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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF5911CE it is the complementary color #20A6EECE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF5911CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF5911CE shade: #E4590CCE, #F56B1FCE, #FF7D32CE, #FF8F45CE and #FFA158CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF5911CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF5911CE shade: #DF5911CE, #CE4700CE, #BD3500CE, #AC2300CE and #9B1100CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF5911CE shade: #DF5911, #DF2111 and #DF1111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF5911CE shade: #DF5911, #DF9011, #DFC811, #BEDF11 and #87DF11

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF5911CE shade matches the following richer shades: #DF5911

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF5911CE shade: #DF5911, #CC5F24, #B86438, #A56A4B and #91705E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF5911CE shade: #DF113A, #DF1F11, #DF5511, #DF8C11 and #DFC311

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF5911CE shade: #923A0B, #B94A0E, #DF5911, #EF6F2A and #F28950

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF5911CE shade: #DF5911, #71DF11 and #111FDF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF5911CE shade: #DF5911, #11DF55 and #5511DF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF5911CE shade: #DF5911, #71DF11, #119ADF and #7F11DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF5911CE shade: #DF5911, #33DF11, #119ADF and #BD11DF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 75 / 10

HEX #DF5911CE

RGBA 223 89 17 0.81

HSLA 20.97, 0.86%, 0.47%, 0.81

LABA 54.94, 49.52, 60.93, 0.81

 

Complementary color

CMYK 70 / 25 / 0 / 5

HEX #20A6EECE

RGBA 32 166 238 0.81

HSLA 200.97, 0.86%, 0.53%, 0.81

LABA 64.77, -8.97, -45.51, 0.81

 

CMYK 0 / 49 / 77 / 9

HEX #E4590CCE

RGBA 228 89 12 0.81

HSLA 21.39, 0.9%, 0.47%, 0.81

LABA 55.75, 51.26, 63.05, 0.81

 

CMYK 0 / 46 / 71 / 3

HEX #F56B1FCE

RGBA 245 107 31 0.81

HSLA 21.31, 0.91%, 0.54%, 0.81

LABA 61.68, 49.5, 63.19, 0.81

 

CMYK 0 / 41 / 65 / 0

HEX #FF7D32CE

RGBA 255 125 50 0.81

HSLA 21.95, 1%, 0.6%, 0.81

LABA 66.64, 45.12, 60.84, 0.81

 

CMYK 0 / 36 / 59 / 0

HEX #FF8F45CE

RGBA 255 143 69 0.81

HSLA 23.87, 1%, 0.64%, 0.81

LABA 70.41, 36.84, 56.23, 0.81

 

CMYK 0 / 30 / 53 / 0

HEX #FFA158CE

RGBA 255 161 88 0.81

HSLA 26.23, 1%, 0.67%, 0.81

LABA 74.48, 28.53, 51.67, 0.81

 

CMYK 0 / 49 / 75 / 10

HEX #DF5911CE

RGBA 223 89 17 0.81

HSLA 20.97, 0.86%, 0.47%, 0.81

LABA 54.94, 49.52, 60.93, 0.81

 

CMYK 0 / 53 / 81 / 16

HEX #CE4700CE

RGBA 206 71 0 0.81

HSLA 20.68, 1%, 0.4%, 0.81

LABA 49.04, 51.17, 59.88, 0.81

 

CMYK 0 / 58 / 81 / 21

HEX #BD3500CE

RGBA 189 53 0 0.81

HSLA 16.83, 1%, 0.37%, 0.81

LABA 43.31, 52.56, 55.33, 0.81

 

CMYK 0 / 65 / 81 / 26

HEX #AC2300CE

RGBA 172 35 0 0.81

HSLA 12.21, 1%, 0.34%, 0.81

LABA 37.79, 53.2, 50.91, 0.81

 

CMYK 0 / 72 / 81 / 32

HEX #9B1100CE

RGBA 155 17 0 0.81

HSLA 6.58, 1%, 0.3%, 0.81

LABA 32.63, 52.65, 46.26, 0.81

 

CMYK 0 / 60 / 92 / 13

HEX #DF5911

RGB 223 89 17

HSL 20.97, 0.86%, 0.47%

LAB 54.94, 49.52, 60.93

 

CMYK 0 / 85 / 92 / 13

HEX #DF2111

RGB 223 33 17

HSL 4.66, 0.86%, 0.47%

LAB 48.03, 68.48, 56.43

 

CMYK 0 / 92 / 92 / 13

HEX #DF1111

RGB 223 17 17

HSL 0, 0.86%, 0.47%

LAB 47.14, 71.01, 55.89

 

CMYK 0 / 60 / 92 / 13

HEX #DF5911

RGB 223 89 17

HSL 20.97, 0.86%, 0.47%

LAB 54.94, 49.52, 60.93

 

CMYK 0 / 35 / 92 / 13

HEX #DF9011

RGB 223 144 17

HSL 36.99, 0.86%, 0.47%

LAB 66.27, 21.65, 68.91

 

CMYK 0 / 10 / 92 / 13

HEX #DFC811

RGB 223 200 17

HSL 53.3, 0.86%, 0.47%

LAB 80.2, -7.86, 79.26

 

CMYK 15 / 0 / 92 / 13

HEX #BEDF11

RGB 190 223 17

HSL 69.61, 0.86%, 0.47%

LAB 83.84, -32.95, 80.95

 

CMYK 39 / 0 / 92 / 13

HEX #87DF11

RGB 135 223 17

HSL 85.63, 0.86%, 0.47%

LAB 80.72, -53.53, 77.14

 

CMYK 0 / 60 / 92 / 13

HEX #DF5911

RGB 223 89 17

HSL 20.97, 0.86%, 0.47%

LAB 54.94, 49.52, 60.93

 

CMYK 0 / 60 / 92 / 13

HEX #DF5911

RGB 223 89 17

HSL 20.97, 0.86%, 0.47%

LAB 54.94, 49.52, 60.93

 

CMYK 0 / 53 / 82 / 20

HEX #CC5F24

RGB 204 95 36

HSL 21.07, 0.7%, 0.47%

LAB 53.11, 39.91, 51.55

 

CMYK 0 / 46 / 70 / 28

HEX #B86438

RGB 184 100 56

HSL 20.63, 0.53%, 0.47%

LAB 51.37, 30.13, 39.2

 

CMYK 0 / 36 / 55 / 35

HEX #A56A4B

RGB 165 106 75

HSL 20.67, 0.38%, 0.47%

LAB 50.47, 20.21, 27.06

 

CMYK 0 / 23 / 35 / 43

HEX #91705E

RGB 145 112 94

HSL 21.18, 0.21%, 0.47%

LAB 50, 10.38, 15.01

 

CMYK 0 / 92 / 74 / 13

HEX #DF113A

RGB 223 17 58

HSL 348.06, 0.86%, 0.47%

LAB 47.49, 71.98, 35.47

 

CMYK 0 / 86 / 92 / 13

HEX #DF1F11

RGB 223 31 17

HSL 4.08, 0.86%, 0.47%

LAB 47.89, 68.87, 56.35

 

CMYK 0 / 62 / 92 / 13

HEX #DF5511

RGB 223 85 17

HSL 19.81, 0.86%, 0.47%

LAB 54.27, 51.3, 60.47

 

CMYK 0 / 37 / 92 / 13

HEX #DF8C11

RGB 223 140 17

HSL 35.83, 0.86%, 0.47%

LAB 65.35, 23.79, 68.24

 

CMYK 0 / 13 / 92 / 13

HEX #DFC311

RGB 223 195 17

HSL 51.84, 0.86%, 0.47%

LAB 78.9, -5.3, 78.27

 

CMYK 0 / 60 / 92 / 43

HEX #923A0B

RGB 146 58 11

HSL 20.89, 0.86%, 0.31%

LAB 36.29, 35.01, 43.56

 

CMYK 0 / 60 / 92 / 27

HEX #B94A0E

RGB 185 74 14

HSL 21.05, 0.86%, 0.39%

LAB 45.97, 42.37, 52.61

 

CMYK 0 / 60 / 92 / 13

HEX #DF5911

RGB 223 89 17

HSL 20.97, 0.86%, 0.47%

LAB 54.94, 49.52, 60.93

 

CMYK 0 / 54 / 82 / 6

HEX #EF6F2A

RGB 239 111 42

HSL 21.02, 0.86%, 0.55%

LAB 61.56, 45.63, 58.63

 

CMYK 0 / 43 / 67 / 5

HEX #F28950

RGB 242 137 80

HSL 21.11, 0.86%, 0.63%

LAB 67.54, 35.35, 47.29

 

CMYK 0 / 60 / 92 / 13

HEX #DF5911

RGB 223 89 17

HSL 20.97, 0.86%, 0.47%

LAB 54.94, 49.52, 60.93

 

CMYK 49 / 0 / 92 / 13

HEX #71DF11

RGB 113 223 17

HSL 92.04, 0.86%, 0.47%

LAB 79.8, -60.45, 76.01

 

CMYK 92 / 86 / 0 / 13

HEX #111FDF

RGB 17 31 223

HSL 235.92, 0.86%, 0.47%

LAB 30.46, 64.03, -92.76

 

CMYK 0 / 60 / 92 / 13

HEX #DF5911

RGB 223 89 17

HSL 20.97, 0.86%, 0.47%

LAB 54.94, 49.52, 60.93

 

CMYK 92 / 0 / 62 / 13

HEX #11DF55

RGB 17 223 85

HSL 139.81, 0.86%, 0.47%

LAB 78.2, -72.32, 53.79

 

CMYK 62 / 92 / 0 / 13

HEX #5511DF

RGB 85 17 223

HSL 259.81, 0.86%, 0.47%

LAB 33.26, 70.83, -87.99

 

CMYK 0 / 60 / 92 / 13

HEX #DF5911

RGB 223 89 17

HSL 20.97, 0.86%, 0.47%

LAB 54.94, 49.52, 60.93

 

CMYK 49 / 0 / 92 / 13

HEX #71DF11

RGB 113 223 17

HSL 92.04, 0.86%, 0.47%

LAB 79.8, -60.45, 76.01

 

CMYK 92 / 31 / 0 / 13

HEX #119ADF

RGB 17 154 223

HSL 200.1, 0.86%, 0.47%

LAB 60.39, -8.45, -44.14

 

CMYK 43 / 92 / 0 / 13

HEX #7F11DF

RGB 127 17 223

HSL 272.04, 0.86%, 0.47%

LAB 38.27, 74.33, -79.55

 

CMYK 0 / 60 / 92 / 13

HEX #DF5911

RGB 223 89 17

HSL 20.97, 0.86%, 0.47%

LAB 54.94, 49.52, 60.93

 

CMYK 77 / 0 / 92 / 13

HEX #33DF11

RGB 51 223 17

HSL 110.1, 0.86%, 0.47%

LAB 78.18, -73.84, 74.01

 

CMYK 92 / 31 / 0 / 13

HEX #119ADF

RGB 17 154 223

HSL 200.1, 0.86%, 0.47%

LAB 60.39, -8.45, -44.14

 

CMYK 15 / 92 / 0 / 13

HEX #BD11DF

RGB 189 17 223

HSL 290.1, 0.86%, 0.47%

LAB 47.68, 82.19, -63.78

 

Description

Color code: HEX #DF5911CE | qconv.com Color code: HEX #DF5911CE | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 89 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 89 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 75 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 75% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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