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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF799C it is the complementary color #208663. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF799C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF799C shade: #E47997, #F58BAA, #FF9DBD, #FFAFD0 and #FFC1E3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF799C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF799C shade: #DF799C, #CE6789, #BD5576, #AC4363 and #9B3150

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF799C shade: #DE789B, #DE787F and #DE7878

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF799C shade: #DE789B, #DE78B6, #DE78D2, #CF78DE and #B378DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF799C shade matches the following richer shades: #DE789B, #EC6A96 and #F95C92

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF799C shade: #DE789B, #D1859F, #C393A3, #B5A0A8 and #A8AEAC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF799C shade: #DE78D2, #DE78B7, #DE789B, #DE7880 and #DE8A78

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF799C shade: #CE356A, #D65682, #DE789B, #E699B3 and #EEBACC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF799C shade: #DF799C, #DECF78 and #78C5DE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF799C shade: #DF799C, #9BDE78 and #789BDE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF799C shade: #DF799C, #DECF78, #78DEBA and #7887DE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF799C shade: #DF799C, #CFDE78, #78DEBA and #8778DE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 30 / 13

HEX #DF799C

RGB 223 121 156

HSL 339.41, 0.61%, 0.67%

LAB 63.15, 43.49, -0.94

 

Complementary color

CMYK 76 / 0 / 26 / 47

HEX #208663

RGB 32 134 99

HSL 159.41, 0.61%, 0.33%

LAB 49.81, -37.27, 10.79

 

CMYK 0 / 47 / 34 / 11

HEX #E47997

RGB 228 121 151

HSL 343.18, 0.66%, 0.68%

LAB 63.67, 44.59, 2.77

 

CMYK 0 / 43 / 31 / 4

HEX #F58BAA

RGB 245 139 170

HSL 342.45, 0.84%, 0.75%

LAB 70.02, 43.7, 1.52

 

CMYK 0 / 38 / 26 / 0

HEX #FF9DBD

RGB 255 157 189

HSL 340.41, 1%, 0.81%

LAB 75.48, 40.44, -0.89

 

CMYK 0 / 31 / 18 / 0

HEX #FFAFD0

RGB 255 175 208

HSL 335.25, 1%, 0.84%

LAB 79.88, 33.81, -4.79

 

CMYK 0 / 24 / 11 / 0

HEX #FFC1E3

RGB 255 193 227

HSL 327.1, 1%, 0.88%

LAB 84.46, 27.34, -8.24

 

CMYK 0 / 46 / 30 / 13

HEX #DF799C

RGB 223 121 156

HSL 339.41, 0.61%, 0.67%

LAB 63.15, 43.49, -0.94

 

CMYK 0 / 50 / 33 / 19

HEX #CE6789

RGB 206 103 137

HSL 340.19, 0.51%, 0.61%

LAB 56.71, 44.35, 0.36

 

CMYK 0 / 55 / 38 / 26

HEX #BD5576

RGB 189 85 118

HSL 340.96, 0.44%, 0.54%

LAB 50.24, 45.18, 1.9

 

CMYK 0 / 61 / 42 / 33

HEX #AC4363

RGB 172 67 99

HSL 341.71, 0.44%, 0.47%

LAB 43.78, 45.91, 3.77

 

CMYK 0 / 68 / 48 / 39

HEX #9B3150

RGB 155 49 80

HSL 342.45, 0.52%, 0.4%

LAB 37.38, 46.36, 6.14

 

CMYK 0 / 46 / 30 / 13

HEX #DE789B

RGB 222 120 155

HSL 339.41, 0.61%, 0.67%

LAB 62.78, 43.52, -0.91

 

CMYK 0 / 46 / 43 / 13

HEX #DE787F

RGB 222 120 127

HSL 355.88, 0.61%, 0.67%

LAB 62.08, 40.23, 14.11

 

CMYK 0 / 46 / 46 / 13

HEX #DE7878

RGB 222 120 120

HSL 0, 0.61%, 0.67%

LAB 61.93, 39.52, 17.89

 

CMYK 0 / 46 / 30 / 13

HEX #DE789B

RGB 222 120 155

HSL 339.41, 0.61%, 0.67%

LAB 62.78, 43.52, -0.91

 

CMYK 0 / 46 / 18 / 13

HEX #DE78B6

RGB 222 120 182

HSL 323.53, 0.61%, 0.67%

LAB 63.62, 47.31, -15.05

 

CMYK 0 / 46 / 5 / 13

HEX #DE78D2

RGB 222 120 210

HSL 307.06, 0.61%, 0.67%

LAB 64.66, 51.82, -29.26

 

CMYK 7 / 46 / 0 / 13

HEX #CF78DE

RGB 207 120 222

HSL 291.18, 0.61%, 0.67%

LAB 63.32, 49.62, -38.19

 

CMYK 19 / 46 / 0 / 13

HEX #B378DE

RGB 179 120 222

HSL 274.71, 0.61%, 0.67%

LAB 60.15, 41.69, -43.38

 

CMYK 0 / 46 / 30 / 13

HEX #DE789B

RGB 222 120 155

HSL 339.41, 0.61%, 0.67%

LAB 62.78, 43.52, -0.91

 

CMYK 0 / 55 / 36 / 7

HEX #EC6A96

RGB 236 106 150

HSL 339.69, 0.77%, 0.67%

LAB 61.95, 54.43, 0.97

 

CMYK 0 / 63 / 41 / 2

HEX #F95C92

RGB 249 92 146

HSL 339.36, 0.93%, 0.67%

LAB 61.54, 64.17, 2.94

 

CMYK 0 / 46 / 30 / 13

HEX #DE789B

RGB 222 120 155

HSL 339.41, 0.61%, 0.67%

LAB 62.78, 43.52, -0.91

 

CMYK 0 / 36 / 24 / 18

HEX #D1859F

RGB 209 133 159

HSL 339.47, 0.45%, 0.67%

LAB 64.03, 32.67, -1.57

 

CMYK 0 / 25 / 16 / 24

HEX #C393A3

RGB 195 147 163

HSL 340, 0.29%, 0.67%

LAB 65.84, 20.54, -1.35

 

CMYK 0 / 12 / 7 / 29

HEX #B5A0A8

RGB 181 160 168

HSL 337.14, 0.12%, 0.67%

LAB 67.87, 9.08, -1.34

 

CMYK 3 / 0 / 1 / 32

HEX #A8AEAC

RGB 168 174 172

HSL 160, 0.04%, 0.67%

LAB 70.58, -2.49, 0.28

 

CMYK 0 / 46 / 5 / 13

HEX #DE78D2

RGB 222 120 210

HSL 307.06, 0.61%, 0.67%

LAB 64.66, 51.82, -29.26

 

CMYK 0 / 46 / 18 / 13

HEX #DE78B7

RGB 222 120 183

HSL 322.94, 0.61%, 0.67%

LAB 63.66, 47.47, -15.57

 

CMYK 0 / 46 / 30 / 13

HEX #DE789B

RGB 222 120 155

HSL 339.41, 0.61%, 0.67%

LAB 62.78, 43.52, -0.91

 

CMYK 0 / 46 / 42 / 13

HEX #DE7880

RGB 222 120 128

HSL 355.29, 0.61%, 0.67%

LAB 62.1, 40.34, 13.57

 

CMYK 0 / 38 / 46 / 13

HEX #DE8A78

RGB 222 138 120

HSL 10.59, 0.61%, 0.67%

LAB 65.8, 30.08, 23.15

 

CMYK 0 / 74 / 49 / 19

HEX #CE356A

RGB 206 53 106

HSL 339.22, 0.61%, 0.51%

LAB 47.89, 62.48, 6.14

 

CMYK 0 / 60 / 39 / 16

HEX #D65682

RGB 214 86 130

HSL 339.38, 0.61%, 0.59%

LAB 54.62, 54.29, 1.58

 

CMYK 0 / 46 / 30 / 13

HEX #DE789B

RGB 222 120 155

HSL 339.41, 0.61%, 0.67%

LAB 62.78, 43.52, -0.91

 

CMYK 0 / 33 / 22 / 10

HEX #E699B3

RGB 230 153 179

HSL 339.74, 0.61%, 0.75%

LAB 71.46, 32.38, -1.6

 

CMYK 0 / 22 / 14 / 7

HEX #EEBACC

RGB 238 186 204

HSL 339.23, 0.6%, 0.83%

LAB 80.55, 21.45, -1.85

 

CMYK 0 / 46 / 30 / 13

HEX #DF799C

RGB 223 121 156

HSL 339.41, 0.61%, 0.67%

LAB 63.15, 43.49, -0.94

 

CMYK 0 / 7 / 46 / 13

HEX #DECF78

RGB 222 207 120

HSL 51.18, 0.61%, 0.67%

LAB 82.65, -6.49, 44.91

 

CMYK 46 / 11 / 0 / 13

HEX #78C5DE

RGB 120 197 222

HSL 194.71, 0.61%, 0.67%

LAB 75.58, -17.25, -19.87

 

CMYK 0 / 46 / 30 / 13

HEX #DF799C

RGB 223 121 156

HSL 339.41, 0.61%, 0.67%

LAB 63.15, 43.49, -0.94

 

CMYK 30 / 0 / 46 / 13

HEX #9BDE78

RGB 155 222 120

HSL 99.41, 0.61%, 0.67%

LAB 82.15, -39.12, 43.27

 

CMYK 46 / 30 / 0 / 13

HEX #789BDE

RGB 120 155 222

HSL 219.41, 0.61%, 0.67%

LAB 63.93, 5.68, -37.8

 

CMYK 0 / 46 / 30 / 13

HEX #DF799C

RGB 223 121 156

HSL 339.41, 0.61%, 0.67%

LAB 63.15, 43.49, -0.94

 

CMYK 0 / 7 / 46 / 13

HEX #DECF78

RGB 222 207 120

HSL 51.18, 0.61%, 0.67%

LAB 82.65, -6.49, 44.91

 

CMYK 46 / 0 / 16 / 13

HEX #78DEBA

RGB 120 222 186

HSL 158.82, 0.61%, 0.67%

LAB 81.72, -38.17, 8.49

 

CMYK 46 / 39 / 0 / 13

HEX #7887DE

RGB 120 135 222

HSL 231.18, 0.61%, 0.67%

LAB 58.6, 17.35, -46.17

 

CMYK 0 / 46 / 30 / 13

HEX #DF799C

RGB 223 121 156

HSL 339.41, 0.61%, 0.67%

LAB 63.15, 43.49, -0.94

 

CMYK 7 / 0 / 46 / 13

HEX #CFDE78

RGB 207 222 120

HSL 68.82, 0.61%, 0.67%

LAB 85.44, -19.95, 48.06

 

CMYK 46 / 0 / 16 / 13

HEX #78DEBA

RGB 120 222 186

HSL 158.82, 0.61%, 0.67%

LAB 81.72, -38.17, 8.49

 

CMYK 39 / 46 / 0 / 13

HEX #8778DE

RGB 135 120 222

HSL 248.82, 0.61%, 0.67%

LAB 55.95, 29.92, -50.31

 

Description

Color code: HEX #DF799C | qconv.com Color code: HEX #DF799C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 121 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 121 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 30 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 30% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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