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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF71164C it is the complementary color #208EE94C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF71164C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF71164C shade: #E471114C, #F583244C, #FF95374C, #FFA74A4C and #FFB95D4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF71164C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF71164C shade: #DF71164C, #CE5F034C, #BD4D004C, #AC3B004C and #9B29004C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF71164C shade: #DF7116, #DF3B16 and #DF1616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF71164C shade: #DF7116, #DFA716, #DFDD16, #AADF16 and #74DF16

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF71164C shade matches the following richer shades: #DF7116 and #F36F02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF71164C shade: #DF7116, #CB732A, #B7753E, #A37751 and #907865

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF71164C shade: #DF1627, #DF3B16, #DF7016, #DFA616 and #DFDB16

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF71164C shade: #944B0F, #B95E12, #DF7116, #EB8633 and #EF9D59

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF71164C shade: #DF7116, #5CDF16 and #2016DF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF71164C shade: #DF7116, #16DF70 and #7016DF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF71164C shade: #DF7116, #5CDF16, #1684DF and #9916DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF71164C shade: #DF7116, #20DF16, #1684DF and #D516DF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 27 / 4

HEX #DF71164C

RGBA 223 113 22 0.3

HSLA 27.16, 0.82%, 0.48%, 0.3

LABA 59.49, 38, 62.81, 0.3

 

Complementary color

CMYK 26 / 12 / 0 / 3

HEX #208EE94C

RGBA 32 142 233 0.3

HSLA 207.16, 0.82%, 0.52%, 0.3

LABA 57.59, 3.04, -54.11, 0.3

 

CMYK 0 / 15 / 28 / 3

HEX #E471114C

RGBA 228 113 17 0.3

HSLA 27.3, 0.86%, 0.48%, 0.3

LABA 60.2, 39.9, 64.9, 0.3

 

CMYK 0 / 14 / 26 / 1

HEX #F583244C

RGBA 245 131 36 0.3

HSLA 27.27, 0.91%, 0.55%, 0.3

LABA 66.35, 37.88, 65.26, 0.3

 

CMYK 0 / 12 / 24 / 0

HEX #FF95374C

RGBA 255 149 55 0.3

HSLA 28.2, 1%, 0.61%, 0.3

LABA 71.58, 33.22, 63.41, 0.3

 

CMYK 0 / 10 / 21 / 0

HEX #FFA74A4C

RGBA 255 167 74 0.3

HSLA 30.83, 1%, 0.65%, 0.3

LABA 75.69, 24.67, 59.5, 0.3

 

CMYK 0 / 8 / 19 / 0

HEX #FFB95D4C

RGBA 255 185 93 0.3

HSLA 34.07, 1%, 0.68%, 0.3

LABA 80.04, 16.3, 55.58, 0.3

 

CMYK 0 / 15 / 27 / 4

HEX #DF71164C

RGBA 223 113 22 0.3

HSLA 27.16, 0.82%, 0.48%, 0.3

LABA 59.49, 38, 62.81, 0.3

 

CMYK 0 / 16 / 30 / 6

HEX #CE5F034C

RGBA 206 95 3 0.3

HSLA 27.19, 0.97%, 0.41%, 0.3

LABA 53.29, 40.1, 61.57, 0.3

 

CMYK 0 / 18 / 30 / 8

HEX #BD4D004C

RGBA 189 77 0 0.3

HSLA 24.44, 1%, 0.37%, 0.3

LABA 47.14, 42.29, 57.29, 0.3

 

CMYK 0 / 20 / 30 / 10

HEX #AC3B004C

RGBA 172 59 0 0.3

HSLA 20.58, 1%, 0.34%, 0.3

LABA 41.05, 44.24, 52.45, 0.3

 

CMYK 0 / 22 / 30 / 12

HEX #9B29004C

RGBA 155 41 0 0.3

HSLA 15.87, 1%, 0.3%, 0.3

LABA 35.11, 45.69, 47.71, 0.3

 

CMYK 0 / 49 / 90 / 13

HEX #DF7116

RGB 223 113 22

HSL 27.16, 0.82%, 0.48%

LAB 59.49, 38, 62.81

 

CMYK 0 / 74 / 90 / 13

HEX #DF3B16

RGB 223 59 22

HSL 11.04, 0.82%, 0.48%

LAB 50.54, 61.54, 56.34

 

CMYK 0 / 90 / 90 / 13

HEX #DF1616

RGB 223 22 22

HSL 0, 0.82%, 0.48%

LAB 47.39, 70.43, 54.15

 

CMYK 0 / 49 / 90 / 13

HEX #DF7116

RGB 223 113 22

HSL 27.16, 0.82%, 0.48%

LAB 59.49, 38, 62.81

 

CMYK 0 / 25 / 90 / 13

HEX #DFA716

RGB 223 167 22

HSL 43.28, 0.82%, 0.48%

LAB 71.81, 9.43, 72.08

 

CMYK 0 / 1 / 90 / 13

HEX #DFDD16

RGB 223 221 22

HSL 59.4, 0.82%, 0.48%

LAB 85.74, -18.27, 82.81

 

CMYK 24 / 0 / 90 / 13

HEX #AADF16

RGB 170 223 22

HSL 75.82, 0.82%, 0.48%

LAB 82.58, -40.76, 78.74

 

CMYK 48 / 0 / 90 / 13

HEX #74DF16

RGB 116 223 22

HSL 91.94, 0.82%, 0.48%

LAB 79.92, -59.45, 75.47

 

CMYK 0 / 49 / 90 / 13

HEX #DF7116

RGB 223 113 22

HSL 27.16, 0.82%, 0.48%

LAB 59.49, 38, 62.81

 

CMYK 0 / 54 / 99 / 5

HEX #F36F02

RGB 243 111 2

HSL 27.14, 0.98%, 0.48%

LAB 62.02, 46.51, 69.84

 

CMYK 0 / 49 / 90 / 13

HEX #DF7116

RGB 223 113 22

HSL 27.16, 0.82%, 0.48%

LAB 59.49, 38, 62.81

 

CMYK 0 / 43 / 79 / 20

HEX #CB732A

RGB 203 115 42

HSL 27.2, 0.66%, 0.48%

LAB 57.2, 29.32, 52.74

 

CMYK 0 / 36 / 66 / 28

HEX #B7753E

RGB 183 117 62

HSL 27.27, 0.49%, 0.48%

LAB 55.21, 20.75, 40.39

 

CMYK 0 / 27 / 50 / 36

HEX #A37751

RGB 163 119 81

HSL 27.8, 0.34%, 0.48%

LAB 53.57, 12.54, 27.58

 

CMYK 0 / 17 / 30 / 44

HEX #907865

RGB 144 120 101

HSL 26.51, 0.18%, 0.48%

LAB 52.18, 6.31, 13.92

HEX #907865

CMYK 0 / 90 / 83 / 13

HEX #DF1627

RGB 223 22 39

HSL 354.93, 0.82%, 0.48%

LAB 47.51, 70.76, 46.22

 

CMYK 0 / 74 / 90 / 13

HEX #DF3B16

RGB 223 59 22

HSL 11.04, 0.82%, 0.48%

LAB 50.54, 61.54, 56.34

 

CMYK 0 / 50 / 90 / 13

HEX #DF7016

RGB 223 112 22

HSL 26.87, 0.82%, 0.48%

LAB 59.28, 38.51, 62.66

 

CMYK 0 / 26 / 90 / 13

HEX #DFA616

RGB 223 166 22

HSL 42.99, 0.82%, 0.48%

LAB 71.57, 9.97, 71.89

 

CMYK 0 / 2 / 90 / 13

HEX #DFDB16

RGB 223 219 22

HSL 58.81, 0.82%, 0.48%

LAB 85.2, -17.29, 82.4

 

CMYK 0 / 49 / 90 / 42

HEX #944B0F

RGB 148 75 15

HSL 27.07, 0.82%, 0.32%

LAB 40.18, 26.91, 45.32

 

CMYK 0 / 49 / 90 / 27

HEX #B95E12

RGB 185 94 18

HSL 27.31, 0.82%, 0.4%

LAB 49.93, 32.36, 54.33

 

CMYK 0 / 49 / 90 / 13

HEX #DF7116

RGB 223 113 22

HSL 27.16, 0.82%, 0.48%

LAB 59.49, 38, 62.81

 

CMYK 0 / 43 / 78 / 8

HEX #EB8633

RGB 235 134 51

HSL 27.07, 0.82%, 0.56%

LAB 65.71, 32.77, 58.56

 

CMYK 0 / 34 / 63 / 6

HEX #EF9D59

RGB 239 157 89

HSL 27.2, 0.82%, 0.64%

LAB 71.68, 24.22, 47.47

 

CMYK 0 / 49 / 90 / 13

HEX #DF7116

RGB 223 113 22

HSL 27.16, 0.82%, 0.48%

LAB 59.49, 38, 62.81

 

CMYK 59 / 0 / 90 / 13

HEX #5CDF16

RGB 92 223 22

HSL 99.1, 0.82%, 0.48%

LAB 79.1, -65.96, 74.45

 

CMYK 86 / 90 / 0 / 13

HEX #2016DF

RGB 32 22 223

HSL 242.99, 0.82%, 0.48%

LAB 29.93, 67.34, -93.63

 

CMYK 0 / 49 / 90 / 13

HEX #DF7116

RGB 223 113 22

HSL 27.16, 0.82%, 0.48%

LAB 59.49, 38, 62.81

 

CMYK 90 / 0 / 50 / 13

HEX #16DF70

RGB 22 223 112

HSL 146.87, 0.82%, 0.48%

LAB 78.53, -68.38, 41.81

 

CMYK 50 / 90 / 0 / 13

HEX #7016DF

RGB 112 22 223

HSL 266.87, 0.82%, 0.48%

LAB 36.64, 71.91, -82.3

 

CMYK 0 / 49 / 90 / 13

HEX #DF7116

RGB 223 113 22

HSL 27.16, 0.82%, 0.48%

LAB 59.49, 38, 62.81

 

CMYK 59 / 0 / 90 / 13

HEX #5CDF16

RGB 92 223 22

HSL 99.1, 0.82%, 0.48%

LAB 79.1, -65.96, 74.45

 

CMYK 90 / 41 / 0 / 13

HEX #1684DF

RGB 22 132 223

HSL 207.16, 0.82%, 0.48%

LAB 54.03, 4.69, -54.23

 

CMYK 31 / 90 / 0 / 13

HEX #9916DF

RGB 153 22 223

HSL 279.1, 0.82%, 0.48%

LAB 42.27, 76.48, -72.85

 

CMYK 0 / 49 / 90 / 13

HEX #DF7116

RGB 223 113 22

HSL 27.16, 0.82%, 0.48%

LAB 59.49, 38, 62.81

 

CMYK 86 / 0 / 90 / 13

HEX #20DF16

RGB 32 223 22

HSL 117.01, 0.82%, 0.48%

LAB 77.96, -75.79, 73.02

 

CMYK 90 / 41 / 0 / 13

HEX #1684DF

RGB 22 132 223

HSL 207.16, 0.82%, 0.48%

LAB 54.03, 4.69, -54.23

 

CMYK 4 / 90 / 0 / 13

HEX #D516DF

RGB 213 22 223

HSL 297.01, 0.82%, 0.48%

LAB 51.89, 85.3, -56.8

 

Description

Color code: HEX #DF71164C | qconv.com Color code: HEX #DF71164C | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 113 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 113 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 27 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 27% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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