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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF6916 it is the complementary color #2096E9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF6916. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF6916 shade: #E46911, #F57B24, #FF8D37, #FF9F4A and #FFB15D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF6916. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF6916 shade: #DF6916, #CE5703, #BD4500, #AC3300 and #9B2100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF6916 shade: #DF6916, #DF3316 and #DF1616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF6916 shade: #DF6916, #DF9F16, #DFD516, #B2DF16 and #7CDF16

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF6916 shade matches the following richer shades: #DF6916 and #F36502

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF6916 shade: #DF6916, #CB6C2A, #B7703E, #A37351 and #907765

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF6916 shade: #DF1631, #DF3116, #DF6616, #DF9C16 and #DFD116

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF6916 shade: #94460F, #B95712, #DF6916, #EB7F33 and #EF9759

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF6916 shade: #DF6916, #66DF16 and #1616DF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF6916 shade: #DF6916, #16DF66 and #6616DF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF6916 shade: #DF6916, #66DF16, #168EDF and #8E16DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF6916 shade: #DF6916, #2ADF16, #168EDF and #CB16DF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 90 / 13

HEX #DF6916

RGB 223 105 22

HSL 24.78, 0.82%, 0.48%

LAB 57.89, 42.01, 61.64

 

Complementary color

CMYK 86 / 36 / 0 / 9

HEX #2096E9

RGB 32 150 233

HSL 204.78, 0.82%, 0.52%

LAB 59.89, -1.67, -50.46

 

CMYK 0 / 54 / 93 / 11

HEX #E46911

RGB 228 105 17

HSL 25.02, 0.86%, 0.48%

LAB 58.64, 43.85, 63.82

 

CMYK 0 / 50 / 85 / 4

HEX #F57B24

RGB 245 123 36

HSL 24.98, 0.91%, 0.55%

LAB 64.73, 41.9, 63.93

 

CMYK 0 / 45 / 78 / 0

HEX #FF8D37

RGB 255 141 55

HSL 25.8, 1%, 0.61%

LAB 69.88, 37.31, 61.82

 

CMYK 0 / 38 / 71 / 0

HEX #FF9F4A

RGB 255 159 74

HSL 28.18, 1%, 0.65%

LAB 73.9, 28.83, 57.61

 

CMYK 0 / 31 / 64 / 0

HEX #FFB15D

RGB 255 177 93

HSL 31.11, 1%, 0.68%

LAB 78.17, 20.48, 53.46

 

CMYK 0 / 53 / 90 / 13

HEX #DF6916

RGB 223 105 22

HSL 24.78, 0.82%, 0.48%

LAB 57.89, 42.01, 61.64

 

CMYK 0 / 58 / 99 / 19

HEX #CE5703

RGB 206 87 3

HSL 24.83, 0.97%, 0.41%

LAB 51.77, 44, 60.67

 

CMYK 0 / 63 / 100 / 26

HEX #BD4500

RGB 189 69 0

HSL 21.9, 1%, 0.37%

LAB 45.74, 45.99, 56.54

 

CMYK 0 / 70 / 100 / 33

HEX #AC3300

RGB 172 51 0

HSL 17.79, 1%, 0.34%

LAB 39.81, 47.61, 51.83

 

CMYK 0 / 79 / 100 / 39

HEX #9B2100

RGB 155 33 0

HSL 12.77, 1%, 0.3%

LAB 34.1, 48.5, 47.15

 

CMYK 0 / 53 / 90 / 13

HEX #DF6916

RGB 223 105 22

HSL 24.78, 0.82%, 0.48%

LAB 57.89, 42.01, 61.64

 

CMYK 0 / 77 / 90 / 13

HEX #DF3316

RGB 223 51 22

HSL 8.66, 0.82%, 0.48%

LAB 49.63, 64.06, 55.71

 

CMYK 0 / 90 / 90 / 13

HEX #DF1616

RGB 223 22 22

HSL 0, 0.82%, 0.48%

LAB 47.39, 70.43, 54.15

 

CMYK 0 / 53 / 90 / 13

HEX #DF6916

RGB 223 105 22

HSL 24.78, 0.82%, 0.48%

LAB 57.89, 42.01, 61.64

 

CMYK 0 / 29 / 90 / 13

HEX #DF9F16

RGB 223 159 22

HSL 40.9, 0.82%, 0.48%

LAB 69.85, 13.7, 70.59

 

CMYK 0 / 4 / 90 / 13

HEX #DFD516

RGB 223 213 22

HSL 57.01, 0.82%, 0.48%

LAB 83.62, -14.33, 81.17

 

CMYK 20 / 0 / 90 / 13

HEX #B2DF16

RGB 178 223 22

HSL 73.43, 0.82%, 0.48%

LAB 83.07, -37.65, 79.34

 

CMYK 44 / 0 / 90 / 13

HEX #7CDF16

RGB 124 223 22

HSL 89.55, 0.82%, 0.48%

LAB 80.25, -57, 75.86

 

CMYK 0 / 53 / 90 / 13

HEX #DF6916

RGB 223 105 22

HSL 24.78, 0.82%, 0.48%

LAB 57.89, 42.01, 61.64

 

CMYK 0 / 58 / 99 / 5

HEX #F36502

RGB 243 101 2

HSL 24.65, 0.98%, 0.48%

LAB 60.22, 51.18, 68.81

 

CMYK 0 / 53 / 90 / 13

HEX #DF6916

RGB 223 105 22

HSL 24.78, 0.82%, 0.48%

LAB 57.89, 42.01, 61.64

 

CMYK 0 / 47 / 79 / 20

HEX #CB6C2A

RGB 203 108 42

HSL 24.6, 0.66%, 0.48%

LAB 55.67, 33.03, 51.29

 

CMYK 0 / 39 / 66 / 28

HEX #B7703E

RGB 183 112 62

HSL 24.79, 0.49%, 0.48%

LAB 54.03, 23.52, 39.04

 

CMYK 0 / 29 / 50 / 36

HEX #A37351

RGB 163 115 81

HSL 24.88, 0.34%, 0.48%

LAB 52.56, 14.81, 26.28

 

CMYK 0 / 17 / 30 / 44

HEX #907765

RGB 144 119 101

HSL 25.12, 0.18%, 0.48%

LAB 51.91, 6.89, 13.54

 

CMYK 0 / 90 / 78 / 13

HEX #DF1631

RGB 223 22 49

HSL 351.94, 0.82%, 0.48%

LAB 47.6, 71.03, 40.82

 

CMYK 0 / 78 / 90 / 13

HEX #DF3116

RGB 223 49 22

HSL 8.06, 0.82%, 0.48%

LAB 49.43, 64.64, 55.56

 

CMYK 0 / 54 / 90 / 13

HEX #DF6616

RGB 223 102 22

HSL 23.88, 0.82%, 0.48%

LAB 57.32, 43.48, 61.22

 

CMYK 0 / 30 / 90 / 13

HEX #DF9C16

RGB 223 156 22

HSL 40, 0.82%, 0.48%

LAB 69.13, 15.31, 70.04

 

CMYK 0 / 6 / 90 / 13

HEX #DFD116

RGB 223 209 22

HSL 55.82, 0.82%, 0.48%

LAB 82.56, -12.33, 80.35

 

CMYK 0 / 53 / 90 / 42

HEX #94460F

RGB 148 70 15

HSL 24.81, 0.82%, 0.32%

LAB 39.09, 29.65, 44.45

 

CMYK 0 / 53 / 90 / 27

HEX #B95712

RGB 185 87 18

HSL 24.79, 0.82%, 0.4%

LAB 48.48, 36, 53.23

 

CMYK 0 / 53 / 90 / 13

HEX #DF6916

RGB 223 105 22

HSL 24.78, 0.82%, 0.48%

LAB 57.89, 42.01, 61.64

 

CMYK 0 / 46 / 78 / 8

HEX #EB7F33

RGB 235 127 51

HSL 24.78, 0.82%, 0.56%

LAB 64.23, 36.39, 57.15

 

CMYK 0 / 37 / 63 / 6

HEX #EF9759

RGB 239 151 89

HSL 24.8, 0.82%, 0.64%

LAB 70.32, 27.39, 45.88

 

CMYK 0 / 53 / 90 / 13

HEX #DF6916

RGB 223 105 22

HSL 24.78, 0.82%, 0.48%

LAB 57.89, 42.01, 61.64

 

CMYK 54 / 0 / 90 / 13

HEX #66DF16

RGB 102 223 22

HSL 96.12, 0.82%, 0.48%

LAB 79.42, -63.41, 74.84

 

CMYK 90 / 90 / 0 / 13

HEX #1616DF

RGB 22 22 223

HSL 240, 0.82%, 0.48%

LAB 29.59, 67.14, -94.21

 

CMYK 0 / 53 / 90 / 13

HEX #DF6916

RGB 223 105 22

HSL 24.78, 0.82%, 0.48%

LAB 57.89, 42.01, 61.64

 

CMYK 90 / 0 / 54 / 13

HEX #16DF66

RGB 22 223 102

HSL 143.88, 0.82%, 0.48%

LAB 78.41, -69.87, 46.41

 

CMYK 54 / 90 / 0 / 13

HEX #6616DF

RGB 102 22 223

HSL 263.88, 0.82%, 0.48%

LAB 35.45, 71.02, -84.31

 

CMYK 0 / 53 / 90 / 13

HEX #DF6916

RGB 223 105 22

HSL 24.78, 0.82%, 0.48%

LAB 57.89, 42.01, 61.64

 

CMYK 54 / 0 / 90 / 13

HEX #66DF16

RGB 102 223 22

HSL 96.12, 0.82%, 0.48%

LAB 79.42, -63.41, 74.84

 

CMYK 90 / 36 / 0 / 13

HEX #168EDF

RGB 22 142 223

HSL 204.18, 0.82%, 0.48%

LAB 56.92, -1.29, -49.62

 

CMYK 36 / 90 / 0 / 13

HEX #8E16DF

RGB 142 22 223

HSL 275.82, 0.82%, 0.48%

LAB 40.66, 75.12, -75.55

 

CMYK 0 / 53 / 90 / 13

HEX #DF6916

RGB 223 105 22

HSL 24.78, 0.82%, 0.48%

LAB 57.89, 42.01, 61.64

 

CMYK 81 / 0 / 90 / 13

HEX #2ADF16

RGB 42 223 22

HSL 114.03, 0.82%, 0.48%

LAB 78.07, -74.81, 73.16

 

CMYK 90 / 36 / 0 / 13

HEX #168EDF

RGB 22 142 223

HSL 204.18, 0.82%, 0.48%

LAB 56.92, -1.29, -49.62

 

CMYK 9 / 90 / 0 / 13

HEX #CB16DF

RGB 203 22 223

HSL 294.03, 0.82%, 0.48%

LAB 50.21, 83.7, -59.58

 

Description

Color code: HEX #DF6916 | qconv.com Color code: HEX #DF6916 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 105 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 105 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 90 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 90% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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