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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF6015 it is the complementary color #209FEA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF6015. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF6015 shade: #E46010, #F57223, #FF8436, #FF9649 and #FFA85C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF6015. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF6015 shade: #DF6015, #CE4E02, #BD3C00, #AC2A00 and #9B1800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF6015 shade: #E06015, #E02915 and #E01515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF6015 shade: #E06015, #E09715, #E0CE15, #BBE015 and #85E015

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF6015 shade matches the following richer shades: #E06015 and #F45B01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF6015 shade: #E06015, #CC6529, #B86A3C, #A57050 and #917564

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF6015 shade: #E01537, #E02915, #E05F15, #E09515 and #E0CC15

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF6015 shade: #94400E, #BA5011, #E06015, #EC7732 and #EF9058

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF6015 shade: #DF6015, #6DE015 and #151CE0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF6015 shade: #DF6015, #15E05F and #5F15E0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF6015 shade: #DF6015, #6DE015, #1595E0 and #8815E0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF6015 shade: #DF6015, #30E015, #1595E0 and #C515E0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 91 / 13

HEX #DF6015

RGB 223 96 21

HSL 22.28, 0.83%, 0.48%

LAB 56.2, 46.34, 60.7

 

Complementary color

CMYK 86 / 32 / 0 / 8

HEX #209FEA

RGB 32 159 234

HSL 202.28, 0.83%, 0.52%

LAB 62.54, -6.48, -46.81

 

CMYK 0 / 58 / 93 / 11

HEX #E46010

RGB 228 96 16

HSL 22.64, 0.87%, 0.48%

LAB 56.98, 48.12, 62.94

 

CMYK 0 / 53 / 86 / 4

HEX #F57223

RGB 245 114 35

HSL 22.57, 0.91%, 0.55%

LAB 62.98, 46.27, 62.86

 

CMYK 0 / 48 / 79 / 0

HEX #FF8436

RGB 255 132 54

HSL 23.28, 1%, 0.61%

LAB 68.04, 41.8, 60.49

 

CMYK 0 / 41 / 71 / 0

HEX #FF9649

RGB 255 150 73

HSL 25.38, 1%, 0.64%

LAB 71.93, 33.44, 55.98

 

CMYK 0 / 34 / 64 / 0

HEX #FFA85C

RGB 255 168 92

HSL 27.98, 1%, 0.68%

LAB 76.09, 25.13, 51.57

 

CMYK 0 / 57 / 91 / 13

HEX #DF6015

RGB 223 96 21

HSL 22.28, 0.83%, 0.48%

LAB 56.2, 46.34, 60.7

 

CMYK 0 / 62 / 99 / 19

HEX #CE4E02

RGB 206 78 2

HSL 22.35, 0.98%, 0.41%

LAB 50.19, 48.15, 60

 

CMYK 0 / 68 / 100 / 26

HEX #BD3C00

RGB 189 60 0

HSL 19.05, 1%, 0.37%

LAB 44.31, 49.83, 55.81

 

CMYK 0 / 76 / 100 / 33

HEX #AC2A00

RGB 172 42 0

HSL 14.65, 1%, 0.34%

LAB 38.6, 50.95, 51.27

 

CMYK 0 / 85 / 100 / 39

HEX #9B1800

RGB 155 24 0

HSL 9.29, 1%, 0.3%

LAB 33.18, 51.08, 46.61

 

CMYK 0 / 57 / 91 / 12

HEX #E06015

RGB 224 96 21

HSL 22.17, 0.83%, 0.48%

LAB 56.35, 46.71, 60.88

 

CMYK 0 / 82 / 91 / 12

HEX #E02915

RGB 224 41 21

HSL 5.91, 0.83%, 0.48%

LAB 48.87, 67.03, 55.64

 

CMYK 0 / 91 / 91 / 12

HEX #E01515

RGB 224 21 21

HSL 0, 0.83%, 0.48%

LAB 47.54, 70.81, 54.75

 

CMYK 0 / 57 / 91 / 12

HEX #E06015

RGB 224 96 21

HSL 22.17, 0.83%, 0.48%

LAB 56.35, 46.71, 60.88

 

CMYK 0 / 33 / 91 / 12

HEX #E09715

RGB 224 151 21

HSL 38.42, 0.83%, 0.48%

LAB 68.05, 18.4, 69.48

 

CMYK 0 / 8 / 91 / 12

HEX #E0CE15

RGB 224 206 21

HSL 54.68, 0.83%, 0.48%

LAB 81.86, -10.41, 80

 

CMYK 17 / 0 / 91 / 12

HEX #BBE015

RGB 187 224 21

HSL 70.94, 0.83%, 0.48%

LAB 83.93, -34.55, 80.41

 

CMYK 41 / 0 / 91 / 12

HEX #85E015

RGB 133 224 21

HSL 86.9, 0.83%, 0.48%

LAB 80.93, -54.51, 76.74

 

CMYK 0 / 57 / 91 / 12

HEX #E06015

RGB 224 96 21

HSL 22.17, 0.83%, 0.48%

LAB 56.35, 46.71, 60.88

 

CMYK 0 / 63 / 100 / 4

HEX #F45B01

RGB 244 91 1

HSL 22.22, 0.99%, 0.48%

LAB 58.71, 55.93, 68.26

 

CMYK 0 / 57 / 91 / 12

HEX #E06015

RGB 224 96 21

HSL 22.17, 0.83%, 0.48%

LAB 56.35, 46.71, 60.88

 

CMYK 0 / 50 / 80 / 20

HEX #CC6529

RGB 204 101 41

HSL 22.09, 0.67%, 0.48%

LAB 54.35, 37.04, 50.52

 

CMYK 0 / 42 / 67 / 28

HEX #B86A3C

RGB 184 106 60

HSL 22.26, 0.51%, 0.48%

LAB 52.76, 27.11, 38.66

 

CMYK 0 / 32 / 52 / 35

HEX #A57050

RGB 165 112 80

HSL 22.59, 0.35%, 0.48%

LAB 52.03, 17.27, 26.21

 

CMYK 0 / 19 / 31 / 43

HEX #917564

RGB 145 117 100

HSL 22.67, 0.18%, 0.48%

LAB 51.45, 8.32, 13.51

 

CMYK 0 / 91 / 75 / 12

HEX #E01537

RGB 224 21 55

HSL 349.95, 0.83%, 0.48%

LAB 47.83, 71.62, 37.68

 

CMYK 0 / 82 / 91 / 12

HEX #E02915

RGB 224 41 21

HSL 5.91, 0.83%, 0.48%

LAB 48.87, 67.03, 55.64

 

CMYK 0 / 58 / 91 / 12

HEX #E05F15

RGB 224 95 21

HSL 21.87, 0.83%, 0.48%

LAB 56.17, 47.18, 60.75

 

CMYK 0 / 33 / 91 / 12

HEX #E09515

RGB 224 149 21

HSL 37.83, 0.83%, 0.48%

LAB 67.57, 19.47, 69.13

 

CMYK 0 / 9 / 91 / 12

HEX #E0CC15

RGB 224 204 21

HSL 54.09, 0.83%, 0.48%

LAB 81.34, -9.4, 79.59

 

CMYK 0 / 57 / 91 / 42

HEX #94400E

RGB 148 64 14

HSL 22.39, 0.83%, 0.32%

LAB 37.83, 32.81, 43.83

 

CMYK 0 / 57 / 91 / 27

HEX #BA5011

RGB 186 80 17

HSL 22.37, 0.83%, 0.4%

LAB 47.26, 39.9, 52.7

 

CMYK 0 / 57 / 91 / 12

HEX #E06015

RGB 224 96 21

HSL 22.17, 0.83%, 0.48%

LAB 56.35, 46.71, 60.88

 

CMYK 0 / 50 / 79 / 7

HEX #EC7732

RGB 236 119 50

HSL 22.26, 0.83%, 0.56%

LAB 62.72, 40.8, 56.19

 

CMYK 0 / 40 / 63 / 6

HEX #EF9058

RGB 239 144 88

HSL 22.25, 0.83%, 0.64%

LAB 68.75, 31, 44.54

 

CMYK 0 / 57 / 91 / 13

HEX #DF6015

RGB 223 96 21

HSL 22.28, 0.83%, 0.48%

LAB 56.2, 46.34, 60.7

 

CMYK 51 / 0 / 91 / 12

HEX #6DE015

RGB 109 224 21

HSL 93.99, 0.83%, 0.48%

LAB 79.96, -61.87, 75.54

 

CMYK 91 / 88 / 0 / 12

HEX #151CE0

RGB 21 28 224

HSL 237.93, 0.83%, 0.48%

LAB 30.33, 65.47, -93.55

 

CMYK 0 / 57 / 91 / 13

HEX #DF6015

RGB 223 96 21

HSL 22.28, 0.83%, 0.48%

LAB 56.2, 46.34, 60.7

 

CMYK 91 / 0 / 58 / 12

HEX #15E05F

RGB 21 224 95

HSL 141.87, 0.83%, 0.48%

LAB 78.63, -71.18, 49.9

 

CMYK 58 / 91 / 0 / 12

HEX #5F15E0

RGB 95 21 224

HSL 261.87, 0.83%, 0.48%

LAB 34.7, 70.91, -86.14

 

CMYK 0 / 57 / 91 / 13

HEX #DF6015

RGB 223 96 21

HSL 22.28, 0.83%, 0.48%

LAB 56.2, 46.34, 60.7

 

CMYK 51 / 0 / 91 / 12

HEX #6DE015

RGB 109 224 21

HSL 93.99, 0.83%, 0.48%

LAB 79.96, -61.87, 75.54

 

CMYK 91 / 33 / 0 / 12

HEX #1595E0

RGB 21 149 224

HSL 202.17, 0.83%, 0.48%

LAB 59.01, -5.05, -46.87

 

CMYK 39 / 91 / 0 / 12

HEX #8815E0

RGB 136 21 224

HSL 273.99, 0.83%, 0.48%

LAB 39.84, 74.81, -77.5

 

CMYK 0 / 57 / 91 / 13

HEX #DF6015

RGB 223 96 21

HSL 22.28, 0.83%, 0.48%

LAB 56.2, 46.34, 60.7

 

CMYK 79 / 0 / 91 / 12

HEX #30E015

RGB 48 224 21

HSL 112.02, 0.83%, 0.48%

LAB 78.46, -74.42, 73.67

 

CMYK 91 / 33 / 0 / 12

HEX #1595E0

RGB 21 149 224

HSL 202.17, 0.83%, 0.48%

LAB 59.01, -5.05, -46.87

 

CMYK 12 / 91 / 0 / 12

HEX #C515E0

RGB 197 21 224

HSL 292.02, 0.83%, 0.48%

LAB 49.24, 83.05, -61.78

 

Description

Color code: HEX #DF6015 | qconv.com Color code: HEX #DF6015 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 96 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 96 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 91 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 91% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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