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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF65C7 it is the complementary color #209A38. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF65C7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF65C7 shade: #E465C2, #F577D5, #FF89E8, #FF9BFB and #FFADFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF65C7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF65C7 shade: #DF65C7, #CE53B4, #BD41A1, #AC2F8E and #9B1D7B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF65C7 shade: #E067C8, #E067A7, #E06787 and #E06767

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF65C7 shade: #E067C8, #D767E0, #B667E0, #9667E0 and #7567E0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF65C7 shade matches the following richer shades: #E067C8, #EF58D1 and #FD49DA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF65C7 shade: #E067C8, #D175BF, #C284B6, #B393AD and #A4A2A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF65C7 shade: #B567E0, #D667E0, #E067CA, #E067A9 and #E06789

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF65C7 shade: #CA29AB, #D944BC, #E067C8, #E789D4 and #EEABE1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF65C7 shade: #DF65C7, #E09567 and #67E0C6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF65C7 shade: #DF65C7, #CAE067 and #67CAE0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF65C7 shade: #DF65C7, #E09567, #67E07D and #67B1E0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF65C7 shade: #DF65C7, #E0B967, #67E07D and #678DE0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 11 / 13

HEX #DF65C7

RGB 223 101 199

HSL 311.8, 0.66%, 0.64%

LAB 60.89, 59.42, -28.87

 

Complementary color

CMYK 79 / 0 / 64 / 40

HEX #209A38

RGB 32 154 56

HSL 131.8, 0.66%, 0.36%

LAB 55.79, -52.72, 41.29

 

CMYK 0 / 56 / 15 / 11

HEX #E465C2

RGB 228 101 194

HSL 316.06, 0.7%, 0.65%

LAB 61.39, 60.08, -25.19

 

CMYK 0 / 51 / 13 / 4

HEX #F577D5

RGB 245 119 213

HSL 315.24, 0.86%, 0.71%

LAB 67.58, 59.55, -26.18

 

CMYK 0 / 46 / 9 / 0

HEX #FF89E8

RGB 255 137 232

HSL 311.69, 1%, 0.77%

LAB 72.88, 56.86, -28.44

 

CMYK 0 / 39 / 2 / 0

HEX #FF9BFB

RGB 255 155 251

HSL 302.4, 1%, 0.8%

LAB 77.08, 51.12, -32.31

 

CMYK 0 / 32 / 0 / 0

HEX #FFADFF

RGB 255 173 255

HSL 300, 1%, 0.84%

LAB 80.94, 42.6, -28.53

 

CMYK 0 / 55 / 11 / 13

HEX #DF65C7

RGB 223 101 199

HSL 311.8, 0.66%, 0.64%

LAB 60.89, 59.42, -28.87

 

CMYK 0 / 60 / 13 / 19

HEX #CE53B4

RGB 206 83 180

HSL 312.68, 0.56%, 0.57%

LAB 54.66, 59.8, -27.81

 

CMYK 0 / 66 / 15 / 26

HEX #BD41A1

RGB 189 65 161

HSL 313.55, 0.49%, 0.5%

LAB 48.48, 59.88, -26.47

 

CMYK 0 / 73 / 17 / 33

HEX #AC2F8E

RGB 172 47 142

HSL 314.4, 0.57%, 0.43%

LAB 42.39, 59.48, -24.73

 

CMYK 0 / 81 / 21 / 39

HEX #9B1D7B

RGB 155 29 123

HSL 315.24, 0.68%, 0.36%

LAB 36.51, 58.27, -22.4

 

CMYK 0 / 54 / 11 / 12

HEX #E067C8

RGB 224 103 200

HSL 311.9, 0.66%, 0.64%

LAB 61.41, 58.94, -28.62

 

CMYK 0 / 54 / 25 / 12

HEX #E067A7

RGB 224 103 167

HSL 328.26, 0.66%, 0.64%

LAB 60.19, 54.12, -11.62

 

CMYK 0 / 54 / 40 / 12

HEX #E06787

RGB 224 103 135

HSL 344.13, 0.66%, 0.64%

LAB 59.25, 50.24, 5.52

 

CMYK 0 / 54 / 54 / 12

HEX #E06767

RGB 224 103 103

HSL 0, 0.66%, 0.64%

LAB 58.53, 47.2, 23.08

 

CMYK 0 / 54 / 11 / 12

HEX #E067C8

RGB 224 103 200

HSL 311.9, 0.66%, 0.64%

LAB 61.41, 58.94, -28.62

 

CMYK 4 / 54 / 0 / 12

HEX #D767E0

RGB 215 103 224

HSL 295.54, 0.66%, 0.64%

LAB 61.25, 60.54, -42.48

 

CMYK 19 / 54 / 0 / 12

HEX #B667E0

RGB 182 103 224

HSL 279.17, 0.66%, 0.64%

LAB 57.1, 51.94, -49.3

 

CMYK 33 / 54 / 0 / 12

HEX #9667E0

RGB 150 103 224

HSL 263.31, 0.66%, 0.64%

LAB 53.56, 43.89, -55.15

 

CMYK 48 / 54 / 0 / 12

HEX #7567E0

RGB 117 103 224

HSL 246.94, 0.66%, 0.64%

LAB 50.53, 36.32, -60.19

 

CMYK 0 / 54 / 11 / 12

HEX #E067C8

RGB 224 103 200

HSL 311.9, 0.66%, 0.64%

LAB 61.41, 58.94, -28.62

 

CMYK 0 / 63 / 13 / 6

HEX #EF58D1

RGB 239 88 209

HSL 311.92, 0.83%, 0.64%

LAB 61.6, 70.75, -33.25

 

CMYK 0 / 71 / 14 / 1

HEX #FD49DA

RGB 253 73 218

HSL 311.67, 0.98%, 0.64%

LAB 62.26, 80.69, -37.13

 

CMYK 0 / 54 / 11 / 12

HEX #E067C8

RGB 224 103 200

HSL 311.9, 0.66%, 0.64%

LAB 61.41, 58.94, -28.62

 

CMYK 0 / 44 / 9 / 18

HEX #D175BF

RGB 209 117 191

HSL 311.74, 0.5%, 0.64%

LAB 61.69, 46.16, -23.25

 

CMYK 0 / 32 / 6 / 24

HEX #C284B6

RGB 194 132 182

HSL 311.61, 0.34%, 0.64%

LAB 62.8, 31.7, -16.62

 

CMYK 0 / 18 / 3 / 30

HEX #B393AD

RGB 179 147 173

HSL 311.25, 0.17%, 0.64%

LAB 64.54, 16.5, -9.08

 

CMYK 0 / 1 / 0 / 36

HEX #A4A2A4

RGB 164 162 164

HSL 300, 0.01%, 0.64%

LAB 66.83, 1.1, -0.79

 

CMYK 19 / 54 / 0 / 12

HEX #B567E0

RGB 181 103 224

HSL 278.68, 0.66%, 0.64%

LAB 56.98, 51.68, -49.5

 

CMYK 4 / 54 / 0 / 12

HEX #D667E0

RGB 214 103 224

HSL 295.04, 0.66%, 0.64%

LAB 61.11, 60.28, -42.7

 

CMYK 0 / 54 / 10 / 12

HEX #E067CA

RGB 224 103 202

HSL 310.91, 0.66%, 0.64%

LAB 61.49, 59.26, -29.62

 

CMYK 0 / 54 / 25 / 12

HEX #E067A9

RGB 224 103 169

HSL 327.27, 0.66%, 0.64%

LAB 60.26, 54.39, -12.67

 

CMYK 0 / 54 / 39 / 12

HEX #E06789

RGB 224 103 137

HSL 343.14, 0.66%, 0.64%

LAB 59.3, 50.45, 4.44

 

CMYK 0 / 80 / 15 / 21

HEX #CA29AB

RGB 202 41 171

HSL 311.55, 0.66%, 0.48%

LAB 48.36, 72.21, -32.4

 

CMYK 0 / 69 / 13 / 15

HEX #D944BC

RGB 217 68 188

HSL 311.68, 0.66%, 0.56%

LAB 54.57, 69.76, -32.45

 

CMYK 0 / 54 / 11 / 12

HEX #E067C8

RGB 224 103 200

HSL 311.9, 0.66%, 0.64%

LAB 61.41, 58.94, -28.62

 

CMYK 0 / 41 / 8 / 9

HEX #E789D4

RGB 231 137 212

HSL 312.13, 0.66%, 0.72%

LAB 69.21, 46.29, -23.29

 

CMYK 0 / 28 / 5 / 7

HEX #EEABE1

RGB 238 171 225

HSL 311.64, 0.66%, 0.8%

LAB 77.72, 32.93, -17.42

 

CMYK 0 / 55 / 11 / 13

HEX #DF65C7

RGB 223 101 199

HSL 311.8, 0.66%, 0.64%

LAB 60.89, 59.42, -28.87

 

CMYK 0 / 33 / 54 / 12

HEX #E09567

RGB 224 149 103

HSL 22.81, 0.66%, 0.64%

LAB 68.26, 23.43, 35.68

 

CMYK 54 / 0 / 12 / 12

HEX #67E0C6

RGB 103 224 198

HSL 167.11, 0.66%, 0.64%

LAB 81.99, -40.18, 2.44

 

CMYK 0 / 55 / 11 / 13

HEX #DF65C7

RGB 223 101 199

HSL 311.8, 0.66%, 0.64%

LAB 60.89, 59.42, -28.87

 

CMYK 10 / 0 / 54 / 12

HEX #CAE067

RGB 202 224 103

HSL 70.91, 0.66%, 0.64%

LAB 85.43, -24.45, 55.91

 

CMYK 54 / 10 / 0 / 12

HEX #67CAE0

RGB 103 202 224

HSL 190.91, 0.66%, 0.64%

LAB 76.38, -22.97, -19.8

 

CMYK 0 / 55 / 11 / 13

HEX #DF65C7

RGB 223 101 199

HSL 311.8, 0.66%, 0.64%

LAB 60.89, 59.42, -28.87

 

CMYK 0 / 33 / 54 / 12

HEX #E09567

RGB 224 149 103

HSL 22.81, 0.66%, 0.64%

LAB 68.26, 23.43, 35.68

 

CMYK 54 / 0 / 44 / 12

HEX #67E07D

RGB 103 224 125

HSL 130.91, 0.66%, 0.64%

LAB 80.56, -54.6, 38.34

 

CMYK 54 / 21 / 0 / 12

HEX #67B1E0

RGB 103 177 224

HSL 203.31, 0.66%, 0.64%

LAB 69.26, -9.91, -30.68

 

CMYK 0 / 55 / 11 / 13

HEX #DF65C7

RGB 223 101 199

HSL 311.8, 0.66%, 0.64%

LAB 60.89, 59.42, -28.87

 

CMYK 0 / 17 / 54 / 12

HEX #E0B967

RGB 224 185 103

HSL 40.66, 0.66%, 0.64%

LAB 77, 4.23, 46.43

 

CMYK 54 / 0 / 44 / 12

HEX #67E07D

RGB 103 224 125

HSL 130.91, 0.66%, 0.64%

LAB 80.56, -54.6, 38.34

 

CMYK 54 / 37 / 0 / 12

HEX #678DE0

RGB 103 141 224

HSL 221.16, 0.66%, 0.64%

LAB 59.26, 10.53, -46.3

 

Description

Color code: HEX #DF65C7 | qconv.com Color code: HEX #DF65C7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 101 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 101 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 11 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 11% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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