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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF7319 it is the complementary color #208CE6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF7319. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF7319 shade: #E47314, #F58527, #FF973A, #FFA94D and #FFBB60

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF7319. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF7319 shade: #DF7319, #CE6106, #BD4F00, #AC3D00 and #9B2B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF7319 shade: #E17419, #E13E19 and #E11919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF7319 shade: #E17419, #E1AA19, #E1E019, #ACE119 and #76E119

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF7319 shade matches the following richer shades: #E17419 and #F57205

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF7319 shade: #E17419, #CD762D, #B87841, #A47956 and #907B6A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF7319 shade: #E1192A, #E13E19, #E17319, #E1A819 and #E1DE19

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF7319 shade: #974E11, #BC6115, #E17419, #E98A3A and #EDA05F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF7319 shade: #DF7319, #5FE119 and #2319E1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF7319 shade: #DF7319, #19E173 and #7319E1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF7319 shade: #DF7319, #5FE119, #1987E1 and #9B19E1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF7319 shade: #DF7319, #23E119, #1987E1 and #D719E1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 89 / 13

HEX #DF7319

RGB 223 115 25

HSL 27.27, 0.8%, 0.49%

LAB 59.91, 37.03, 62.28

 

Complementary color

CMYK 86 / 39 / 0 / 10

HEX #208CE6

RGB 32 140 230

HSL 207.27, 0.8%, 0.51%

LAB 56.86, 3.11, -53.62

 

CMYK 0 / 50 / 91 / 11

HEX #E47314

RGB 228 115 20

HSL 27.4, 0.84%, 0.49%

LAB 60.61, 38.94, 64.48

 

CMYK 0 / 46 / 84 / 4

HEX #F58527

RGB 245 133 39

HSL 27.38, 0.91%, 0.56%

LAB 66.77, 36.94, 64.6

 

CMYK 0 / 41 / 77 / 0

HEX #FF973A

RGB 255 151 58

HSL 28.32, 1%, 0.61%

LAB 72.03, 32.3, 62.63

 

CMYK 0 / 34 / 70 / 0

HEX #FFA94D

RGB 255 169 77

HSL 31.01, 1%, 0.65%

LAB 76.17, 23.77, 58.67

 

CMYK 0 / 27 / 62 / 0

HEX #FFBB60

RGB 255 187 96

HSL 34.34, 1%, 0.69%

LAB 80.54, 15.45, 54.74

 

CMYK 0 / 48 / 89 / 13

HEX #DF7319

RGB 223 115 25

HSL 27.27, 0.8%, 0.49%

LAB 59.91, 37.03, 62.28

 

CMYK 0 / 53 / 97 / 19

HEX #CE6106

RGB 206 97 6

HSL 27.3, 0.94%, 0.42%

LAB 53.69, 39.14, 61.2

 

CMYK 0 / 58 / 100 / 26

HEX #BD4F00

RGB 189 79 0

HSL 25.08, 1%, 0.37%

LAB 47.51, 41.33, 57.49

 

CMYK 0 / 65 / 100 / 33

HEX #AC3D00

RGB 172 61 0

HSL 21.28, 1%, 0.34%

LAB 41.39, 43.35, 52.63

 

CMYK 0 / 72 / 100 / 39

HEX #9B2B00

RGB 155 43 0

HSL 16.65, 1%, 0.3%

LAB 35.39, 44.91, 47.85

 

CMYK 0 / 48 / 89 / 12

HEX #E17419

RGB 225 116 25

HSL 27.3, 0.8%, 0.49%

LAB 60.4, 37.32, 62.78

 

CMYK 0 / 72 / 89 / 12

HEX #E13E19

RGB 225 62 25

HSL 11.1, 0.8%, 0.49%

LAB 51.29, 61.18, 55.94

 

CMYK 0 / 89 / 89 / 12

HEX #E11919

RGB 225 25 25

HSL 0, 0.8%, 0.49%

LAB 47.97, 70.54, 53.51

 

CMYK 0 / 48 / 89 / 12

HEX #E17419

RGB 225 116 25

HSL 27.3, 0.8%, 0.49%

LAB 60.4, 37.32, 62.78

 

CMYK 0 / 24 / 89 / 12

HEX #E1AA19

RGB 225 170 25

HSL 43.5, 0.8%, 0.49%

LAB 72.78, 8.76, 72.31

 

CMYK 0 / 0 / 89 / 12

HEX #E1E019

RGB 225 224 25

HSL 59.7, 0.8%, 0.49%

LAB 86.7, -18.85, 83.18

 

CMYK 24 / 0 / 89 / 12

HEX #ACE119

RGB 172 225 25

HSL 75.9, 0.8%, 0.49%

LAB 83.28, -40.81, 78.89

 

CMYK 48 / 0 / 89 / 12

HEX #76E119

RGB 118 225 25

HSL 92.1, 0.8%, 0.49%

LAB 80.61, -59.52, 75.6

 

CMYK 0 / 48 / 89 / 12

HEX #E17419

RGB 225 116 25

HSL 27.3, 0.8%, 0.49%

LAB 60.4, 37.32, 62.78

 

CMYK 0 / 53 / 98 / 4

HEX #F57205

RGB 245 114 5

HSL 27.25, 0.96%, 0.49%

LAB 62.89, 45.86, 70.02

 

CMYK 0 / 48 / 89 / 12

HEX #E17419

RGB 225 116 25

HSL 27.3, 0.8%, 0.49%

LAB 60.4, 37.32, 62.78

 

CMYK 0 / 42 / 78 / 20

HEX #CD762D

RGB 205 118 45

HSL 27.38, 0.64%, 0.49%

LAB 58.16, 28.66, 52.46

 

CMYK 0 / 35 / 65 / 28

HEX #B87841

RGB 184 120 65

HSL 27.73, 0.48%, 0.49%

LAB 56.09, 19.71, 39.88

 

CMYK 0 / 26 / 48 / 36

HEX #A47956

RGB 164 121 86

HSL 26.92, 0.31%, 0.49%

LAB 54.28, 12.34, 25.71

 

CMYK 0 / 15 / 26 / 44

HEX #907B6A

RGB 144 123 106

HSL 26.84, 0.15%, 0.49%

LAB 53.1, 5.33, 12.29

 

CMYK 0 / 89 / 81 / 12

HEX #E1192A

RGB 225 25 42

HSL 354.9, 0.8%, 0.49%

LAB 48.1, 70.9, 45.32

 

CMYK 0 / 72 / 89 / 12

HEX #E13E19

RGB 225 62 25

HSL 11.1, 0.8%, 0.49%

LAB 51.29, 61.18, 55.94

 

CMYK 0 / 49 / 89 / 12

HEX #E17319

RGB 225 115 25

HSL 27, 0.8%, 0.49%

LAB 60.19, 37.83, 62.63

 

CMYK 0 / 25 / 89 / 12

HEX #E1A819

RGB 225 168 25

HSL 42.9, 0.8%, 0.49%

LAB 72.28, 9.82, 71.92

 

CMYK 0 / 1 / 89 / 12

HEX #E1DE19

RGB 225 222 25

HSL 59.1, 0.8%, 0.49%

LAB 86.17, -17.87, 82.76

 

CMYK 0 / 48 / 89 / 41

HEX #974E11

RGB 151 78 17

HSL 27.31, 0.8%, 0.33%

LAB 41.32, 26.6, 45.73

 

CMYK 0 / 48 / 89 / 26

HEX #BC6115

RGB 188 97 21

HSL 27.31, 0.8%, 0.41%

LAB 51.03, 32.07, 54.45

 

CMYK 0 / 48 / 89 / 12

HEX #E17419

RGB 225 116 25

HSL 27.3, 0.8%, 0.49%

LAB 60.4, 37.32, 62.78

 

CMYK 0 / 41 / 75 / 9

HEX #E98A3A

RGB 233 138 58

HSL 27.43, 0.8%, 0.57%

LAB 66.37, 30.14, 56.13

 

CMYK 0 / 32 / 60 / 7

HEX #EDA05F

RGB 237 160 95

HSL 27.46, 0.8%, 0.65%

LAB 72.21, 22.23, 45.03

 

CMYK 0 / 48 / 89 / 13

HEX #DF7319

RGB 223 115 25

HSL 27.27, 0.8%, 0.49%

LAB 59.91, 37.03, 62.28

 

CMYK 58 / 0 / 89 / 12

HEX #5FE119

RGB 95 225 25

HSL 99, 0.8%, 0.49%

LAB 79.81, -65.81, 74.6

 

CMYK 84 / 89 / 0 / 12

HEX #2319E1

RGB 35 25 225

HSL 243, 0.8%, 0.49%

LAB 30.61, 67.05, -93.64

 

CMYK 0 / 48 / 89 / 13

HEX #DF7319

RGB 223 115 25

HSL 27.27, 0.8%, 0.49%

LAB 59.91, 37.03, 62.28

 

CMYK 89 / 0 / 49 / 12

HEX #19E173

RGB 25 225 115

HSL 147, 0.8%, 0.49%

LAB 79.21, -68.38, 41.22

 

CMYK 49 / 89 / 0 / 12

HEX #7319E1

RGB 115 25 225

HSL 267, 0.8%, 0.49%

LAB 37.44, 71.98, -82.12

 

CMYK 0 / 48 / 89 / 13

HEX #DF7319

RGB 223 115 25

HSL 27.27, 0.8%, 0.49%

LAB 59.91, 37.03, 62.28

 

CMYK 58 / 0 / 89 / 12

HEX #5FE119

RGB 95 225 25

HSL 99, 0.8%, 0.49%

LAB 79.81, -65.81, 74.6

 

CMYK 89 / 40 / 0 / 12

HEX #1987E1

RGB 25 135 225

HSL 207, 0.8%, 0.49%

LAB 55.04, 3.8, -53.73

 

CMYK 31 / 89 / 0 / 12

HEX #9B19E1

RGB 155 25 225

HSL 279, 0.8%, 0.49%

LAB 42.91, 76.59, -72.92

 

CMYK 0 / 48 / 89 / 13

HEX #DF7319

RGB 223 115 25

HSL 27.27, 0.8%, 0.49%

LAB 59.91, 37.03, 62.28

 

CMYK 84 / 0 / 89 / 12

HEX #23E119

RGB 35 225 25

HSL 117, 0.8%, 0.49%

LAB 78.62, -75.99, 73.12

 

CMYK 89 / 40 / 0 / 12

HEX #1987E1

RGB 25 135 225

HSL 207, 0.8%, 0.49%

LAB 55.04, 3.8, -53.73

 

CMYK 4 / 89 / 0 / 12

HEX #D719E1

RGB 215 25 225

HSL 297, 0.8%, 0.49%

LAB 52.49, 85.53, -56.96

 

Description

Color code: HEX #DF7319 | qconv.com Color code: HEX #DF7319 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 115 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 115 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 89 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 89% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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