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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF614F it is the complementary color #209EB0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF614F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF614F shade: #E4614A, #F5735D, #FF8570, #FF9783 and #FFA996

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF614F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF614F shade: #DF614F, #CE4F3C, #BD3D29, #AC2B16 and #9B1903

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF614F shade: #DF604E and #DF4E4E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF614F shade: #DF604E, #DF874E, #DFAE4E, #DFD54E and #C1DF4E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF614F shade matches the following richer shades: #DF604E and #F0543D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF614F shade: #DF604E, #CE6D5F, #BD7A70, #AC8681 and #9B9392

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF614F shade: #DF4E8A, #DF4E64, #DF5F4E, #DF864E and #DFAC4E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF614F shade: #B93522, #D8412B, #DF604E, #E58071 and #EB9F94

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF614F shade: #DF614F, #B1DF4E and #4E77DF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF614F shade: #DF614F, #4EDF5F and #5F4EDF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF614F shade: #DF614F, #B1DF4E, #4ECEDF and #7C4EDF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF614F shade: #DF614F, #86DF4E, #4ECEDF and #A74EDF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 65 / 13

HEX #DF614F

RGB 223 97 79

HSL 7.5, 0.69%, 0.59%

LAB 56.88, 48.01, 34.59

 

Complementary color

CMYK 82 / 10 / 0 / 31

HEX #209EB0

RGB 32 158 176

HSL 187.5, 0.69%, 0.41%

LAB 59.79, -26.07, -18.7

 

CMYK 0 / 57 / 68 / 11

HEX #E4614A

RGB 228 97 74

HSL 8.96, 0.74%, 0.59%

LAB 57.6, 49.52, 38.4

 

CMYK 0 / 53 / 62 / 4

HEX #F5735D

RGB 245 115 93

HSL 8.68, 0.88%, 0.66%

LAB 63.72, 48.25, 36.01

 

CMYK 0 / 48 / 56 / 0

HEX #FF8570

RGB 255 133 112

HSL 8.81, 1%, 0.72%

LAB 68.9, 44.44, 32.45

 

CMYK 0 / 41 / 49 / 0

HEX #FF9783

RGB 255 151 131

HSL 9.68, 1%, 0.76%

LAB 72.91, 36.93, 27.35

 

CMYK 0 / 34 / 41 / 0

HEX #FFA996

RGB 255 169 150

HSL 10.86, 1%, 0.79%

LAB 77.18, 29.48, 22.82

 

CMYK 0 / 57 / 65 / 13

HEX #DF614F

RGB 223 97 79

HSL 7.5, 0.69%, 0.59%

LAB 56.88, 48.01, 34.59

 

CMYK 0 / 62 / 71 / 19

HEX #CE4F3C

RGB 206 79 60

HSL 7.81, 0.6%, 0.52%

LAB 50.73, 49.21, 37.22

 

CMYK 0 / 68 / 78 / 26

HEX #BD3D29

RGB 189 61 41

HSL 8.11, 0.64%, 0.45%

LAB 44.68, 50.26, 40.16

 

CMYK 0 / 75 / 87 / 33

HEX #AC2B16

RGB 172 43 22

HSL 8.4, 0.77%, 0.38%

LAB 38.82, 50.94, 43.14

 

CMYK 0 / 84 / 98 / 39

HEX #9B1903

RGB 155 25 3

HSL 8.68, 0.96%, 0.31%

LAB 33.29, 50.87, 45.45

 

CMYK 0 / 57 / 65 / 13

HEX #DF604E

RGB 223 96 78

HSL 7.45, 0.69%, 0.59%

LAB 56.69, 48.42, 34.91

 

CMYK 0 / 65 / 65 / 13

HEX #DF4E4E

RGB 223 78 78

HSL 0, 0.69%, 0.59%

LAB 53.69, 56.37, 31.23

 

CMYK 0 / 57 / 65 / 13

HEX #DF604E

RGB 223 96 78

HSL 7.45, 0.69%, 0.59%

LAB 56.69, 48.42, 34.91

 

CMYK 0 / 39 / 65 / 13

HEX #DF874E

RGB 223 135 78

HSL 23.59, 0.69%, 0.59%

LAB 64.62, 28.67, 44.31

 

CMYK 0 / 22 / 65 / 13

HEX #DFAE4E

RGB 223 174 78

HSL 39.72, 0.69%, 0.59%

LAB 73.88, 7.83, 54.71

 

CMYK 0 / 4 / 65 / 13

HEX #DFD54E

RGB 223 213 78

HSL 55.86, 0.69%, 0.59%

LAB 83.88, -12.33, 65.36

 

CMYK 13 / 0 / 65 / 13

HEX #C1DF4E

RGB 193 223 78

HSL 72.41, 0.69%, 0.59%

LAB 84.31, -29.4, 65.11

 

CMYK 0 / 57 / 65 / 13

HEX #DF604E

RGB 223 96 78

HSL 7.45, 0.69%, 0.59%

LAB 56.69, 48.42, 34.91

 

CMYK 0 / 65 / 75 / 6

HEX #F0543D

RGB 240 84 61

HSL 7.71, 0.86%, 0.59%

LAB 57.27, 58.7, 45.55

 

CMYK 0 / 57 / 65 / 13

HEX #DF604E

RGB 223 96 78

HSL 7.45, 0.69%, 0.59%

LAB 56.69, 48.42, 34.91

 

CMYK 0 / 47 / 54 / 19

HEX #CE6D5F

RGB 206 109 95

HSL 7.57, 0.53%, 0.59%

LAB 56.96, 36.88, 25.12

 

CMYK 0 / 35 / 41 / 26

HEX #BD7A70

RGB 189 122 112

HSL 7.79, 0.37%, 0.59%

LAB 57.95, 24.95, 16.32

 

CMYK 0 / 22 / 25 / 33

HEX #AC8681

RGB 172 134 129

HSL 6.98, 0.21%, 0.59%

LAB 59.35, 13.76, 8.26

 

CMYK 0 / 5 / 6 / 39

HEX #9B9392

RGB 155 147 146

HSL 6.67, 0.04%, 0.59%

LAB 61.58, 2.76, 1.57

 

CMYK 0 / 65 / 38 / 13

HEX #DF4E8A

RGB 223 78 138

HSL 335.17, 0.69%, 0.59%

LAB 55.04, 61.29, -2.37

 

CMYK 0 / 65 / 55 / 13

HEX #DF4E64

RGB 223 78 100

HSL 350.9, 0.69%, 0.59%

LAB 54.09, 57.83, 18.84

 

CMYK 0 / 57 / 65 / 13

HEX #DF5F4E

RGB 223 95 78

HSL 7.03, 0.69%, 0.59%

LAB 56.51, 48.89, 34.69

 

CMYK 0 / 40 / 65 / 13

HEX #DF864E

RGB 223 134 78

HSL 23.17, 0.69%, 0.59%

LAB 64.39, 29.2, 44.05

 

CMYK 0 / 23 / 65 / 13

HEX #DFAC4E

RGB 223 172 78

HSL 38.9, 0.69%, 0.59%

LAB 73.38, 8.9, 54.17

 

CMYK 0 / 71 / 82 / 27

HEX #B93522

RGB 185 53 34

HSL 7.55, 0.69%, 0.43%

LAB 42.73, 51.85, 41.66

 

CMYK 0 / 70 / 80 / 15

HEX #D8412B

RGB 216 65 43

HSL 7.63, 0.69%, 0.51%

LAB 50.16, 57.68, 46.22

 

CMYK 0 / 57 / 65 / 13

HEX #DF604E

RGB 223 96 78

HSL 7.45, 0.69%, 0.59%

LAB 56.69, 48.42, 34.91

 

CMYK 0 / 44 / 51 / 10

HEX #E58071

RGB 229 128 113

HSL 7.76, 0.69%, 0.67%

LAB 64.39, 37.35, 25.34

 

CMYK 0 / 32 / 37 / 8

HEX #EB9F94

RGB 235 159 148

HSL 7.59, 0.69%, 0.75%

LAB 72.63, 26.94, 17.27

 

CMYK 0 / 57 / 65 / 13

HEX #DF614F

RGB 223 97 79

HSL 7.5, 0.69%, 0.59%

LAB 56.88, 48.01, 34.59

 

CMYK 21 / 0 / 65 / 13

HEX #B1DF4E

RGB 177 223 78

HSL 79.03, 0.69%, 0.59%

LAB 83.27, -35.62, 63.7

 

CMYK 65 / 47 / 0 / 13

HEX #4E77DF

RGB 78 119 223

HSL 223.03, 0.69%, 0.59%

LAB 52, 18.75, -57.4

 

CMYK 0 / 57 / 65 / 13

HEX #DF614F

RGB 223 97 79

HSL 7.5, 0.69%, 0.59%

LAB 56.88, 48.01, 34.59

 

CMYK 65 / 0 / 57 / 13

HEX #4EDF5F

RGB 78 223 95

HSL 127.03, 0.69%, 0.59%

LAB 79.17, -63.85, 50.74

 

CMYK 57 / 65 / 0 / 13

HEX #5F4EDF

RGB 95 78 223

HSL 247.03, 0.69%, 0.59%

LAB 43.08, 46.49, -71.79

 

CMYK 0 / 57 / 65 / 13

HEX #DF614F

RGB 223 97 79

HSL 7.5, 0.69%, 0.59%

LAB 56.88, 48.01, 34.59

 

CMYK 21 / 0 / 65 / 13

HEX #B1DF4E

RGB 177 223 78

HSL 79.03, 0.69%, 0.59%

LAB 83.27, -35.62, 63.7

 

CMYK 65 / 8 / 0 / 13

HEX #4ECEDF

RGB 78 206 223

HSL 187.03, 0.69%, 0.59%

LAB 76.73, -29.66, -18.79

 

CMYK 44 / 65 / 0 / 13

HEX #7C4EDF

RGB 124 78 223

HSL 259.03, 0.69%, 0.59%

LAB 45.72, 51.56, -67.37

 

CMYK 0 / 57 / 65 / 13

HEX #DF614F

RGB 223 97 79

HSL 7.5, 0.69%, 0.59%

LAB 56.88, 48.01, 34.59

 

CMYK 40 / 0 / 65 / 13

HEX #86DF4E

RGB 134 223 78

HSL 96.83, 0.69%, 0.59%

LAB 80.96, -50.89, 60.55

 

CMYK 65 / 8 / 0 / 13

HEX #4ECEDF

RGB 78 206 223

HSL 187.03, 0.69%, 0.59%

LAB 76.73, -29.66, -18.79

 

CMYK 25 / 65 / 0 / 13

HEX #A74EDF

RGB 167 78 223

HSL 276.83, 0.69%, 0.59%

LAB 50.68, 60.36, -59.11

 

Description

Color code: HEX #DF614F | qconv.com Color code: HEX #DF614F | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 97 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 97 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 65 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 65% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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