 0.68%

LAB 76.6, -17.84, -18.3

 

CMYK 0 / 43 / 2 / 13

HEX #DF7EDB

RGB 223 126 219

HSL 302.47, 0.6%, 0.68%

LAB 66.31, 50.67, -31.72

 

CMYK 0 / 20 / 44 / 13

HEX #DEB17C

RGB 222 177 124

HSL 32.45, 0.6%, 0.68%

LAB 75.09, 9.59, 33.29

 

CMYK 44 / 0 / 42 / 13

HEX #7CDE80

RGB 124 222 128

HSL 122.45, 0.6%, 0.68%

LAB 80.79, -47.78, 37.29

 

CMYK 44 / 23 / 0 / 13

HEX #7CAADE

RGB 124 170 222

HSL 211.84, 0.6%, 0.68%

LAB 68.25, -1.8, -31.07

 

Description

Color code: HEX #DF7EDB | qconv.com Color code: HEX #DF7EDB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 126 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 126 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 2 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 2% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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