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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF548E it is the complementary color #20AB71. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF548E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF548E shade: #E45489, #F5669C, #FF78AF, #FF8AC2 and #FF9CD5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF548E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF548E shade: #DF548E, #CE427B, #BD3068, #AC1E55 and #9B0C42

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF548E shade: #DE548E, #DE5468 and #DE5454

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF548E shade: #DE548E, #DE54B3, #DE54D8, #BF54DE and #9A54DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF548E shade matches the following richer shades: #DE548E and #EF438B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF548E shade: #DE548E, #CE6490, #BD7593, #AD8596 and #9C9698

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF548E shade: #DE54DA, #DE54B5, #DE5490, #DE546B and #DE6254

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF548E shade: #BC2463, #D83177, #DE548E, #E576A4 and #EC99BB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF548E shade: #DF548E, #DEBE54 and #54C7DE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF548E shade: #DF548E, #90DE54 and #5490DE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF548E shade: #DF548E, #DEBE54, #54DEA2 and #5474DE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF548E shade: #DF548E, #D5DE54, #54DEA2 and #5D54DE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 36 / 13

HEX #DF548E

RGB 223 84 142

HSL 334.96, 0.68%, 0.6%

LAB 56.07, 59.26, -3.22

 

Complementary color

CMYK 81 / 0 / 34 / 33

HEX #20AB71

RGB 32 171 113

HSL 154.96, 0.68%, 0.4%

LAB 62.19, -49.16, 20.04

 

CMYK 0 / 63 / 40 / 11

HEX #E45489

RGB 228 84 137

HSL 337.92, 0.73%, 0.61%

LAB 56.72, 60.23, 0.78

 

CMYK 0 / 58 / 36 / 4

HEX #F5669C

RGB 245 102 156

HSL 337.34, 0.88%, 0.68%

LAB 62.77, 59.76, -1.12

 

CMYK 0 / 53 / 31 / 0

HEX #FF78AF

RGB 255 120 175

HSL 335.56, 1%, 0.74%

LAB 67.86, 56.92, -4.29

 

CMYK 0 / 46 / 24 / 0

HEX #FF8AC2

RGB 255 138 194

HSL 331.28, 1%, 0.77%

LAB 71.78, 50.71, -9.12

 

CMYK 0 / 39 / 16 / 0

HEX #FF9CD5

RGB 255 156 213

HSL 325.45, 1%, 0.81%

LAB 75.97, 44.4, -13.33

 

CMYK 0 / 62 / 36 / 13

HEX #DF548E

RGB 223 84 142

HSL 334.96, 0.68%, 0.6%

LAB 56.07, 59.26, -3.22

 

CMYK 0 / 68 / 40 / 19

HEX #CE427B

RGB 206 66 123

HSL 335.57, 0.59%, 0.53%

LAB 50.04, 59.45, -1.09

 

CMYK 0 / 75 / 45 / 26

HEX #BD3068

RGB 189 48 104

HSL 336.17, 0.59%, 0.46%

LAB 44.14, 59.19, 1.57

 

CMYK 0 / 83 / 51 / 33

HEX #AC1E55

RGB 172 30 85

HSL 336.76, 0.7%, 0.4%

LAB 38.47, 58.16, 4.95

 

CMYK 0 / 92 / 57 / 39

HEX #9B0C42

RGB 155 12 66

HSL 337.34, 0.86%, 0.33%

LAB 33.19, 55.95, 9.32

 

CMYK 0 / 62 / 36 / 13

HEX #DE548E

RGB 222 84 142

HSL 334.78, 0.68%, 0.6%

LAB 55.91, 58.95, -3.47

 

CMYK 0 / 62 / 53 / 13

HEX #DE5468

RGB 222 84 104

HSL 351.3, 0.68%, 0.6%

LAB 54.94, 55.3, 17.6

 

CMYK 0 / 62 / 62 / 13

HEX #DE5454

RGB 222 84 84

HSL 0, 0.68%, 0.6%

LAB 54.56, 53.87, 28.82

 

CMYK 0 / 62 / 36 / 13

HEX #DE548E

RGB 222 84 142

HSL 334.78, 0.68%, 0.6%

LAB 55.91, 58.95, -3.47

 

CMYK 0 / 62 / 19 / 13

HEX #DE54B3

RGB 222 84 179

HSL 318.7, 0.68%, 0.6%

LAB 57.2, 63.61, -23.12

 

CMYK 0 / 62 / 3 / 13

HEX #DE54D8

RGB 222 84 216

HSL 302.61, 0.68%, 0.6%

LAB 58.81, 69.2, -41.74

 

CMYK 14 / 62 / 0 / 13

HEX #BF54DE

RGB 191 84 222

HSL 286.52, 0.68%, 0.6%

LAB 54.75, 62.86, -51.85

 

CMYK 31 / 62 / 0 / 13

HEX #9A54DE

RGB 154 84 222

HSL 270.43, 0.68%, 0.6%

LAB 50.08, 54.4, -59.59

 

CMYK 0 / 62 / 36 / 13

HEX #DE548E

RGB 222 84 142

HSL 334.78, 0.68%, 0.6%

LAB 55.91, 58.95, -3.47

 

CMYK 0 / 72 / 42 / 6

HEX #EF438B

RGB 239 67 139

HSL 334.88, 0.84%, 0.6%

LAB 56.32, 69.93, -0.77

 

CMYK 0 / 62 / 36 / 13

HEX #DE548E

RGB 222 84 142

HSL 334.78, 0.68%, 0.6%

LAB 55.91, 58.95, -3.47

 

CMYK 0 / 51 / 30 / 19

HEX #CE6490

RGB 206 100 144

HSL 335.09, 0.52%, 0.6%

LAB 56.34, 46.74, -4.28

 

CMYK 0 / 38 / 22 / 26

HEX #BD7593

RGB 189 117 147

HSL 335, 0.35%, 0.6%

LAB 57.7, 32.37, -4.27

 

CMYK 0 / 23 / 13 / 32

HEX #AD8596

RGB 173 133 150

HSL 334.5, 0.2%, 0.6%

LAB 59.76, 18.07, -3.16

 

CMYK 0 / 4 / 3 / 39

HEX #9C9698

RGB 156 150 152

HSL 340, 0.03%, 0.6%

LAB 62.63, 2.57, -0.28

 

CMYK 0 / 62 / 2 / 13

HEX #DE54DA

RGB 222 84 218

HSL 301.74, 0.68%, 0.6%

LAB 58.91, 69.52, -42.72

 

CMYK 0 / 62 / 18 / 13

HEX #DE54B5

RGB 222 84 181

HSL 317.83, 0.68%, 0.6%

LAB 57.28, 63.89, -24.15

 

CMYK 0 / 62 / 35 / 13

HEX #DE5490

RGB 222 84 144

HSL 333.91, 0.68%, 0.6%

LAB 55.97, 59.18, -4.55

 

CMYK 0 / 62 / 52 / 13

HEX #DE546B

RGB 222 84 107

HSL 350, 0.68%, 0.6%

LAB 55, 55.55, 15.92

 

CMYK 0 / 56 / 62 / 13

HEX #DE6254

RGB 222 98 84

HSL 6.09, 0.68%, 0.6%

LAB 56.98, 47.49, 31.87

 

CMYK 0 / 81 / 47 / 26

HEX #BC2463

RGB 188 36 99

HSL 335.13, 0.68%, 0.44%

LAB 42.54, 62.02, 2.35

 

CMYK 0 / 77 / 45 / 15

HEX #D83177

RGB 216 49 119

HSL 334.85, 0.68%, 0.52%

LAB 49.65, 67.55, 0.99

 

CMYK 0 / 62 / 36 / 13

HEX #DE548E

RGB 222 84 142

HSL 334.78, 0.68%, 0.6%

LAB 55.91, 58.95, -3.47

 

CMYK 0 / 48 / 28 / 10

HEX #E576A4

RGB 229 118 164

HSL 335.14, 0.68%, 0.68%

LAB 63.59, 48.07, -4.77

 

CMYK 0 / 35 / 21 / 7

HEX #EC99BB

RGB 236 153 187

HSL 335.42, 0.69%, 0.76%

LAB 72.36, 35.66, -4.63

 

CMYK 0 / 62 / 36 / 13

HEX #DF548E

RGB 223 84 142

HSL 334.96, 0.68%, 0.6%

LAB 56.07, 59.26, -3.22

 

CMYK 0 / 14 / 62 / 13

HEX #DEBE54

RGB 222 190 84

HSL 46.09, 0.68%, 0.6%

LAB 77.87, -0.63, 56.37

 

CMYK 62 / 10 / 0 / 13

HEX #54C7DE

RGB 84 199 222

HSL 190, 0.68%, 0.6%

LAB 74.83, -25.55, -21.13

 

CMYK 0 / 62 / 36 / 13

HEX #DF548E

RGB 223 84 142

HSL 334.96, 0.68%, 0.6%

LAB 56.07, 59.26, -3.22

 

CMYK 35 / 0 / 62 / 13

HEX #90DE54

RGB 144 222 84

HSL 93.91, 0.68%, 0.6%

LAB 81.19, -46.66, 58.47

 

CMYK 62 / 35 / 0 / 13

HEX #5490DE

RGB 84 144 222

HSL 213.91, 0.68%, 0.6%

LAB 59.07, 4.34, -45.55

 

CMYK 0 / 62 / 36 / 13

HEX #DF548E

RGB 223 84 142

HSL 334.96, 0.68%, 0.6%

LAB 56.07, 59.26, -3.22

 

CMYK 0 / 14 / 62 / 13

HEX #DEBE54

RGB 222 190 84

HSL 46.09, 0.68%, 0.6%

LAB 77.87, -0.63, 56.37

 

CMYK 62 / 0 / 27 / 13

HEX #54DEA2

RGB 84 222 162

HSL 153.91, 0.68%, 0.6%

LAB 80.03, -51.16, 18.59

 

CMYK 62 / 48 / 0 / 13

HEX #5474DE

RGB 84 116 222

HSL 226.09, 0.68%, 0.6%

LAB 51.44, 21.28, -57.71

 

CMYK 0 / 62 / 36 / 13

HEX #DF548E

RGB 223 84 142

HSL 334.96, 0.68%, 0.6%

LAB 56.07, 59.26, -3.22

 

CMYK 4 / 0 / 62 / 13

HEX #D5DE54

RGB 213 222 84

HSL 63.91, 0.68%, 0.6%

LAB 85.52, -20.51, 64.42

 

CMYK 62 / 0 / 27 / 13

HEX #54DEA2

RGB 84 222 162

HSL 153.91, 0.68%, 0.6%

LAB 80.03, -51.16, 18.59

 

CMYK 58 / 62 / 0 / 13

HEX #5D54DE

RGB 93 84 222

HSL 243.91, 0.68%, 0.6%

LAB 44.15, 42.38, -69.48

 

Description

Color code: HEX #DF548E | qconv.com Color code: HEX #DF548E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 84 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 84 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 36 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 36% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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