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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF6A72 it is the complementary color #20958D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF6A72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF6A72 shade: #E46A6D, #F57C80, #FF8E93, #FFA0A6 and #FFB2B9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF6A72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF6A72 shade: #DF6A72, #CE585F, #BD464C, #AC3439 and #9B2226

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF6A72 shade: #E06C74 and #E06C6C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF6A72 shade: #E06C74, #E06C93, #E06CB2, #E06CD2 and #CF6CE0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF6A72 shade matches the following richer shades: #E06C74, #EE5D67 and #FD4F5B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF6A72 shade: #E06C74, #D17A80, #C3898D, #B49799 and #A6A6A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF6A72 shade: #E06CB3, #E06C94, #E06C75, #E0816C and #E0A06C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF6A72 shade: #CD2C37, #D94A53, #E06C74, #E78E94 and #EEB0B4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF6A72 shade: #DF6A72, #D2E06C and #6CA4E0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF6A72 shade: #DF6A72, #75E06C and #6C75E0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF6A72 shade: #DF6A72, #D2E06C, #6CE0D6 and #796CE0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF6A72 shade: #DF6A72, #AFE06C, #6CE0D6 and #9C6CE0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 49 / 13

HEX #DF6A72

RGB 223 106 114

HSL 355.9, 0.65%, 0.65%

LAB 59.17, 46.34, 17.57

 

Complementary color

CMYK 79 / 0 / 5 / 42

HEX #20958D

RGB 32 149 141

HSL 175.9, 0.65%, 0.35%

LAB 55.81, -32.59, -4.76

 

CMYK 0 / 54 / 52 / 11

HEX #E46A6D

RGB 228 106 109

HSL 358.52, 0.69%, 0.65%

LAB 59.8, 47.67, 21.44

 

CMYK 0 / 49 / 48 / 4

HEX #F57C80

RGB 245 124 128

HSL 358.02, 0.86%, 0.72%

LAB 66.05, 46.61, 19.52

 

CMYK 0 / 44 / 42 / 0

HEX #FF8E93

RGB 255 142 147

HSL 357.35, 1%, 0.78%

LAB 71.36, 43.06, 16.43

 

CMYK 0 / 37 / 35 / 0

HEX #FFA0A6

RGB 255 160 166

HSL 356.21, 1%, 0.81%

LAB 75.55, 35.96, 11.83

 

CMYK 0 / 30 / 27 / 0

HEX #FFB2B9

RGB 255 178 185

HSL 354.55, 1%, 0.85%

LAB 79.96, 28.97, 7.77

 

CMYK 0 / 52 / 49 / 13

HEX #DF6A72

RGB 223 106 114

HSL 355.9, 0.65%, 0.65%

LAB 59.17, 46.34, 17.57

 

CMYK 0 / 57 / 54 / 19

HEX #CE585F

RGB 206 88 95

HSL 356.44, 0.55%, 0.58%

LAB 52.87, 47.35, 19.68

 

CMYK 0 / 63 / 60 / 26

HEX #BD464C

RGB 189 70 76

HSL 356.97, 0.47%, 0.51%

LAB 46.61, 48.27, 22.19

 

CMYK 0 / 70 / 67 / 33

HEX #AC3439

RGB 172 52 57

HSL 357.5, 0.54%, 0.44%

LAB 40.45, 48.95, 25.25

 

CMYK 0 / 78 / 75 / 39

HEX #9B2226

RGB 155 34 38

HSL 358.02, 0.64%, 0.37%

LAB 34.5, 49.11, 29

 

CMYK 0 / 52 / 48 / 12

HEX #E06C74

RGB 224 108 116

HSL 355.86, 0.65%, 0.65%

LAB 59.74, 45.9, 17.22

 

CMYK 0 / 52 / 52 / 12

HEX #E06C6C

RGB 224 108 108

HSL 0, 0.65%, 0.65%

LAB 59.58, 45.18, 21.61

 

CMYK 0 / 52 / 48 / 12

HEX #E06C74

RGB 224 108 116

HSL 355.86, 0.65%, 0.65%

LAB 59.74, 45.9, 17.22

 

CMYK 0 / 52 / 34 / 12

HEX #E06C93

RGB 224 108 147

HSL 339.83, 0.65%, 0.65%

LAB 60.5, 49.19, 0.38

 

CMYK 0 / 52 / 21 / 12

HEX #E06CB2

RGB 224 108 178

HSL 323.79, 0.65%, 0.65%

LAB 61.47, 53.27, -16

 

CMYK 0 / 52 / 6 / 12

HEX #E06CD2

RGB 224 108 210

HSL 307.24, 0.65%, 0.65%

LAB 62.7, 58.23, -32.27

 

CMYK 8 / 52 / 0 / 12

HEX #CF6CE0

RGB 207 108 224

HSL 291.21, 0.65%, 0.65%

LAB 61.11, 56.03, -42.77

 

CMYK 0 / 52 / 48 / 12

HEX #E06C74

RGB 224 108 116

HSL 355.86, 0.65%, 0.65%

LAB 59.74, 45.9, 17.22

 

CMYK 0 / 61 / 57 / 7

HEX #EE5D67

RGB 238 93 103

HSL 355.86, 0.81%, 0.65%

LAB 58.96, 56.59, 24.04

 

CMYK 0 / 69 / 64 / 1

HEX #FD4F5B

RGB 253 79 91

HSL 355.86, 0.98%, 0.65%

LAB 59.19, 66.17, 31.73

 

CMYK 0 / 52 / 48 / 12

HEX #E06C74

RGB 224 108 116

HSL 355.86, 0.65%, 0.65%

LAB 59.74, 45.9, 17.22

 

CMYK 0 / 42 / 39 / 18

HEX #D17A80

RGB 209 122 128

HSL 355.86, 0.49%, 0.65%

LAB 60.81, 34.5, 11.51

 

CMYK 0 / 30 / 28 / 24

HEX #C3898D

RGB 195 137 141

HSL 355.86, 0.33%, 0.65%

LAB 62.86, 22.73, 6.76

 

CMYK 0 / 16 / 15 / 29

HEX #B49799

RGB 180 151 153

HSL 355.86, 0.16%, 0.65%

LAB 65.07, 11.11, 2.97

 

CMYK 0 / 0 / 0 / 35

HEX #A6A6A6

RGB 166 166 166

HSL 0, 0%, 0.65%

LAB 68.12, 0, -0.01

 

CMYK 0 / 52 / 20 / 12

HEX #E06CB3

RGB 224 108 179

HSL 323.28, 0.65%, 0.65%

LAB 61.5, 53.42, -16.52

 

CMYK 0 / 52 / 34 / 12

HEX #E06C94

RGB 224 108 148

HSL 339.31, 0.65%, 0.65%

LAB 60.53, 49.31, -0.16

 

CMYK 0 / 52 / 48 / 12

HEX #E06C75

RGB 224 108 117

HSL 355.34, 0.65%, 0.65%

LAB 59.76, 45.99, 16.68

 

CMYK 0 / 42 / 52 / 12

HEX #E0816C

RGB 224 129 108

HSL 10.86, 0.65%, 0.65%

LAB 63.86, 34.48, 27.3

 

CMYK 0 / 29 / 52 / 12

HEX #E0A06C

RGB 224 160 108

HSL 26.9, 0.65%, 0.65%

LAB 70.92, 17.96, 36.4

 

CMYK 0 / 79 / 73 / 20

HEX #CD2C37

RGB 205 44 55

HSL 355.9, 0.65%, 0.49%

LAB 45.71, 61.74, 34.26

 

CMYK 0 / 66 / 62 / 15

HEX #D94A53

RGB 217 74 83

HSL 356.22, 0.65%, 0.57%

LAB 52.15, 56.36, 26.14

 

CMYK 0 / 52 / 48 / 12

HEX #E06C74

RGB 224 108 116

HSL 355.86, 0.65%, 0.65%

LAB 59.74, 45.9, 17.22

 

CMYK 0 / 39 / 36 / 9

HEX #E78E94

RGB 231 142 148

HSL 355.96, 0.65%, 0.73%

LAB 68.37, 34.44, 11.23

 

CMYK 0 / 26 / 24 / 7

HEX #EEB0B4

RGB 238 176 180

HSL 356.13, 0.65%, 0.81%

LAB 77.59, 23.16, 6.85

 

CMYK 0 / 52 / 49 / 13

HEX #DF6A72

RGB 223 106 114

HSL 355.9, 0.65%, 0.65%

LAB 59.17, 46.34, 17.57

 

CMYK 6 / 0 / 52 / 12

HEX #D2E06C

RGB 210 224 108

HSL 67.24, 0.65%, 0.65%

LAB 86.05, -20.87, 54.5

 

CMYK 52 / 27 / 0 / 12

HEX #6CA4E0

RGB 108 164 224

HSL 211.03, 0.65%, 0.65%

LAB 65.84, -1.65, -35.96

 

CMYK 0 / 52 / 49 / 13

HEX #DF6A72

RGB 223 106 114

HSL 355.9, 0.65%, 0.65%

LAB 59.17, 46.34, 17.57

 

CMYK 48 / 0 / 52 / 12

HEX #75E06C

RGB 117 224 108

HSL 115.34, 0.65%, 0.65%

LAB 80.84, -53.31, 47.02

 

CMYK 52 / 48 / 0 / 12

HEX #6C75E0

RGB 108 117 224

HSL 235.34, 0.65%, 0.65%

LAB 53.27, 26.01, -55.83

 

CMYK 0 / 52 / 49 / 13

HEX #DF6A72

RGB 223 106 114

HSL 355.9, 0.65%, 0.65%

LAB 59.17, 46.34, 17.57

 

CMYK 6 / 0 / 52 / 12

HEX #D2E06C

RGB 210 224 108

HSL 67.24, 0.65%, 0.65%

LAB 86.05, -20.87, 54.5

 

CMYK 52 / 0 / 4 / 12

HEX #6CE0D6

RGB 108 224 214

HSL 174.83, 0.65%, 0.65%

LAB 82.57, -35.23, -5.17

 

CMYK 46 / 52 / 0 / 12

HEX #796CE0

RGB 121 108 224

HSL 246.72, 0.65%, 0.65%

LAB 52.03, 34.23, -57.76

 

CMYK 0 / 52 / 49 / 13

HEX #DF6A72

RGB 223 106 114

HSL 355.9, 0.65%, 0.65%

LAB 59.17, 46.34, 17.57

 

CMYK 22 / 0 / 52 / 12

HEX #AFE06C

RGB 175 224 108

HSL 85.34, 0.65%, 0.65%

LAB 83.71, -34.28, 51.16

 

CMYK 52 / 0 / 4 / 12

HEX #6CE0D6

RGB 108 224 214

HSL 174.83, 0.65%, 0.65%

LAB 82.57, -35.23, -5.17

 

CMYK 30 / 52 / 0 / 12

HEX #9C6CE0

RGB 156 108 224

HSL 264.83, 0.65%, 0.65%

LAB 55.25, 42.62, -52.42

 

Description

Color code: HEX #DF6A72 | qconv.com Color code: HEX #DF6A72 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 106 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 106 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 49 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 49% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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