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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF695C it is the complementary color #2096A3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF695C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF695C shade: #E46957, #F57B6A, #FF8D7D, #FF9F90 and #FFB1A3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF695C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF695C shade: #DF695C, #CE5749, #BD4536, #AC3323 and #9B2110

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF695C shade: #DF6A5D and #DF5D5D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF695C shade: #DF6A5D, #DF8D5D, #DFB05D, #DFD35D and #C7DF5D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF695C shade matches the following richer shades: #DF6A5D, #EE5D4D and #FE503D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF695C shade: #DF6A5D, #CF766C, #BF837C, #AF8F8C and #A09C9B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF695C shade: #DF5D97, #DF5D74, #DF675D, #DF8A5D and #DFAD5D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF695C shade: #C33626, #D84A3A, #DF6A5D, #E5897F and #ECA9A2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF695C shade: #DF695C, #BADF5D and #5D86DF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF695C shade: #DF695C, #5DDF67 and #675DDF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF695C shade: #DF695C, #BADF5D, #5DD4DF and #815DDF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF695C shade: #DF695C, #93DF5D, #5DD4DF and #A85DDF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 59 / 13

HEX #DF695C

RGB 223 105 92

HSL 5.95, 0.67%, 0.62%

LAB 58.57, 45.03, 29.38

 

Complementary color

CMYK 80 / 8 / 0 / 36

HEX #2096A3

RGB 32 150 163

HSL 185.95, 0.67%, 0.38%

LAB 56.84, -26.26, -15.8

 

CMYK 0 / 54 / 62 / 11

HEX #E46957

RGB 228 105 87

HSL 7.66, 0.72%, 0.62%

LAB 59.24, 46.5, 33.19

 

CMYK 0 / 50 / 57 / 4

HEX #F57B6A

RGB 245 123 106

HSL 7.34, 0.87%, 0.69%

LAB 65.45, 45.26, 31.03

 

CMYK 0 / 45 / 51 / 0

HEX #FF8D7D

RGB 255 141 125

HSL 7.38, 1%, 0.75%

LAB 70.73, 41.49, 27.72

 

CMYK 0 / 38 / 44 / 0

HEX #FF9F90

RGB 255 159 144

HSL 8.11, 1%, 0.78%

LAB 74.87, 34.05, 22.91

 

CMYK 0 / 31 / 36 / 0

HEX #FFB1A3

RGB 255 177 163

HSL 9.13, 1%, 0.82%

LAB 79.24, 26.74, 18.64

 

CMYK 0 / 53 / 59 / 13

HEX #DF695C

RGB 223 105 92

HSL 5.95, 0.67%, 0.62%

LAB 58.57, 45.03, 29.38

 

CMYK 0 / 58 / 65 / 19

HEX #CE5749

RGB 206 87 73

HSL 6.32, 0.58%, 0.55%

LAB 52.31, 46.25, 31.76

 

CMYK 0 / 63 / 71 / 26

HEX #BD4536

RGB 189 69 54

HSL 6.67, 0.56%, 0.48%

LAB 46.1, 47.4, 34.51

 

CMYK 0 / 70 / 80 / 33

HEX #AC3323

RGB 172 51 35

HSL 7.01, 0.66%, 0.41%

LAB 40.01, 48.33, 37.63

 

CMYK 0 / 79 / 90 / 39

HEX #9B2110

RGB 155 33 16

HSL 7.34, 0.81%, 0.34%

LAB 34.18, 48.75, 40.73

 

CMYK 0 / 52 / 58 / 13

HEX #DF6A5D

RGB 223 106 93

HSL 6, 0.67%, 0.62%

LAB 58.78, 44.61, 29.08

 

CMYK 0 / 58 / 58 / 13

HEX #DF5D5D

RGB 223 93 93

HSL 0, 0.67%, 0.62%

LAB 56.39, 50.79, 26

 

CMYK 0 / 52 / 58 / 13

HEX #DF6A5D

RGB 223 106 93

HSL 6, 0.67%, 0.62%

LAB 58.78, 44.61, 29.08

 

CMYK 0 / 37 / 58 / 13

HEX #DF8D5D

RGB 223 141 93

HSL 22.15, 0.67%, 0.62%

LAB 66.16, 26.5, 38.35

 

CMYK 0 / 21 / 58 / 13

HEX #DFB05D

RGB 223 176 93

HSL 38.31, 0.67%, 0.62%

LAB 74.53, 7.78, 48.38

 

CMYK 0 / 5 / 58 / 13

HEX #DFD35D

RGB 223 211 93

HSL 54.46, 0.67%, 0.62%

LAB 83.48, -10.36, 58.6

 

CMYK 11 / 0 / 58 / 13

HEX #C7DF5D

RGB 199 223 93

HSL 71.08, 0.67%, 0.62%

LAB 84.85, -25.97, 59.61

 

CMYK 0 / 52 / 58 / 13

HEX #DF6A5D

RGB 223 106 93

HSL 6, 0.67%, 0.62%

LAB 58.78, 44.61, 29.08

 

CMYK 0 / 61 / 68 / 7

HEX #EE5D4D

RGB 238 93 77

HSL 5.96, 0.83%, 0.62%

LAB 58.55, 54.97, 38.27

 

CMYK 0 / 69 / 76 / 0

HEX #FE503D

RGB 254 80 61

HSL 5.91, 0.99%, 0.62%

LAB 59.11, 64.75, 48.23

 

CMYK 0 / 52 / 58 / 13

HEX #DF6A5D

RGB 223 106 93

HSL 6, 0.67%, 0.62%

LAB 58.78, 44.61, 29.08

 

CMYK 0 / 43 / 48 / 19

HEX #CF766C

RGB 207 118 108

HSL 6.06, 0.51%, 0.62%

LAB 59.26, 33.72, 20.77

 

CMYK 0 / 31 / 35 / 25

HEX #BF837C

RGB 191 131 124

HSL 6.27, 0.34%, 0.62%

LAB 60.57, 22.22, 13.14

 

CMYK 0 / 18 / 20 / 31

HEX #AF8F8C

RGB 175 143 140

HSL 5.14, 0.18%, 0.62%

LAB 62.21, 11.56, 6.13

 

CMYK 0 / 2 / 3 / 37

HEX #A09C9B

RGB 160 156 155

HSL 12, 0.03%, 0.62%

LAB 64.66, 1.26, 1.03

 

CMYK 0 / 58 / 32 / 13

HEX #DF5D97

RGB 223 93 151

HSL 333.23, 0.67%, 0.62%

LAB 57.8, 56.38, -5.93

 

CMYK 0 / 58 / 48 / 13

HEX #DF5D74

RGB 223 93 116

HSL 349.38, 0.67%, 0.62%

LAB 56.86, 52.67, 13.21

 

CMYK 0 / 54 / 58 / 13

HEX #DF675D

RGB 223 103 93

HSL 4.62, 0.67%, 0.62%

LAB 58.21, 46.07, 28.35

 

CMYK 0 / 38 / 58 / 13

HEX #DF8A5D

RGB 223 138 93

HSL 20.77, 0.67%, 0.62%

LAB 65.48, 28.1, 37.51

 

CMYK 0 / 22 / 58 / 13

HEX #DFAD5D

RGB 223 173 93

HSL 36.92, 0.67%, 0.62%

LAB 73.78, 9.38, 47.51

 

CMYK 0 / 72 / 81 / 24

HEX #C33626

RGB 195 54 38

HSL 6.11, 0.67%, 0.46%

LAB 44.77, 54.84, 42.2

 

CMYK 0 / 66 / 73 / 15

HEX #D84A3A

RGB 216 74 58

HSL 6.08, 0.67%, 0.54%

LAB 51.61, 54.7, 39.78

 

CMYK 0 / 52 / 58 / 13

HEX #DF6A5D

RGB 223 106 93

HSL 6, 0.67%, 0.62%

LAB 58.78, 44.61, 29.08

 

CMYK 0 / 40 / 45 / 10

HEX #E5897F

RGB 229 137 127

HSL 5.88, 0.66%, 0.7%

LAB 66.58, 34, 20.46

 

CMYK 0 / 28 / 31 / 7

HEX #ECA9A2

RGB 236 169 162

HSL 5.68, 0.66%, 0.78%

LAB 75.34, 23.72, 13.42

 

CMYK 0 / 53 / 59 / 13

HEX #DF695C

RGB 223 105 92

HSL 5.95, 0.67%, 0.62%

LAB 58.57, 45.03, 29.38

 

CMYK 17 / 0 / 58 / 13

HEX #BADF5D

RGB 186 223 93

HSL 77.08, 0.67%, 0.62%

LAB 83.97, -31.04, 58.39

 

CMYK 58 / 40 / 0 / 13

HEX #5D86DF

RGB 93 134 223

HSL 221.08, 0.67%, 0.62%

LAB 56.79, 12.32, -49.7

 

CMYK 0 / 53 / 59 / 13

HEX #DF695C

RGB 223 105 92

HSL 5.95, 0.67%, 0.62%

LAB 58.57, 45.03, 29.38

 

CMYK 58 / 0 / 54 / 13

HEX #5DDF67

RGB 93 223 103

HSL 124.62, 0.67%, 0.62%

LAB 79.66, -59.67, 47.75

 

CMYK 54 / 58 / 0 / 13

HEX #675DDF

RGB 103 93 223

HSL 244.62, 0.67%, 0.62%

LAB 47.03, 39.13, -65.34

 

CMYK 0 / 53 / 59 / 13

HEX #DF695C

RGB 223 105 92

HSL 5.95, 0.67%, 0.62%

LAB 58.57, 45.03, 29.38

 

CMYK 17 / 0 / 58 / 13

HEX #BADF5D

RGB 186 223 93

HSL 77.08, 0.67%, 0.62%

LAB 83.97, -31.04, 58.39

 

CMYK 58 / 5 / 0 / 13

HEX #5DD4DF

RGB 93 212 223

HSL 185.08, 0.67%, 0.62%

LAB 78.89, -30.07, -15.5

 

CMYK 42 / 58 / 0 / 13

HEX #815DDF

RGB 129 93 223

HSL 256.62, 0.67%, 0.62%

LAB 49.28, 44.38, -61.58

 

CMYK 0 / 53 / 59 / 13

HEX #DF695C

RGB 223 105 92

HSL 5.95, 0.67%, 0.62%

LAB 58.57, 45.03, 29.38

 

CMYK 34 / 0 / 58 / 13

HEX #93DF5D

RGB 147 223 93

HSL 95.08, 0.67%, 0.62%

LAB 81.71, -45.25, 55.23

 

CMYK 58 / 5 / 0 / 13

HEX #5DD4DF

RGB 93 212 223

HSL 185.08, 0.67%, 0.62%

LAB 78.89, -30.07, -15.5

 

CMYK 25 / 58 / 0 / 13

HEX #A85DDF

RGB 168 93 223

HSL 274.62, 0.67%, 0.62%

LAB 53.47, 53.32, -54.62

 

Description

Color code: HEX #DF695C | qconv.com Color code: HEX #DF695C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 105 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 105 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 59 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 59% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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