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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF5A1ABF it is the complementary color #20A5E5BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF5A1ABF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF5A1ABF shade: #E45A15BF, #F56C28BF, #FF7E3BBF, #FF904EBF and #FFA261BF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF5A1ABF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF5A1ABF shade: #DF5A1ABF, #CE4807BF, #BD3600BF, #AC2400BF and #9B1200BF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF5A1ABF shade: #E05A1A, #E0251A and #E01A1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF5A1ABF shade: #E05A1A, #E0901A, #E0C51A, #C5E01A and #90E01A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF5A1ABF shade matches the following richer shades: #E05A1A and #F45306

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF5A1ABF shade: #E05A1A, #CB612E, #B76943, #A37057 and #8F776B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF5A1ABF shade: #E01A45, #E0241A, #E0591A, #E08D1A and #E0C21A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF5A1ABF shade: #963D12, #BB4B16, #E05A1A, #E8733B and #EC8E60

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF5A1ABF shade: #DF5A1A, #7AE01A and #1A2BE0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF5A1ABF shade: #DF5A1A, #1AE059 and #591AE0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF5A1ABF shade: #DF5A1A, #7AE01A, #1AA1E0 and #801AE0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF5A1ABF shade: #DF5A1A, #3EE01A, #1AA1E0 and #BB1AE0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 66 / 9

HEX #DF5A1ABF

RGBA 223 90 26 0.75

HSLA 19.49, 0.79%, 0.49%, 0.75

LABA 55.15, 49.21, 58.33, 0.75

 

Complementary color

CMYK 65 / 21 / 0 / 8

HEX #20A5E5BF

RGBA 32 165 229 0.75

HSLA 199.49, 0.79%, 0.51%, 0.75

LABA 64.06, -11.62, -41.67, 0.75

 

CMYK 0 / 45 / 68 / 8

HEX #E45A15BF

RGBA 228 90 21 0.75

HSLA 20, 0.83%, 0.49%, 0.75

LABA 55.95, 50.93, 60.89, 0.75

 

CMYK 0 / 42 / 63 / 3

HEX #F56C28BF

RGBA 245 108 40 0.75

HSLA 19.9, 0.91%, 0.56%, 0.75

LABA 61.9, 49.23, 60.09, 0.75

 

CMYK 0 / 38 / 58 / 0

HEX #FF7E3BBF

RGBA 255 126 59 0.75

HSLA 20.51, 1%, 0.62%, 0.75

LABA 66.9, 44.93, 57.2, 0.75

 

CMYK 0 / 33 / 52 / 0

HEX #FF904EBF

RGBA 255 144 78 0.75

HSLA 22.37, 1%, 0.65%, 0.75

LABA 70.7, 36.76, 52.3, 0.75

 

CMYK 0 / 27 / 46 / 0

HEX #FFA261BF

RGBA 255 162 97 0.75

HSLA 24.68, 1%, 0.69%, 0.75

LABA 74.8, 28.57, 47.61, 0.75

 

CMYK 0 / 45 / 66 / 9

HEX #DF5A1ABF

RGBA 223 90 26 0.75

HSLA 19.49, 0.79%, 0.49%, 0.75

LABA 55.15, 49.21, 58.33, 0.75

 

CMYK 0 / 49 / 72 / 14

HEX #CE4807BF

RGBA 206 72 7 0.75

HSLA 19.6, 0.93%, 0.42%, 0.75

LABA 49.22, 50.82, 58.26, 0.75

 

CMYK 0 / 54 / 75 / 19

HEX #BD3600BF

RGBA 189 54 0 0.75

HSLA 17.14, 1%, 0.37%, 0.75

LABA 43.44, 52.18, 55.39, 0.75

 

CMYK 0 / 59 / 75 / 24

HEX #AC2400BF

RGBA 172 36 0 0.75

HSLA 12.56, 1%, 0.34%, 0.75

LABA 37.9, 52.9, 50.96, 0.75

 

CMYK 0 / 66 / 75 / 29

HEX #9B1200BF

RGBA 155 18 0 0.75

HSLA 6.97, 1%, 0.3%, 0.75

LABA 32.7, 52.45, 46.31, 0.75

 

CMYK 0 / 60 / 88 / 12

HEX #E05A1A

RGB 224 90 26

HSL 19.39, 0.79%, 0.49%

LAB 55.31, 49.57, 58.53

 

CMYK 0 / 83 / 88 / 12

HEX #E0251A

RGB 224 37 26

HSL 3.33, 0.79%, 0.49%

LAB 48.57, 68.03, 53.43

 

CMYK 0 / 88 / 88 / 12

HEX #E01A1A

RGB 224 26 26

HSL 0, 0.79%, 0.49%

LAB 47.83, 70.14, 52.88

 

CMYK 0 / 60 / 88 / 12

HEX #E05A1A

RGB 224 90 26

HSL 19.39, 0.79%, 0.49%

LAB 55.31, 49.57, 58.53

 

CMYK 0 / 36 / 88 / 12

HEX #E0901A

RGB 224 144 26

HSL 35.76, 0.79%, 0.49%

LAB 66.42, 22.23, 67.09

 

CMYK 0 / 12 / 88 / 12

HEX #E0C51A

RGB 224 197 26

HSL 51.82, 0.79%, 0.49%

LAB 79.53, -5.75, 77.34

 

CMYK 12 / 0 / 88 / 12

HEX #C5E01A

RGB 197 224 26

HSL 68.18, 0.79%, 0.49%

LAB 84.62, -30.42, 80.48

 

CMYK 36 / 0 / 88 / 12

HEX #90E01A

RGB 144 224 26

HSL 84.24, 0.79%, 0.49%

LAB 81.46, -50.66, 76.6

 

CMYK 0 / 60 / 88 / 12

HEX #E05A1A

RGB 224 90 26

HSL 19.39, 0.79%, 0.49%

LAB 55.31, 49.57, 58.53

 

CMYK 0 / 66 / 98 / 4

HEX #F45306

RGB 244 83 6

HSL 19.41, 0.95%, 0.49%

LAB 57.49, 59.26, 66.64

 

CMYK 0 / 60 / 88 / 12

HEX #E05A1A

RGB 224 90 26

HSL 19.39, 0.79%, 0.49%

LAB 55.31, 49.57, 58.53

 

CMYK 0 / 52 / 77 / 20

HEX #CB612E

RGB 203 97 46

HSL 19.49, 0.63%, 0.49%

LAB 53.43, 38.86, 47.27

 

CMYK 0 / 43 / 63 / 28

HEX #B76943

RGB 183 105 67

HSL 19.66, 0.46%, 0.49%

LAB 52.48, 27.69, 34.54

 

CMYK 0 / 31 / 47 / 36

HEX #A37057

RGB 163 112 87

HSL 19.74, 0.3%, 0.49%

LAB 51.91, 17.14, 22.01

 

CMYK 0 / 17 / 25 / 44

HEX #8F776B

RGB 143 119 107

HSL 20, 0.14%, 0.49%

LAB 51.94, 7.37, 10.08

 

CMYK 0 / 88 / 69 / 12

HEX #E01A45

RGB 224 26 69

HSL 346.97, 0.79%, 0.49%

LAB 48.28, 71.43, 29.88

 

CMYK 0 / 84 / 88 / 12

HEX #E0241A

RGB 224 36 26

HSL 3.03, 0.79%, 0.49%

LAB 48.49, 68.25, 53.37

 

CMYK 0 / 60 / 88 / 12

HEX #E0591A

RGB 224 89 26

HSL 19.09, 0.79%, 0.49%

LAB 55.14, 50.02, 58.4

 

CMYK 0 / 37 / 88 / 12

HEX #E08D1A

RGB 224 141 26

HSL 34.85, 0.79%, 0.49%

LAB 65.73, 23.83, 66.55

 

CMYK 0 / 13 / 88 / 12

HEX #E0C21A

RGB 224 194 26

HSL 50.91, 0.79%, 0.49%

LAB 78.76, -4.21, 76.73

 

CMYK 0 / 59 / 88 / 41

HEX #963D12

RGB 150 61 18

HSL 19.55, 0.79%, 0.33%

LAB 37.6, 35.24, 42.23

 

CMYK 0 / 60 / 88 / 27

HEX #BB4B16

RGB 187 75 22

HSL 19.27, 0.79%, 0.41%

LAB 46.52, 42.8, 50.49

 

CMYK 0 / 60 / 88 / 12

HEX #E05A1A

RGB 224 90 26

HSL 19.39, 0.79%, 0.49%

LAB 55.31, 49.57, 58.53

 

CMYK 0 / 50 / 75 / 9

HEX #E8733B

RGB 232 115 59

HSL 19.42, 0.79%, 0.57%

LAB 61.42, 41.59, 50.57

 

CMYK 0 / 40 / 59 / 7

HEX #EC8E60

RGB 236 142 96

HSL 19.71, 0.79%, 0.65%

LAB 68.04, 31.4, 39.44

 

CMYK 0 / 60 / 88 / 13

HEX #DF5A1A

RGB 223 90 26

HSL 19.49, 0.79%, 0.49%

LAB 55.15, 49.21, 58.33

 

CMYK 46 / 0 / 88 / 12

HEX #7AE01A

RGB 122 224 26

HSL 90.91, 0.79%, 0.49%

LAB 80.47, -57.9, 75.37

 

CMYK 88 / 81 / 0 / 12

HEX #1A2BE0

RGB 26 43 224

HSL 234.85, 0.79%, 0.49%

LAB 32.54, 59.41, -89.86

 

CMYK 0 / 60 / 88 / 13

HEX #DF5A1A

RGB 223 90 26

HSL 19.49, 0.79%, 0.49%

LAB 55.15, 49.21, 58.33

 

CMYK 88 / 0 / 60 / 12

HEX #1AE059

RGB 26 224 89

HSL 139.09, 0.79%, 0.49%

LAB 78.61, -71.63, 52.54

 

CMYK 60 / 88 / 0 / 12

HEX #591AE0

RGB 89 26 224

HSL 259.09, 0.79%, 0.49%

LAB 34.49, 69.22, -86.52

 

CMYK 0 / 60 / 88 / 13

HEX #DF5A1A

RGB 223 90 26

HSL 19.49, 0.79%, 0.49%

LAB 55.15, 49.21, 58.33

 

CMYK 46 / 0 / 88 / 12

HEX #7AE01A

RGB 122 224 26

HSL 90.91, 0.79%, 0.49%

LAB 80.47, -57.9, 75.37

 

CMYK 88 / 28 / 0 / 12

HEX #1AA1E0

RGB 26 161 224

HSL 199.09, 0.79%, 0.49%

LAB 62.58, -11.57, -41.23

 

CMYK 43 / 88 / 0 / 12

HEX #801AE0

RGB 128 26 224

HSL 270.91, 0.79%, 0.49%

LAB 39.09, 72.89, -78.77

 

CMYK 0 / 60 / 88 / 13

HEX #DF5A1A

RGB 223 90 26

HSL 19.49, 0.79%, 0.49%

LAB 55.15, 49.21, 58.33

 

CMYK 72 / 0 / 88 / 12

HEX #3EE01A

RGB 62 224 26

HSL 109.09, 0.79%, 0.49%

LAB 78.7, -72.25, 73.16

 

CMYK 88 / 28 / 0 / 12

HEX #1AA1E0

RGB 26 161 224

HSL 199.09, 0.79%, 0.49%

LAB 62.58, -11.57, -41.23

 

CMYK 17 / 88 / 0 / 12

HEX #BB1AE0

RGB 187 26 224

HSL 288.79, 0.79%, 0.49%

LAB 47.86, 80.77, -64.08

 

Description

Color code: HEX #DF5A1ABF | qconv.com Color code: HEX #DF5A1ABF | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 90 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 90 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 66 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 66% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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