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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF79AE it is the complementary color #208651. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF79AE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF79AE shade: #E479A9, #F58BBC, #FF9DCF, #FFAFE2 and #FFC1F5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF79AE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF79AE shade: #DF79AE, #CE679B, #BD5588, #AC4375 and #9B3162

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF79AE shade: #DE78AD, #DE7891 and #DE7878

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF79AE shade: #DE78AD, #DE78C9, #D878DE, #BC78DE and #A178DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF79AE shade matches the following richer shades: #DE78AD, #EC6AAD and #F95CAE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF79AE shade: #DE78AD, #D185AC, #C393AC, #B5A0AB and #A8AEAB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF79AE shade: #D778DE, #DE78CA, #DE78AE, #DE7893 and #DE7878

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF79AE shade: #CE3585, #D65699, #DE78AD, #E699C1 and #EEBAD5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF79AE shade: #DF79AE, #DEBC78 and #78D7DE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF79AE shade: #DF79AE, #AEDE78 and #78AEDE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF79AE shade: #DF79AE, #DEBC78, #78DEA7 and #789ADE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF79AE shade: #DF79AE, #DEDB78, #78DEA7 and #787BDE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 22 / 13

HEX #DF79AE

RGB 223 121 174

HSL 328.82, 0.61%, 0.67%

LAB 63.69, 45.95, -10.4

 

Complementary color

CMYK 76 / 0 / 40 / 47

HEX #208651

RGB 32 134 81

HSL 148.82, 0.61%, 0.33%

LAB 49.44, -41.34, 20.56

 

CMYK 0 / 47 / 26 / 11

HEX #E479A9

RGB 228 121 169

HSL 333.08, 0.66%, 0.68%

LAB 64.19, 46.91, -6.74

 

CMYK 0 / 43 / 23 / 4

HEX #F58BBC

RGB 245 139 188

HSL 332.26, 0.84%, 0.75%

LAB 70.53, 46.1, -7.78

 

CMYK 0 / 38 / 19 / 0

HEX #FF9DCF

RGB 255 157 207

HSL 329.39, 1%, 0.81%

LAB 75.99, 42.99, -10.01

 

CMYK 0 / 31 / 11 / 0

HEX #FFAFE2

RGB 255 175 226

HSL 321.75, 1%, 0.84%

LAB 80.41, 36.61, -13.74

 

CMYK 0 / 24 / 4 / 0

HEX #FFC1F5

RGB 255 193 245

HSL 309.68, 1%, 0.88%

LAB 84.99, 30.37, -17.04

 

CMYK 0 / 46 / 22 / 13

HEX #DF79AE

RGB 223 121 174

HSL 328.82, 0.61%, 0.67%

LAB 63.69, 45.95, -10.4

 

CMYK 0 / 50 / 25 / 19

HEX #CE679B

RGB 206 103 155

HSL 329.71, 0.51%, 0.61%

LAB 57.26, 46.73, -9.33

 

CMYK 0 / 55 / 28 / 26

HEX #BD5588

RGB 189 85 136

HSL 330.58, 0.44%, 0.54%

LAB 50.8, 47.44, -8.06

 

CMYK 0 / 61 / 32 / 33

HEX #AC4375

RGB 172 67 117

HSL 331.43, 0.44%, 0.47%

LAB 44.33, 48.01, -6.5

 

CMYK 0 / 68 / 37 / 39

HEX #9B3162

RGB 155 49 98

HSL 332.26, 0.52%, 0.4%

LAB 37.93, 48.28, -4.51

 

CMYK 0 / 46 / 22 / 13

HEX #DE78AD

RGB 222 120 173

HSL 328.82, 0.61%, 0.67%

LAB 63.33, 45.99, -10.38

 

CMYK 0 / 46 / 35 / 13

HEX #DE7891

RGB 222 120 145

HSL 345.29, 0.61%, 0.67%

LAB 62.51, 42.27, 4.42

 

CMYK 0 / 46 / 46 / 13

HEX #DE7878

RGB 222 120 120

HSL 0, 0.61%, 0.67%

LAB 61.93, 39.52, 17.89

 

CMYK 0 / 46 / 22 / 13

HEX #DE78AD

RGB 222 120 173

HSL 328.82, 0.61%, 0.67%

LAB 63.33, 45.99, -10.38

 

CMYK 0 / 46 / 9 / 13

HEX #DE78C9

RGB 222 120 201

HSL 312.35, 0.61%, 0.67%

LAB 64.31, 50.31, -24.75

 

CMYK 3 / 46 / 0 / 13

HEX #D878DE

RGB 216 120 222

HSL 296.47, 0.61%, 0.67%

LAB 64.41, 52.19, -36.41

 

CMYK 15 / 46 / 0 / 13

HEX #BC78DE

RGB 188 120 222

HSL 280, 0.61%, 0.67%

LAB 61.13, 44.22, -41.77

 

CMYK 27 / 46 / 0 / 13

HEX #A178DE

RGB 161 120 222

HSL 264.12, 0.61%, 0.67%

LAB 58.31, 36.73, -46.42

 

CMYK 0 / 46 / 22 / 13

HEX #DE78AD

RGB 222 120 173

HSL 328.82, 0.61%, 0.67%

LAB 63.33, 45.99, -10.38

 

CMYK 0 / 55 / 27 / 7

HEX #EC6AAD

RGB 236 106 173

HSL 329.08, 0.77%, 0.67%

LAB 62.64, 57.23, -11.21

 

CMYK 0 / 63 / 30 / 2

HEX #F95CAE

RGB 249 92 174

HSL 328.66, 0.93%, 0.67%

LAB 62.38, 67.21, -11.98

 

CMYK 0 / 46 / 22 / 13

HEX #DE78AD

RGB 222 120 173

HSL 328.82, 0.61%, 0.67%

LAB 63.33, 45.99, -10.38

 

CMYK 0 / 36 / 18 / 18

HEX #D185AC

RGB 209 133 172

HSL 329.21, 0.45%, 0.67%

LAB 64.41, 34.63, -8.37

 

CMYK 0 / 25 / 12 / 24

HEX #C393AC

RGB 195 147 172

HSL 328.75, 0.29%, 0.67%

LAB 66.1, 22.03, -6.03

 

CMYK 0 / 12 / 6 / 29

HEX #B5A0AB

RGB 181 160 171

HSL 328.57, 0.12%, 0.67%

LAB 67.95, 9.62, -2.89

 

CMYK 3 / 0 / 2 / 32

HEX #A8AEAB

RGB 168 174 171

HSL 150, 0.04%, 0.67%

LAB 70.55, -2.68, 0.79

 

CMYK 3 / 46 / 0 / 13

HEX #D778DE

RGB 215 120 222

HSL 295.88, 0.61%, 0.67%

LAB 64.29, 51.91, -36.61

 

CMYK 0 / 46 / 9 / 13

HEX #DE78CA

RGB 222 120 202

HSL 311.76, 0.61%, 0.67%

LAB 64.34, 50.48, -25.25

 

CMYK 0 / 46 / 22 / 13

HEX #DE78AE

RGB 222 120 174

HSL 328.24, 0.61%, 0.67%

LAB 63.36, 46.13, -10.9

 

CMYK 0 / 46 / 34 / 13

HEX #DE7893

RGB 222 120 147

HSL 344.12, 0.61%, 0.67%

LAB 62.57, 42.52, 3.35

 

CMYK 0 / 46 / 46 / 13

HEX #DE7878

RGB 222 120 120

HSL 0, 0.61%, 0.67%

LAB 61.93, 39.52, 17.89

 

CMYK 0 / 74 / 35 / 19

HEX #CE3585

RGB 206 53 133

HSL 328.63, 0.61%, 0.51%

LAB 48.71, 65.09, -9.09

 

CMYK 0 / 60 / 29 / 16

HEX #D65699

RGB 214 86 153

HSL 328.59, 0.61%, 0.59%

LAB 55.33, 56.99, -10.93

 

CMYK 0 / 46 / 22 / 13

HEX #DE78AD

RGB 222 120 173

HSL 328.82, 0.61%, 0.67%

LAB 63.33, 45.99, -10.38

 

CMYK 0 / 33 / 16 / 10

HEX #E699C1

RGB 230 153 193

HSL 328.83, 0.61%, 0.75%

LAB 71.86, 34.5, -8.76

 

CMYK 0 / 22 / 11 / 7

HEX #EEBAD5

RGB 238 186 213

HSL 328.85, 0.6%, 0.83%

LAB 80.79, 22.91, -6.34

 

CMYK 0 / 46 / 22 / 13

HEX #DF79AE

RGB 223 121 174

HSL 328.82, 0.61%, 0.67%

LAB 63.69, 45.95, -10.4

 

CMYK 0 / 15 / 46 / 13

HEX #DEBC78

RGB 222 188 120

HSL 40, 0.61%, 0.67%

LAB 77.79, 3.36, 38.82

 

CMYK 46 / 3 / 0 / 13

HEX #78D7DE

RGB 120 215 222

HSL 184.12, 0.61%, 0.67%

LAB 80.67, -26.3, -12.21

 

CMYK 0 / 46 / 22 / 13

HEX #DF79AE

RGB 223 121 174

HSL 328.82, 0.61%, 0.67%

LAB 63.69, 45.95, -10.4

 

CMYK 22 / 0 / 46 / 13

HEX #AEDE78

RGB 174 222 120

HSL 88.24, 0.61%, 0.67%

LAB 83.23, -32.42, 44.85

 

CMYK 46 / 22 / 0 / 13

HEX #78AEDE

RGB 120 174 222

HSL 208.24, 0.61%, 0.67%

LAB 69.14, -5, -29.71

 

CMYK 0 / 46 / 22 / 13

HEX #DF79AE

RGB 223 121 174

HSL 328.82, 0.61%, 0.67%

LAB 63.69, 45.95, -10.4

 

CMYK 0 / 15 / 46 / 13

HEX #DEBC78

RGB 222 188 120

HSL 40, 0.61%, 0.67%

LAB 77.79, 3.36, 38.82

 

CMYK 46 / 0 / 25 / 13

HEX #78DEA7

RGB 120 222 167

HSL 147.65, 0.61%, 0.67%

LAB 81.31, -42.12, 17.92

 

CMYK 46 / 31 / 0 / 13

HEX #789ADE

RGB 120 154 222

HSL 220, 0.61%, 0.67%

LAB 63.65, 6.25, -38.22

 

CMYK 0 / 46 / 22 / 13

HEX #DF79AE

RGB 223 121 174

HSL 328.82, 0.61%, 0.67%

LAB 63.69, 45.95, -10.4

 

CMYK 0 / 1 / 46 / 13

HEX #DEDB78

RGB 222 219 120

HSL 58.24, 0.61%, 0.67%

LAB 85.78, -12.56, 48.75

 

CMYK 46 / 0 / 25 / 13

HEX #78DEA7

RGB 120 222 167

HSL 147.65, 0.61%, 0.67%

LAB 81.31, -42.12, 17.92

 

CMYK 46 / 45 / 0 / 13

HEX #787BDE

RGB 120 123 222

HSL 238.24, 0.61%, 0.67%

LAB 55.52, 24.49, -51.06

 

Description

Color code: HEX #DF79AE | qconv.com Color code: HEX #DF79AE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 121 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 121 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 22 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 22% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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