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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF6C5500 it is the complementary color #2093AA00. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF6C5500. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF6C5500 shade: #E46C5000, #F57E6300, #FF907600, #FFA28900 and #FFB49C00

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF6C5500. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF6C5500 shade: #DF6C5500, #CE5A4200, #BD482F00, #AC361C00 and #9B240900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF6C5500 shade: #DE6B54 and #DE5454

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF6C5500 shade: #DE6B54, #DE9054, #DEB654, #DEDB54 and #BCDE54

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF6C5500 shade matches the following richer shades: #DE6B54 and #EF6043

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF6C5500 shade: #DE6B54, #CE7664, #BD8175, #AD8C85 and #9C9796

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF6C5500 shade: #DE5487, #DE5462, #DE6B54, #DE9054 and #DEB554

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF6C5500 shade: #BC3D24, #D84D31, #DE6B54, #E58976 and #ECA799

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF6C5500 shade: #DF6C55, #ABDE54 and #5474DE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF6C5500 shade: #DF6C55, #54DE6B and #6B54DE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF6C5500 shade: #DF6C55, #ABDE54, #54C7DE and #8754DE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF6C5500 shade: #DF6C55, #82DE54, #54C7DE and #B054DE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #DF6C5500

RGBA 223 108 85 0

HSLA 10, 0.68%, 0.6%, 0

LABA 59.04, 43.06, 33.9, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #2093AA00

RGBA 32 147 170 0

HSLA 190, 0.68%, 0.4%, 0

LABA 56.16, -22.41, -20.84, 0

 

CMYK 0 / 0 / 0 / 0

HEX #E46C5000

RGBA 228 108 80 0

HSLA 11.35, 0.73%, 0.6%, 0

LABA 59.71, 44.61, 37.64, 0

 

CMYK 0 / 0 / 0 / 0

HEX #F57E6300

RGBA 245 126 99 0

HSLA 11.1, 0.88%, 0.67%, 0

LABA 65.93, 43.27, 35.48, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FF907600

RGBA 255 144 118 0

HSLA 11.39, 1%, 0.73%, 0

LABA 71.22, 39.38, 32.19, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFA28900

RGBA 255 162 137 0

HSLA 12.71, 1%, 0.77%, 0

LABA 75.39, 31.8, 27.41, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFB49C00

RGBA 255 180 156 0

HSLA 14.55, 1%, 0.81%, 0

LABA 79.79, 24.37, 23.15, 0

 

CMYK 0 / 0 / 0 / 0

HEX #DF6C5500

RGBA 223 108 85 0

HSLA 10, 0.68%, 0.6%, 0

LABA 59.04, 43.06, 33.9, 0

 

CMYK 0 / 0 / 0 / 0

HEX #CE5A4200

RGBA 206 90 66 0

HSLA 10.29, 0.59%, 0.53%, 0

LABA 52.76, 44.4, 36.25, 0

 

CMYK 0 / 0 / 0 / 0

HEX #BD482F00

RGBA 189 72 47 0

HSLA 10.56, 0.6%, 0.46%, 0

LABA 46.52, 45.72, 38.87, 0

 

CMYK 0 / 0 / 0 / 0

HEX #AC361C00

RGBA 172 54 28 0

HSLA 10.83, 0.72%, 0.39%, 0

LABA 40.4, 46.89, 41.64, 0

 

CMYK 0 / 0 / 0 / 0

HEX #9B240900

RGBA 155 36 9 0

HSLA 11.1, 0.89%, 0.32%, 0

LABA 34.5, 47.63, 43.8, 0

 

CMYK 0 / 52 / 62 / 13

HEX #DE6B54

RGB 222 107 84

HSL 10, 0.68%, 0.6%

LAB 58.68, 43.12, 33.98

 

CMYK 0 / 62 / 62 / 13

HEX #DE5454

RGB 222 84 84

HSL 0, 0.68%, 0.6%

LAB 54.56, 53.87, 28.82

 

CMYK 0 / 52 / 62 / 13

HEX #DE6B54

RGB 222 107 84

HSL 10, 0.68%, 0.6%

LAB 58.68, 43.12, 33.98

 

CMYK 0 / 35 / 62 / 13

HEX #DE9054

RGB 222 144 84

HSL 26.09, 0.68%, 0.6%

LAB 66.61, 23.85, 43.54

 

CMYK 0 / 18 / 62 / 13

HEX #DEB654

RGB 222 182 84

HSL 42.61, 0.68%, 0.6%

LAB 75.84, 3.56, 54.11

 

CMYK 0 / 1 / 62 / 13

HEX #DEDB54

RGB 222 219 84

HSL 58.7, 0.68%, 0.6%

LAB 85.42, -15.37, 64.53

 

CMYK 15 / 0 / 62 / 13

HEX #BCDE54

RGB 188 222 84

HSL 74.78, 0.68%, 0.6%

LAB 83.74, -30.49, 61.99

 

CMYK 0 / 52 / 62 / 13

HEX #DE6B54

RGB 222 107 84

HSL 10, 0.68%, 0.6%

LAB 58.68, 43.12, 33.98

 

CMYK 0 / 60 / 72 / 6

HEX #EF6043

RGB 239 96 67

HSL 10.12, 0.84%, 0.6%

LAB 59.09, 53.5, 44.34

 

CMYK 0 / 52 / 62 / 13

HEX #DE6B54

RGB 222 107 84

HSL 10, 0.68%, 0.6%

LAB 58.68, 43.12, 33.98

 

CMYK 0 / 43 / 51 / 19

HEX #CE7664

RGB 206 118 100

HSL 10.19, 0.52%, 0.6%

LAB 58.97, 32.58, 24.92

 

CMYK 0 / 32 / 38 / 26

HEX #BD8175

RGB 189 129 117

HSL 10, 0.35%, 0.6%

LAB 59.71, 21.67, 15.89

 

CMYK 0 / 19 / 23 / 32

HEX #AD8C85

RGB 173 140 133

HSL 10.5, 0.2%, 0.6%

LAB 61.08, 11.38, 8.45

 

CMYK 0 / 3 / 4 / 39

HEX #9C9796

RGB 156 151 150

HSL 10, 0.03%, 0.6%

LAB 62.85, 1.64, 1.17

 

CMYK 0 / 62 / 39 / 13

HEX #DE5487

RGB 222 84 135

HSL 337.83, 0.68%, 0.6%

LAB 55.7, 58.19, 0.36

 

CMYK 0 / 62 / 56 / 13

HEX #DE5462

RGB 222 84 98

HSL 353.91, 0.68%, 0.6%

LAB 54.82, 54.84, 20.97

 

CMYK 0 / 52 / 62 / 13

HEX #DE6B54

RGB 222 107 84

HSL 10, 0.68%, 0.6%

LAB 58.68, 43.12, 33.98

 

CMYK 0 / 35 / 62 / 13

HEX #DE9054

RGB 222 144 84

HSL 26.09, 0.68%, 0.6%

LAB 66.61, 23.85, 43.54

 

CMYK 0 / 18 / 62 / 13

HEX #DEB554

RGB 222 181 84

HSL 42.17, 0.68%, 0.6%

LAB 75.59, 4.09, 53.83

 

CMYK 0 / 68 / 81 / 26

HEX #BC3D24

RGB 188 61 36

HSL 9.87, 0.68%, 0.44%

LAB 44.46, 49.75, 42.49

 

CMYK 0 / 64 / 77 / 15

HEX #D84D31

RGB 216 77 49

HSL 10.06, 0.68%, 0.52%

LAB 51.98, 53.09, 44.98

 

CMYK 0 / 52 / 62 / 13

HEX #DE6B54

RGB 222 107 84

HSL 10, 0.68%, 0.6%

LAB 58.68, 43.12, 33.98

 

CMYK 0 / 40 / 48 / 10

HEX #E58976

RGB 229 137 118

HSL 10.27, 0.68%, 0.68%

LAB 66.41, 33.11, 25.24

 

CMYK 0 / 29 / 35 / 7

HEX #ECA799

RGB 236 167 153

HSL 10.12, 0.69%, 0.76%

LAB 74.68, 23.66, 17.41

 

CMYK 0 / 52 / 62 / 13

HEX #DF6C55

RGB 223 108 85

HSL 10, 0.68%, 0.6%

LAB 59.04, 43.06, 33.9

 

CMYK 23 / 0 / 62 / 13

HEX #ABDE54

RGB 171 222 84

HSL 82.17, 0.68%, 0.6%

LAB 82.67, -37, 60.52

 

CMYK 62 / 48 / 0 / 13

HEX #5474DE

RGB 84 116 222

HSL 226.09, 0.68%, 0.6%

LAB 51.44, 21.28, -57.71

 

CMYK 0 / 52 / 62 / 13

HEX #DF6C55

RGB 223 108 85

HSL 10, 0.68%, 0.6%

LAB 59.04, 43.06, 33.9

 

CMYK 62 / 0 / 52 / 13

HEX #54DE6B

RGB 84 222 107

HSL 130, 0.68%, 0.6%

LAB 79.15, -60.74, 45.19

 

CMYK 52 / 62 / 0 / 13

HEX #6B54DE

RGB 107 84 222

HSL 250, 0.68%, 0.6%

LAB 45.28, 44.81, -67.6

 

CMYK 0 / 52 / 62 / 13

HEX #DF6C55

RGB 223 108 85

HSL 10, 0.68%, 0.6%

LAB 59.04, 43.06, 33.9

 

CMYK 23 / 0 / 62 / 13

HEX #ABDE54

RGB 171 222 84

HSL 82.17, 0.68%, 0.6%

LAB 82.67, -37, 60.52

 

CMYK 62 / 10 / 0 / 13

HEX #54C7DE

RGB 84 199 222

HSL 190, 0.68%, 0.6%

LAB 74.83, -25.55, -21.13

 

CMYK 39 / 62 / 0 / 13

HEX #8754DE

RGB 135 84 222

HSL 262.17, 0.68%, 0.6%

LAB 47.96, 50.31, -63.11

 

CMYK 0 / 52 / 62 / 13

HEX #DF6C55

RGB 223 108 85

HSL 10, 0.68%, 0.6%

LAB 59.04, 43.06, 33.9

 

CMYK 41 / 0 / 62 / 13

HEX #82DE54

RGB 130 222 84

HSL 100, 0.68%, 0.6%

LAB 80.53, -51.24, 57.56

 

CMYK 62 / 10 / 0 / 13

HEX #54C7DE

RGB 84 199 222

HSL 190, 0.68%, 0.6%

LAB 74.83, -25.55, -21.13

 

CMYK 21 / 62 / 0 / 13

HEX #B054DE

RGB 176 84 222

HSL 280, 0.68%, 0.6%

LAB 52.78, 59.38, -55.11

 

Description

Color code: HEX #DF6C5500 | qconv.com Color code: HEX #DF6C5500 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 108 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 108 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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