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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF70F0 it is the complementary color #208F0F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF70F0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF70F0 shade: #E470EB, #F582FE, #FF94FF, #FFA6FF and #FFB8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF70F0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF70F0 shade: #DF70F0, #CE5EDD, #BD4CCA, #AC3AB7 and #9B28A4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF70F0 shade: #DF70F0, #F070DE, #F070BC, #F07099 and #F07077

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF70F0 shade: #DF70F0, #BC70F0, #9A70F0, #7770F0 and #7070F0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF70F0 shade matches the following richer shades: #DF70F0 and #E863FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF70F0 shade: #DF70F0, #D67DE3, #CC8AD6, #C396CA and #B9A3BD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF70F0 shade: #9B70F0, #BD70F0, #DF70F0, #F070DF and #F070BD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF70F0 shade: #CE25E8, #D74BEC, #DF70F0, #E795F4 and #F0BBF8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF70F0 shade: #DF70F0, #F07870 and #70F0AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF70F0 shade: #DF70F0, #F0DF70 and #70F0DF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF70F0 shade: #DF70F0, #F07870, #81F070 and #70E7F0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF70F0 shade: #DF70F0, #F09F70, #81F070 and #70C1F0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 53 / 0 / 6

HEX #DF70F0

RGB 223 112 240

HSL 292.03, 0.81%, 0.69%

LAB 64.62, 61.33, -46.01

 

Complementary color

CMYK 78 / 0 / 90 / 44

HEX #208F0F

RGB 32 143 15

HSL 112.03, 0.81%, 0.31%

LAB 51.82, -52.39, 51.83

 

CMYK 3 / 52 / 0 / 8

HEX #E470EB

RGB 228 112 235

HSL 296.59, 0.75%, 0.68%

LAB 65.03, 61.73, -42.55

 

CMYK 4 / 49 / 0 / 0

HEX #F582FE

RGB 245 130 254

HSL 295.65, 0.98%, 0.75%

LAB 71.24, 61.14, -43.1

 

CMYK 0 / 42 / 0 / 0

HEX #FF94FF

RGB 255 148 255

HSL 300, 1%, 0.79%

LAB 75.86, 55.33, -36.36

 

CMYK 0 / 35 / 0 / 0

HEX #FFA6FF

RGB 255 166 255

HSL 300, 1%, 0.83%

LAB 79.47, 46.22, -30.78

 

CMYK 0 / 28 / 0 / 0

HEX #FFB8FF

RGB 255 184 255

HSL 300, 1%, 0.86%

LAB 83.32, 36.87, -24.9

 

CMYK 7 / 53 / 0 / 6

HEX #DF70F0

RGB 223 112 240

HSL 292.03, 0.81%, 0.69%

LAB 64.62, 61.33, -46.01

 

CMYK 7 / 57 / 0 / 13

HEX #CE5EDD

RGB 206 94 221

HSL 292.91, 0.65%, 0.62%

LAB 58.37, 61.82, -45.42

 

CMYK 6 / 62 / 0 / 21

HEX #BD4CCA

RGB 189 76 202

HSL 293.81, 0.54%, 0.55%

LAB 52.12, 62.11, -44.66

 

CMYK 6 / 68 / 0 / 28

HEX #AC3AB7

RGB 172 58 183

HSL 294.72, 0.52%, 0.47%

LAB 45.93, 62.05, -43.63

 

CMYK 5 / 76 / 0 / 36

HEX #9B28A4

RGB 155 40 164

HSL 295.65, 0.61%, 0.4%

LAB 39.86, 61.39, -42.21

 

CMYK 7 / 53 / 0 / 6

HEX #DF70F0

RGB 223 112 240

HSL 292.03, 0.81%, 0.69%

LAB 64.62, 61.33, -46.01

 

CMYK 0 / 53 / 8 / 6

HEX #F070DE

RGB 240 112 222

HSL 308.44, 0.81%, 0.69%

LAB 66.05, 62.78, -33.62

 

CMYK 0 / 53 / 22 / 6

HEX #F070BC

RGB 240 112 188

HSL 324.38, 0.81%, 0.69%

LAB 64.76, 57.69, -16.5

 

CMYK 0 / 53 / 36 / 6

HEX #F07099

RGB 240 112 153

HSL 340.78, 0.81%, 0.69%

LAB 63.68, 53.26, 1.84

 

CMYK 0 / 53 / 50 / 6

HEX #F07077

RGB 240 112 119

HSL 356.72, 0.81%, 0.69%

LAB 62.88, 49.86, 20.18

 

CMYK 7 / 53 / 0 / 6

HEX #DF70F0

RGB 223 112 240

HSL 292.03, 0.81%, 0.69%

LAB 64.62, 61.33, -46.01

 

CMYK 22 / 53 / 0 / 6

HEX #BC70F0

RGB 188 112 240

HSL 275.63, 0.81%, 0.69%

LAB 60.4, 52.31, -52.95

 

CMYK 36 / 53 / 0 / 6

HEX #9A70F0

RGB 154 112 240

HSL 259.69, 0.81%, 0.69%

LAB 56.83, 43.94, -58.86

 

CMYK 50 / 53 / 0 / 6

HEX #7770F0

RGB 119 112 240

HSL 243.28, 0.81%, 0.69%

LAB 53.82, 36.18, -63.86

 

CMYK 53 / 53 / 0 / 6

HEX #7070F0

RGB 112 112 240

HSL 240, 0.81%, 0.69%

LAB 53.3, 34.78, -64.72

 

CMYK 7 / 53 / 0 / 6

HEX #DF70F0

RGB 223 112 240

HSL 292.03, 0.81%, 0.69%

LAB 64.62, 61.33, -46.01

 

CMYK 8 / 61 / 0 / 1

HEX #E863FD

RGB 232 99 253

HSL 291.82, 0.97%, 0.69%

LAB 64.3, 71.72, -53.6

 

CMYK 7 / 53 / 0 / 6

HEX #DF70F0

RGB 223 112 240

HSL 292.03, 0.81%, 0.69%

LAB 64.62, 61.33, -46.01

 

CMYK 6 / 45 / 0 / 11

HEX #D67DE3

RGB 214 125 227

HSL 292.35, 0.65%, 0.69%

LAB 65.36, 50.02, -37.71

 

CMYK 5 / 36 / 0 / 16

HEX #CC8AD6

RGB 204 138 214

HSL 292.11, 0.48%, 0.69%

LAB 66.42, 37.67, -28.94

 

CMYK 3 / 26 / 0 / 21

HEX #C396CA

RGB 195 150 202

HSL 291.92, 0.33%, 0.69%

LAB 67.78, 25.87, -20.26

 

CMYK 2 / 14 / 0 / 26

HEX #B9A3BD

RGB 185 163 189

HSL 290.77, 0.16%, 0.69%

LAB 69.6, 12.75, -10.4

 

CMYK 35 / 53 / 0 / 6

HEX #9B70F0

RGB 155 112 240

HSL 260.16, 0.81%, 0.69%

LAB 56.93, 44.18, -58.7

 

CMYK 21 / 53 / 0 / 6

HEX #BD70F0

RGB 189 112 240

HSL 276.09, 0.81%, 0.69%

LAB 60.51, 52.57, -52.76

 

CMYK 7 / 53 / 0 / 6

HEX #DF70F0

RGB 223 112 240

HSL 292.03, 0.81%, 0.69%

LAB 64.62, 61.33, -46.01

 

CMYK 0 / 53 / 7 / 6

HEX #F070DF

RGB 240 112 223

HSL 307.97, 0.81%, 0.69%

LAB 66.09, 62.94, -34.11

 

CMYK 0 / 53 / 21 / 6

HEX #F070BD

RGB 240 112 189

HSL 323.91, 0.81%, 0.69%

LAB 64.79, 57.82, -17.01

 

CMYK 11 / 84 / 0 / 9

HEX #CE25E8

RGB 206 37 232

HSL 292, 0.81%, 0.53%

LAB 52.14, 83.09, -61.55

 

CMYK 9 / 68 / 0 / 7

HEX #D74BEC

RGB 215 75 236

HSL 292.17, 0.81%, 0.61%

LAB 57.59, 74.44, -54.99

 

CMYK 7 / 53 / 0 / 6

HEX #DF70F0

RGB 223 112 240

HSL 292.03, 0.81%, 0.69%

LAB 64.62, 61.33, -46.01

 

CMYK 5 / 39 / 0 / 4

HEX #E795F4

RGB 231 149 244

HSL 291.79, 0.81%, 0.77%

LAB 72.9, 45.79, -35.19

 

CMYK 3 / 25 / 0 / 3

HEX #F0BBF8

RGB 240 187 248

HSL 292.13, 0.81%, 0.85%

LAB 82.29, 29.24, -22.85

 

CMYK 7 / 53 / 0 / 6

HEX #DF70F0

RGB 223 112 240

HSL 292.03, 0.81%, 0.69%

LAB 64.62, 61.33, -46.01

 

CMYK 0 / 50 / 53 / 6

HEX #F07870

RGB 240 120 112

HSL 3.75, 0.81%, 0.69%

LAB 64.26, 45.39, 26

 

CMYK 53 / 0 / 28 / 6

HEX #70F0AC

RGB 112 240 172

HSL 148.13, 0.81%, 0.69%

LAB 86.38, -50.75, 22.3

 

CMYK 7 / 53 / 0 / 6

HEX #DF70F0

RGB 223 112 240

HSL 292.03, 0.81%, 0.69%

LAB 64.62, 61.33, -46.01

 

CMYK 0 / 7 / 53 / 6

HEX #F0DF70

RGB 240 223 112

HSL 52.03, 0.81%, 0.69%

LAB 88.19, -8.04, 55.76

 

CMYK 53 / 0 / 7 / 6

HEX #70F0DF

RGB 112 240 223

HSL 172.03, 0.81%, 0.69%

LAB 87.53, -39.52, -2.6

 

CMYK 7 / 53 / 0 / 6

HEX #DF70F0

RGB 223 112 240

HSL 292.03, 0.81%, 0.69%

LAB 64.62, 61.33, -46.01

 

CMYK 0 / 50 / 53 / 6

HEX #F07870

RGB 240 120 112

HSL 3.75, 0.81%, 0.69%

LAB 64.26, 45.39, 26

 

CMYK 46 / 0 / 53 / 6

HEX #81F070

RGB 129 240 112

HSL 112.03, 0.81%, 0.69%

LAB 86.08, -55.77, 51.59

 

CMYK 53 / 4 / 0 / 6

HEX #70E7F0

RGB 112 231 240

HSL 184.22, 0.81%, 0.69%

LAB 85.45, -31.01, -14.62

 

CMYK 7 / 53 / 0 / 6

HEX #DF70F0

RGB 223 112 240

HSL 292.03, 0.81%, 0.69%

LAB 64.62, 61.33, -46.01

 

CMYK 0 / 34 / 53 / 6

HEX #F09F70

RGB 240 159 112

HSL 22.03, 0.81%, 0.69%

LAB 72.56, 25.28, 36.74

 

CMYK 46 / 0 / 53 / 6

HEX #81F070

RGB 129 240 112

HSL 112.03, 0.81%, 0.69%

LAB 86.08, -55.77, 51.59

 

CMYK 53 / 20 / 0 / 6

HEX #70C1F0

RGB 112 193 240

HSL 202.03, 0.81%, 0.69%

LAB 74.75, -11.89, -30.88

 

Description

Color code: HEX #DF70F0 | qconv.com Color code: HEX #DF70F0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 112 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 112 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 53 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 53% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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