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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF601E it is the complementary color #209FE1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF601E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF601E shade: #E46019, #F5722C, #FF843F, #FF9652 and #FFA865

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF601E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF601E shade: #DF601E, #CE4E0B, #BD3C00, #AC2A00 and #9B1800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF601E shade: #E0611F, #E02D1F and #E01F1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF601E shade: #E0611F, #E0951F, #E0C91F, #C3E01F and #8FE01F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF601E shade matches the following richer shades: #E0611F and #F55A0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF601E shade: #E0611F, #CC6733, #B76E48, #A3745C and #8E7B71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF601E shade: #E01F45, #E02C1F, #E05F1F, #E0931F and #E0C71F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF601E shade: #984215, #BC511A, #E0611F, #E57A43 and #EA9467

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF601E shade: #DF601E, #79E01F and #1F2CE0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF601E shade: #DF601E, #1FE05F and #5F1FE0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF601E shade: #DF601E, #79E01F, #1FA0E0 and #861FE0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF601E shade: #DF601E, #3FE01F, #1FA0E0 and #C01FE0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 87 / 13

HEX #DF601E

RGB 223 96 30

HSL 20.52, 0.76%, 0.5%

LAB 56.24, 46.51, 57.77

 

Complementary color

CMYK 86 / 29 / 0 / 12

HEX #209FE1

RGB 32 159 225

HSL 200.52, 0.76%, 0.5%

LAB 62.12, -9.72, -42.51

 

CMYK 0 / 58 / 89 / 11

HEX #E46019

RGB 228 96 25

HSL 20.99, 0.8%, 0.5%

LAB 57.01, 48.26, 60.43

 

CMYK 0 / 53 / 82 / 4

HEX #F5722C

RGB 245 114 44

HSL 20.9, 0.91%, 0.57%

LAB 63.04, 46.5, 59.48

 

CMYK 0 / 48 / 75 / 0

HEX #FF843F

RGB 255 132 63

HSL 21.56, 1%, 0.62%

LAB 68.11, 42.13, 56.61

 

CMYK 0 / 41 / 68 / 0

HEX #FF9652

RGB 255 150 82

HSL 23.58, 1%, 0.66%

LAB 72.02, 33.89, 51.81

 

CMYK 0 / 34 / 60 / 0

HEX #FFA865

RGB 255 168 101

HSL 26.1, 1%, 0.7%

LAB 76.19, 25.71, 47.26

 

CMYK 0 / 57 / 87 / 13

HEX #DF601E

RGB 223 96 30

HSL 20.52, 0.76%, 0.5%

LAB 56.24, 46.51, 57.77

 

CMYK 0 / 62 / 95 / 19

HEX #CE4E0B

RGB 206 78 11

HSL 20.62, 0.9%, 0.43%

LAB 50.21, 48.25, 57.94

 

CMYK 0 / 68 / 100 / 26

HEX #BD3C00

RGB 189 60 0

HSL 19.05, 1%, 0.37%

LAB 44.31, 49.83, 55.81

 

CMYK 0 / 76 / 100 / 33

HEX #AC2A00

RGB 172 42 0

HSL 14.65, 1%, 0.34%

LAB 38.6, 50.95, 51.27

 

CMYK 0 / 85 / 100 / 39

HEX #9B1800

RGB 155 24 0

HSL 9.29, 1%, 0.3%

LAB 33.18, 51.08, 46.61

 

CMYK 0 / 57 / 86 / 12

HEX #E0611F

RGB 224 97 31

HSL 20.52, 0.76%, 0.5%

LAB 56.58, 46.43, 57.75

 

CMYK 0 / 80 / 86 / 12

HEX #E02D1F

RGB 224 45 31

HSL 4.35, 0.76%, 0.5%

LAB 49.28, 66.19, 51.79

 

CMYK 0 / 86 / 86 / 12

HEX #E01F1F

RGB 224 31 31

HSL 0, 0.76%, 0.5%

LAB 48.17, 69.35, 50.88

 

CMYK 0 / 57 / 86 / 12

HEX #E0611F

RGB 224 97 31

HSL 20.52, 0.76%, 0.5%

LAB 56.58, 46.43, 57.75

 

CMYK 0 / 33 / 86 / 12

HEX #E0951F

RGB 224 149 31

HSL 36.68, 0.76%, 0.5%

LAB 67.61, 19.66, 66.7

 

CMYK 0 / 10 / 86 / 12

HEX #E0C91F

RGB 224 201 31

HSL 52.85, 0.76%, 0.5%

LAB 80.58, -7.69, 77.19

 

CMYK 13 / 0 / 86 / 12

HEX #C3E01F

RGB 195 224 31

HSL 69.02, 0.76%, 0.5%

LAB 84.49, -31.12, 79.44

 

CMYK 36 / 0 / 86 / 12

HEX #8FE01F

RGB 143 224 31

HSL 85.18, 0.76%, 0.5%

LAB 81.43, -50.87, 75.64

 

CMYK 0 / 57 / 86 / 12

HEX #E0611F

RGB 224 97 31

HSL 20.52, 0.76%, 0.5%

LAB 56.58, 46.43, 57.75

 

CMYK 0 / 63 / 96 / 4

HEX #F55A0A

RGB 245 90 10

HSL 20.43, 0.92%, 0.5%

LAB 58.74, 56.76, 66.7

 

CMYK 0 / 57 / 86 / 12

HEX #E0611F

RGB 224 97 31

HSL 20.52, 0.76%, 0.5%

LAB 56.58, 46.43, 57.75

 

CMYK 0 / 50 / 75 / 20

HEX #CC6733

RGB 204 103 51

HSL 20.39, 0.6%, 0.5%

LAB 54.84, 36.4, 46.34

 

CMYK 0 / 40 / 61 / 28

HEX #B76E48

RGB 183 110 72

HSL 20.54, 0.44%, 0.5%

LAB 53.69, 25.31, 33.26

 

CMYK 0 / 29 / 44 / 36

HEX #A3745C

RGB 163 116 92

HSL 20.28, 0.28%, 0.5%

LAB 53, 15.41, 20.59

 

CMYK 0 / 13 / 20 / 44

HEX #8E7B71

RGB 142 123 113

HSL 20.69, 0.11%, 0.5%

LAB 53.07, 5.61, 8.15

 

CMYK 0 / 86 / 69 / 12

HEX #E01F45

RGB 224 31 69

HSL 348.19, 0.76%, 0.5%

LAB 48.58, 70.56, 30.25

 

CMYK 0 / 80 / 86 / 12

HEX #E02C1F

RGB 224 44 31

HSL 4.04, 0.76%, 0.5%

LAB 49.19, 66.45, 51.71

 

CMYK 0 / 58 / 86 / 12

HEX #E05F1F

RGB 224 95 31

HSL 19.9, 0.76%, 0.5%

LAB 56.22, 47.37, 57.45

 

CMYK 0 / 34 / 86 / 12

HEX #E0931F

RGB 224 147 31

HSL 36.06, 0.76%, 0.5%

LAB 67.14, 20.73, 66.32

 

CMYK 0 / 11 / 86 / 12

HEX #E0C71F

RGB 224 199 31

HSL 52.23, 0.76%, 0.5%

LAB 80.06, -6.68, 76.77

 

CMYK 0 / 57 / 86 / 40

HEX #984215

RGB 152 66 21

HSL 20.61, 0.76%, 0.34%

LAB 38.94, 33.57, 42.24

 

CMYK 0 / 57 / 86 / 26

HEX #BC511A

RGB 188 81 26

HSL 20.37, 0.76%, 0.42%

LAB 47.82, 40.38, 50.07

 

CMYK 0 / 57 / 86 / 12

HEX #E0611F

RGB 224 97 31

HSL 20.52, 0.76%, 0.5%

LAB 56.58, 46.43, 57.75

 

CMYK 0 / 47 / 71 / 10

HEX #E57A43

RGB 229 122 67

HSL 20.37, 0.76%, 0.58%

LAB 62.49, 37.25, 47.68

 

CMYK 0 / 37 / 56 / 8

HEX #EA9467

RGB 234 148 103

HSL 20.61, 0.76%, 0.66%

LAB 69.22, 27.97, 37.15

 

CMYK 0 / 57 / 87 / 13

HEX #DF601E

RGB 223 96 30

HSL 20.52, 0.76%, 0.5%

LAB 56.24, 46.51, 57.77

 

CMYK 46 / 0 / 86 / 12

HEX #79E01F

RGB 121 224 31

HSL 92.02, 0.76%, 0.5%

LAB 80.45, -58.06, 74.41

 

CMYK 86 / 80 / 0 / 12

HEX #1F2CE0

RGB 31 44 224

HSL 235.96, 0.76%, 0.5%

LAB 32.86, 59.1, -89.33

 

CMYK 0 / 57 / 87 / 13

HEX #DF601E

RGB 223 96 30

HSL 20.52, 0.76%, 0.5%

LAB 56.24, 46.51, 57.77

 

CMYK 86 / 0 / 58 / 12

HEX #1FE05F

RGB 31 224 95

HSL 139.9, 0.76%, 0.5%

LAB 78.71, -70.53, 50.01

 

CMYK 58 / 86 / 0 / 12

HEX #5F1FE0

RGB 95 31 224

HSL 259.9, 0.76%, 0.5%

LAB 35.59, 68.27, -84.68

 

CMYK 0 / 57 / 87 / 13

HEX #DF601E

RGB 223 96 30

HSL 20.52, 0.76%, 0.5%

LAB 56.24, 46.51, 57.77

 

CMYK 46 / 0 / 86 / 12

HEX #79E01F

RGB 121 224 31

HSL 92.02, 0.76%, 0.5%

LAB 80.45, -58.06, 74.41

 

CMYK 86 / 29 / 0 / 12

HEX #1FA0E0

RGB 31 160 224

HSL 199.9, 0.76%, 0.5%

LAB 62.35, -10.71, -41.59

 

CMYK 40 / 86 / 0 / 12

HEX #861FE0

RGB 134 31 224

HSL 272.02, 0.76%, 0.5%

LAB 40.3, 72.39, -76.76

 

CMYK 0 / 57 / 87 / 13

HEX #DF601E

RGB 223 96 30

HSL 20.52, 0.76%, 0.5%

LAB 56.24, 46.51, 57.77

 

CMYK 72 / 0 / 86 / 12

HEX #3FE01F

RGB 63 224 31

HSL 110.05, 0.76%, 0.5%

LAB 78.73, -71.91, 72.25

 

CMYK 86 / 29 / 0 / 12

HEX #1FA0E0

RGB 31 160 224

HSL 199.9, 0.76%, 0.5%

LAB 62.35, -10.71, -41.59

 

CMYK 14 / 86 / 0 / 12

HEX #C01FE0

RGB 192 31 224

HSL 290.05, 0.76%, 0.5%

LAB 48.97, 80.66, -62.25

 

Description

Color code: HEX #DF601E | qconv.com Color code: HEX #DF601E | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 96 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 96 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 87 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 87% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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