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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF5C10 it is the complementary color #20A3EF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF5C10. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF5C10 shade: #E45C0B, #F56E1E, #FF8031, #FF9244 and #FFA457

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF5C10. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF5C10 shade: #DF5C10, #CE4A00, #BD3800, #AC2600 and #9B1400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF5C10 shade: #E05C10, #E02410 and #E01010

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF5C10 shade: #E05C10, #E09410, #E0CD10, #BBE010 and #83E010

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF5C10 shade matches the following richer shades: #E05C10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF5C10 shade: #E05C10, #CD6123, #B96636, #A66C4A and #93715D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF5C10 shade: #E01032, #E02410, #E05C10, #E09410 and #E0CB10

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF5C10 shade: #933C0A, #BA4C0D, #E05C10, #F07229 and #F38B4F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF5C10 shade: #DF5C10, #6AE010 and #1017E0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF5C10 shade: #DF5C10, #10E05C and #5C10E0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF5C10 shade: #DF5C10, #6AE010, #1094E0 and #8610E0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF5C10 shade: #DF5C10, #2BE010, #1094E0 and #C410E0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 93 / 13

HEX #DF5C10

RGB 223 92 16

HSL 22.03, 0.87%, 0.47%

LAB 55.46, 48.13, 61.54

 

Complementary color

CMYK 87 / 32 / 0 / 6

HEX #20A3EF

RGB 32 163 239

HSL 202.03, 0.87%, 0.53%

LAB 63.94, -6.93, -47.35

 

CMYK 0 / 60 / 95 / 11

HEX #E45C0B

RGB 228 92 11

HSL 22.4, 0.91%, 0.47%

LAB 56.26, 49.9, 63.57

 

CMYK 0 / 55 / 88 / 4

HEX #F56E1E

RGB 245 110 30

HSL 22.33, 0.91%, 0.54%

LAB 62.22, 48.07, 63.94

 

CMYK 0 / 50 / 81 / 0

HEX #FF8031

RGB 255 128 49

HSL 23.01, 1%, 0.6%

LAB 67.22, 43.62, 61.78

 

CMYK 0 / 43 / 73 / 0

HEX #FF9244

RGB 255 146 68

HSL 25.03, 1%, 0.63%

LAB 71.03, 35.27, 57.33

 

CMYK 0 / 36 / 66 / 0

HEX #FFA457

RGB 255 164 87

HSL 27.5, 1%, 0.67%

LAB 75.14, 26.92, 52.9

 

CMYK 0 / 59 / 93 / 13

HEX #DF5C10

RGB 223 92 16

HSL 22.03, 0.87%, 0.47%

LAB 55.46, 48.13, 61.54

 

CMYK 0 / 64 / 100 / 19

HEX #CE4A00

RGB 206 74 0

HSL 21.55, 1%, 0.4%

LAB 49.52, 49.89, 60.13

 

CMYK 0 / 70 / 100 / 26

HEX #BD3800

RGB 189 56 0

HSL 17.78, 1%, 0.37%

LAB 43.72, 51.42, 55.53

 

CMYK 0 / 78 / 100 / 33

HEX #AC2600

RGB 172 38 0

HSL 13.26, 1%, 0.34%

LAB 38.12, 52.28, 51.05

 

CMYK 0 / 87 / 100 / 39

HEX #9B1400

RGB 155 20 0

HSL 7.74, 1%, 0.3%

LAB 32.85, 52.02, 46.4

 

CMYK 0 / 59 / 93 / 12

HEX #E05C10

RGB 224 92 16

HSL 21.92, 0.87%, 0.47%

LAB 55.62, 48.5, 61.72

 

CMYK 0 / 84 / 93 / 12

HEX #E02410

RGB 224 36 16

HSL 5.77, 0.87%, 0.47%

LAB 48.44, 68.11, 57.12

 

CMYK 0 / 93 / 93 / 12

HEX #E01010

RGB 224 16 16

HSL 0, 0.87%, 0.47%

LAB 47.31, 71.37, 56.44

 

CMYK 0 / 59 / 93 / 12

HEX #E05C10

RGB 224 92 16

HSL 21.92, 0.87%, 0.47%

LAB 55.62, 48.5, 61.72

 

CMYK 0 / 34 / 93 / 12

HEX #E09410

RGB 224 148 16

HSL 38.08, 0.87%, 0.47%

LAB 67.33, 19.93, 69.91

 

CMYK 0 / 8 / 93 / 12

HEX #E0CD10

RGB 224 205 16

HSL 54.52, 0.87%, 0.47%

LAB 81.59, -9.98, 80.47

 

CMYK 17 / 0 / 93 / 12

HEX #BBE010

RGB 187 224 16

HSL 70.67, 0.87%, 0.47%

LAB 83.92, -34.63, 81.04

 

CMYK 42 / 0 / 93 / 12

HEX #83E010

RGB 131 224 16

HSL 86.83, 0.87%, 0.47%

LAB 80.84, -55.27, 77.28

 

CMYK 0 / 59 / 93 / 12

HEX #E05C10

RGB 224 92 16

HSL 21.92, 0.87%, 0.47%

LAB 55.62, 48.5, 61.72

 

CMYK 0 / 59 / 93 / 12

HEX #E05C10

RGB 224 92 16

HSL 21.92, 0.87%, 0.47%

LAB 55.62, 48.5, 61.72

 

CMYK 0 / 53 / 83 / 20

HEX #CD6123

RGB 205 97 35

HSL 21.88, 0.71%, 0.47%

LAB 53.65, 39.27, 52.51

 

CMYK 0 / 45 / 71 / 27

HEX #B96636

RGB 185 102 54

HSL 21.98, 0.55%, 0.47%

LAB 51.93, 29.36, 40.9

 

CMYK 0 / 35 / 55 / 35

HEX #A66C4A

RGB 166 108 74

HSL 22.17, 0.38%, 0.47%

LAB 51.07, 19.41, 28.41

 

CMYK 0 / 23 / 37 / 42

HEX #93715D

RGB 147 113 93

HSL 22.22, 0.23%, 0.47%

LAB 50.46, 10.51, 16.26

 

CMYK 0 / 93 / 78 / 12

HEX #E01032

RGB 224 16 50

HSL 350.19, 0.87%, 0.47%

LAB 47.56, 72.07, 40.27

 

CMYK 0 / 84 / 93 / 12

HEX #E02410

RGB 224 36 16

HSL 5.77, 0.87%, 0.47%

LAB 48.44, 68.11, 57.12

 

CMYK 0 / 59 / 93 / 12

HEX #E05C10

RGB 224 92 16

HSL 21.92, 0.87%, 0.47%

LAB 55.62, 48.5, 61.72

 

CMYK 0 / 34 / 93 / 12

HEX #E09410

RGB 224 148 16

HSL 38.08, 0.87%, 0.47%

LAB 67.33, 19.93, 69.91

 

CMYK 0 / 9 / 93 / 12

HEX #E0CB10

RGB 224 203 16

HSL 53.94, 0.87%, 0.47%

LAB 81.07, -8.97, 80.08

 

CMYK 0 / 59 / 93 / 42

HEX #933C0A

RGB 147 60 10

HSL 21.9, 0.87%, 0.31%

LAB 36.85, 34.38, 44.37

 

CMYK 0 / 59 / 93 / 27

HEX #BA4C0D

RGB 186 76 13

HSL 21.85, 0.87%, 0.39%

LAB 46.49, 41.78, 53.34

 

CMYK 0 / 59 / 93 / 12

HEX #E05C10

RGB 224 92 16

HSL 21.92, 0.87%, 0.47%

LAB 55.62, 48.5, 61.72

 

CMYK 0 / 53 / 83 / 6

HEX #F07229

RGB 240 114 41

HSL 22.01, 0.87%, 0.55%

LAB 62.27, 44.53, 59.72

 

CMYK 0 / 43 / 67 / 5

HEX #F38B4F

RGB 243 139 79

HSL 21.95, 0.87%, 0.63%

LAB 68.08, 34.65, 48.45

 

CMYK 0 / 59 / 93 / 13

HEX #DF5C10

RGB 223 92 16

HSL 22.03, 0.87%, 0.47%

LAB 55.46, 48.13, 61.54

 

CMYK 53 / 0 / 93 / 12

HEX #6AE010

RGB 106 224 16

HSL 94.04, 0.87%, 0.47%

LAB 79.85, -62.81, 76.07

 

CMYK 93 / 90 / 0 / 12

HEX #1017E0

RGB 16 23 224

HSL 237.98, 0.87%, 0.47%

LAB 29.68, 67.02, -94.65

 

CMYK 0 / 59 / 93 / 13

HEX #DF5C10

RGB 223 92 16

HSL 22.03, 0.87%, 0.47%

LAB 55.46, 48.13, 61.54

 

CMYK 93 / 0 / 59 / 12

HEX #10E05C

RGB 16 224 92

HSL 141.92, 0.87%, 0.47%

LAB 78.57, -71.81, 51.17

 

CMYK 59 / 93 / 0 / 12

HEX #5C10E0

RGB 92 16 224

HSL 261.92, 0.87%, 0.47%

LAB 34.04, 71.72, -87.25

 

CMYK 0 / 59 / 93 / 13

HEX #DF5C10

RGB 223 92 16

HSL 22.03, 0.87%, 0.47%

LAB 55.46, 48.13, 61.54

 

CMYK 53 / 0 / 93 / 12

HEX #6AE010

RGB 106 224 16

HSL 94.04, 0.87%, 0.47%

LAB 79.85, -62.81, 76.07

 

CMYK 93 / 34 / 0 / 12

HEX #1094E0

RGB 16 148 224

HSL 201.92, 0.87%, 0.47%

LAB 58.67, -4.69, -47.41

 

CMYK 40 / 93 / 0 / 12

HEX #8610E0

RGB 134 16 224

HSL 274.04, 0.87%, 0.47%

LAB 39.28, 75.43, -78.43

 

CMYK 0 / 59 / 93 / 13

HEX #DF5C10

RGB 223 92 16

HSL 22.03, 0.87%, 0.47%

LAB 55.46, 48.13, 61.54

 

CMYK 81 / 0 / 93 / 12

HEX #2BE010

RGB 43 224 16

HSL 112.21, 0.87%, 0.47%

LAB 78.38, -75.13, 74.26

 

CMYK 93 / 34 / 0 / 12

HEX #1094E0

RGB 16 148 224

HSL 201.92, 0.87%, 0.47%

LAB 58.67, -4.69, -47.41

 

CMYK 13 / 93 / 0 / 12

HEX #C410E0

RGB 196 16 224

HSL 291.92, 0.87%, 0.47%

LAB 48.87, 83.51, -62.38

 

Description

Color code: HEX #DF5C10 | qconv.com Color code: HEX #DF5C10 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 92 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 92 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 93 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 93% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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