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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF5DC7 it is the complementary color #20A238. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF5DC7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF5DC7 shade: #E45DC2, #F56FD5, #FF81E8, #FF93FB and #FFA5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF5DC7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF5DC7 shade: #DF5DC7, #CE4BB4, #BD39A1, #AC278E and #9B157B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF5DC7 shade: #DF5DC7, #DF5DA4, #DF5D81, #DF5D5E and #DF5D5D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF5DC7 shade: #DF5DC7, #D45DDF, #B15DDF, #8E5DDF and #6B5DDF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF5DC7 shade matches the following richer shades: #DF5DC7, #EF4DD1 and #FE3EDB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF5DC7 shade: #DF5DC7, #CF6DBD, #C07DB3, #B08CA9 and #A09C9F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF5DC7 shade: #B25DDF, #D45DDF, #DF5DC7, #DF5DA5 and #DF5D82

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF5DC7 shade: #C327A6, #D83BBB, #DF5DC7, #E680D3 and #EDA2DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF5DC7 shade: #DF5DC7, #DF8F5D and #5DDFC3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF5DC7 shade: #DF5DC7, #C7DF5D and #5DC7DF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF5DC7 shade: #DF5DC7, #DF8F5D, #5DDF75 and #5DADDF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF5DC7 shade: #DF5DC7, #DFB65D, #5DDF75 and #5D86DF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 11 / 13

HEX #DF5DC7

RGB 223 93 199

HSL 311.08, 0.67%, 0.62%

LAB 59.56, 63, -30.92

 

Complementary color

CMYK 80 / 0 / 65 / 36

HEX #20A238

RGB 32 162 56

HSL 131.08, 0.67%, 0.38%

LAB 58.45, -55.39, 44.26

 

CMYK 0 / 59 / 15 / 11

HEX #E45DC2

RGB 228 93 194

HSL 315.11, 0.71%, 0.63%

LAB 60.08, 63.6, -27.21

 

CMYK 0 / 55 / 13 / 4

HEX #F56FD5

RGB 245 111 213

HSL 314.33, 0.87%, 0.7%

LAB 66.2, 63.22, -28.3

 

CMYK 0 / 49 / 9 / 0

HEX #FF81E8

RGB 255 129 232

HSL 310.95, 1%, 0.75%

LAB 71.41, 60.69, -30.7

 

CMYK 0 / 42 / 2 / 0

HEX #FF93FB

RGB 255 147 251

HSL 302.22, 1%, 0.79%

LAB 75.51, 55.13, -34.74

 

CMYK 0 / 35 / 0 / 0

HEX #FFA5FF

RGB 255 165 255

HSL 300, 1%, 0.82%

LAB 79.27, 46.73, -31.1

 

CMYK 0 / 58 / 11 / 13

HEX #DF5DC7

RGB 223 93 199

HSL 311.08, 0.67%, 0.62%

LAB 59.56, 63, -30.92

 

CMYK 0 / 64 / 13 / 19

HEX #CE4BB4

RGB 206 75 180

HSL 311.91, 0.57%, 0.55%

LAB 53.44, 63.16, -29.71

 

CMYK 0 / 70 / 15 / 26

HEX #BD39A1

RGB 189 57 161

HSL 312.73, 0.54%, 0.48%

LAB 47.39, 62.92, -28.16

 

CMYK 0 / 77 / 17 / 33

HEX #AC278E

RGB 172 39 142

HSL 313.53, 0.63%, 0.41%

LAB 41.49, 62.05, -26.13

 

CMYK 0 / 86 / 21 / 39

HEX #9B157B

RGB 155 21 123

HSL 314.33, 0.76%, 0.35%

LAB 35.86, 60.16, -23.42

 

CMYK 0 / 58 / 11 / 13

HEX #DF5DC7

RGB 223 93 199

HSL 311.08, 0.67%, 0.62%

LAB 59.56, 63, -30.92

 

CMYK 0 / 58 / 26 / 13

HEX #DF5DA4

RGB 223 93 164

HSL 327.23, 0.67%, 0.62%

LAB 58.22, 58.01, -12.86

 

CMYK 0 / 58 / 42 / 13

HEX #DF5D81

RGB 223 93 129

HSL 343.38, 0.67%, 0.62%

LAB 57.17, 53.93, 6.03

 

CMYK 0 / 58 / 58 / 13

HEX #DF5D5E

RGB 223 93 94

HSL 359.54, 0.67%, 0.62%

LAB 56.41, 50.87, 25.44

 

CMYK 0 / 58 / 58 / 13

HEX #DF5D5D

RGB 223 93 93

HSL 0, 0.67%, 0.62%

LAB 56.39, 50.79, 26

 

CMYK 0 / 58 / 11 / 13

HEX #DF5DC7

RGB 223 93 199

HSL 311.08, 0.67%, 0.62%

LAB 59.56, 63, -30.92

 

CMYK 5 / 58 / 0 / 13

HEX #D45DDF

RGB 212 93 223

HSL 294.92, 0.67%, 0.62%

LAB 59.12, 64.14, -45.31

 

CMYK 21 / 58 / 0 / 13

HEX #B15DDF

RGB 177 93 223

HSL 278.77, 0.67%, 0.62%

LAB 54.56, 55.5, -52.83

 

CMYK 36 / 58 / 0 / 13

HEX #8E5DDF

RGB 142 93 223

HSL 262.62, 0.67%, 0.62%

LAB 50.58, 47.25, -59.42

 

CMYK 52 / 58 / 0 / 13

HEX #6B5DDF

RGB 107 93 223

HSL 246.46, 0.67%, 0.62%

LAB 47.34, 39.88, -64.81

 

CMYK 0 / 58 / 11 / 13

HEX #DF5DC7

RGB 223 93 199

HSL 311.08, 0.67%, 0.62%

LAB 59.56, 63, -30.92

 

CMYK 0 / 68 / 13 / 6

HEX #EF4DD1

RGB 239 77 209

HSL 311.11, 0.84%, 0.62%

LAB 60.12, 74.85, -35.54

 

CMYK 0 / 76 / 14 / 0

HEX #FE3EDB

RGB 254 62 219

HSL 310.94, 0.99%, 0.62%

LAB 61.33, 84.28, -39.13

 

CMYK 0 / 58 / 11 / 13

HEX #DF5DC7

RGB 223 93 199

HSL 311.08, 0.67%, 0.62%

LAB 59.56, 63, -30.92

 

CMYK 0 / 47 / 9 / 19

HEX #CF6DBD

RGB 207 109 189

HSL 311.02, 0.51%, 0.62%

LAB 59.78, 49.27, -25.07

 

CMYK 0 / 35 / 7 / 25

HEX #C07DB3

RGB 192 125 179

HSL 311.64, 0.35%, 0.62%

LAB 60.89, 34.32, -17.83

 

CMYK 0 / 20 / 4 / 31

HEX #B08CA9

RGB 176 140 169

HSL 311.67, 0.19%, 0.62%

LAB 62.38, 18.62, -10.07

 

CMYK 0 / 2 / 1 / 37

HEX #A09C9F

RGB 160 156 159

HSL 315, 0.02%, 0.62%

LAB 64.77, 2.02, -1.06

 

CMYK 20 / 58 / 0 / 13

HEX #B25DDF

RGB 178 93 223

HSL 279.23, 0.67%, 0.62%

LAB 54.68, 55.74, -52.62

 

CMYK 5 / 58 / 0 / 13

HEX #D45DDF

RGB 212 93 223

HSL 294.92, 0.67%, 0.62%

LAB 59.12, 64.14, -45.31

 

CMYK 0 / 58 / 11 / 13

HEX #DF5DC7

RGB 223 93 199

HSL 311.08, 0.67%, 0.62%

LAB 59.56, 63, -30.92

 

CMYK 0 / 58 / 26 / 13

HEX #DF5DA5

RGB 223 93 165

HSL 326.77, 0.67%, 0.62%

LAB 58.26, 58.14, -13.39

 

CMYK 0 / 58 / 42 / 13

HEX #DF5D82

RGB 223 93 130

HSL 342.92, 0.67%, 0.62%

LAB 57.2, 54.03, 5.48

 

CMYK 0 / 80 / 15 / 24

HEX #C327A6

RGB 195 39 166

HSL 311.15, 0.67%, 0.46%

LAB 46.72, 70.52, -32.1

 

CMYK 0 / 73 / 13 / 15

HEX #D83BBB

RGB 216 59 187

HSL 311.08, 0.67%, 0.54%

LAB 53.29, 72.4, -33.88

 

CMYK 0 / 58 / 11 / 13

HEX #DF5DC7

RGB 223 93 199

HSL 311.08, 0.67%, 0.62%

LAB 59.56, 63, -30.92

 

CMYK 0 / 44 / 8 / 10

HEX #E680D3

RGB 230 128 211

HSL 311.18, 0.67%, 0.7%

LAB 67.25, 50.39, -25.74

 

CMYK 0 / 32 / 6 / 7

HEX #EDA2DF

RGB 237 162 223

HSL 311.2, 0.68%, 0.78%

LAB 75.56, 37.03, -19.61

 

CMYK 0 / 58 / 11 / 13

HEX #DF5DC7

RGB 223 93 199

HSL 311.08, 0.67%, 0.62%

LAB 59.56, 63, -30.92

 

CMYK 0 / 36 / 58 / 13

HEX #DF8F5D

RGB 223 143 93

HSL 23.08, 0.67%, 0.62%

LAB 66.61, 25.44, 38.91

 

CMYK 58 / 0 / 13 / 13

HEX #5DDFC3

RGB 93 223 195

HSL 167.08, 0.67%, 0.62%

LAB 81.32, -42.43, 3.02

 

CMYK 0 / 58 / 11 / 13

HEX #DF5DC7

RGB 223 93 199

HSL 311.08, 0.67%, 0.62%

LAB 59.56, 63, -30.92

 

CMYK 11 / 0 / 58 / 13

HEX #C7DF5D

RGB 199 223 93

HSL 71.08, 0.67%, 0.62%

LAB 84.85, -25.97, 59.61

 

CMYK 58 / 11 / 0 / 13

HEX #5DC7DF

RGB 93 199 223

HSL 191.08, 0.67%, 0.62%

LAB 75.14, -23.68, -21.17

 

CMYK 0 / 58 / 11 / 13

HEX #DF5DC7

RGB 223 93 199

HSL 311.08, 0.67%, 0.62%

LAB 59.56, 63, -30.92

 

CMYK 0 / 36 / 58 / 13

HEX #DF8F5D

RGB 223 143 93

HSL 23.08, 0.67%, 0.62%

LAB 66.61, 25.44, 38.91

 

CMYK 58 / 0 / 48 / 13

HEX #5DDF75

RGB 93 223 117

HSL 131.08, 0.67%, 0.62%

LAB 79.83, -57.75, 41.29

 

CMYK 58 / 22 / 0 / 13

HEX #5DADDF

RGB 93 173 223

HSL 203.08, 0.67%, 0.62%

LAB 67.68, -10.07, -32.61

 

CMYK 0 / 58 / 11 / 13

HEX #DF5DC7

RGB 223 93 199

HSL 311.08, 0.67%, 0.62%

LAB 59.56, 63, -30.92

 

CMYK 0 / 18 / 58 / 13

HEX #DFB65D

RGB 223 182 93

HSL 41.08, 0.67%, 0.62%

LAB 76.03, 4.61, 50.13

 

CMYK 58 / 0 / 48 / 13

HEX #5DDF75

RGB 93 223 117

HSL 131.08, 0.67%, 0.62%

LAB 79.83, -57.75, 41.29

 

CMYK 58 / 40 / 0 / 13

HEX #5D86DF

RGB 93 134 223

HSL 221.08, 0.67%, 0.62%

LAB 56.79, 12.32, -49.7

 

Description

Color code: HEX #DF5DC7 | qconv.com Color code: HEX #DF5DC7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 93 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 93 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 11 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 11% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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