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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF6C0E it is the complementary color #2093F1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF6C0E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF6C0E shade: #E46C09, #F57E1C, #FF902F, #FFA242 and #FFB455

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF6C0E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF6C0E shade: #DF6C0E, #CE5A00, #BD4800, #AC3600 and #9B2400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF6C0E shade: #DC6A0E, #DC330E and #DC0E0E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF6C0E shade: #DC6A0E, #DCA20E, #DCDA0E, #A7DC0E and #6FDC0E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF6C0E shade matches the following richer shades: #DC6A0E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF6C0E shade: #DC6A0E, #C96C21, #B66E34, #A37047 and #907259

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF6C0E shade: #DC0E22, #DC300E, #DC670E, #DC9E0E and #DCD50E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF6C0E shade: #8E4509, #B5580B, #DC6A0E, #F07F22 and #F39649

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF6C0E shade: #DF6C0E, #59DC0E and #140EDC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF6C0E shade: #DF6C0E, #0EDC67 and #670EDC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF6C0E shade: #DF6C0E, #59DC0E, #0E83DC and #900EDC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF6C0E shade: #DF6C0E, #1BDC0E, #0E83DC and #CE0EDC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 94 / 13

HEX #DF6C0E

RGB 223 108 14

HSL 26.99, 0.88%, 0.46%

LAB 58.46, 40.4, 64.01

 

Complementary color

CMYK 87 / 39 / 0 / 5

HEX #2093F1

RGB 32 147 241

HSL 206.99, 0.88%, 0.54%

LAB 59.46, 3.06, -55.57

 

CMYK 0 / 53 / 96 / 11

HEX #E46C09

RGB 228 108 9

HSL 27.12, 0.92%, 0.46%

LAB 59.19, 42.3, 65.79

 

CMYK 0 / 49 / 89 / 4

HEX #F57E1C

RGB 245 126 28

HSL 27.1, 0.92%, 0.54%

LAB 65.29, 40.24, 66.89

 

CMYK 0 / 44 / 82 / 0

HEX #FF902F

RGB 255 144 47

HSL 27.98, 1%, 0.59%

LAB 70.46, 35.53, 65.46

 

CMYK 0 / 36 / 74 / 0

HEX #FFA242

RGB 255 162 66

HSL 30.48, 1%, 0.63%

LAB 74.5, 26.91, 61.74

 

CMYK 0 / 29 / 67 / 0

HEX #FFB455

RGB 255 180 85

HSL 33.53, 1%, 0.67%

LAB 78.79, 18.44, 57.87

 

CMYK 0 / 52 / 94 / 13

HEX #DF6C0E

RGB 223 108 14

HSL 26.99, 0.88%, 0.46%

LAB 58.46, 40.4, 64.01

 

CMYK 0 / 56 / 100 / 19

HEX #CE5A00

RGB 206 90 0

HSL 26.21, 1%, 0.4%

LAB 52.32, 42.53, 61.65

 

CMYK 0 / 62 / 100 / 26

HEX #BD4800

RGB 189 72 0

HSL 22.86, 1%, 0.37%

LAB 46.25, 44.63, 56.81

 

CMYK 0 / 69 / 100 / 33

HEX #AC3600

RGB 172 54 0

HSL 18.84, 1%, 0.34%

LAB 40.26, 46.38, 52.05

 

CMYK 0 / 77 / 100 / 39

HEX #9B2400

RGB 155 36 0

HSL 13.94, 1%, 0.3%

LAB 34.46, 47.5, 47.35

 

CMYK 0 / 52 / 94 / 14

HEX #DC6A0E

RGB 220 106 14

HSL 26.8, 0.88%, 0.46%

LAB 57.61, 40.23, 63.23

 

CMYK 0 / 77 / 94 / 14

HEX #DC330E

RGB 220 51 14

HSL 10.78, 0.88%, 0.46%

LAB 49.03, 63.07, 57.7

 

CMYK 0 / 94 / 94 / 14

HEX #DC0E0E

RGB 220 14 14

HSL 0, 0.88%, 0.46%

LAB 46.39, 70.55, 56.15

 

CMYK 0 / 52 / 94 / 14

HEX #DC6A0E

RGB 220 106 14

HSL 26.8, 0.88%, 0.46%

LAB 57.61, 40.23, 63.23

 

CMYK 0 / 26 / 94 / 14

HEX #DCA20E

RGB 220 162 14

HSL 43.11, 0.88%, 0.46%

LAB 70.24, 10.67, 72.13

 

CMYK 0 / 1 / 94 / 14

HEX #DCDA0E

RGB 220 218 14

HSL 59.42, 0.88%, 0.46%

LAB 84.68, -18.17, 82.89

 

CMYK 24 / 0 / 94 / 14

HEX #A7DC0E

RGB 167 220 14

HSL 75.44, 0.88%, 0.46%

LAB 81.53, -40.73, 78.85

 

CMYK 50 / 0 / 94 / 14

HEX #6FDC0E

RGB 111 220 14

HSL 91.75, 0.88%, 0.46%

LAB 78.81, -60, 75.53

 

CMYK 0 / 52 / 94 / 14

HEX #DC6A0E

RGB 220 106 14

HSL 26.8, 0.88%, 0.46%

LAB 57.61, 40.23, 63.23

 

CMYK 0 / 52 / 94 / 14

HEX #DC6A0E

RGB 220 106 14

HSL 26.8, 0.88%, 0.46%

LAB 57.61, 40.23, 63.23

 

CMYK 0 / 46 / 84 / 21

HEX #C96C21

RGB 201 108 33

HSL 26.79, 0.72%, 0.46%

LAB 55.33, 31.92, 54.56

 

CMYK 0 / 40 / 71 / 29

HEX #B66E34

RGB 182 110 52

HSL 26.77, 0.56%, 0.46%

LAB 53.32, 23.61, 43.31

 

CMYK 0 / 31 / 56 / 36

HEX #A37047

RGB 163 112 71

HSL 26.74, 0.39%, 0.46%

LAB 51.64, 15.59, 30.73

 

CMYK 0 / 21 / 38 / 44

HEX #907259

RGB 144 114 89

HSL 27.27, 0.24%, 0.46%

LAB 50.32, 8.15, 18.35

 

CMYK 0 / 94 / 85 / 14

HEX #DC0E22

RGB 220 14 34

HSL 354.17, 0.88%, 0.46%

LAB 46.51, 70.86, 47.67

 

CMYK 0 / 78 / 94 / 14

HEX #DC300E

RGB 220 48 14

HSL 9.9, 0.88%, 0.46%

LAB 48.71, 63.95, 57.51

 

CMYK 0 / 53 / 94 / 14

HEX #DC670E

RGB 220 103 14

HSL 25.92, 0.88%, 0.46%

LAB 57.02, 41.72, 62.83

 

CMYK 0 / 28 / 94 / 14

HEX #DC9E0E

RGB 220 158 14

HSL 41.94, 0.88%, 0.46%

LAB 69.26, 12.81, 71.42

 

CMYK 0 / 3 / 94 / 14

HEX #DCD50E

RGB 220 213 14

HSL 57.96, 0.88%, 0.46%

LAB 83.36, -15.71, 81.89

 

CMYK 0 / 51 / 94 / 44

HEX #8E4509

RGB 142 69 9

HSL 27.07, 0.88%, 0.3%

LAB 37.89, 27.51, 45.06

 

CMYK 0 / 51 / 94 / 29

HEX #B5580B

RGB 181 88 11

HSL 27.18, 0.89%, 0.38%

LAB 48.04, 33.75, 54.55

 

CMYK 0 / 52 / 94 / 14

HEX #DC6A0E

RGB 220 106 14

HSL 26.8, 0.88%, 0.46%

LAB 57.61, 40.23, 63.23

 

CMYK 0 / 47 / 86 / 6

HEX #F07F22

RGB 240 127 34

HSL 27.09, 0.87%, 0.54%

LAB 64.82, 37.88, 64.39

 

CMYK 0 / 38 / 70 / 5

HEX #F39649

RGB 243 150 73

HSL 27.18, 0.88%, 0.62%

LAB 70.42, 28.61, 53.92

 

CMYK 0 / 52 / 94 / 13

HEX #DF6C0E

RGB 223 108 14

HSL 26.99, 0.88%, 0.46%

LAB 58.46, 40.4, 64.01

 

CMYK 60 / 0 / 94 / 14

HEX #59DC0E

RGB 89 220 14

HSL 98.16, 0.88%, 0.46%

LAB 78.08, -65.86, 74.63

 

CMYK 91 / 94 / 0 / 14

HEX #140EDC

RGB 20 14 220

HSL 241.75, 0.88%, 0.46%

LAB 28.46, 68.36, -94.38

 

CMYK 0 / 52 / 94 / 13

HEX #DF6C0E

RGB 223 108 14

HSL 26.99, 0.88%, 0.46%

LAB 58.46, 40.4, 64.01

 

CMYK 94 / 0 / 53 / 14

HEX #0EDC67

RGB 14 220 103

HSL 145.92, 0.88%, 0.46%

LAB 77.44, -69.17, 44.76

 

CMYK 53 / 94 / 0 / 14

HEX #670EDC

RGB 103 14 220

HSL 265.92, 0.88%, 0.46%

LAB 34.73, 71.97, -83.77

 

CMYK 0 / 52 / 94 / 13

HEX #DF6C0E

RGB 223 108 14

HSL 26.99, 0.88%, 0.46%

LAB 58.46, 40.4, 64.01

 

CMYK 60 / 0 / 94 / 14

HEX #59DC0E

RGB 89 220 14

HSL 98.16, 0.88%, 0.46%

LAB 78.08, -65.86, 74.63

 

CMYK 94 / 40 / 0 / 14

HEX #0E83DC

RGB 14 131 220

HSL 205.92, 0.88%, 0.46%

LAB 53.49, 3.8, -53.42

 

CMYK 35 / 94 / 0 / 14

HEX #900EDC

RGB 144 14 220

HSL 277.86, 0.88%, 0.46%

LAB 40.26, 76.03, -74.46

 

CMYK 0 / 52 / 94 / 13

HEX #DF6C0E

RGB 223 108 14

HSL 26.99, 0.88%, 0.46%

LAB 58.46, 40.4, 64.01

 

CMYK 88 / 0 / 94 / 14

HEX #1BDC0E

RGB 27 220 14

HSL 116.21, 0.88%, 0.46%

LAB 76.95, -75.56, 73.24

 

CMYK 94 / 40 / 0 / 14

HEX #0E83DC

RGB 14 131 220

HSL 205.92, 0.88%, 0.46%

LAB 53.49, 3.8, -53.42

 

CMYK 6 / 94 / 0 / 14

HEX #CE0EDC

RGB 206 14 220

HSL 295.92, 0.88%, 0.46%

LAB 50.22, 84.61, -57.84

 

Description

Color code: HEX #DF6C0E | qconv.com Color code: HEX #DF6C0E | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 108 green and 14 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 108 14 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 94 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 94% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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