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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF5702 it is the complementary color #20A8FD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF5702. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF5702 shade: #E45700, #F56910, #FF7B23, #FF8D36 and #FF9F49

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF5702. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF5702 shade: #DF5702, #CE4500, #BD3300, #AC2100 and #9B0F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF5702 shade: #DE5702, #DE1C02 and #DE0202

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF5702 shade: #DE5702, #DE9202, #DECD02, #B4DE02 and #78DE02

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF5702 shade matches the following richer shades: #DE5702

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF5702 shade: #DE5702, #CC5B14, #BA5F27, #A86339 and #96684B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF5702 shade: #DE0223, #DE1C02, #DE5702, #DE9102 and #DECC02

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF5702 shade: #8C3701, #B54702, #DE5702, #FD690D and #FD8336

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF5702 shade: #DF5702, #5EDE02 and #0206DE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF5702 shade: #DF5702, #02DE57 and #5702DE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF5702 shade: #DF5702, #5EDE02, #028ADE and #8302DE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF5702 shade: #DF5702, #1CDE02, #028ADE and #C402DE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 99 / 13

HEX #DF5702

RGB 223 87 2

HSL 23.08, 0.98%, 0.44%

LAB 54.56, 50.27, 63.93

 

Complementary color

CMYK 87 / 34 / 0 / 1

HEX #20A8FD

RGB 32 168 253

HSL 203.08, 0.98%, 0.56%

LAB 66.06, -4.7, -51.65

 

CMYK 0 / 62 / 100 / 11

HEX #E45700

RGB 228 87 0

HSL 22.89, 1%, 0.45%

LAB 55.39, 52.03, 65.25

 

CMYK 0 / 57 / 93 / 4

HEX #F56910

RGB 245 105 16

HSL 23.32, 0.92%, 0.51%

LAB 61.27, 50.2, 67.07

 

CMYK 0 / 52 / 86 / 0

HEX #FF7B23

RGB 255 123 35

HSL 24, 1%, 0.57%

LAB 66.17, 45.7, 66.04

 

CMYK 0 / 45 / 79 / 0

HEX #FF8D36

RGB 255 141 54

HSL 25.97, 1%, 0.61%

LAB 69.88, 37.28, 62.22

 

CMYK 0 / 38 / 71 / 0

HEX #FF9F49

RGB 255 159 73

HSL 28.35, 1%, 0.64%

LAB 73.89, 28.78, 58.06

 

CMYK 0 / 61 / 99 / 13

HEX #DF5702

RGB 223 87 2

HSL 23.08, 0.98%, 0.44%

LAB 54.56, 50.27, 63.93

 

CMYK 0 / 67 / 100 / 19

HEX #CE4500

RGB 206 69 0

HSL 20.1, 1%, 0.4%

LAB 48.73, 52.01, 59.73

 

CMYK 0 / 73 / 100 / 26

HEX #BD3300

RGB 189 51 0

HSL 16.19, 1%, 0.37%

LAB 43.04, 53.29, 55.2

 

CMYK 0 / 81 / 100 / 33

HEX #AC2100

RGB 172 33 0

HSL 11.51, 1%, 0.34%

LAB 37.59, 53.78, 50.82

 

CMYK 0 / 90 / 100 / 39

HEX #9B0F00

RGB 155 15 0

HSL 5.81, 1%, 0.3%

LAB 32.5, 53.02, 46.18

 

CMYK 0 / 61 / 99 / 13

HEX #DE5702

RGB 222 87 2

HSL 23.18, 0.98%, 0.44%

LAB 54.4, 49.91, 63.75

 

CMYK 0 / 87 / 99 / 13

HEX #DE1C02

RGB 222 28 2

HSL 7.09, 0.98%, 0.44%

LAB 47.45, 69.01, 60.35

 

CMYK 0 / 99 / 99 / 13

HEX #DE0202

RGB 222 2 2

HSL 0, 0.98%, 0.44%

LAB 46.42, 71.99, 59.94

 

CMYK 0 / 61 / 99 / 13

HEX #DE5702

RGB 222 87 2

HSL 23.18, 0.98%, 0.44%

LAB 54.4, 49.91, 63.75

 

CMYK 0 / 34 / 99 / 13

HEX #DE9202

RGB 222 146 2

HSL 39.27, 0.98%, 0.44%

LAB 66.59, 19.99, 71.29

 

CMYK 0 / 8 / 99 / 13

HEX #DECD02

RGB 222 205 2

HSL 55.36, 0.98%, 0.44%

LAB 81.4, -10.97, 81.64

 

CMYK 19 / 0 / 99 / 13

HEX #B4DE02

RGB 180 222 2

HSL 71.45, 0.98%, 0.44%

LAB 82.89, -36.67, 81.34

 

CMYK 46 / 0 / 99 / 13

HEX #78DE02

RGB 120 222 2

HSL 87.82, 0.98%, 0.44%

LAB 79.75, -58.21, 77.56

 

CMYK 0 / 61 / 99 / 13

HEX #DE5702

RGB 222 87 2

HSL 23.18, 0.98%, 0.44%

LAB 54.4, 49.91, 63.75

 

CMYK 0 / 61 / 99 / 13

HEX #DE5702

RGB 222 87 2

HSL 23.18, 0.98%, 0.44%

LAB 54.4, 49.91, 63.75

 

CMYK 0 / 55 / 90 / 20

HEX #CC5B14

RGB 204 91 20

HSL 23.15, 0.82%, 0.44%

LAB 52.25, 41.52, 56.76

 

CMYK 0 / 49 / 79 / 27

HEX #BA5F27

RGB 186 95 39

HSL 22.86, 0.65%, 0.44%

LAB 50.42, 32.83, 46.72

 

CMYK 0 / 41 / 66 / 34

HEX #A86339

RGB 168 99 57

HSL 22.7, 0.49%, 0.44%

LAB 48.94, 24.03, 35.3

 

CMYK 0 / 31 / 50 / 41

HEX #96684B

RGB 150 104 75

HSL 23.2, 0.33%, 0.44%

LAB 48.12, 14.92, 23.68

 

CMYK 0 / 99 / 84 / 13

HEX #DE0223

RGB 222 2 35

HSL 351, 0.98%, 0.44%

LAB 46.57, 72.42, 47.38

 

CMYK 0 / 87 / 99 / 13

HEX #DE1C02

RGB 222 28 2

HSL 7.09, 0.98%, 0.44%

LAB 47.45, 69.01, 60.35

 

CMYK 0 / 61 / 99 / 13

HEX #DE5702

RGB 222 87 2

HSL 23.18, 0.98%, 0.44%

LAB 54.4, 49.91, 63.75

 

CMYK 0 / 35 / 99 / 13

HEX #DE9102

RGB 222 145 2

HSL 39, 0.98%, 0.44%

LAB 66.36, 20.53, 71.13

 

CMYK 0 / 8 / 99 / 13

HEX #DECC02

RGB 222 204 2

HSL 55.09, 0.98%, 0.44%

LAB 81.14, -10.47, 81.45

 

CMYK 0 / 61 / 99 / 45

HEX #8C3701

RGB 140 55 1

HSL 23.31, 0.99%, 0.28%

LAB 34.62, 33.94, 45.53

 

CMYK 0 / 61 / 99 / 29

HEX #B54702

RGB 181 71 2

HSL 23.13, 0.98%, 0.36%

LAB 44.71, 42.12, 54.68

 

CMYK 0 / 61 / 99 / 13

HEX #DE5702

RGB 222 87 2

HSL 23.18, 0.98%, 0.44%

LAB 54.4, 49.91, 63.75

 

CMYK 0 / 58 / 95 / 1

HEX #FD690D

RGB 253 105 13

HSL 23, 0.98%, 0.52%

LAB 62.52, 53.07, 69.1

 

CMYK 0 / 48 / 79 / 1

HEX #FD8336

RGB 253 131 54

HSL 23.22, 0.98%, 0.6%

LAB 67.56, 41.53, 59.93

 

CMYK 0 / 61 / 99 / 13

HEX #DF5702

RGB 223 87 2

HSL 23.08, 0.98%, 0.44%

LAB 54.56, 50.27, 63.93

 

CMYK 58 / 0 / 99 / 13

HEX #5EDE02

RGB 94 222 2

HSL 94.91, 0.98%, 0.44%

LAB 78.83, -65.49, 76.43

 

CMYK 99 / 97 / 0 / 13

HEX #0206DE

RGB 2 6 222

HSL 238.91, 0.98%, 0.44%

LAB 27.89, 70.23, -96.49

 

CMYK 0 / 61 / 99 / 13

HEX #DF5702

RGB 223 87 2

HSL 23.08, 0.98%, 0.44%

LAB 54.56, 50.27, 63.93

 

CMYK 99 / 0 / 61 / 13

HEX #02DE57

RGB 2 222 87

HSL 143.18, 0.98%, 0.44%

LAB 77.84, -72.33, 52.51

 

CMYK 61 / 99 / 0 / 13

HEX #5702DE

RGB 87 2 222

HSL 263.18, 0.98%, 0.44%

LAB 32.58, 73.09, -88.55

 

CMYK 0 / 61 / 99 / 13

HEX #DF5702

RGB 223 87 2

HSL 23.08, 0.98%, 0.44%

LAB 54.56, 50.27, 63.93

 

CMYK 58 / 0 / 99 / 13

HEX #5EDE02

RGB 94 222 2

HSL 94.91, 0.98%, 0.44%

LAB 78.83, -65.49, 76.43

 

CMYK 99 / 38 / 0 / 13

HEX #028ADE

RGB 2 138 222

HSL 202.91, 0.98%, 0.44%

LAB 55.55, -0.02, -51.26

 

CMYK 41 / 99 / 0 / 13

HEX #8302DE

RGB 131 2 222

HSL 275.18, 0.98%, 0.44%

LAB 38.1, 76.43, -79.24

 

CMYK 0 / 61 / 99 / 13

HEX #DF5702

RGB 223 87 2

HSL 23.08, 0.98%, 0.44%

LAB 54.56, 50.27, 63.93

 

CMYK 87 / 0 / 99 / 13

HEX #1CDE02

RGB 28 222 2

HSL 112.91, 0.98%, 0.44%

LAB 77.58, -76.24, 74.91

 

CMYK 99 / 38 / 0 / 13

HEX #028ADE

RGB 2 138 222

HSL 202.91, 0.98%, 0.44%

LAB 55.55, -0.02, -51.26

 

CMYK 12 / 99 / 0 / 13

HEX #C402DE

RGB 196 2 222

HSL 292.91, 0.98%, 0.44%

LAB 48.33, 84.4, -62.12

 

Description

Color code: HEX #DF5702 | qconv.com Color code: HEX #DF5702 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 87 green and 2 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 87 2 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 99 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 99% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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