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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF7D9A it is the complementary color #208265. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF7D9A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF7D9A shade: #E47D95, #F58FA8, #FFA1BB, #FFB3CE and #FFC5E1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF7D9A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF7D9A shade: #DF7D9A, #CE6B87, #BD5974, #AC4761 and #9B354E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF7D9A shade: #DE7C99, #DE7C7F and #DE7C7C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF7D9A shade: #DE7C99, #DE7CB4, #DE7CCE, #D47CDE and #BA7CDE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF7D9A shade matches the following richer shades: #DE7C99, #EC6F94 and #F9628F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF7D9A shade: #DE7C99, #D18A9F, #C497A4, #B7A4AA and #AAB1AF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF7D9A shade: #DE7CCE, #DE7CB4, #DE7C9A, #DE7C80 and #DE937C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF7D9A shade: #CE3A66, #D65B80, #DE7C99, #E79DB3 and #EFBECD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF7D9A shade: #DF7D9A, #DED57C and #7CC1DE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF7D9A shade: #DF7D9A, #9ADE7C and #7C9ADE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF7D9A shade: #DF7D9A, #DED57C, #7CDEC1 and #7C86DE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF7D9A shade: #DF7D9A, #CBDE7C, #7CDEC1 and #907CDE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 31 / 13

HEX #DF7D9A

RGB 223 125 154

HSL 342.24, 0.6%, 0.68%

LAB 63.91, 41.18, 1.31

 

Complementary color

CMYK 75 / 0 / 22 / 49

HEX #208265

RGB 32 130 101

HSL 162.24, 0.6%, 0.32%

LAB 48.53, -35.01, 7.82

 

CMYK 0 / 45 / 35 / 11

HEX #E47D95

RGB 228 125 149

HSL 346.02, 0.66%, 0.69%

LAB 64.43, 42.31, 5

 

CMYK 0 / 42 / 31 / 4

HEX #F58FA8

RGB 245 143 168

HSL 345.29, 0.84%, 0.76%

LAB 70.79, 41.41, 3.76

 

CMYK 0 / 37 / 27 / 0

HEX #FFA1BB

RGB 255 161 187

HSL 343.4, 1%, 0.82%

LAB 76.28, 38.1, 1.36

 

CMYK 0 / 30 / 19 / 0

HEX #FFB3CE

RGB 255 179 206

HSL 338.68, 1%, 0.85%

LAB 80.71, 31.41, -2.49

 

CMYK 0 / 23 / 12 / 0

HEX #FFC5E1

RGB 255 197 225

HSL 331.03, 1%, 0.89%

LAB 85.32, 24.91, -5.9

 

CMYK 0 / 44 / 31 / 13

HEX #DF7D9A

RGB 223 125 154

HSL 342.24, 0.6%, 0.68%

LAB 63.91, 41.18, 1.31

 

CMYK 0 / 48 / 34 / 19

HEX #CE6B87

RGB 206 107 135

HSL 343.03, 0.5%, 0.61%

LAB 57.45, 42.08, 2.6

 

CMYK 0 / 53 / 39 / 26

HEX #BD5974

RGB 189 89 116

HSL 343.8, 0.43%, 0.55%

LAB 50.95, 42.97, 4.11

 

CMYK 0 / 59 / 44 / 33

HEX #AC4761

RGB 172 71 97

HSL 344.55, 0.42%, 0.48%

LAB 44.43, 43.8, 5.94

 

CMYK 0 / 66 / 50 / 39

HEX #9B354E

RGB 155 53 78

HSL 345.29, 0.49%, 0.41%

LAB 37.96, 44.45, 8.24

 

CMYK 0 / 44 / 31 / 13

HEX #DE7C99

RGB 222 124 153

HSL 342.24, 0.6%, 0.68%

LAB 63.54, 41.21, 1.34

 

CMYK 0 / 44 / 43 / 13

HEX #DE7C7F

RGB 222 124 127

HSL 358.16, 0.6%, 0.68%

LAB 62.91, 38.17, 15.26

 

CMYK 0 / 44 / 44 / 13

HEX #DE7C7C

RGB 222 124 124

HSL 0, 0.6%, 0.68%

LAB 62.84, 37.85, 16.88

 

CMYK 0 / 44 / 31 / 13

HEX #DE7C99

RGB 222 124 153

HSL 342.24, 0.6%, 0.68%

LAB 63.54, 41.21, 1.34

 

CMYK 0 / 44 / 19 / 13

HEX #DE7CB4

RGB 222 124 180

HSL 325.71, 0.6%, 0.68%

LAB 64.35, 44.98, -12.82

 

CMYK 0 / 44 / 7 / 13

HEX #DE7CCE

RGB 222 124 206

HSL 309.8, 0.6%, 0.68%

LAB 65.28, 49.13, -26.06

 

CMYK 5 / 44 / 0 / 13

HEX #D47CDE

RGB 212 124 222

HSL 293.88, 0.6%, 0.68%

LAB 64.71, 49.01, -35.97

 

CMYK 16 / 44 / 0 / 13

HEX #BA7CDE

RGB 186 124 222

HSL 277.96, 0.6%, 0.68%

LAB 61.76, 41.5, -40.79

 

CMYK 0 / 44 / 31 / 13

HEX #DE7C99

RGB 222 124 153

HSL 342.24, 0.6%, 0.68%

LAB 63.54, 41.21, 1.34

 

CMYK 0 / 53 / 37 / 7

HEX #EC6F94

RGB 236 111 148

HSL 342.24, 0.77%, 0.68%

LAB 62.79, 51.86, 3.35

 

CMYK 0 / 61 / 43 / 2

HEX #F9628F

RGB 249 98 143

HSL 342.12, 0.93%, 0.68%

LAB 62.39, 61.38, 5.89

 

CMYK 0 / 44 / 31 / 13

HEX #DE7C99

RGB 222 124 153

HSL 342.24, 0.6%, 0.68%

LAB 63.54, 41.21, 1.34

 

CMYK 0 / 34 / 24 / 18

HEX #D18A9F

RGB 209 138 159

HSL 342.25, 0.44%, 0.68%

LAB 65.15, 29.97, 0.08

 

CMYK 0 / 23 / 16 / 23

HEX #C497A4

RGB 196 151 164

HSL 342.67, 0.28%, 0.68%

LAB 66.94, 18.86, -0.29

 

CMYK 0 / 10 / 7 / 28

HEX #B7A4AA

RGB 183 164 170

HSL 341.05, 0.12%, 0.68%

LAB 69.13, 7.96, -0.58

 

CMYK 4 / 0 / 1 / 31

HEX #AAB1AF

RGB 170 177 175

HSL 162.86, 0.04%, 0.68%

LAB 71.61, -2.83, 0.16

 

CMYK 0 / 44 / 7 / 13

HEX #DE7CCE

RGB 222 124 206

HSL 309.8, 0.6%, 0.68%

LAB 65.28, 49.13, -26.06

 

CMYK 0 / 44 / 19 / 13

HEX #DE7CB4

RGB 222 124 180

HSL 325.71, 0.6%, 0.68%

LAB 64.35, 44.98, -12.82

 

CMYK 0 / 44 / 31 / 13

HEX #DE7C9A

RGB 222 124 154

HSL 341.63, 0.6%, 0.68%

LAB 63.57, 41.34, 0.81

 

CMYK 0 / 44 / 42 / 13

HEX #DE7C80

RGB 222 124 128

HSL 357.55, 0.6%, 0.68%

LAB 62.93, 38.27, 14.72

 

CMYK 0 / 34 / 44 / 13

HEX #DE937C

RGB 222 147 124

HSL 14.08, 0.6%, 0.68%

LAB 67.91, 25.68, 23.79

 

CMYK 0 / 72 / 50 / 19

HEX #CE3A66

RGB 206 58 102

HSL 342.16, 0.6%, 0.52%

LAB 48.39, 60.45, 9.31

 

CMYK 0 / 57 / 40 / 16

HEX #D65B80

RGB 214 91 128

HSL 341.95, 0.6%, 0.6%

LAB 55.42, 51.8, 3.92

 

CMYK 0 / 44 / 31 / 13

HEX #DE7C99

RGB 222 124 153

HSL 342.24, 0.6%, 0.68%

LAB 63.54, 41.21, 1.34

 

CMYK 0 / 32 / 23 / 9

HEX #E79DB3

RGB 231 157 179

HSL 342.16, 0.61%, 0.76%

LAB 72.47, 30.61, -0.12

 

CMYK 0 / 21 / 14 / 6

HEX #EFBECD

RGB 239 190 205

HSL 341.63, 0.6%, 0.84%

LAB 81.61, 19.84, -0.82

 

CMYK 0 / 44 / 31 / 13

HEX #DF7D9A

RGB 223 125 154

HSL 342.24, 0.6%, 0.68%

LAB 63.91, 41.18, 1.31

 

CMYK 0 / 4 / 44 / 13

HEX #DED57C

RGB 222 213 124

HSL 54.49, 0.6%, 0.68%

LAB 84.26, -9.16, 44.93

 

CMYK 44 / 13 / 0 / 13

HEX #7CC1DE

RGB 124 193 222

HSL 197.76, 0.6%, 0.68%

LAB 74.63, -14.21, -21.28

 

CMYK 0 / 44 / 31 / 13

HEX #DF7D9A

RGB 223 125 154

HSL 342.24, 0.6%, 0.68%

LAB 63.91, 41.18, 1.31

 

CMYK 31 / 0 / 44 / 13

HEX #9ADE7C

RGB 154 222 124

HSL 101.63, 0.6%, 0.68%

LAB 82.15, -38.95, 41.3

 

CMYK 44 / 31 / 0 / 13

HEX #7C9ADE

RGB 124 154 222

HSL 221.63, 0.6%, 0.68%

LAB 63.89, 7.24, -37.83

 

CMYK 0 / 44 / 31 / 13

HEX #DF7D9A

RGB 223 125 154

HSL 342.24, 0.6%, 0.68%

LAB 63.91, 41.18, 1.31

 

CMYK 0 / 4 / 44 / 13

HEX #DED57C

RGB 222 213 124

HSL 54.49, 0.6%, 0.68%

LAB 84.26, -9.16, 44.93

 

CMYK 44 / 0 / 13 / 13

HEX #7CDEC1

RGB 124 222 193

HSL 162.24, 0.6%, 0.68%

LAB 82.04, -35.64, 5.27

 

CMYK 44 / 40 / 0 / 13

HEX #7C86DE

RGB 124 134 222

HSL 233.88, 0.6%, 0.68%

LAB 58.61, 18.92, -46.13

 

CMYK 0 / 44 / 31 / 13

HEX #DF7D9A

RGB 223 125 154

HSL 342.24, 0.6%, 0.68%

LAB 63.91, 41.18, 1.31

 

CMYK 9 / 0 / 44 / 13

HEX #CBDE7C

RGB 203 222 124

HSL 71.63, 0.6%, 0.68%

LAB 85.2, -21.09, 45.77

 

CMYK 44 / 0 / 13 / 13

HEX #7CDEC1

RGB 124 222 193

HSL 162.24, 0.6%, 0.68%

LAB 82.04, -35.64, 5.27

 

CMYK 35 / 44 / 0 / 13

HEX #907CDE

RGB 144 124 222

HSL 252.24, 0.6%, 0.68%

LAB 57.67, 29.89, -47.52

 

Description

Color code: HEX #DF7D9A | qconv.com Color code: HEX #DF7D9A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 125 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 125 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 31 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 31% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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