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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF6F65 it is the complementary color #20909A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF6F65. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF6F65 shade: #E46F60, #F58173, #FF9386, #FFA599 and #FFB7AC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF6F65. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF6F65 shade: #DF6F65, #CE5D52, #BD4B3F, #AC392C and #9B2719

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF6F65 shade: #E07167 and #E06767

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF6F65 shade: #E07167, #E09167, #E0B267, #E0D367 and #CCE067

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF6F65 shade matches the following richer shades: #E07167, #EF6458 and #FD5849

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF6F65 shade: #E07167, #D17D75, #C28984, #B39693 and #A4A2A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF6F65 shade: #E0679F, #E0677F, #E06F67, #E08F67 and #E0AF67

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF6F65 shade: #CA3729, #D95144, #E07167, #E79189 and #EEB1AB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF6F65 shade: #DF6F65, #BFE067 and #678FE0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF6F65 shade: #DF6F65, #67E06F and #6F67E0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF6F65 shade: #DF6F65, #BFE067, #67D8E0 and #8767E0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF6F65 shade: #DF6F65, #9BE067, #67D8E0 and #AB67E0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 55 / 13

HEX #DF6F65

RGB 223 111 101

HSL 4.92, 0.66%, 0.64%

LAB 59.89, 42.75, 25.99

 

Complementary color

CMYK 79 / 6 / 0 / 40

HEX #20909A

RGB 32 144 154

HSL 184.92, 0.66%, 0.36%

LAB 54.64, -26.13, -13.98

 

CMYK 0 / 51 / 58 / 11

HEX #E46F60

RGB 228 111 96

HSL 6.82, 0.71%, 0.64%

LAB 60.52, 44.2, 29.78

 

CMYK 0 / 47 / 53 / 4

HEX #F58173

RGB 245 129 115

HSL 6.46, 0.87%, 0.71%

LAB 66.79, 42.99, 27.78

 

CMYK 0 / 42 / 47 / 0

HEX #FF9386

RGB 255 147 134

HSL 6.45, 1%, 0.76%

LAB 72.13, 39.25, 24.66

 

CMYK 0 / 35 / 40 / 0

HEX #FFA599

RGB 255 165 153

HSL 7.06, 1%, 0.8%

LAB 76.36, 31.89, 20.06

 

CMYK 0 / 28 / 33 / 0

HEX #FFB7AC

RGB 255 183 172

HSL 7.95, 1%, 0.84%

LAB 80.8, 24.68, 15.97

 

CMYK 0 / 50 / 55 / 13

HEX #DF6F65

RGB 223 111 101

HSL 4.92, 0.66%, 0.64%

LAB 59.89, 42.75, 25.99

 

CMYK 0 / 55 / 60 / 19

HEX #CE5D52

RGB 206 93 82

HSL 5.32, 0.56%, 0.56%

LAB 53.56, 43.96, 28.16

 

CMYK 0 / 60 / 67 / 26

HEX #BD4B3F

RGB 189 75 63

HSL 5.71, 0.5%, 0.49%

LAB 47.25, 45.15, 30.7

 

CMYK 0 / 67 / 74 / 33

HEX #AC392C

RGB 172 57 44

HSL 6.09, 0.59%, 0.42%

LAB 41.02, 46.21, 33.66

 

CMYK 0 / 75 / 84 / 39

HEX #9B2719

RGB 155 39 25

HSL 6.46, 0.72%, 0.35%

LAB 34.98, 46.91, 36.97

 

CMYK 0 / 50 / 54 / 12

HEX #E07167

RGB 224 113 103

HSL 4.96, 0.66%, 0.64%

LAB 60.46, 42.28, 25.63

 

CMYK 0 / 54 / 54 / 12

HEX #E06767

RGB 224 103 103

HSL 0, 0.66%, 0.64%

LAB 58.53, 47.2, 23.08

 

CMYK 0 / 50 / 54 / 12

HEX #E07167

RGB 224 113 103

HSL 4.96, 0.66%, 0.64%

LAB 60.46, 42.28, 25.63

 

CMYK 0 / 35 / 54 / 12

HEX #E09167

RGB 224 145 103

HSL 20.83, 0.66%, 0.64%

LAB 67.34, 25.57, 34.52

 

CMYK 0 / 21 / 54 / 12

HEX #E0B267

RGB 224 178 103

HSL 37.19, 0.66%, 0.64%

LAB 75.24, 7.92, 44.32

 

CMYK 0 / 6 / 54 / 12

HEX #E0D367

RGB 224 211 103

HSL 53.55, 0.66%, 0.64%

LAB 83.66, -9.2, 54.3

 

CMYK 9 / 0 / 54 / 12

HEX #CCE067

RGB 204 224 103

HSL 69.92, 0.66%, 0.64%

LAB 85.57, -23.67, 56.11

 

CMYK 0 / 50 / 54 / 12

HEX #E07167

RGB 224 113 103

HSL 4.96, 0.66%, 0.64%

LAB 60.46, 42.28, 25.63

 

CMYK 0 / 58 / 63 / 6

HEX #EF6458

RGB 239 100 88

HSL 4.77, 0.83%, 0.64%

LAB 60.04, 52.82, 34.01

 

CMYK 0 / 65 / 71 / 1

HEX #FD5849

RGB 253 88 73

HSL 5, 0.98%, 0.64%

LAB 60.2, 61.84, 43.01

 

CMYK 0 / 50 / 54 / 12

HEX #E07167

RGB 224 113 103

HSL 4.96, 0.66%, 0.64%

LAB 60.46, 42.28, 25.63

 

CMYK 0 / 40 / 44 / 18

HEX #D17D75

RGB 209 125 117

HSL 5.22, 0.5%, 0.64%

LAB 61.23, 31.68, 18.36

 

CMYK 0 / 29 / 32 / 24

HEX #C28984

RGB 194 137 132

HSL 4.84, 0.34%, 0.64%

LAB 62.53, 21.11, 11.39

 

CMYK 0 / 16 / 18 / 30

HEX #B39693

RGB 179 150 147

HSL 5.63, 0.17%, 0.64%

LAB 64.57, 10.3, 5.61

 

CMYK 0 / 1 / 1 / 36

HEX #A4A2A2

RGB 164 162 162

HSL 0, 0.01%, 0.64%

LAB 66.78, 0.72, 0.25

 

CMYK 0 / 54 / 29 / 12

HEX #E0679F

RGB 224 103 159

HSL 332.23, 0.66%, 0.64%

LAB 59.93, 53.08, -7.39

 

CMYK 0 / 54 / 43 / 12

HEX #E0677F

RGB 224 103 127

HSL 348.1, 0.66%, 0.64%

LAB 59.05, 49.39, 9.89

 

CMYK 0 / 50 / 54 / 12

HEX #E06F67

RGB 224 111 103

HSL 3.97, 0.66%, 0.64%

LAB 60.06, 43.28, 25.11

 

CMYK 0 / 36 / 54 / 12

HEX #E08F67

RGB 224 143 103

HSL 19.83, 0.66%, 0.64%

LAB 66.88, 26.63, 33.94

 

CMYK 0 / 22 / 54 / 12

HEX #E0AF67

RGB 224 175 103

HSL 35.7, 0.66%, 0.64%

LAB 74.5, 9.52, 43.41

 

CMYK 0 / 73 / 80 / 21

HEX #CA3729

RGB 202 55 41

HSL 5.22, 0.66%, 0.48%

LAB 46.24, 56.8, 42.52

 

CMYK 0 / 63 / 69 / 15

HEX #D95144

RGB 217 81 68

HSL 5.23, 0.66%, 0.56%

LAB 53.01, 52.55, 35.87

 

CMYK 0 / 50 / 54 / 12

HEX #E07167

RGB 224 113 103

HSL 4.96, 0.66%, 0.64%

LAB 60.46, 42.28, 25.63

 

CMYK 0 / 37 / 41 / 9

HEX #E79189

RGB 231 145 137

HSL 5.11, 0.66%, 0.72%

LAB 68.78, 31.6, 17.95

 

CMYK 0 / 26 / 28 / 7

HEX #EEB1AB

RGB 238 177 171

HSL 5.37, 0.66%, 0.8%

LAB 77.62, 21.39, 11.77

 

CMYK 0 / 50 / 55 / 13

HEX #DF6F65

RGB 223 111 101

HSL 4.92, 0.66%, 0.64%

LAB 59.89, 42.75, 25.99

 

CMYK 15 / 0 / 54 / 12

HEX #BFE067

RGB 191 224 103

HSL 76.36, 0.66%, 0.64%

LAB 84.67, -28.73, 54.84

 

CMYK 54 / 36 / 0 / 12

HEX #678FE0

RGB 103 143 224

HSL 220.17, 0.66%, 0.64%

LAB 59.81, 9.35, -45.44

 

CMYK 0 / 50 / 55 / 13

HEX #DF6F65

RGB 223 111 101

HSL 4.92, 0.66%, 0.64%

LAB 59.89, 42.75, 25.99

 

CMYK 54 / 0 / 50 / 12

HEX #67E06F

RGB 103 224 111

HSL 123.97, 0.66%, 0.64%

LAB 80.37, -56.61, 44.92

 

CMYK 50 / 54 / 0 / 12

HEX #6F67E0

RGB 111 103 224

HSL 243.97, 0.66%, 0.64%

LAB 50.05, 35.06, -60.98

 

CMYK 0 / 50 / 55 / 13

HEX #DF6F65

RGB 223 111 101

HSL 4.92, 0.66%, 0.64%

LAB 59.89, 42.75, 25.99

 

CMYK 15 / 0 / 54 / 12

HEX #BFE067

RGB 191 224 103

HSL 76.36, 0.66%, 0.64%

LAB 84.67, -28.73, 54.84

 

CMYK 54 / 4 / 0 / 12

HEX #67D8E0

RGB 103 216 224

HSL 183.97, 0.66%, 0.64%

LAB 80.39, -29.85, -13.75

 

CMYK 40 / 54 / 0 / 12

HEX #8767E0

RGB 135 103 224

HSL 255.87, 0.66%, 0.64%

LAB 52.1, 40.33, -57.58

 

CMYK 0 / 50 / 55 / 13

HEX #DF6F65

RGB 223 111 101

HSL 4.92, 0.66%, 0.64%

LAB 59.89, 42.75, 25.99

 

CMYK 31 / 0 / 54 / 12

HEX #9BE067

RGB 155 224 103

HSL 94.21, 0.66%, 0.64%

LAB 82.52, -41.94, 51.77

 

CMYK 54 / 4 / 0 / 12

HEX #67D8E0

RGB 103 216 224

HSL 183.97, 0.66%, 0.64%

LAB 80.39, -29.85, -13.75

 

CMYK 24 / 54 / 0 / 12

HEX #AB67E0

RGB 171 103 224

HSL 273.72, 0.66%, 0.64%

LAB 55.83, 49.12, -51.41

 

Description

Color code: HEX #DF6F65 | qconv.com Color code: HEX #DF6F65 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 111 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 111 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 55 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 55% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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