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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF6C13CE it is the complementary color #2093ECCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF6C13CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF6C13CE shade: #E46C0ECE, #F57E21CE, #FF9034CE, #FFA247CE and #FFB45ACE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF6C13CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF6C13CE shade: #DF6C13CE, #CE5A00CE, #BD4800CE, #AC3600CE and #9B2400CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF6C13CE shade: #DD6B13, #DD3513 and #DD1313

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF6C13CE shade: #DD6B13, #DDA113, #DDD813, #ABDD13 and #75DD13

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF6C13CE shade matches the following richer shades: #DD6B13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF6C13CE shade: #DD6B13, #C96E27, #B6703A, #A2724D and #8F7561

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF6C13CE shade: #DD1327, #DD3513, #DD6A13, #DDA013 and #DDD613

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF6C13CE shade: #91460D, #B75910, #DD6B13, #ED802C and #F09752

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF6C13CE shade: #DF6C13, #5DDD13 and #1A13DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF6C13CE shade: #DF6C13, #13DD6A and #6A13DD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF6C13CE shade: #DF6C13, #5DDD13, #1385DD and #9313DD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF6C13CE shade: #DF6C13, #21DD13, #1385DD and #CF13DD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 74 / 10

HEX #DF6C13CE

RGBA 223 108 19 0.81

HSLA 26.18, 0.84%, 0.47%, 0.81

LABA 58.47, 40.47, 62.86, 0.81

 

Complementary color

CMYK 70 / 31 / 0 / 6

HEX #2093ECCE

RGBA 32 147 236 0.81

HSLA 206.18, 0.84%, 0.53%, 0.81

LABA 59.19, 1.2, -53.24, 0.81

 

CMYK 0 / 43 / 76 / 9

HEX #E46C0ECE

RGBA 228 108 14 0.81

HSLA 26.36, 0.88%, 0.47%, 0.81

LABA 59.21, 42.35, 64.87, 0.81

 

CMYK 0 / 39 / 70 / 3

HEX #F57E21CE

RGBA 245 126 33 0.81

HSLA 26.32, 0.91%, 0.55%, 0.81

LABA 65.31, 40.34, 65.4, 0.81

 

CMYK 0 / 35 / 64 / 0

HEX #FF9034CE

RGBA 255 144 52 0.81

HSLA 27.19, 1%, 0.6%, 0.81

LABA 70.49, 35.69, 63.59, 0.81

 

CMYK 0 / 30 / 58 / 0

HEX #FFA247CE

RGBA 255 162 71 0.81

HSLA 29.67, 1%, 0.64%, 0.81

LABA 74.54, 27.13, 59.62, 0.81

 

CMYK 0 / 24 / 52 / 0

HEX #FFB45ACE

RGBA 255 180 90 0.81

HSLA 32.73, 1%, 0.68%, 0.81

LABA 78.83, 18.73, 55.63, 0.81

 

CMYK 0 / 42 / 74 / 10

HEX #DF6C13CE

RGBA 223 108 19 0.81

HSLA 26.18, 0.84%, 0.47%, 0.81

LABA 58.47, 40.47, 62.86, 0.81

 

CMYK 0 / 46 / 81 / 16

HEX #CE5A00CE

RGBA 206 90 0 0.81

HSLA 26.21, 1%, 0.4%, 0.81

LABA 52.32, 42.53, 61.65, 0.81

 

CMYK 0 / 50 / 81 / 21

HEX #BD4800CE

RGBA 189 72 0 0.81

HSLA 22.86, 1%, 0.37%, 0.81

LABA 46.25, 44.63, 56.81, 0.81

 

CMYK 0 / 56 / 81 / 26

HEX #AC3600CE

RGBA 172 54 0 0.81

HSLA 18.84, 1%, 0.34%, 0.81

LABA 40.26, 46.38, 52.05, 0.81

 

CMYK 0 / 62 / 81 / 32

HEX #9B2400CE

RGBA 155 36 0 0.81

HSLA 13.94, 1%, 0.3%, 0.81

LABA 34.46, 47.5, 47.35, 0.81

 

CMYK 0 / 52 / 91 / 13

HEX #DD6B13

RGB 221 107 19

HSL 26.14, 0.84%, 0.47%

LAB 57.97, 40.19, 62.37

 

CMYK 0 / 76 / 91 / 13

HEX #DD3513

RGB 221 53 19

HSL 10.1, 0.84%, 0.47%

LAB 49.45, 62.82, 56.47

 

CMYK 0 / 91 / 91 / 13

HEX #DD1313

RGB 221 19 19

HSL 0, 0.84%, 0.47%

LAB 46.82, 70.28, 54.75

 

CMYK 0 / 52 / 91 / 13

HEX #DD6B13

RGB 221 107 19

HSL 26.14, 0.84%, 0.47%

LAB 57.97, 40.19, 62.37

 

CMYK 0 / 27 / 91 / 13

HEX #DDA113

RGB 221 161 19

HSL 42.18, 0.84%, 0.47%

LAB 70.11, 11.71, 71.27

 

CMYK 0 / 2 / 91 / 13

HEX #DDD813

RGB 221 216 19

HSL 58.51, 0.84%, 0.47%

LAB 84.24, -16.7, 82

 

CMYK 23 / 0 / 91 / 13

HEX #ABDD13

RGB 171 221 19

HSL 74.85, 0.84%, 0.47%

LAB 82.06, -39.55, 78.77

 

CMYK 47 / 0 / 91 / 13

HEX #75DD13

RGB 117 221 19

HSL 90.89, 0.84%, 0.47%

LAB 79.35, -58.48, 75.44

 

CMYK 0 / 52 / 91 / 13

HEX #DD6B13

RGB 221 107 19

HSL 26.14, 0.84%, 0.47%

LAB 57.97, 40.19, 62.37

 

CMYK 0 / 52 / 91 / 13

HEX #DD6B13

RGB 221 107 19

HSL 26.14, 0.84%, 0.47%

LAB 57.97, 40.19, 62.37

 

CMYK 0 / 45 / 81 / 21

HEX #C96E27

RGB 201 110 39

HSL 26.3, 0.68%, 0.47%

LAB 55.8, 31.05, 52.59

 

CMYK 0 / 38 / 68 / 29

HEX #B6703A

RGB 182 112 58

HSL 26.13, 0.52%, 0.47%

LAB 53.86, 22.84, 40.87

 

CMYK 0 / 30 / 52 / 36

HEX #A2724D

RGB 162 114 77

HSL 26.12, 0.36%, 0.47%

LAB 52.12, 14.56, 27.95

 

CMYK 0 / 18 / 32 / 44

HEX #8F7561

RGB 143 117 97

HSL 26.09, 0.19%, 0.47%

LAB 51.18, 7.06, 14.85

 

CMYK 0 / 91 / 82 / 13

HEX #DD1327

RGB 221 19 39

HSL 354.06, 0.84%, 0.47%

LAB 46.95, 70.65, 45.55

 

CMYK 0 / 76 / 91 / 13

HEX #DD3513

RGB 221 53 19

HSL 10.1, 0.84%, 0.47%

LAB 49.45, 62.82, 56.47

 

CMYK 0 / 52 / 91 / 13

HEX #DD6A13

RGB 221 106 19

HSL 25.84, 0.84%, 0.47%

LAB 57.78, 40.69, 62.23

 

CMYK 0 / 28 / 91 / 13

HEX #DDA013

RGB 221 160 19

HSL 41.88, 0.84%, 0.47%

LAB 69.87, 12.25, 71.08

 

CMYK 0 / 3 / 91 / 13

HEX #DDD613

RGB 221 214 19

HSL 57.92, 0.84%, 0.47%

LAB 83.71, -15.72, 81.59

 

CMYK 0 / 52 / 91 / 43

HEX #91460D

RGB 145 70 13

HSL 25.91, 0.84%, 0.31%

LAB 38.6, 28.33, 44.56

 

CMYK 0 / 51 / 91 / 28

HEX #B75910

RGB 183 89 16

HSL 26.23, 0.84%, 0.39%

LAB 48.57, 34.12, 53.76

 

CMYK 0 / 52 / 91 / 13

HEX #DD6B13

RGB 221 107 19

HSL 26.14, 0.84%, 0.47%

LAB 57.97, 40.19, 62.37

 

CMYK 0 / 46 / 81 / 7

HEX #ED802C

RGB 237 128 44

HSL 26.11, 0.84%, 0.55%

LAB 64.66, 36.44, 60.5

 

CMYK 0 / 37 / 66 / 6

HEX #F09752

RGB 240 151 82

HSL 26.2, 0.84%, 0.63%

LAB 70.36, 27.36, 49.44

 

CMYK 0 / 52 / 91 / 13

HEX #DF6C13

RGB 223 108 19

HSL 26.18, 0.84%, 0.47%

LAB 58.47, 40.47, 62.86

 

CMYK 58 / 0 / 91 / 13

HEX #5DDD13

RGB 93 221 19

HSL 98.02, 0.84%, 0.47%

LAB 78.51, -65.11, 74.41

 

CMYK 88 / 91 / 0 / 13

HEX #1A13DD

RGB 26 19 221

HSL 242.08, 0.84%, 0.47%

LAB 29.17, 67.51, -93.76

 

CMYK 0 / 52 / 91 / 13

HEX #DF6C13

RGB 223 108 19

HSL 26.18, 0.84%, 0.47%

LAB 58.47, 40.47, 62.86

 

CMYK 91 / 0 / 52 / 13

HEX #13DD6A

RGB 19 221 106

HSL 145.84, 0.84%, 0.47%

LAB 77.81, -68.81, 43.8

 

CMYK 52 / 91 / 0 / 13

HEX #6A13DD

RGB 106 19 221

HSL 265.84, 0.84%, 0.47%

LAB 35.5, 71.54, -83.06

 

CMYK 0 / 52 / 91 / 13

HEX #DF6C13

RGB 223 108 19

HSL 26.18, 0.84%, 0.47%

LAB 58.47, 40.47, 62.86

 

CMYK 58 / 0 / 91 / 13

HEX #5DDD13

RGB 93 221 19

HSL 98.02, 0.84%, 0.47%

LAB 78.51, -65.11, 74.41

 

CMYK 91 / 40 / 0 / 13

HEX #1385DD

RGB 19 133 221

HSL 206.14, 0.84%, 0.47%

LAB 54.17, 3.18, -52.89

 

CMYK 33 / 91 / 0 / 13

HEX #9313DD

RGB 147 19 221

HSL 278.02, 0.84%, 0.47%

LAB 41.04, 75.85, -73.75

 

CMYK 0 / 52 / 91 / 13

HEX #DF6C13

RGB 223 108 19

HSL 26.18, 0.84%, 0.47%

LAB 58.47, 40.47, 62.86

 

CMYK 85 / 0 / 91 / 13

HEX #21DD13

RGB 33 221 19

HSL 115.84, 0.84%, 0.47%

LAB 77.33, -75.23, 72.94

 

CMYK 91 / 40 / 0 / 13

HEX #1385DD

RGB 19 133 221

HSL 206.14, 0.84%, 0.47%

LAB 54.17, 3.18, -52.89

 

CMYK 6 / 91 / 0 / 13

HEX #CF13DD

RGB 207 19 221

HSL 295.84, 0.84%, 0.47%

LAB 50.63, 84.4, -57.74

 

Description

Color code: HEX #DF6C13CE | qconv.com Color code: HEX #DF6C13CE | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 108 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 108 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 74 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 74% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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