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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF7B0E it is the complementary color #2084F1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF7B0E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF7B0E shade: #E47B09, #F58D1C, #FF9F2F, #FFB142 and #FFC355

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF7B0E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF7B0E shade: #DF7B0E, #CE6900, #BD5700, #AC4500 and #9B3300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF7B0E shade: #DC790E, #DC420E and #DC0E0E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF7B0E shade: #DC790E, #DCB10E, #CFDC0E, #98DC0E and #60DC0E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF7B0E shade matches the following richer shades: #DC790E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF7B0E shade: #DC790E, #C97821, #B67834, #A37747 and #907659

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF7B0E shade: #DC0E11, #DC410E, #DC780E, #DCAF0E and #D2DC0E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF7B0E shade: #8E4E09, #B5640B, #DC790E, #F08E22 and #F3A249

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF7B0E shade: #DF7B0E, #48DC0E and #260EDC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF7B0E shade: #DF7B0E, #0EDC78 and #780EDC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF7B0E shade: #DF7B0E, #48DC0E, #0E71DC and #A20EDC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF7B0E shade: #DF7B0E, #0EDC11, #0E71DC and #DC0ED9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 94 / 13

HEX #DF7B0E

RGB 223 123 14

HSL 31.29, 0.88%, 0.46%

LAB 61.56, 32.73, 66.13

 

Complementary color

CMYK 87 / 45 / 0 / 5

HEX #2084F1

RGB 32 132 241

HSL 211.29, 0.88%, 0.54%

LAB 55.24, 12.12, -62.33

 

CMYK 0 / 46 / 96 / 11

HEX #E47B09

RGB 228 123 9

HSL 31.23, 0.92%, 0.46%

LAB 62.24, 34.72, 67.76

 

CMYK 0 / 42 / 89 / 4

HEX #F58D1C

RGB 245 141 28

HSL 31.24, 0.92%, 0.54%

LAB 68.42, 32.6, 69.27

 

CMYK 0 / 38 / 82 / 0

HEX #FF9F2F

RGB 255 159 47

HSL 32.31, 1%, 0.59%

LAB 73.71, 27.8, 68.33

 

CMYK 0 / 31 / 74 / 0

HEX #FFB142

RGB 255 177 66

HSL 35.24, 1%, 0.63%

LAB 77.93, 19.08, 65.14

 

CMYK 0 / 24 / 67 / 0

HEX #FFC355

RGB 255 195 85

HSL 38.82, 1%, 0.67%

LAB 82.35, 10.63, 61.73

 

CMYK 0 / 45 / 94 / 13

HEX #DF7B0E

RGB 223 123 14

HSL 31.29, 0.88%, 0.46%

LAB 61.56, 32.73, 66.13

 

CMYK 0 / 49 / 100 / 19

HEX #CE6900

RGB 206 105 0

HSL 30.58, 1%, 0.4%

LAB 55.3, 34.99, 63.38

 

CMYK 0 / 54 / 100 / 26

HEX #BD5700

RGB 189 87 0

HSL 27.62, 1%, 0.37%

LAB 49.05, 37.36, 58.37

 

CMYK 0 / 60 / 100 / 33

HEX #AC4500

RGB 172 69 0

HSL 24.07, 1%, 0.34%

LAB 42.8, 39.61, 53.38

 

CMYK 0 / 67 / 100 / 39

HEX #9B3300

RGB 155 51 0

HSL 19.74, 1%, 0.3%

LAB 36.62, 41.57, 48.47

 

CMYK 0 / 45 / 94 / 14

HEX #DC790E

RGB 220 121 14

HSL 31.17, 0.88%, 0.46%

LAB 60.71, 32.55, 65.35

 

CMYK 0 / 70 / 94 / 14

HEX #DC420E

RGB 220 66 14

HSL 15.15, 0.88%, 0.46%

LAB 50.85, 58, 58.82

 

CMYK 0 / 94 / 94 / 14

HEX #DC0E0E

RGB 220 14 14

HSL 0, 0.88%, 0.46%

LAB 46.39, 70.55, 56.15

 

CMYK 0 / 45 / 94 / 14

HEX #DC790E

RGB 220 121 14

HSL 31.17, 0.88%, 0.46%

LAB 60.71, 32.55, 65.35

 

CMYK 0 / 20 / 94 / 14

HEX #DCB10E

RGB 220 177 14

HSL 47.48, 0.88%, 0.46%

LAB 73.99, 2.71, 74.89

 

CMYK 6 / 0 / 94 / 14

HEX #CFDC0E

RGB 207 220 14

HSL 63.79, 0.88%, 0.46%

LAB 84.22, -24.6, 82.1

 

CMYK 31 / 0 / 94 / 14

HEX #98DC0E

RGB 152 220 14

HSL 79.81, 0.88%, 0.46%

LAB 80.68, -46.38, 77.81

 

CMYK 56 / 0 / 94 / 14

HEX #60DC0E

RGB 96 220 14

HSL 96.12, 0.88%, 0.46%

LAB 78.29, -64.12, 74.89

 

CMYK 0 / 45 / 94 / 14

HEX #DC790E

RGB 220 121 14

HSL 31.17, 0.88%, 0.46%

LAB 60.71, 32.55, 65.35

 

CMYK 0 / 45 / 94 / 14

HEX #DC790E

RGB 220 121 14

HSL 31.17, 0.88%, 0.46%

LAB 60.71, 32.55, 65.35

 

CMYK 0 / 40 / 84 / 21

HEX #C97821

RGB 201 120 33

HSL 31.07, 0.72%, 0.46%

LAB 58, 25.5, 56.88

 

CMYK 0 / 34 / 71 / 29

HEX #B67834

RGB 182 120 52

HSL 31.38, 0.56%, 0.46%

LAB 55.71, 18.07, 45.85

 

CMYK 0 / 27 / 56 / 36

HEX #A37747

RGB 163 119 71

HSL 31.3, 0.39%, 0.46%

LAB 53.42, 11.61, 32.91

 

CMYK 0 / 18 / 38 / 44

HEX #907659

RGB 144 118 89

HSL 31.64, 0.24%, 0.46%

LAB 51.39, 5.84, 19.79

 

CMYK 0 / 94 / 92 / 14

HEX #DC0E11

RGB 220 14 17

HSL 359.13, 0.88%, 0.46%

LAB 46.41, 70.58, 55.12

 

CMYK 0 / 70 / 94 / 14

HEX #DC410E

RGB 220 65 14

HSL 14.85, 0.88%, 0.46%

LAB 50.72, 58.37, 58.73

 

CMYK 0 / 45 / 94 / 14

HEX #DC780E

RGB 220 120 14

HSL 30.87, 0.88%, 0.46%

LAB 60.5, 33.07, 65.2

 

CMYK 0 / 20 / 94 / 14

HEX #DCAF0E

RGB 220 175 14

HSL 46.89, 0.88%, 0.46%

LAB 73.49, 3.77, 74.51

 

CMYK 5 / 0 / 94 / 14

HEX #D2DC0E

RGB 210 220 14

HSL 62.91, 0.88%, 0.46%

LAB 84.44, -23.35, 82.37

 

CMYK 0 / 45 / 94 / 44

HEX #8E4E09

RGB 142 78 9

HSL 31.13, 0.88%, 0.3%

LAB 39.95, 22.46, 46.57

 

CMYK 0 / 45 / 94 / 29

HEX #B5640B

RGB 181 100 11

HSL 31.41, 0.89%, 0.38%

LAB 50.64, 27.34, 56.37

 

CMYK 0 / 45 / 94 / 14

HEX #DC790E

RGB 220 121 14

HSL 31.17, 0.88%, 0.46%

LAB 60.71, 32.55, 65.35

 

CMYK 0 / 41 / 86 / 6

HEX #F08E22

RGB 240 142 34

HSL 31.46, 0.87%, 0.54%

LAB 68.01, 30.15, 66.98

 

CMYK 0 / 33 / 70 / 5

HEX #F3A249

RGB 243 162 73

HSL 31.41, 0.88%, 0.62%

LAB 73.14, 22.31, 56.82

 

CMYK 0 / 45 / 94 / 13

HEX #DF7B0E

RGB 223 123 14

HSL 31.29, 0.88%, 0.46%

LAB 61.56, 32.73, 66.13

 

CMYK 67 / 0 / 94 / 14

HEX #48DC0E

RGB 72 220 14

HSL 103.11, 0.88%, 0.46%

LAB 77.64, -69.55, 74.08

 

CMYK 83 / 94 / 0 / 14

HEX #260EDC

RGB 38 14 220

HSL 246.99, 0.88%, 0.46%

LAB 29.14, 68.69, -93.22

 

CMYK 0 / 45 / 94 / 13

HEX #DF7B0E

RGB 223 123 14

HSL 31.29, 0.88%, 0.46%

LAB 61.56, 32.73, 66.13

 

CMYK 94 / 0 / 45 / 14

HEX #0EDC78

RGB 14 220 120

HSL 150.87, 0.88%, 0.46%

LAB 77.66, -66.46, 36.78

 

CMYK 45 / 94 / 0 / 14

HEX #780EDC

RGB 120 14 220

HSL 270.87, 0.88%, 0.46%

LAB 36.88, 73.47, -80.15

 

CMYK 0 / 45 / 94 / 13

HEX #DF7B0E

RGB 223 123 14

HSL 31.29, 0.88%, 0.46%

LAB 61.56, 32.73, 66.13

 

CMYK 67 / 0 / 94 / 14

HEX #48DC0E

RGB 72 220 14

HSL 103.11, 0.88%, 0.46%

LAB 77.64, -69.55, 74.08

 

CMYK 94 / 49 / 0 / 14

HEX #0E71DC

RGB 14 113 220

HSL 211.17, 0.88%, 0.46%

LAB 48.35, 15.01, -61.67

 

CMYK 26 / 94 / 0 / 14

HEX #A20EDC

RGB 162 14 220

HSL 283.11, 0.88%, 0.46%

LAB 43.01, 78.25, -69.87

 

CMYK 0 / 45 / 94 / 13

HEX #DF7B0E

RGB 223 123 14

HSL 31.29, 0.88%, 0.46%

LAB 61.56, 32.73, 66.13

 

CMYK 94 / 0 / 92 / 14

HEX #0EDC11

RGB 14 220 17

HSL 120.87, 0.88%, 0.46%

LAB 76.87, -76.26, 72.77

 

CMYK 94 / 49 / 0 / 14

HEX #0E71DC

RGB 14 113 220

HSL 211.17, 0.88%, 0.46%

LAB 48.35, 15.01, -61.67

 

CMYK 0 / 94 / 1 / 14

HEX #DC0ED9

RGB 220 14 217

HSL 300.87, 0.88%, 0.46%

LAB 52.44, 86.42, -52.44

 

Description

Color code: HEX #DF7B0E | qconv.com Color code: HEX #DF7B0E | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 123 green and 14 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 123 14 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 94 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 94% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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