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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF77C7 it is the complementary color #208838. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF77C7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF77C7 shade: #E477C2, #F589D5, #FF9BE8, #FFADFB and #FFBFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF77C7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF77C7 shade: #DF77C7, #CE65B4, #BD53A1, #AC418E and #9B2F7B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF77C7 shade: #DF77C7, #DF77AB, #DF778F and #DF7777

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF77C7 shade: #DF77C7, #DB77DF, #BF77DF, #A377DF and #8777DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF77C7 shade matches the following richer shades: #DF77C7, #ED69CE and #FA5BD6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF77C7 shade: #DF77C7, #D184C0, #C492B8, #B6A0B1 and #A9ADAA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF77C7 shade: #BE77DF, #DA77DF, #DF77C8, #DF77AD and #DF7791

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF77C7 shade: #CF34AB, #D755B9, #DF77C7, #E798D5 and #EFBAE2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF77C7 shade: #DF77C7, #DFA277 and #77DFCC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF77C7 shade: #DF77C7, #C8DF77 and #77C8DF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF77C7 shade: #DF77C7, #DFA277, #77DF8D and #77B4DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF77C7 shade: #DF77C7, #DFC177, #77DF8D and #7794DF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 11 / 13

HEX #DF77C7

RGB 223 119 199

HSL 313.85, 0.62%, 0.67%

LAB 64.17, 50.79, -23.83

 

Complementary color

CMYK 76 / 0 / 59 / 47

HEX #208838

RGB 32 136 56

HSL 133.85, 0.62%, 0.33%

LAB 49.74, -46.42, 34.3

 

CMYK 0 / 48 / 15 / 11

HEX #E477C2

RGB 228 119 194

HSL 318.72, 0.67%, 0.68%

LAB 64.63, 51.54, -20.24

 

CMYK 0 / 44 / 13 / 4

HEX #F589D5

RGB 245 137 213

HSL 317.78, 0.84%, 0.75%

LAB 70.95, 50.82, -21.04

 

CMYK 0 / 39 / 9 / 0

HEX #FF9BE8

RGB 255 155 232

HSL 313.8, 1%, 0.8%

LAB 76.39, 47.91, -23.06

 

CMYK 0 / 32 / 2 / 0

HEX #FFADFB

RGB 255 173 251

HSL 302.93, 1%, 0.84%

LAB 80.8, 41.89, -26.6

 

CMYK 0 / 25 / 0 / 0

HEX #FFBFFF

RGB 255 191 255

HSL 300, 1%, 0.87%

LAB 84.86, 33.2, -22.55

 

CMYK 0 / 47 / 11 / 13

HEX #DF77C7

RGB 223 119 199

HSL 313.85, 0.62%, 0.67%

LAB 64.17, 50.79, -23.83

 

CMYK 0 / 51 / 13 / 19

HEX #CE65B4

RGB 206 101 180

HSL 314.86, 0.52%, 0.6%

LAB 57.77, 51.46, -23.01

 

CMYK 0 / 56 / 15 / 26

HEX #BD53A1

RGB 189 83 161

HSL 315.85, 0.45%, 0.53%

LAB 51.36, 52.03, -22.02

 

CMYK 0 / 62 / 17 / 33

HEX #AC418E

RGB 172 65 142

HSL 316.82, 0.45%, 0.46%

LAB 44.95, 52.38, -20.78

 

CMYK 0 / 70 / 21 / 39

HEX #9B2F7B

RGB 155 47 123

HSL 317.78, 0.53%, 0.4%

LAB 38.61, 52.34, -19.16

 

CMYK 0 / 47 / 11 / 13

HEX #DF77C7

RGB 223 119 199

HSL 313.85, 0.62%, 0.67%

LAB 64.17, 50.79, -23.83

 

CMYK 0 / 47 / 23 / 13

HEX #DF77AB

RGB 223 119 171

HSL 330, 0.62%, 0.67%

LAB 63.2, 46.54, -9.43

 

CMYK 0 / 47 / 36 / 13

HEX #DF778F

RGB 223 119 143

HSL 346.15, 0.62%, 0.67%

LAB 62.39, 42.89, 5.41

 

CMYK 0 / 47 / 47 / 13

HEX #DF7777

RGB 223 119 119

HSL 0, 0.62%, 0.67%

LAB 61.84, 40.3, 18.36

 

CMYK 0 / 47 / 11 / 13

HEX #DF77C7

RGB 223 119 199

HSL 313.85, 0.62%, 0.67%

LAB 64.17, 50.79, -23.83

 

CMYK 2 / 47 / 0 / 13

HEX #DB77DF

RGB 219 119 223

HSL 297.69, 0.62%, 0.67%

LAB 64.63, 53.73, -36.59

 

CMYK 14 / 47 / 0 / 13

HEX #BF77DF

RGB 191 119 223

HSL 281.54, 0.62%, 0.67%

LAB 61.31, 45.81, -42.03

 

CMYK 27 / 47 / 0 / 13

HEX #A377DF

RGB 163 119 223

HSL 265.38, 0.62%, 0.67%

LAB 58.33, 38.07, -46.93

 

CMYK 39 / 47 / 0 / 13

HEX #8777DF

RGB 135 119 223

HSL 249.23, 0.62%, 0.67%

LAB 55.76, 30.78, -51.17

 

CMYK 0 / 47 / 11 / 13

HEX #DF77C7

RGB 223 119 199

HSL 313.85, 0.62%, 0.67%

LAB 64.17, 50.79, -23.83

 

CMYK 0 / 56 / 13 / 7

HEX #ED69CE

RGB 237 105 206

HSL 314.09, 0.79%, 0.67%

LAB 63.81, 62.62, -28.16

 

CMYK 0 / 64 / 14 / 2

HEX #FA5BD6

RGB 250 91 214

HSL 313.58, 0.94%, 0.67%

LAB 63.89, 73.09, -32.38

 

CMYK 0 / 47 / 11 / 13

HEX #DF77C7

RGB 223 119 199

HSL 313.85, 0.62%, 0.67%

LAB 64.17, 50.79, -23.83

 

CMYK 0 / 37 / 8 / 18

HEX #D184C0

RGB 209 132 192

HSL 313.25, 0.46%, 0.67%

LAB 64.85, 38.46, -18.99

 

CMYK 0 / 26 / 6 / 23

HEX #C492B8

RGB 196 146 184

HSL 314.4, 0.3%, 0.67%

LAB 66.33, 25.04, -12.4

 

CMYK 0 / 12 / 3 / 29

HEX #B6A0B1

RGB 182 160 177

HSL 313.64, 0.13%, 0.67%

LAB 68.21, 11.08, -5.83

 

CMYK 2 / 0 / 2 / 32

HEX #A9ADAA

RGB 169 173 170

HSL 135, 0.02%, 0.67%

LAB 70.33, -1.98, 1.04

 

CMYK 15 / 47 / 0 / 13

HEX #BE77DF

RGB 190 119 223

HSL 280.96, 0.62%, 0.67%

LAB 61.19, 45.53, -42.22

 

CMYK 2 / 47 / 0 / 13

HEX #DA77DF

RGB 218 119 223

HSL 297.12, 0.62%, 0.67%

LAB 64.51, 53.45, -36.79

 

CMYK 0 / 47 / 10 / 13

HEX #DF77C8

RGB 223 119 200

HSL 313.27, 0.62%, 0.67%

LAB 64.2, 50.95, -24.33

 

CMYK 0 / 47 / 22 / 13

HEX #DF77AD

RGB 223 119 173

HSL 328.85, 0.62%, 0.67%

LAB 63.26, 46.82, -10.47

 

CMYK 0 / 47 / 35 / 13

HEX #DF7791

RGB 223 119 145

HSL 345, 0.62%, 0.67%

LAB 62.45, 43.13, 4.34

 

CMYK 0 / 75 / 17 / 19

HEX #CF34AB

RGB 207 52 171

HSL 313.94, 0.62%, 0.51%

LAB 50.29, 70.29, -29.33

 

CMYK 0 / 60 / 14 / 16

HEX #D755B9

RGB 215 85 185

HSL 313.85, 0.62%, 0.59%

LAB 56.53, 62.15, -27.69

 

CMYK 0 / 47 / 11 / 13

HEX #DF77C7

RGB 223 119 199

HSL 313.85, 0.62%, 0.67%

LAB 64.17, 50.79, -23.83

 

CMYK 0 / 34 / 8 / 9

HEX #E798D5

RGB 231 152 213

HSL 313.67, 0.62%, 0.75%

LAB 72.39, 38.64, -18.99

 

CMYK 0 / 22 / 5 / 6

HEX #EFBAE2

RGB 239 186 226

HSL 314.72, 0.62%, 0.83%

LAB 81.27, 25.46, -12.62

 

CMYK 0 / 47 / 11 / 13

HEX #DF77C7

RGB 223 119 199

HSL 313.85, 0.62%, 0.67%

LAB 64.17, 50.79, -23.83

 

CMYK 0 / 27 / 47 / 13

HEX #DFA277

RGB 223 162 119

HSL 24.81, 0.62%, 0.67%

LAB 71.46, 17.51, 31.23

 

CMYK 47 / 0 / 9 / 13

HEX #77DFCC

RGB 119 223 204

HSL 169.04, 0.62%, 0.67%

LAB 82.41, -34.79, -0.06

 

CMYK 0 / 47 / 11 / 13

HEX #DF77C7

RGB 223 119 199

HSL 313.85, 0.62%, 0.67%

LAB 64.17, 50.79, -23.83

 

CMYK 10 / 0 / 47 / 13

HEX #C8DF77

RGB 200 223 119

HSL 73.27, 0.62%, 0.67%

LAB 85.19, -23.25, 48.13

 

CMYK 47 / 10 / 0 / 13

HEX #77C8DF

RGB 119 200 223

HSL 193.27, 0.62%, 0.67%

LAB 76.41, -18.75, -19.15

 

CMYK 0 / 47 / 11 / 13

HEX #DF77C7

RGB 223 119 199

HSL 313.85, 0.62%, 0.67%

LAB 64.17, 50.79, -23.83

 

CMYK 0 / 27 / 47 / 13

HEX #DFA277

RGB 223 162 119

HSL 24.81, 0.62%, 0.67%

LAB 71.46, 17.51, 31.23

 

CMYK 47 / 0 / 37 / 13

HEX #77DF8D

RGB 119 223 141

HSL 132.69, 0.62%, 0.67%

LAB 81.08, -47.54, 31.08

 

CMYK 47 / 19 / 0 / 13

HEX #77B4DF

RGB 119 180 223

HSL 204.81, 0.62%, 0.67%

LAB 70.8, -8.23, -27.71

 

CMYK 0 / 47 / 11 / 13

HEX #DF77C7

RGB 223 119 199

HSL 313.85, 0.62%, 0.67%

LAB 64.17, 50.79, -23.83

 

CMYK 0 / 13 / 47 / 13

HEX #DFC177

RGB 223 193 119

HSL 42.69, 0.62%, 0.67%

LAB 79.13, 1.05, 41.04

 

CMYK 47 / 0 / 37 / 13

HEX #77DF8D

RGB 119 223 141

HSL 132.69, 0.62%, 0.67%

LAB 81.08, -47.54, 31.08

 

CMYK 47 / 34 / 0 / 13

HEX #7794DF

RGB 119 148 223

HSL 223.27, 0.62%, 0.67%

LAB 62.02, 9.77, -41.34

 

Description

Color code: HEX #DF77C7 | qconv.com Color code: HEX #DF77C7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 119 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 119 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 11 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 11% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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