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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF79CE it is the complementary color #208631. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF79CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF79CE shade: #E479C9, #F58BDC, #FF9DEF, #FFAFFF and #FFC1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF79CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF79CE shade: #DF79CE, #CE67BB, #BD55A8, #AC4395 and #9B3182

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF79CE shade: #DE78CD, #DE78B1, #DE7896, #DE787A and #DE7878

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF79CE shade: #DE78CD, #D478DE, #B878DE, #9C78DE and #8178DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF79CE shade matches the following richer shades: #DE78CD, #EC6AD6 and #F95CDF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF79CE shade: #DE78CD, #D185C4, #C393BB, #B5A0B2 and #A8AEA9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF79CE shade: #B978DE, #D478DE, #DE78CD, #DE78B2 and #DE7896

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF79CE shade: #CE35B5, #D656C1, #DE78CD, #E699D9 and #EEBAE6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF79CE shade: #DF79CE, #DE9D78 and #78DEC6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF79CE shade: #DF79CE, #CDDE78 and #78CDDE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF79CE shade: #DF79CE, #DE9D78, #78DE89 and #78B9DE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF79CE shade: #DF79CE, #DEBC78, #78DE89 and #789ADE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 8 / 13

HEX #DF79CE

RGB 223 121 206

HSL 310, 0.61%, 0.67%

LAB 64.82, 50.94, -26.76

 

Complementary color

CMYK 76 / 0 / 63 / 47

HEX #208631

RGB 32 134 49

HSL 130, 0.61%, 0.33%

LAB 48.98, -46.63, 36.83

 

CMYK 0 / 47 / 12 / 11

HEX #E479C9

RGB 228 121 201

HSL 315.14, 0.66%, 0.68%

LAB 65.27, 51.65, -23.21

 

CMYK 0 / 43 / 10 / 4

HEX #F58BDC

RGB 245 139 220

HSL 314.15, 0.84%, 0.75%

LAB 71.59, 50.93, -23.93

 

CMYK 0 / 38 / 6 / 0

HEX #FF9DEF

RGB 255 157 239

HSL 309.8, 1%, 0.81%

LAB 77.04, 48.05, -25.87

 

CMYK 0 / 31 / 0 / 0

HEX #FFAFFF

RGB 255 175 255

HSL 300, 1%, 0.84%

LAB 81.37, 41.56, -27.87

 

CMYK 0 / 24 / 0 / 0

HEX #FFC1FF

RGB 255 193 255

HSL 300, 1%, 0.88%

LAB 85.31, 32.15, -21.87

 

CMYK 0 / 46 / 8 / 13

HEX #DF79CE

RGB 223 121 206

HSL 310, 0.61%, 0.67%

LAB 64.82, 50.94, -26.76

 

CMYK 0 / 50 / 9 / 19

HEX #CE67BB

RGB 206 103 187

HSL 311.07, 0.51%, 0.61%

LAB 58.42, 51.62, -26.03

 

CMYK 0 / 55 / 11 / 26

HEX #BD55A8

RGB 189 85 168

HSL 312.12, 0.44%, 0.54%

LAB 52, 52.19, -25.14

 

CMYK 0 / 61 / 13 / 33

HEX #AC4395

RGB 172 67 149

HSL 313.14, 0.44%, 0.47%

LAB 45.57, 52.57, -24.03

 

CMYK 0 / 68 / 16 / 39

HEX #9B3182

RGB 155 49 130

HSL 314.15, 0.52%, 0.4%

LAB 39.2, 52.58, -22.57

 

CMYK 0 / 46 / 8 / 13

HEX #DE78CD

RGB 222 120 205

HSL 310, 0.61%, 0.67%

LAB 64.46, 50.98, -26.76

 

CMYK 0 / 46 / 20 / 13

HEX #DE78B1

RGB 222 120 177

HSL 326.47, 0.61%, 0.67%

LAB 63.46, 46.57, -12.46

 

CMYK 0 / 46 / 32 / 13

HEX #DE7896

RGB 222 120 150

HSL 342.35, 0.61%, 0.67%

LAB 62.65, 42.89, 1.75

 

CMYK 0 / 46 / 45 / 13

HEX #DE787A

RGB 222 120 122

HSL 358.82, 0.61%, 0.67%

LAB 61.97, 39.72, 16.81

 

CMYK 0 / 46 / 46 / 13

HEX #DE7878

RGB 222 120 120

HSL 0, 0.61%, 0.67%

LAB 61.93, 39.52, 17.89

 

CMYK 0 / 46 / 8 / 13

HEX #DE78CD

RGB 222 120 205

HSL 310, 0.61%, 0.67%

LAB 64.46, 50.98, -26.76

 

CMYK 5 / 46 / 0 / 13

HEX #D478DE

RGB 212 120 222

HSL 294.12, 0.61%, 0.67%

LAB 63.92, 51.05, -37.2

 

CMYK 17 / 46 / 0 / 13

HEX #B878DE

RGB 184 120 222

HSL 277.65, 0.61%, 0.67%

LAB 60.69, 43.09, -42.5

 

CMYK 30 / 46 / 0 / 13

HEX #9C78DE

RGB 156 120 222

HSL 261.18, 0.61%, 0.67%

LAB 57.82, 35.38, -47.21

 

CMYK 42 / 46 / 0 / 13

HEX #8178DE

RGB 129 120 222

HSL 245.29, 0.61%, 0.67%

LAB 55.46, 28.43, -51.12

 

CMYK 0 / 46 / 8 / 13

HEX #DE78CD

RGB 222 120 205

HSL 310, 0.61%, 0.67%

LAB 64.46, 50.98, -26.76

 

CMYK 0 / 55 / 9 / 7

HEX #EC6AD6

RGB 236 106 214

HSL 310.15, 0.77%, 0.67%

LAB 64.16, 63.13, -32.12

 

CMYK 0 / 63 / 10 / 2

HEX #F95CDF

RGB 249 92 223

HSL 309.94, 0.93%, 0.67%

LAB 64.26, 73.75, -36.86

 

CMYK 0 / 46 / 8 / 13

HEX #DE78CD

RGB 222 120 205

HSL 310, 0.61%, 0.67%

LAB 64.46, 50.98, -26.76

 

CMYK 0 / 36 / 6 / 18

HEX #D185C4

RGB 209 133 196

HSL 310.26, 0.45%, 0.67%

LAB 65.21, 38.62, -20.69

 

CMYK 0 / 25 / 4 / 24

HEX #C393BB

RGB 195 147 187

HSL 310, 0.29%, 0.67%

LAB 66.56, 24.68, -13.74

 

CMYK 0 / 12 / 2 / 29

HEX #B5A0B2

RGB 181 160 178

HSL 308.57, 0.12%, 0.67%

LAB 68.15, 10.91, -6.49

 

CMYK 3 / 0 / 3 / 32

HEX #A8AEA9

RGB 168 174 169

HSL 130, 0.04%, 0.67%

LAB 70.5, -3.06, 1.82

 

CMYK 17 / 46 / 0 / 13

HEX #B978DE

RGB 185 120 222

HSL 278.24, 0.61%, 0.67%

LAB 60.8, 43.37, -42.32

 

CMYK 5 / 46 / 0 / 13

HEX #D478DE

RGB 212 120 222

HSL 294.12, 0.61%, 0.67%

LAB 63.92, 51.05, -37.2

 

CMYK 0 / 46 / 8 / 13

HEX #DE78CD

RGB 222 120 205

HSL 310, 0.61%, 0.67%

LAB 64.46, 50.98, -26.76

 

CMYK 0 / 46 / 20 / 13

HEX #DE78B2

RGB 222 120 178

HSL 325.88, 0.61%, 0.67%

LAB 63.49, 46.72, -12.98

 

CMYK 0 / 46 / 32 / 13

HEX #DE7896

RGB 222 120 150

HSL 342.35, 0.61%, 0.67%

LAB 62.65, 42.89, 1.75

 

CMYK 0 / 74 / 12 / 19

HEX #CE35B5

RGB 206 53 181

HSL 309.8, 0.61%, 0.51%

LAB 50.69, 71.15, -34.58

 

CMYK 0 / 60 / 10 / 16

HEX #D656C1

RGB 214 86 193

HSL 309.84, 0.61%, 0.59%

LAB 56.88, 62.67, -31.76

 

CMYK 0 / 46 / 8 / 13

HEX #DE78CD

RGB 222 120 205

HSL 310, 0.61%, 0.67%

LAB 64.46, 50.98, -26.76

 

CMYK 0 / 33 / 6 / 10

HEX #E699D9

RGB 230 153 217

HSL 310.13, 0.61%, 0.75%

LAB 72.64, 38.47, -20.83

 

CMYK 0 / 22 / 3 / 7

HEX #EEBAE6

RGB 238 186 230

HSL 309.23, 0.6%, 0.83%

LAB 81.3, 25.83, -14.74

 

CMYK 0 / 46 / 8 / 13

HEX #DF79CE

RGB 223 121 206

HSL 310, 0.61%, 0.67%

LAB 64.82, 50.94, -26.76

 

CMYK 0 / 29 / 46 / 13

HEX #DE9D78

RGB 222 157 120

HSL 21.76, 0.61%, 0.67%

LAB 70.18, 19.89, 28.98

 

CMYK 46 / 0 / 11 / 13

HEX #78DEC6

RGB 120 222 198

HSL 165.88, 0.61%, 0.67%

LAB 82.01, -35.48, 2.55

 

CMYK 0 / 46 / 8 / 13

HEX #DF79CE

RGB 223 121 206

HSL 310, 0.61%, 0.67%

LAB 64.82, 50.94, -26.76

 

CMYK 8 / 0 / 46 / 13

HEX #CDDE78

RGB 205 222 120

HSL 70, 0.61%, 0.67%

LAB 85.29, -20.73, 47.85

 

CMYK 46 / 8 / 0 / 13

HEX #78CDDE

RGB 120 205 222

HSL 190, 0.61%, 0.67%

LAB 77.83, -21.33, -16.46

 

CMYK 0 / 46 / 8 / 13

HEX #DF79CE

RGB 223 121 206

HSL 310, 0.61%, 0.67%

LAB 64.82, 50.94, -26.76

 

CMYK 0 / 29 / 46 / 13

HEX #DE9D78

RGB 222 157 120

HSL 21.76, 0.61%, 0.67%

LAB 70.18, 19.89, 28.98

 

CMYK 46 / 0 / 38 / 13

HEX #78DE89

RGB 120 222 137

HSL 130, 0.61%, 0.67%

LAB 80.76, -47.5, 32.7

 

CMYK 46 / 17 / 0 / 13

HEX #78B9DE

RGB 120 185 222

HSL 201.76, 0.61%, 0.67%

LAB 72.21, -10.95, -25

 

CMYK 0 / 46 / 8 / 13

HEX #DF79CE

RGB 223 121 206

HSL 310, 0.61%, 0.67%

LAB 64.82, 50.94, -26.76

 

CMYK 0 / 15 / 46 / 13

HEX #DEBC78

RGB 222 188 120

HSL 40, 0.61%, 0.67%

LAB 77.79, 3.36, 38.82

 

CMYK 46 / 0 / 38 / 13

HEX #78DE89

RGB 120 222 137

HSL 130, 0.61%, 0.67%

LAB 80.76, -47.5, 32.7

 

CMYK 46 / 31 / 0 / 13

HEX #789ADE

RGB 120 154 222

HSL 220, 0.61%, 0.67%

LAB 63.65, 6.25, -38.22

 

Description

Color code: HEX #DF79CE | qconv.com Color code: HEX #DF79CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 121 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 121 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 8 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 8% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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