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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF65BF it is the complementary color #209A40. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF65BF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF65BF shade: #E465BA, #F577CD, #FF89E0, #FF9BF3 and #FFADFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF65BF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF65BF shade: #DF65BF, #CE53AC, #BD4199, #AC2F86 and #9B1D73

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF65BF shade: #E067C0, #E0679F, #E0677F and #E06767

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF65BF shade: #E067C0, #DF67E0, #BE67E0, #9E67E0 and #7D67E0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF65BF shade matches the following richer shades: #E067C0, #EF58C7 and #FD49CE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF65BF shade: #E067C0, #D175B9, #C284B2, #B393AB and #A4A2A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF65BF shade: #BD67E0, #DE67E0, #E067C1, #E067A1 and #E06781

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF65BF shade: #CA29A0, #D944B2, #E067C0, #E789CE and #EEABDC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF65BF shade: #DF65BF, #E09D67 and #67E0CE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF65BF shade: #DF65BF, #C1E067 and #67C1E0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF65BF shade: #DF65BF, #E09D67, #67E085 and #67A9E0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF65BF shade: #DF65BF, #E0C167, #67E085 and #6785E0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 14 / 13

HEX #DF65BF

RGB 223 101 191

HSL 315.74, 0.66%, 0.64%

LAB 60.57, 58.19, -24.82

 

Complementary color

CMYK 79 / 0 / 58 / 40

HEX #209A40

RGB 32 154 64

HSL 135.74, 0.66%, 0.36%

LAB 55.88, -51.69, 37.61

 

CMYK 0 / 56 / 18 / 11

HEX #E465BA

RGB 228 101 186

HSL 319.84, 0.7%, 0.65%

LAB 61.09, 58.9, -21.1

 

CMYK 0 / 51 / 16 / 4

HEX #F577CD

RGB 245 119 205

HSL 319.05, 0.86%, 0.71%

LAB 67.29, 58.35, -22.16

 

CMYK 0 / 46 / 12 / 0

HEX #FF89E0

RGB 255 137 224

HSL 315.76, 1%, 0.77%

LAB 72.58, 55.6, -24.5

 

CMYK 0 / 39 / 5 / 0

HEX #FF9BF3

RGB 255 155 243

HSL 307.2, 1%, 0.8%

LAB 76.78, 49.74, -28.44

 

CMYK 0 / 32 / 0 / 0

HEX #FFADFF

RGB 255 173 255

HSL 300, 1%, 0.84%

LAB 80.94, 42.6, -28.53

 

CMYK 0 / 55 / 14 / 13

HEX #DF65BF

RGB 223 101 191

HSL 315.74, 0.66%, 0.64%

LAB 60.57, 58.19, -24.82

 

CMYK 0 / 60 / 17 / 19

HEX #CE53AC

RGB 206 83 172

HSL 316.59, 0.56%, 0.57%

LAB 54.33, 58.59, -23.67

 

CMYK 0 / 66 / 19 / 26

HEX #BD4199

RGB 189 65 153

HSL 317.42, 0.49%, 0.5%

LAB 48.13, 58.72, -22.25

 

CMYK 0 / 73 / 22 / 33

HEX #AC2F86

RGB 172 47 134

HSL 318.24, 0.57%, 0.43%

LAB 42.04, 58.37, -20.4

 

CMYK 0 / 81 / 26 / 39

HEX #9B1D73

RGB 155 29 115

HSL 319.05, 0.68%, 0.36%

LAB 36.15, 57.22, -17.94

 

CMYK 0 / 54 / 14 / 12

HEX #E067C0

RGB 224 103 192

HSL 315.87, 0.66%, 0.64%

LAB 61.09, 57.71, -24.56

 

CMYK 0 / 54 / 29 / 12

HEX #E0679F

RGB 224 103 159

HSL 332.23, 0.66%, 0.64%

LAB 59.93, 53.08, -7.39

 

CMYK 0 / 54 / 43 / 12

HEX #E0677F

RGB 224 103 127

HSL 348.1, 0.66%, 0.64%

LAB 59.05, 49.39, 9.89

 

CMYK 0 / 54 / 54 / 12

HEX #E06767

RGB 224 103 103

HSL 0, 0.66%, 0.64%

LAB 58.53, 47.2, 23.08

 

CMYK 0 / 54 / 14 / 12

HEX #E067C0

RGB 224 103 192

HSL 315.87, 0.66%, 0.64%

LAB 61.09, 57.71, -24.56

 

CMYK 0 / 54 / 0 / 12

HEX #DF67E0

RGB 223 103 224

HSL 299.5, 0.66%, 0.64%

LAB 62.31, 62.64, -40.73

 

CMYK 15 / 54 / 0 / 12

HEX #BE67E0

RGB 190 103 224

HSL 283.14, 0.66%, 0.64%

LAB 58.07, 54.01, -47.72

 

CMYK 29 / 54 / 0 / 12

HEX #9E67E0

RGB 158 103 224

HSL 267.27, 0.66%, 0.64%

LAB 54.4, 45.86, -53.77

 

CMYK 44 / 54 / 0 / 12

HEX #7D67E0

RGB 125 103 224

HSL 250.91, 0.66%, 0.64%

LAB 51.2, 38.06, -59.07

 

CMYK 0 / 54 / 14 / 12

HEX #E067C0

RGB 224 103 192

HSL 315.87, 0.66%, 0.64%

LAB 61.09, 57.71, -24.56

 

CMYK 0 / 63 / 17 / 6

HEX #EF58C7

RGB 239 88 199

HSL 315.89, 0.83%, 0.64%

LAB 61.18, 69.32, -28.23

 

CMYK 0 / 71 / 19 / 1

HEX #FD49CE

RGB 253 73 206

HSL 315.67, 0.98%, 0.64%

LAB 61.74, 79.09, -31.15

 

CMYK 0 / 54 / 14 / 12

HEX #E067C0

RGB 224 103 192

HSL 315.87, 0.66%, 0.64%

LAB 61.09, 57.71, -24.56

 

CMYK 0 / 44 / 11 / 18

HEX #D175B9

RGB 209 117 185

HSL 315.65, 0.5%, 0.64%

LAB 61.46, 45.16, -20.19

 

CMYK 0 / 32 / 8 / 24

HEX #C284B2

RGB 194 132 178

HSL 315.48, 0.34%, 0.64%

LAB 62.66, 30.99, -14.56

 

CMYK 0 / 18 / 4 / 30

HEX #B393AB

RGB 179 147 171

HSL 315, 0.17%, 0.64%

LAB 64.48, 16.13, -8.05

 

CMYK 0 / 1 / 0 / 36

HEX #A4A2A4

RGB 164 162 164

HSL 300, 0.01%, 0.64%

LAB 66.83, 1.1, -0.79

 

CMYK 16 / 54 / 0 / 12

HEX #BD67E0

RGB 189 103 224

HSL 282.64, 0.66%, 0.64%

LAB 57.94, 53.75, -47.92

 

CMYK 1 / 54 / 0 / 12

HEX #DE67E0

RGB 222 103 224

HSL 299.01, 0.66%, 0.64%

LAB 62.18, 62.38, -40.95

 

CMYK 0 / 54 / 14 / 12

HEX #E067C1

RGB 224 103 193

HSL 315.37, 0.66%, 0.64%

LAB 61.13, 57.86, -25.07

 

CMYK 0 / 54 / 28 / 12

HEX #E067A1

RGB 224 103 161

HSL 331.24, 0.66%, 0.64%

LAB 60, 53.33, -8.45

 

CMYK 0 / 54 / 42 / 12

HEX #E06781

RGB 224 103 129

HSL 347.11, 0.66%, 0.64%

LAB 59.1, 49.6, 8.8

 

CMYK 0 / 80 / 21 / 21

HEX #CA29A0

RGB 202 41 160

HSL 315.65, 0.66%, 0.48%

LAB 47.85, 70.76, -26.67

 

CMYK 0 / 69 / 18 / 15

HEX #D944B2

RGB 217 68 178

HSL 315.7, 0.66%, 0.56%

LAB 54.13, 68.35, -27.33

 

CMYK 0 / 54 / 14 / 12

HEX #E067C0

RGB 224 103 192

HSL 315.87, 0.66%, 0.64%

LAB 61.09, 57.71, -24.56

 

CMYK 0 / 41 / 11 / 9

HEX #E789CE

RGB 231 137 206

HSL 315.96, 0.66%, 0.72%

LAB 68.99, 45.3, -20.28

 

CMYK 0 / 28 / 8 / 7

HEX #EEABDC

RGB 238 171 220

HSL 316.12, 0.66%, 0.8%

LAB 77.56, 32.07, -14.95

 

CMYK 0 / 55 / 14 / 13

HEX #DF65BF

RGB 223 101 191

HSL 315.74, 0.66%, 0.64%

LAB 60.57, 58.19, -24.82

 

CMYK 0 / 30 / 54 / 12

HEX #E09D67

RGB 224 157 103

HSL 26.78, 0.66%, 0.64%

LAB 70.13, 19.14, 38.04

 

CMYK 54 / 0 / 8 / 12

HEX #67E0CE

RGB 103 224 206

HSL 171.07, 0.66%, 0.64%

LAB 82.19, -38.24, -1.5

 

CMYK 0 / 55 / 14 / 13

HEX #DF65BF

RGB 223 101 191

HSL 315.74, 0.66%, 0.64%

LAB 60.57, 58.19, -24.82

 

CMYK 14 / 0 / 54 / 12

HEX #C1E067

RGB 193 224 103

HSL 75.37, 0.66%, 0.64%

LAB 84.81, -27.95, 55.03

 

CMYK 54 / 14 / 0 / 12

HEX #67C1E0

RGB 103 193 224

HSL 195.37, 0.66%, 0.64%

LAB 73.81, -18.38, -23.71

 

CMYK 0 / 55 / 14 / 13

HEX #DF65BF

RGB 223 101 191

HSL 315.74, 0.66%, 0.64%

LAB 60.57, 58.19, -24.82

 

CMYK 0 / 30 / 54 / 12

HEX #E09D67

RGB 224 157 103

HSL 26.78, 0.66%, 0.64%

LAB 70.13, 19.14, 38.04

 

CMYK 54 / 0 / 41 / 12

HEX #67E085

RGB 103 224 133

HSL 134.88, 0.66%, 0.64%

LAB 80.68, -53.34, 34.49

 

CMYK 54 / 25 / 0 / 12

HEX #67A9E0

RGB 103 169 224

HSL 207.27, 0.66%, 0.64%

LAB 67.01, -5.53, -34.17

 

CMYK 0 / 55 / 14 / 13

HEX #DF65BF

RGB 223 101 191

HSL 315.74, 0.66%, 0.64%

LAB 60.57, 58.19, -24.82

 

CMYK 0 / 14 / 54 / 12

HEX #E0C167

RGB 224 193 103

HSL 44.63, 0.66%, 0.64%

LAB 79.02, 0.04, 48.85

 

CMYK 54 / 0 / 41 / 12

HEX #67E085

RGB 103 224 133

HSL 134.88, 0.66%, 0.64%

LAB 80.68, -53.34, 34.49

 

CMYK 54 / 41 / 0 / 12

HEX #6785E0

RGB 103 133 224

HSL 225.12, 0.66%, 0.64%

LAB 57.11, 15.29, -49.71

 

Description

Color code: HEX #DF65BF | qconv.com Color code: HEX #DF65BF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 101 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 101 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 14 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 14% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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