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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF79DB it is the complementary color #208624. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF79DB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF79DB shade: #E479D6, #F58BE9, #FF9DFC, #FFAFFF and #FFC1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF79DB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF79DB shade: #DF79DB, #CE67C8, #BD55B5, #AC43A2 and #9B318F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF79DB shade: #DE78DA, #DE78BE, #DE78A3, #DE7887 and #DE7878

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF79DB shade: #DE78DA, #C778DE, #AB78DE, #8F78DE and #7878DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF79DB shade matches the following richer shades: #DE78DA, #EC6AE7 and #F95CF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF79DB shade: #DE78DA, #D185CE, #C393C1, #B5A0B5 and #A8AEA8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF79DB shade: #AB78DE, #C678DE, #DE78DB, #DE78BF and #DE78A4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF79DB shade: #CE35C8, #D656D1, #DE78DA, #E699E3 and #EEBAEC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF79DB shade: #DF79DB, #DE8F78 and #78DEB9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF79DB shade: #DF79DB, #DBDE78 and #78DBDE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF79DB shade: #DF79DB, #DE8F78, #78DE7B and #78C6DE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF79DB shade: #DF79DB, #DEAE78, #78DE7B and #78A7DE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 2 / 13

HEX #DF79DB

RGB 223 121 219

HSL 302.35, 0.61%, 0.67%

LAB 65.34, 53.17, -33.22

 

Complementary color

CMYK 76 / 0 / 73 / 47

HEX #208624

RGB 32 134 36

HSL 122.35, 0.61%, 0.33%

LAB 48.86, -48.05, 42.45

 

CMYK 0 / 47 / 6 / 11

HEX #E479D6

RGB 228 121 214

HSL 307.85, 0.66%, 0.68%

LAB 65.77, 53.78, -29.72

 

CMYK 0 / 43 / 5 / 4

HEX #F58BE9

RGB 245 139 233

HSL 306.79, 0.84%, 0.75%

LAB 72.07, 53.08, -30.34

 

CMYK 0 / 38 / 1 / 0

HEX #FF9DFC

RGB 255 157 252

HSL 301.84, 1%, 0.81%

LAB 77.52, 50.28, -32.17

 

CMYK 0 / 31 / 0 / 0

HEX #FFAFFF

RGB 255 175 255

HSL 300, 1%, 0.84%

LAB 81.37, 41.56, -27.87

 

CMYK 0 / 24 / 0 / 0

HEX #FFC1FF

RGB 255 193 255

HSL 300, 1%, 0.88%

LAB 85.31, 32.15, -21.87

 

CMYK 0 / 46 / 2 / 13

HEX #DF79DB

RGB 223 121 219

HSL 302.35, 0.61%, 0.67%

LAB 65.34, 53.17, -33.22

 

CMYK 0 / 50 / 3 / 19

HEX #CE67C8

RGB 206 103 200

HSL 303.5, 0.51%, 0.61%

LAB 58.97, 53.82, -32.6

 

CMYK 0 / 55 / 4 / 26

HEX #BD55B5

RGB 189 85 181

HSL 304.62, 0.44%, 0.54%

LAB 52.57, 54.36, -31.84

 

CMYK 0 / 61 / 6 / 33

HEX #AC43A2

RGB 172 67 162

HSL 305.71, 0.44%, 0.47%

LAB 46.17, 54.69, -30.86

 

CMYK 0 / 68 / 8 / 39

HEX #9B318F

RGB 155 49 143

HSL 306.79, 0.52%, 0.4%

LAB 39.83, 54.62, -29.56

 

CMYK 0 / 46 / 2 / 13

HEX #DE78DA

RGB 222 120 218

HSL 302.35, 0.61%, 0.67%

LAB 64.98, 53.2, -33.23

 

CMYK 0 / 46 / 14 / 13

HEX #DE78BE

RGB 222 120 190

HSL 318.82, 0.61%, 0.67%

LAB 63.9, 48.55, -19.16

 

CMYK 0 / 46 / 27 / 13

HEX #DE78A3

RGB 222 120 163

HSL 334.71, 0.61%, 0.67%

LAB 63.02, 44.59, -5.14

 

CMYK 0 / 46 / 39 / 13

HEX #DE7887

RGB 222 120 135

HSL 351.18, 0.61%, 0.67%

LAB 62.26, 41.1, 9.79

 

CMYK 0 / 46 / 46 / 13

HEX #DE7878

RGB 222 120 120

HSL 0, 0.61%, 0.67%

LAB 61.93, 39.52, 17.89

 

CMYK 0 / 46 / 2 / 13

HEX #DE78DA

RGB 222 120 218

HSL 302.35, 0.61%, 0.67%

LAB 64.98, 53.2, -33.23

 

CMYK 10 / 46 / 0 / 13

HEX #C778DE

RGB 199 120 222

HSL 286.47, 0.61%, 0.67%

LAB 62.38, 47.34, -39.72

 

CMYK 23 / 46 / 0 / 13

HEX #AB78DE

RGB 171 120 222

HSL 270, 0.61%, 0.67%

LAB 59.31, 39.47, -44.76

 

CMYK 36 / 46 / 0 / 13

HEX #8F78DE

RGB 143 120 222

HSL 253.53, 0.61%, 0.67%

LAB 56.63, 31.96, -49.18

 

CMYK 46 / 46 / 0 / 13

HEX #7878DE

RGB 120 120 222

HSL 240, 0.61%, 0.67%

LAB 54.76, 26.28, -52.26

 

CMYK 0 / 46 / 2 / 13

HEX #DE78DA

RGB 222 120 218

HSL 302.35, 0.61%, 0.67%

LAB 64.98, 53.2, -33.23

 

CMYK 0 / 55 / 2 / 7

HEX #EC6AE7

RGB 236 106 231

HSL 302.31, 0.77%, 0.67%

LAB 64.89, 65.88, -40.47

 

CMYK 0 / 63 / 2 / 2

HEX #F95CF3

RGB 249 92 243

HSL 302.29, 0.93%, 0.67%

LAB 65.17, 76.81, -46.55

 

CMYK 0 / 46 / 2 / 13

HEX #DE78DA

RGB 222 120 218

HSL 302.35, 0.61%, 0.67%

LAB 64.98, 53.2, -33.23

 

CMYK 0 / 36 / 1 / 18

HEX #D185CE

RGB 209 133 206

HSL 302.37, 0.45%, 0.67%

LAB 65.58, 40.41, -25.73

 

CMYK 0 / 25 / 1 / 24

HEX #C393C1

RGB 195 147 193

HSL 302.5, 0.29%, 0.67%

LAB 66.76, 25.8, -16.8

 

CMYK 0 / 12 / 0 / 29

HEX #B5A0B5

RGB 181 160 181

HSL 300, 0.12%, 0.67%

LAB 68.24, 11.48, -8.02

 

CMYK 3 / 0 / 3 / 32

HEX #A8AEA8

RGB 168 174 168

HSL 120, 0.04%, 0.67%

LAB 70.47, -3.25, 2.33

 

CMYK 23 / 46 / 0 / 13

HEX #AB78DE

RGB 171 120 222

HSL 270, 0.61%, 0.67%

LAB 59.31, 39.47, -44.76

 

CMYK 11 / 46 / 0 / 13

HEX #C678DE

RGB 198 120 222

HSL 285.88, 0.61%, 0.67%

LAB 62.26, 47.06, -39.91

 

CMYK 0 / 46 / 1 / 13

HEX #DE78DB

RGB 222 120 219

HSL 301.76, 0.61%, 0.67%

LAB 65.02, 53.38, -33.72

 

CMYK 0 / 46 / 14 / 13

HEX #DE78BF

RGB 222 120 191

HSL 318.24, 0.61%, 0.67%

LAB 63.94, 48.7, -19.67

 

CMYK 0 / 46 / 26 / 13

HEX #DE78A4

RGB 222 120 164

HSL 334.12, 0.61%, 0.67%

LAB 63.05, 44.72, -5.67

 

CMYK 0 / 74 / 3 / 19

HEX #CE35C8

RGB 206 53 200

HSL 302.35, 0.61%, 0.51%

LAB 51.65, 73.97, -44.09

 

CMYK 0 / 60 / 2 / 16

HEX #D656D1

RGB 214 86 209

HSL 302.34, 0.61%, 0.59%

LAB 57.61, 65.25, -39.75

 

CMYK 0 / 46 / 2 / 13

HEX #DE78DA

RGB 222 120 218

HSL 302.35, 0.61%, 0.67%

LAB 64.98, 53.2, -33.23

 

CMYK 0 / 33 / 1 / 10

HEX #E699E3

RGB 230 153 227

HSL 302.34, 0.61%, 0.75%

LAB 72.99, 40.24, -25.78

 

CMYK 0 / 22 / 1 / 7

HEX #EEBAEC

RGB 238 186 236

HSL 302.31, 0.6%, 0.83%

LAB 81.48, 26.91, -17.68

 

CMYK 0 / 46 / 2 / 13

HEX #DF79DB

RGB 223 121 219

HSL 302.35, 0.61%, 0.67%

LAB 65.34, 53.17, -33.22

 

CMYK 0 / 36 / 46 / 13

HEX #DE8F78

RGB 222 143 120

HSL 13.53, 0.61%, 0.67%

LAB 66.92, 27.41, 24.67

 

CMYK 46 / 0 / 17 / 13

HEX #78DEB9

RGB 120 222 185

HSL 158.24, 0.61%, 0.67%

LAB 81.7, -38.39, 8.98

 

CMYK 0 / 46 / 2 / 13

HEX #DF79DB

RGB 223 121 219

HSL 302.35, 0.61%, 0.67%

LAB 65.34, 53.17, -33.22

 

CMYK 1 / 0 / 46 / 13

HEX #DBDE78

RGB 219 222 120

HSL 61.76, 0.61%, 0.67%

LAB 86.33, -15.24, 49.37

 

CMYK 46 / 1 / 0 / 13

HEX #78DBDE

RGB 120 219 222

HSL 181.76, 0.61%, 0.67%

LAB 81.8, -28.24, -10.51

 

CMYK 0 / 46 / 2 / 13

HEX #DF79DB

RGB 223 121 219

HSL 302.35, 0.61%, 0.67%

LAB 65.34, 53.17, -33.22

 

CMYK 0 / 36 / 46 / 13

HEX #DE8F78

RGB 222 143 120

HSL 13.53, 0.61%, 0.67%

LAB 66.92, 27.41, 24.67

 

CMYK 46 / 0 / 45 / 13

HEX #78DE7B

RGB 120 222 123

HSL 121.76, 0.61%, 0.67%

LAB 80.55, -49.64, 39.44

 

CMYK 46 / 11 / 0 / 13

HEX #78C6DE

RGB 120 198 222

HSL 194.12, 0.61%, 0.67%

LAB 75.86, -17.76, -19.44

 

CMYK 0 / 46 / 2 / 13

HEX #DF79DB

RGB 223 121 219

HSL 302.35, 0.61%, 0.67%

LAB 65.34, 53.17, -33.22

 

CMYK 0 / 22 / 46 / 13

HEX #DEAE78

RGB 222 174 120

HSL 31.76, 0.61%, 0.67%

LAB 74.29, 10.78, 34.35

 

CMYK 46 / 0 / 45 / 13

HEX #78DE7B

RGB 120 222 123

HSL 121.76, 0.61%, 0.67%

LAB 80.55, -49.64, 39.44

 

CMYK 46 / 25 / 0 / 13

HEX #78A7DE

RGB 120 167 222

HSL 212.35, 0.61%, 0.67%

LAB 67.21, -1.12, -32.7

 

Description

Color code: HEX #DF79DB | qconv.com Color code: HEX #DF79DB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 121 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 121 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 2 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 2% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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