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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF6AF7 it is the complementary color #209508. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF6AF7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF6AF7 shade: #E46AF2, #F57CFF, #FF8EFF, #FFA0FF and #FFB2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF6AF7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF6AF7 shade: #DF6AF7, #CE58E4, #BD46D1, #AC34BE and #9B22AB

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF6AF7 shade: #DE68F7, #F768E8, #F768C2, #F7689C and #F76875

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF6AF7 shade: #DE68F7, #B868F7, #9268F7, #6B68F7 and #6868F7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF6AF7 shade matches the following richer shades: #DE68F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF6AF7 shade: #DE68F7, #D675EA, #CE82DD, #C58FD0 and #BD9BC3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF6AF7 shade: #9168F7, #B768F7, #DD68F7, #F768EB and #F768C5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF6AF7 shade: #CE1AF2, #D641F5, #DE68F7, #E790F9 and #EFB7FB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF6AF7 shade: #DF6AF7, #F76B68 and #68F7A4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF6AF7 shade: #DF6AF7, #F7DD68 and #68F7DD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF6AF7 shade: #DF6AF7, #F76B68, #82F768 and #68F4F7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF6AF7 shade: #DF6AF7, #F79568, #82F768 and #68CAF7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 57 / 0 / 3

HEX #DF6AF7

RGB 223 106 247

HSL 289.79, 0.9%, 0.69%

LAB 63.93, 65.41, -50.96

 

Complementary color

CMYK 79 / 0 / 95 / 42

HEX #209508

RGB 32 149 8

HSL 109.79, 0.9%, 0.31%

LAB 53.83, -54.53, 54.81

 

CMYK 6 / 56 / 0 / 5

HEX #E46AF2

RGB 228 106 242

HSL 293.82, 0.84%, 0.68%

LAB 64.33, 65.74, -47.52

 

CMYK 4 / 51 / 0 / 0

HEX #F57CFF

RGB 245 124 255

HSL 295.42, 1%, 0.74%

LAB 70.21, 64.16, -45.26

 

CMYK 0 / 44 / 0 / 0

HEX #FF8EFF

RGB 255 142 255

HSL 300, 1%, 0.78%

LAB 74.72, 58.28, -38.13

 

CMYK 0 / 37 / 0 / 0

HEX #FFA0FF

RGB 255 160 255

HSL 300, 1%, 0.81%

LAB 78.24, 49.29, -32.68

 

CMYK 0 / 30 / 0 / 0

HEX #FFB2FF

RGB 255 178 255

HSL 300, 1%, 0.85%

LAB 82.01, 40, -26.89

 

CMYK 10 / 57 / 0 / 3

HEX #DF6AF7

RGB 223 106 247

HSL 289.79, 0.9%, 0.69%

LAB 63.93, 65.41, -50.96

 

CMYK 10 / 61 / 0 / 11

HEX #CE58E4

RGB 206 88 228

HSL 290.57, 0.72%, 0.62%

LAB 57.75, 65.77, -50.32

 

CMYK 10 / 67 / 0 / 18

HEX #BD46D1

RGB 189 70 209

HSL 291.37, 0.6%, 0.55%

LAB 51.61, 65.87, -49.48

 

CMYK 9 / 73 / 0 / 25

HEX #AC34BE

RGB 172 52 190

HSL 292.17, 0.57%, 0.47%

LAB 45.56, 65.51, -48.32

 

CMYK 9 / 80 / 0 / 33

HEX #9B22AB

RGB 155 34 171

HSL 292.99, 0.67%, 0.4%

LAB 39.67, 64.41, -46.7

 

CMYK 10 / 58 / 0 / 3

HEX #DE68F7

RGB 222 104 247

HSL 289.51, 0.9%, 0.69%

LAB 63.46, 66.07, -51.71

 

CMYK 0 / 58 / 6 / 3

HEX #F768E8

RGB 247 104 232

HSL 306.29, 0.9%, 0.69%

LAB 66.14, 69.75, -38.97

 

CMYK 0 / 58 / 21 / 3

HEX #F768C2

RGB 247 104 194

HSL 322.24, 0.9%, 0.69%

LAB 64.62, 64.16, -20.01

 

CMYK 0 / 58 / 37 / 3

HEX #F7689C

RGB 247 104 156

HSL 338.18, 0.9%, 0.69%

LAB 63.4, 59.5, -0.16

 

CMYK 0 / 58 / 53 / 3

HEX #F76875

RGB 247 104 117

HSL 354.55, 0.9%, 0.69%

LAB 62.47, 55.79, 20.94

 

CMYK 10 / 58 / 0 / 3

HEX #DE68F7

RGB 222 104 247

HSL 289.51, 0.9%, 0.69%

LAB 63.46, 66.07, -51.71

 

CMYK 26 / 58 / 0 / 3

HEX #B868F7

RGB 184 104 247

HSL 273.57, 0.9%, 0.69%

LAB 58.79, 56.95, -59.42

 

CMYK 41 / 58 / 0 / 3

HEX #9268F7

RGB 146 104 247

HSL 257.62, 0.9%, 0.69%

LAB 54.79, 48.38, -66.07

 

CMYK 57 / 58 / 0 / 3

HEX #6B68F7

RGB 107 104 247

HSL 241.26, 0.9%, 0.69%

LAB 51.54, 40.77, -71.48

 

CMYK 58 / 58 / 0 / 3

HEX #6868F7

RGB 104 104 247

HSL 240, 0.9%, 0.69%

LAB 51.33, 40.25, -71.83

 

CMYK 10 / 58 / 0 / 3

HEX #DE68F7

RGB 222 104 247

HSL 289.51, 0.9%, 0.69%

LAB 63.46, 66.07, -51.71

 

CMYK 10 / 58 / 0 / 3

HEX #DE68F7

RGB 222 104 247

HSL 289.51, 0.9%, 0.69%

LAB 63.46, 66.07, -51.71

 

CMYK 9 / 50 / 0 / 8

HEX #D675EA

RGB 214 117 234

HSL 289.74, 0.74%, 0.69%

LAB 64.13, 55.39, -43.53

 

CMYK 7 / 41 / 0 / 13

HEX #CE82DD

RGB 206 130 221

HSL 290.11, 0.57%, 0.69%

LAB 65.21, 43.92, -34.7

 

CMYK 5 / 31 / 0 / 18

HEX #C58FD0

RGB 197 143 208

HSL 289.85, 0.41%, 0.69%

LAB 66.57, 31.56, -25.43

 

CMYK 3 / 21 / 0 / 24

HEX #BD9BC3

RGB 189 155 195

HSL 291, 0.25%, 0.69%

LAB 68.17, 19.72, -15.84

 

CMYK 41 / 58 / 0 / 3

HEX #9168F7

RGB 145 104 247

HSL 257.2, 0.9%, 0.69%

LAB 54.7, 48.17, -66.23

 

CMYK 26 / 58 / 0 / 3

HEX #B768F7

RGB 183 104 247

HSL 273.15, 0.9%, 0.69%

LAB 58.68, 56.71, -59.61

 

CMYK 11 / 58 / 0 / 3

HEX #DD68F7

RGB 221 104 247

HSL 289.09, 0.9%, 0.69%

LAB 63.33, 65.82, -51.92

 

CMYK 0 / 58 / 5 / 3

HEX #F768EB

RGB 247 104 235

HSL 305.03, 0.9%, 0.69%

LAB 66.27, 70.23, -40.42

 

CMYK 0 / 58 / 20 / 3

HEX #F768C5

RGB 247 104 197

HSL 320.98, 0.9%, 0.69%

LAB 64.73, 64.57, -21.54

 

CMYK 15 / 89 / 0 / 5

HEX #CE1AF2

RGB 206 26 242

HSL 290, 0.89%, 0.53%

LAB 52.14, 86.67, -67.18

 

CMYK 13 / 73 / 0 / 4

HEX #D641F5

RGB 214 65 245

HSL 289.67, 0.9%, 0.61%

LAB 56.75, 79.27, -61.37

 

CMYK 10 / 58 / 0 / 3

HEX #DE68F7

RGB 222 104 247

HSL 289.51, 0.9%, 0.69%

LAB 63.46, 66.07, -51.71

 

CMYK 7 / 42 / 0 / 2

HEX #E790F9

RGB 231 144 249

HSL 289.71, 0.9%, 0.77%

LAB 72.08, 49.34, -39.19

 

CMYK 5 / 27 / 0 / 2

HEX #EFB7FB

RGB 239 183 251

HSL 289.41, 0.89%, 0.85%

LAB 81.39, 31.62, -25.84

 

CMYK 10 / 57 / 0 / 3

HEX #DF6AF7

RGB 223 106 247

HSL 289.79, 0.9%, 0.69%

LAB 63.93, 65.41, -50.96

 

CMYK 0 / 57 / 58 / 3

HEX #F76B68

RGB 247 107 104

HSL 1.26, 0.9%, 0.69%

LAB 62.75, 53.44, 28.71

 

CMYK 58 / 0 / 34 / 3

HEX #68F7A4

RGB 104 247 164

HSL 145.17, 0.9%, 0.69%

LAB 88.04, -56.82, 28.61

 

CMYK 10 / 57 / 0 / 3

HEX #DF6AF7

RGB 223 106 247

HSL 289.79, 0.9%, 0.69%

LAB 63.93, 65.41, -50.96

 

CMYK 0 / 11 / 58 / 3

HEX #F7DD68

RGB 247 221 104

HSL 49.09, 0.9%, 0.69%

LAB 88.2, -4.8, 59.57

 

CMYK 58 / 0 / 11 / 3

HEX #68F7DD

RGB 104 247 221

HSL 169.09, 0.9%, 0.69%

LAB 89.25, -44.65, 0.93

 

CMYK 10 / 57 / 0 / 3

HEX #DF6AF7

RGB 223 106 247

HSL 289.79, 0.9%, 0.69%

LAB 63.93, 65.41, -50.96

 

CMYK 0 / 57 / 58 / 3

HEX #F76B68

RGB 247 107 104

HSL 1.26, 0.9%, 0.69%

LAB 62.75, 53.44, 28.71

 

CMYK 47 / 0 / 58 / 3

HEX #82F768

RGB 130 247 104

HSL 109.09, 0.9%, 0.69%

LAB 88.1, -59.1, 57.54

 

CMYK 58 / 1 / 0 / 3

HEX #68F4F7

RGB 104 244 247

HSL 181.26, 0.9%, 0.69%

LAB 89.09, -36.71, -12.86

 

CMYK 10 / 57 / 0 / 3

HEX #DF6AF7

RGB 223 106 247

HSL 289.79, 0.9%, 0.69%

LAB 63.93, 65.41, -50.96

 

CMYK 0 / 40 / 58 / 3

HEX #F79568

RGB 247 149 104

HSL 18.88, 0.9%, 0.69%

LAB 71.06, 32.66, 39.25

 

CMYK 47 / 0 / 58 / 3

HEX #82F768

RGB 130 247 104

HSL 109.09, 0.9%, 0.69%

LAB 88.1, -59.1, 57.54

 

CMYK 58 / 18 / 0 / 3

HEX #68CAF7

RGB 104 202 247

HSL 198.88, 0.9%, 0.69%

LAB 77.22, -16.15, -30.86

 

Description

Color code: HEX #DF6AF7 | qconv.com Color code: HEX #DF6AF7 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 106 green and 247 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 106 247 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 57 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 57% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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