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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF7CCC it is the complementary color #208333. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF7CCC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF7CCC shade: #E47CC7, #F58EDA, #FFA0ED, #FFB2FF and #FFC4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF7CCC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF7CCC shade: #DF7CCC, #CE6AB9, #BD58A6, #AC4693 and #9B3480

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF7CCC shade: #DF7CCC, #DF7CB1, #DF7C96 and #DF7C7C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF7CCC shade: #DF7CCC, #D77CDF, #BD7CDF, #A27CDF and #877CDF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF7CCC shade matches the following richer shades: #DF7CCC, #EC6ED4 and #FA61DC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF7CCC shade: #DF7CCC, #D289C4, #C596BC, #B8A3B4 and #AAB0AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF7CCC shade: #BC7CDF, #D77CDF, #DF7CCD, #DF7CB2 and #DF7C98

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF7CCC shade: #CF39B2, #D75ABF, #DF7CCC, #E79DD9 and #EFBEE6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF7CCC shade: #DF7CCC, #DFA27C and #7CDFCA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF7CCC shade: #DF7CCC, #CDDF7C and #7CCDDF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF7CCC shade: #DF7CCC, #DFA27C, #7CDF8E and #7CB9DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF7CCC shade: #DF7CCC, #DFC07C, #7CDF8E and #7C9BDF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 9 / 13

HEX #DF7CCC

RGB 223 124 204

HSL 311.52, 0.61%, 0.68%

LAB 65.33, 49.1, -24.85

 

Complementary color

CMYK 76 / 0 / 61 / 49

HEX #208333

RGB 32 131 51

HSL 131.52, 0.61%, 0.32%

LAB 47.98, -45.3, 34.71

 

CMYK 0 / 46 / 13 / 11

HEX #E47CC7

RGB 228 124 199

HSL 316.73, 0.66%, 0.69%

LAB 65.77, 49.83, -21.31

 

CMYK 0 / 42 / 11 / 4

HEX #F58EDA

RGB 245 142 218

HSL 315.73, 0.84%, 0.76%

LAB 72.11, 49.1, -22.03

 

CMYK 0 / 37 / 7 / 0

HEX #FFA0ED

RGB 255 160 237

HSL 311.37, 1%, 0.81%

LAB 77.59, 46.18, -23.95

 

CMYK 0 / 30 / 0 / 0

HEX #FFB2FF

RGB 255 178 255

HSL 300, 1%, 0.85%

LAB 82.01, 40, -26.89

 

CMYK 0 / 23 / 0 / 0

HEX #FFC4FF

RGB 255 196 255

HSL 300, 1%, 0.88%

LAB 85.99, 30.57, -20.85

 

CMYK 0 / 44 / 9 / 13

HEX #DF7CCC

RGB 223 124 204

HSL 311.52, 0.61%, 0.68%

LAB 65.33, 49.1, -24.85

 

CMYK 0 / 49 / 10 / 19

HEX #CE6AB9

RGB 206 106 185

HSL 312.6, 0.51%, 0.61%

LAB 58.91, 49.8, -24.13

 

CMYK 0 / 53 / 12 / 26

HEX #BD58A6

RGB 189 88 166

HSL 313.66, 0.43%, 0.54%

LAB 52.46, 50.43, -23.27

 

CMYK 0 / 59 / 15 / 33

HEX #AC4693

RGB 172 70 147

HSL 314.71, 0.42%, 0.47%

LAB 45.98, 50.9, -22.19

 

CMYK 0 / 66 / 17 / 39

HEX #9B3480

RGB 155 52 128

HSL 315.73, 0.5%, 0.41%

LAB 39.55, 51.06, -20.79

 

CMYK 0 / 44 / 9 / 13

HEX #DF7CCC

RGB 223 124 204

HSL 311.52, 0.61%, 0.68%

LAB 65.33, 49.1, -24.85

 

CMYK 0 / 44 / 21 / 13

HEX #DF7CB1

RGB 223 124 177

HSL 327.88, 0.61%, 0.68%

LAB 64.39, 44.86, -11.06

 

CMYK 0 / 44 / 33 / 13

HEX #DF7C96

RGB 223 124 150

HSL 344.24, 0.61%, 0.68%

LAB 63.59, 41.19, 3.14

 

CMYK 0 / 44 / 44 / 13

HEX #DF7C7C

RGB 223 124 124

HSL 0, 0.61%, 0.68%

LAB 62.98, 38.23, 17.08

 

CMYK 0 / 44 / 9 / 13

HEX #DF7CCC

RGB 223 124 204

HSL 311.52, 0.61%, 0.68%

LAB 65.33, 49.1, -24.85

 

CMYK 4 / 44 / 0 / 13

HEX #D77CDF

RGB 215 124 223

HSL 295.15, 0.61%, 0.68%

LAB 65.11, 50.06, -35.87

 

CMYK 15 / 44 / 0 / 13

HEX #BD7CDF

RGB 189 124 223

HSL 279.39, 0.61%, 0.68%

LAB 62.14, 42.57, -40.75

 

CMYK 27 / 44 / 0 / 13

HEX #A27CDF

RGB 162 124 223

HSL 263.03, 0.61%, 0.68%

LAB 59.37, 34.98, -45.3

 

CMYK 39 / 44 / 0 / 13

HEX #877CDF

RGB 135 124 223

HSL 246.67, 0.61%, 0.68%

LAB 56.97, 27.85, -49.24

 

CMYK 0 / 44 / 9 / 13

HEX #DF7CCC

RGB 223 124 204

HSL 311.52, 0.61%, 0.68%

LAB 65.33, 49.1, -24.85

 

CMYK 0 / 53 / 10 / 7

HEX #EC6ED4

RGB 236 110 212

HSL 311.43, 0.77%, 0.68%

LAB 64.75, 61, -30.08

 

CMYK 0 / 61 / 12 / 2

HEX #FA61DC

RGB 250 97 220

HSL 311.76, 0.94%, 0.68%

LAB 64.99, 71.59, -34.03

 

CMYK 0 / 44 / 9 / 13

HEX #DF7CCC

RGB 223 124 204

HSL 311.52, 0.61%, 0.68%

LAB 65.33, 49.1, -24.85

 

CMYK 0 / 35 / 7 / 18

HEX #D289C4

RGB 210 137 196

HSL 311.51, 0.45%, 0.68%

LAB 66.2, 36.81, -19.18

 

CMYK 0 / 24 / 5 / 23

HEX #C596BC

RGB 197 150 188

HSL 311.49, 0.29%, 0.68%

LAB 67.51, 23.9, -12.86

 

CMYK 0 / 11 / 2 / 28

HEX #B8A3B4

RGB 184 163 180

HSL 311.43, 0.13%, 0.68%

LAB 69.24, 10.69, -5.96

 

CMYK 3 / 0 / 2 / 31

HEX #AAB0AC

RGB 170 176 172

HSL 140, 0.04%, 0.68%

LAB 71.27, -2.86, 1.3

 

CMYK 16 / 44 / 0 / 13

HEX #BC7CDF

RGB 188 124 223

HSL 278.79, 0.61%, 0.68%

LAB 62.03, 42.28, -40.92

 

CMYK 4 / 44 / 0 / 13

HEX #D77CDF

RGB 215 124 223

HSL 295.15, 0.61%, 0.68%

LAB 65.11, 50.06, -35.87

 

CMYK 0 / 44 / 8 / 13

HEX #DF7CCD

RGB 223 124 205

HSL 310.91, 0.61%, 0.68%

LAB 65.37, 49.27, -25.35

 

CMYK 0 / 44 / 20 / 13

HEX #DF7CB2

RGB 223 124 178

HSL 327.27, 0.61%, 0.68%

LAB 64.42, 45.01, -11.58

 

CMYK 0 / 44 / 32 / 13

HEX #DF7C98

RGB 223 124 152

HSL 343.03, 0.61%, 0.68%

LAB 63.65, 41.44, 2.08

 

CMYK 0 / 72 / 14 / 19

HEX #CF39B2

RGB 207 57 178

HSL 311.6, 0.61%, 0.52%

LAB 51.16, 69.69, -32.08

 

CMYK 0 / 58 / 11 / 16

HEX #D75ABF

RGB 215 90 191

HSL 311.52, 0.61%, 0.6%

LAB 57.58, 60.9, -29.52

 

CMYK 0 / 44 / 9 / 13

HEX #DF7CCC

RGB 223 124 204

HSL 311.52, 0.61%, 0.68%

LAB 65.33, 49.1, -24.85

 

CMYK 0 / 32 / 6 / 9

HEX #E79DD9

RGB 231 157 217

HSL 311.35, 0.61%, 0.76%

LAB 73.62, 36.68, -19.33

 

CMYK 0 / 21 / 4 / 6

HEX #EFBEE6

RGB 239 190 230

HSL 311.02, 0.6%, 0.84%

LAB 82.32, 24.04, -13.19

 

CMYK 0 / 44 / 9 / 13

HEX #DF7CCC

RGB 223 124 204

HSL 311.52, 0.61%, 0.68%

LAB 65.33, 49.1, -24.85

 

CMYK 0 / 27 / 44 / 13

HEX #DFA27C

RGB 223 162 124

HSL 23.03, 0.61%, 0.68%

LAB 71.54, 18.01, 28.65

 

CMYK 44 / 0 / 9 / 13

HEX #7CDFCA

RGB 124 223 202

HSL 167.27, 0.61%, 0.68%

LAB 82.55, -34.06, 1.24

 

CMYK 0 / 44 / 9 / 13

HEX #DF7CCC

RGB 223 124 204

HSL 311.52, 0.61%, 0.68%

LAB 65.33, 49.1, -24.85

 

CMYK 8 / 0 / 44 / 13

HEX #CDDF7C

RGB 205 223 124

HSL 70.91, 0.61%, 0.68%

LAB 85.61, -20.81, 46.31

 

CMYK 44 / 8 / 0 / 13

HEX #7CCDDF

RGB 124 205 223

HSL 190.91, 0.61%, 0.68%

LAB 78.04, -20.12, -16.67

 

CMYK 0 / 44 / 9 / 13

HEX #DF7CCC

RGB 223 124 204

HSL 311.52, 0.61%, 0.68%

LAB 65.33, 49.1, -24.85

 

CMYK 0 / 27 / 44 / 13

HEX #DFA27C

RGB 223 162 124

HSL 23.03, 0.61%, 0.68%

LAB 71.54, 18.01, 28.65

 

CMYK 44 / 0 / 36 / 13

HEX #7CDF8E

RGB 124 223 142

HSL 130.91, 0.61%, 0.68%

LAB 81.3, -46.01, 30.89

 

CMYK 44 / 17 / 0 / 13

HEX #7CB9DF

RGB 124 185 223

HSL 203.03, 0.61%, 0.68%

LAB 72.44, -9.7, -25.18

 

CMYK 0 / 44 / 9 / 13

HEX #DF7CCC

RGB 223 124 204

HSL 311.52, 0.61%, 0.68%

LAB 65.33, 49.1, -24.85

 

CMYK 0 / 14 / 44 / 13

HEX #DFC07C

RGB 223 192 124

HSL 41.21, 0.61%, 0.68%

LAB 78.95, 2.07, 38.27

 

CMYK 44 / 0 / 36 / 13

HEX #7CDF8E

RGB 124 223 142

HSL 130.91, 0.61%, 0.68%

LAB 81.3, -46.01, 30.89

 

CMYK 44 / 30 / 0 / 13

HEX #7C9BDF

RGB 124 155 223

HSL 221.21, 0.61%, 0.68%

LAB 64.21, 6.95, -37.9

 

Description

Color code: HEX #DF7CCC | qconv.com Color code: HEX #DF7CCC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 124 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 124 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 9 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 9% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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