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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF701E it is the complementary color #208FE1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF701E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF701E shade: #E47019, #F5822C, #FF943F, #FFA652 and #FFB865

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF701E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF701E shade: #DF701E, #CE5E0B, #BD4C00, #AC3A00 and #9B2800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF701E shade: #E0711F, #E03D1F and #E01F1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF701E shade: #E0711F, #E0A51F, #E0D91F, #B3E01F and #7FE01F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF701E shade matches the following richer shades: #E0711F and #F56E0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF701E shade: #E0711F, #CC7433, #B77748, #A37A5C and #8E7D71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF701E shade: #E01F35, #E03C1F, #E06F1F, #E0A31F and #E0D71F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF701E shade: #984C15, #BC5F1A, #E0711F, #E58843 and #EA9F67

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF701E shade: #DF701E, #69E01F and #221FE0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF701E shade: #DF701E, #1FE06F and #6F1FE0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF701E shade: #DF701E, #69E01F, #1F90E0 and #961FE0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF701E shade: #DF701E, #2FE01F, #1F90E0 and #D01FE0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 87 / 13

HEX #DF701E

RGB 223 112 30

HSL 25.49, 0.76%, 0.5%

LAB 59.32, 38.66, 60.25

 

Complementary color

CMYK 86 / 36 / 0 / 12

HEX #208FE1

RGB 32 143 225

HSL 205.49, 0.76%, 0.5%

LAB 57.45, -0.53, -49.89

 

CMYK 0 / 51 / 89 / 11

HEX #E47019

RGB 228 112 25

HSL 25.71, 0.8%, 0.5%

LAB 60.03, 40.53, 62.69

 

CMYK 0 / 47 / 82 / 4

HEX #F5822C

RGB 245 130 44

HSL 25.67, 0.91%, 0.57%

LAB 66.18, 38.6, 62.28

 

CMYK 0 / 42 / 75 / 0

HEX #FF943F

RGB 255 148 63

HSL 26.56, 1%, 0.62%

LAB 71.42, 34.03, 59.93

 

CMYK 0 / 35 / 68 / 0

HEX #FFA652

RGB 255 166 82

HSL 29.13, 1%, 0.66%

LAB 75.54, 25.59, 55.7

 

CMYK 0 / 28 / 60 / 0

HEX #FFB865

RGB 255 184 101

HSL 32.34, 1%, 0.7%

LAB 79.89, 17.35, 51.61

 

CMYK 0 / 50 / 87 / 13

HEX #DF701E

RGB 223 112 30

HSL 25.49, 0.76%, 0.5%

LAB 59.32, 38.66, 60.25

 

CMYK 0 / 54 / 95 / 19

HEX #CE5E0B

RGB 206 94 11

HSL 25.54, 0.9%, 0.43%

LAB 53.11, 40.69, 59.83

 

CMYK 0 / 60 / 100 / 26

HEX #BD4C00

RGB 189 76 0

HSL 24.13, 1%, 0.37%

LAB 46.96, 42.76, 57.19

 

CMYK 0 / 66 / 100 / 33

HEX #AC3A00

RGB 172 58 0

HSL 20.23, 1%, 0.34%

LAB 40.89, 44.68, 52.37

 

CMYK 0 / 74 / 100 / 39

HEX #9B2800

RGB 155 40 0

HSL 15.48, 1%, 0.3%

LAB 34.98, 46.06, 47.64

 

CMYK 0 / 50 / 86 / 12

HEX #E0711F

RGB 224 113 31

HSL 25.49, 0.76%, 0.5%

LAB 59.67, 38.57, 60.26

 

CMYK 0 / 73 / 86 / 12

HEX #E03D1F

RGB 224 61 31

HSL 9.33, 0.76%, 0.5%

LAB 51.02, 61.33, 53.21

 

CMYK 0 / 86 / 86 / 12

HEX #E01F1F

RGB 224 31 31

HSL 0, 0.76%, 0.5%

LAB 48.17, 69.35, 50.88

 

CMYK 0 / 50 / 86 / 12

HEX #E0711F

RGB 224 113 31

HSL 25.49, 0.76%, 0.5%

LAB 59.67, 38.57, 60.26

 

CMYK 0 / 26 / 86 / 12

HEX #E0A51F

RGB 224 165 31

HSL 41.66, 0.76%, 0.5%

LAB 71.46, 11.11, 69.82

 

CMYK 0 / 3 / 86 / 12

HEX #E0D91F

RGB 224 217 31

HSL 57.82, 0.76%, 0.5%

LAB 84.78, -15.72, 80.57

 

CMYK 20 / 0 / 86 / 12

HEX #B3E01F

RGB 179 224 31

HSL 73.99, 0.76%, 0.5%

LAB 83.44, -37.5, 78.14

 

CMYK 43 / 0 / 86 / 12

HEX #7FE01F

RGB 127 224 31

HSL 90.16, 0.76%, 0.5%

LAB 80.7, -56.19, 74.72

 

CMYK 0 / 50 / 86 / 12

HEX #E0711F

RGB 224 113 31

HSL 25.49, 0.76%, 0.5%

LAB 59.67, 38.57, 60.26

 

CMYK 0 / 55 / 96 / 4

HEX #F56E0A

RGB 245 110 10

HSL 25.53, 0.92%, 0.5%

LAB 62.16, 47.81, 68.77

 

CMYK 0 / 50 / 86 / 12

HEX #E0711F

RGB 224 113 31

HSL 25.49, 0.76%, 0.5%

LAB 59.67, 38.57, 60.26

 

CMYK 0 / 43 / 75 / 20

HEX #CC7433

RGB 204 116 51

HSL 25.49, 0.6%, 0.5%

LAB 57.62, 29.56, 49.2

 

CMYK 0 / 35 / 61 / 28

HEX #B77748

RGB 183 119 72

HSL 25.41, 0.44%, 0.5%

LAB 55.82, 20.33, 35.83

 

CMYK 0 / 25 / 44 / 36

HEX #A37A5C

RGB 163 122 92

HSL 25.35, 0.28%, 0.5%

LAB 54.53, 12, 22.62

 

CMYK 0 / 12 / 20 / 44

HEX #8E7D71

RGB 142 125 113

HSL 24.83, 0.11%, 0.5%

LAB 53.61, 4.46, 8.92

 

CMYK 0 / 86 / 76 / 12

HEX #E01F35

RGB 224 31 53

HSL 353.16, 0.76%, 0.5%

LAB 48.37, 69.93, 39.42

 

CMYK 0 / 73 / 86 / 12

HEX #E03C1F

RGB 224 60 31

HSL 9.02, 0.76%, 0.5%

LAB 50.89, 61.67, 53.11

 

CMYK 0 / 50 / 86 / 12

HEX #E06F1F

RGB 224 111 31

HSL 24.87, 0.76%, 0.5%

LAB 59.26, 39.58, 59.93

 

CMYK 0 / 27 / 86 / 12

HEX #E0A31F

RGB 224 163 31

HSL 41.04, 0.76%, 0.5%

LAB 70.97, 12.18, 69.42

 

CMYK 0 / 4 / 86 / 12

HEX #E0D71F

RGB 224 215 31

HSL 57.2, 0.76%, 0.5%

LAB 84.25, -14.73, 80.15

 

CMYK 0 / 50 / 86 / 40

HEX #984C15

RGB 152 76 21

HSL 25.19, 0.76%, 0.34%

LAB 41.05, 28.23, 44.06

 

CMYK 0 / 49 / 86 / 26

HEX #BC5F1A

RGB 188 95 26

HSL 25.56, 0.76%, 0.42%

LAB 50.63, 33.24, 52.42

 

CMYK 0 / 50 / 86 / 12

HEX #E0711F

RGB 224 113 31

HSL 25.49, 0.76%, 0.5%

LAB 59.67, 38.57, 60.26

 

CMYK 0 / 41 / 71 / 10

HEX #E58843

RGB 229 136 67

HSL 25.56, 0.76%, 0.58%

LAB 65.49, 29.97, 50.93

 

CMYK 0 / 32 / 56 / 8

HEX #EA9F67

RGB 234 159 103

HSL 25.65, 0.76%, 0.66%

LAB 71.74, 22.14, 40.27

 

CMYK 0 / 50 / 87 / 13

HEX #DF701E

RGB 223 112 30

HSL 25.49, 0.76%, 0.5%

LAB 59.32, 38.66, 60.25

 

CMYK 53 / 0 / 86 / 12

HEX #69E01F

RGB 105 224 31

HSL 96.99, 0.76%, 0.5%

LAB 79.85, -62.68, 73.66

 

CMYK 85 / 86 / 0 / 12

HEX #221FE0

RGB 34 31 224

HSL 240.93, 0.76%, 0.5%

LAB 31.12, 64.71, -92.23

 

CMYK 0 / 50 / 87 / 13

HEX #DF701E

RGB 223 112 30

HSL 25.49, 0.76%, 0.5%

LAB 59.32, 38.66, 60.25

 

CMYK 86 / 0 / 50 / 12

HEX #1FE06F

RGB 31 224 111

HSL 144.87, 0.76%, 0.5%

LAB 78.9, -68.27, 42.77

 

CMYK 50 / 86 / 0 / 12

HEX #6F1FE0

RGB 111 31 224

HSL 264.87, 0.76%, 0.5%

LAB 37.37, 69.79, -81.67

 

CMYK 0 / 50 / 87 / 13

HEX #DF701E

RGB 223 112 30

HSL 25.49, 0.76%, 0.5%

LAB 59.32, 38.66, 60.25

 

CMYK 53 / 0 / 86 / 12

HEX #69E01F

RGB 105 224 31

HSL 96.99, 0.76%, 0.5%

LAB 79.85, -62.68, 73.66

 

CMYK 86 / 36 / 0 / 12

HEX #1F90E0

RGB 31 144 224

HSL 204.87, 0.76%, 0.5%

LAB 57.67, -1.56, -48.98

 

CMYK 33 / 86 / 0 / 12

HEX #961FE0

RGB 150 31 224

HSL 276.99, 0.76%, 0.5%

LAB 42.53, 74.45, -73.01

 

CMYK 0 / 50 / 87 / 13

HEX #DF701E

RGB 223 112 30

HSL 25.49, 0.76%, 0.5%

LAB 59.32, 38.66, 60.25

 

CMYK 79 / 0 / 86 / 12

HEX #2FE01F

RGB 47 224 31

HSL 115.03, 0.76%, 0.5%

LAB 78.47, -74.21, 71.92

 

CMYK 86 / 36 / 0 / 12

HEX #1F90E0

RGB 31 144 224

HSL 204.87, 0.76%, 0.5%

LAB 57.67, -1.56, -48.98

 

CMYK 7 / 86 / 0 / 12

HEX #D01FE0

RGB 208 31 224

HSL 295.03, 0.76%, 0.5%

LAB 51.58, 83.28, -57.92

 

Description

Color code: HEX #DF701E | qconv.com Color code: HEX #DF701E | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 112 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 112 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 87 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 87% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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