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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF54093F it is the complementary color #20ABF63F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF54093F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF54093F shade: #E454043F, #F566173F, #FF782A3F, #FF8A3D3F and #FF9C503F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF54093F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF54093F shade: #DF54093F, #CE42003F, #BD30003F, #AC1E003F and #9B0C003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF54093F shade: #DC5309, #DC1A09 and #DC0909

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF54093F shade: #DC5309, #DC8C09, #DCC509, #BBDC09 and #82DC09

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF54093F shade matches the following richer shades: #DC5309

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF54093F shade: #DC5309, #CA591C, #B75E2E, #A56441 and #926953

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF54093F shade: #DC0930, #DC1B09, #DC5309, #DC8B09 and #DCC409

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF54093F shade: #8D3506, #B54408, #DC5309, #F56619 and #F78141

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF54093F shade: #DF5409, #68DC09 and #0914DC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF54093F shade: #DF5409, #09DC53 and #5309DC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF54093F shade: #DF5409, #68DC09, #0992DC and #7D09DC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF54093F shade: #DF5409, #29DC09, #0992DC and #BD09DC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 24 / 3

HEX #DF54093F

RGBA 223 84 9 0.25

HSLA 21.03, 0.92%, 0.45%, 0.25

LABA 54.08, 51.66, 62.21, 0.25

 

Complementary color

CMYK 22 / 8 / 0 / 1

HEX #20ABF63F

RGBA 32 171 246 0.25

HSLA 201.03, 0.92%, 0.55%, 0.25

LABA 66.59, -8.89, -47.01, 0.25

 

CMYK 0 / 16 / 25 / 3

HEX #E454043F

RGBA 228 84 4 0.25

HSLA 21.43, 0.97%, 0.45%, 0.25

LABA 54.91, 53.37, 64.16, 0.25

 

CMYK 0 / 15 / 23 / 1

HEX #F566173F

RGBA 245 102 23 0.25

HSLA 21.35, 0.92%, 0.53%, 0.25

LABA 60.76, 51.66, 64.98, 0.25

 

CMYK 0 / 13 / 21 / 0

HEX #FF782A3F

RGBA 255 120 42 0.25

HSLA 21.97, 1%, 0.58%, 0.25

LABA 65.64, 47.31, 63.12, 0.25

 

CMYK 0 / 11 / 19 / 0

HEX #FF8A3D3F

RGBA 255 138 61 0.25

HSLA 23.81, 1%, 0.62%, 0.25

LABA 69.31, 39.05, 58.71, 0.25

 

CMYK 0 / 10 / 17 / 0

HEX #FF9C503F

RGBA 255 156 80 0.25

HSLA 26.06, 1%, 0.66%, 0.25

LABA 73.3, 30.69, 54.19, 0.25

 

CMYK 0 / 16 / 24 / 3

HEX #DF54093F

RGBA 223 84 9 0.25

HSLA 21.03, 0.92%, 0.45%, 0.25

LABA 54.08, 51.66, 62.21, 0.25

 

CMYK 0 / 17 / 25 / 5

HEX #CE42003F

RGBA 206 66 0 0.25

HSLA 19.22, 1%, 0.4%, 0.25

LABA 48.28, 53.22, 59.5, 0.25

 

CMYK 0 / 19 / 25 / 6

HEX #BD30003F

RGBA 189 48 0 0.25

HSLA 15.24, 1%, 0.37%, 0.25

LABA 42.66, 54.34, 55.03, 0.25

 

CMYK 0 / 21 / 25 / 8

HEX #AC1E003F

RGBA 172 30 0 0.25

HSLA 10.47, 1%, 0.34%, 0.25

LABA 37.3, 54.6, 50.7, 0.25

 

CMYK 0 / 23 / 25 / 10

HEX #9B0C003F

RGBA 155 12 0 0.25

HSLA 4.65, 1%, 0.3%, 0.25

LABA 32.33, 53.52, 46.06, 0.25

 

CMYK 0 / 62 / 96 / 14

HEX #DC5309

RGB 220 83 9

HSL 21.04, 0.92%, 0.45%

LAB 53.41, 51.03, 61.55

 

CMYK 0 / 88 / 96 / 14

HEX #DC1A09

RGB 220 26 9

HSL 4.83, 0.92%, 0.45%

LAB 46.94, 68.89, 57.91

 

CMYK 0 / 96 / 96 / 14

HEX #DC0909

RGB 220 9 9

HSL 0, 0.92%, 0.45%

LAB 46.22, 70.97, 57.55

 

CMYK 0 / 62 / 96 / 14

HEX #DC5309

RGB 220 83 9

HSL 21.04, 0.92%, 0.45%

LAB 53.41, 51.03, 61.55

 

CMYK 0 / 36 / 96 / 14

HEX #DC8C09

RGB 220 140 9

HSL 37.25, 0.92%, 0.45%

LAB 64.96, 22.42, 69.09

 

CMYK 0 / 10 / 96 / 14

HEX #DCC509

RGB 220 197 9

HSL 53.46, 0.92%, 0.45%

LAB 79.14, -7.72, 79.24

 

CMYK 15 / 0 / 96 / 14

HEX #BBDC09

RGB 187 220 9

HSL 69.38, 0.92%, 0.45%

LAB 82.79, -32.88, 80.85

 

CMYK 41 / 0 / 96 / 14

HEX #82DC09

RGB 130 220 9

HSL 85.59, 0.92%, 0.45%

LAB 79.59, -54.15, 76.97

 

CMYK 0 / 62 / 96 / 14

HEX #DC5309

RGB 220 83 9

HSL 21.04, 0.92%, 0.45%

LAB 53.41, 51.03, 61.55

 

CMYK 0 / 62 / 96 / 14

HEX #DC5309

RGB 220 83 9

HSL 21.04, 0.92%, 0.45%

LAB 53.41, 51.03, 61.55

 

CMYK 0 / 56 / 86 / 21

HEX #CA591C

RGB 202 89 28

HSL 21.03, 0.76%, 0.45%

LAB 51.59, 41.89, 53.35

 

CMYK 0 / 49 / 75 / 28

HEX #B75E2E

RGB 183 94 46

HSL 21.02, 0.6%, 0.45%

LAB 49.82, 32.42, 42.61

 

CMYK 0 / 39 / 61 / 35

HEX #A56441

RGB 165 100 65

HSL 21, 0.43%, 0.45%

LAB 48.88, 22.76, 30.72

 

CMYK 0 / 28 / 43 / 43

HEX #926953

RGB 146 105 83

HSL 20.95, 0.28%, 0.45%

LAB 48.06, 13.49, 18.84

 

CMYK 0 / 96 / 78 / 14

HEX #DC0930

RGB 220 9 48

HSL 348.91, 0.92%, 0.45%

LAB 46.48, 71.68, 40.02

 

CMYK 0 / 88 / 96 / 14

HEX #DC1B09

RGB 220 27 9

HSL 5.12, 0.92%, 0.45%

LAB 47, 68.72, 57.94

 

CMYK 0 / 62 / 96 / 14

HEX #DC5309

RGB 220 83 9

HSL 21.04, 0.92%, 0.45%

LAB 53.41, 51.03, 61.55

 

CMYK 0 / 37 / 96 / 14

HEX #DC8B09

RGB 220 139 9

HSL 36.97, 0.92%, 0.45%

LAB 64.72, 22.95, 68.93

 

CMYK 0 / 11 / 96 / 14

HEX #DCC409

RGB 220 196 9

HSL 53.18, 0.92%, 0.45%

LAB 78.88, -7.21, 79.05

 

CMYK 0 / 62 / 96 / 45

HEX #8D3506

RGB 141 53 6

HSL 20.89, 0.92%, 0.29%

LAB 34.44, 35.42, 43.58

 

CMYK 0 / 62 / 96 / 29

HEX #B54408

RGB 181 68 8

HSL 20.81, 0.92%, 0.37%

LAB 44.2, 43.6, 52.73

 

CMYK 0 / 62 / 96 / 14

HEX #DC5309

RGB 220 83 9

HSL 21.04, 0.92%, 0.45%

LAB 53.41, 51.03, 61.55

 

CMYK 0 / 58 / 90 / 4

HEX #F56619

RGB 245 102 25

HSL 21, 0.92%, 0.53%

LAB 60.77, 51.69, 64.41

 

CMYK 0 / 48 / 74 / 3

HEX #F78141

RGB 247 129 65

HSL 21.1, 0.92%, 0.61%

LAB 66.41, 40.63, 53.58

 

CMYK 0 / 62 / 96 / 13

HEX #DF5409

RGB 223 84 9

HSL 21.03, 0.92%, 0.45%

LAB 54.08, 51.66, 62.21

 

CMYK 53 / 0 / 96 / 14

HEX #68DC09

RGB 104 220 9

HSL 92.99, 0.92%, 0.45%

LAB 78.55, -62.07, 75.71

 

CMYK 96 / 91 / 0 / 14

HEX #0914DC

RGB 9 20 220

HSL 236.87, 0.92%, 0.45%

LAB 28.71, 66.74, -93.97

 

CMYK 0 / 62 / 96 / 13

HEX #DF5409

RGB 223 84 9

HSL 21.03, 0.92%, 0.45%

LAB 54.08, 51.66, 62.21

 

CMYK 96 / 0 / 62 / 14

HEX #09DC53

RGB 9 220 83

HSL 141.04, 0.92%, 0.45%

LAB 77.2, -71.97, 53.51

 

CMYK 62 / 96 / 0 / 14

HEX #5309DC

RGB 83 9 220

HSL 261.04, 0.92%, 0.45%

LAB 32.26, 71.37, -87.93

 

CMYK 0 / 62 / 96 / 13

HEX #DF5409

RGB 223 84 9

HSL 21.03, 0.92%, 0.45%

LAB 54.08, 51.66, 62.21

 

CMYK 53 / 0 / 96 / 14

HEX #68DC09

RGB 104 220 9

HSL 92.99, 0.92%, 0.45%

LAB 78.55, -62.07, 75.71

 

CMYK 96 / 34 / 0 / 14

HEX #0992DC

RGB 9 146 220

HSL 201.04, 0.92%, 0.45%

LAB 57.83, -5.27, -46.51

 

CMYK 43 / 96 / 0 / 14

HEX #7D09DC

RGB 125 9 220

HSL 272.99, 0.92%, 0.45%

LAB 37.34, 74.61, -79.37

 

CMYK 0 / 62 / 96 / 13

HEX #DF5409

RGB 223 84 9

HSL 21.03, 0.92%, 0.45%

LAB 54.08, 51.66, 62.21

 

CMYK 81 / 0 / 96 / 14

HEX #29DC09

RGB 41 220 9

HSL 110.9, 0.92%, 0.45%

LAB 77.09, -74.36, 73.92

 

CMYK 96 / 34 / 0 / 14

HEX #0992DC

RGB 9 146 220

HSL 201.04, 0.92%, 0.45%

LAB 57.83, -5.27, -46.51

 

CMYK 14 / 96 / 0 / 14

HEX #BD09DC

RGB 189 9 220

HSL 291.18, 0.92%, 0.45%

LAB 47.21, 82.48, -62.84

 

Description

Color code: HEX #DF54093F | qconv.com Color code: HEX #DF54093F | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 84 green and 9 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 84 9 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 24 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 24% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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