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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF533B it is the complementary color #20ACC4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF533B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF533B shade: #E45336, #F56549, #FF775C, #FF896F and #FF9B82

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF533B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF533B shade: #DF533B, #CE4128, #BD2F15, #AC1D02 and #9B0B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF533B shade: #DF523A and #DF3A3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF533B shade: #DF523A, #DF7E3A, #DFAB3A, #DFD73A and #BADF3A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF533B shade matches the following richer shades: #DF523A and #F14527

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF533B shade: #DF523A, #CC5F4C, #BA6C5F, #A77971 and #958684

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF533B shade: #DF3A7C, #DF3A50, #DF503A, #DF7C3A and #DFA83A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF533B shade: #AA311C, #CE3B21, #DF523A, #E5715D and #EA9081

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF533B shade: #DF533B, #A8DF3A and #3A66DF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF533B shade: #DF533B, #3ADF50 and #503ADF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF533B shade: #DF533B, #A8DF3A, #3AC9DF and #713ADF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF533B shade: #DF533B, #76DF3A, #3AC9DF and #A23ADF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 74 / 13

HEX #DF533B

RGB 223 83 59

HSL 8.78, 0.72%, 0.55%

LAB 54.23, 53.32, 42.47

 

Complementary color

CMYK 84 / 12 / 0 / 23

HEX #20ACC4

RGB 32 172 196

HSL 188.78, 0.72%, 0.45%

LAB 64.8, -26.6, -22.27

 

CMYK 0 / 64 / 76 / 11

HEX #E45336

RGB 228 83 54

HSL 10, 0.76%, 0.55%

LAB 55.02, 54.83, 46.19

 

CMYK 0 / 59 / 70 / 4

HEX #F56549

RGB 245 101 73

HSL 9.77, 0.9%, 0.62%

LAB 60.96, 53.64, 43.53

 

CMYK 0 / 53 / 64 / 0

HEX #FF775C

RGB 255 119 92

HSL 9.94, 1%, 0.68%

LAB 65.92, 49.88, 39.58

 

CMYK 0 / 46 / 56 / 0

HEX #FF896F

RGB 255 137 111

HSL 10.83, 1%, 0.72%

LAB 69.68, 42.37, 34

 

CMYK 0 / 39 / 49 / 0

HEX #FF9B82

RGB 255 155 130

HSL 12, 1%, 0.75%

LAB 73.75, 34.77, 29

 

CMYK 0 / 63 / 74 / 13

HEX #DF533B

RGB 223 83 59

HSL 8.78, 0.72%, 0.55%

LAB 54.23, 53.32, 42.47

 

CMYK 0 / 68 / 81 / 19

HEX #CE4128

RGB 206 65 40

HSL 9.04, 0.67%, 0.48%

LAB 48.33, 54.32, 45.34

 

CMYK 0 / 75 / 89 / 26

HEX #BD2F15

RGB 189 47 21

HSL 9.29, 0.8%, 0.41%

LAB 42.62, 54.96, 48.01

 

CMYK 0 / 83 / 99 / 33

HEX #AC1D02

RGB 172 29 2

HSL 9.53, 0.98%, 0.34%

LAB 37.21, 54.88, 49.86

 

CMYK 0 / 93 / 100 / 39

HEX #9B0B00

RGB 155 11 0

HSL 4.26, 1%, 0.3%

LAB 32.28, 53.67, 46.03

 

CMYK 0 / 63 / 74 / 13

HEX #DF523A

RGB 223 82 58

HSL 8.73, 0.72%, 0.55%

LAB 54.06, 53.71, 42.82

 

CMYK 0 / 74 / 74 / 13

HEX #DF3A3A

RGB 223 58 58

HSL 0, 0.72%, 0.55%

LAB 50.71, 62.84, 39.12

 

CMYK 0 / 63 / 74 / 13

HEX #DF523A

RGB 223 82 58

HSL 8.73, 0.72%, 0.55%

LAB 54.06, 53.71, 42.82

 

CMYK 0 / 43 / 74 / 13

HEX #DF7E3A

RGB 223 126 58

HSL 24.73, 0.72%, 0.55%

LAB 62.44, 32.36, 51.7

 

CMYK 0 / 23 / 74 / 13

HEX #DFAB3A

RGB 223 171 58

HSL 41.09, 0.72%, 0.55%

LAB 72.97, 8.38, 62.27

 

CMYK 0 / 4 / 74 / 13

HEX #DFD73A

RGB 223 215 58

HSL 57.09, 0.72%, 0.55%

LAB 84.27, -14.31, 73.04

 

CMYK 17 / 0 / 74 / 13

HEX #BADF3A

RGB 186 223 58

HSL 73.45, 0.72%, 0.55%

LAB 83.72, -33.3, 71.54

 

CMYK 0 / 63 / 74 / 13

HEX #DF523A

RGB 223 82 58

HSL 8.73, 0.72%, 0.55%

LAB 54.06, 53.71, 42.82

 

CMYK 0 / 71 / 84 / 5

HEX #F14527

RGB 241 69 39

HSL 8.91, 0.88%, 0.55%

LAB 55.18, 64.01, 54.43

 

CMYK 0 / 63 / 74 / 13

HEX #DF523A

RGB 223 82 58

HSL 8.73, 0.72%, 0.55%

LAB 54.06, 53.71, 42.82

 

CMYK 0 / 53 / 63 / 20

HEX #CC5F4C

RGB 204 95 76

HSL 8.91, 0.56%, 0.55%

LAB 53.54, 41.82, 31.51

 

CMYK 0 / 42 / 49 / 27

HEX #BA6C5F

RGB 186 108 95

HSL 8.57, 0.4%, 0.55%

LAB 54.02, 29.61, 20.71

 

CMYK 0 / 28 / 32 / 35

HEX #A77971

RGB 167 121 113

HSL 8.89, 0.23%, 0.55%

LAB 55.16, 16.84, 11.47

 

CMYK 0 / 10 / 11 / 42

HEX #958684

RGB 149 134 132

HSL 7.06, 0.07%, 0.55%

LAB 57.18, 5.3, 3.13

 

CMYK 0 / 74 / 44 / 13

HEX #DF3A7C

RGB 223 58 124

HSL 336, 0.72%, 0.55%

LAB 52.03, 67.14, 1.58

 

CMYK 0 / 74 / 64 / 13

HEX #DF3A50

RGB 223 58 80

HSL 352, 0.72%, 0.55%

LAB 51.03, 63.89, 26.69

 

CMYK 0 / 64 / 74 / 13

HEX #DF503A

RGB 223 80 58

HSL 8, 0.72%, 0.55%

LAB 53.74, 54.55, 42.47

 

CMYK 0 / 44 / 74 / 13

HEX #DF7C3A

RGB 223 124 58

HSL 24, 0.72%, 0.55%

LAB 62.01, 33.41, 51.26

 

CMYK 0 / 25 / 74 / 13

HEX #DFA83A

RGB 223 168 58

HSL 40, 0.72%, 0.55%

LAB 72.23, 9.98, 61.54

 

CMYK 0 / 71 / 84 / 33

HEX #AA311C

RGB 170 49 28

HSL 8.87, 0.72%, 0.39%

LAB 39.29, 48.22, 40.47

 

CMYK 0 / 71 / 84 / 19

HEX #CE3B21

RGB 206 59 33

HSL 9.02, 0.72%, 0.47%

LAB 47.44, 56.4, 47.93

 

CMYK 0 / 63 / 74 / 13

HEX #DF523A

RGB 223 82 58

HSL 8.73, 0.72%, 0.55%

LAB 54.06, 53.71, 42.82

 

CMYK 0 / 51 / 59 / 10

HEX #E5715D

RGB 229 113 93

HSL 8.82, 0.72%, 0.63%

LAB 61.01, 43.36, 32.11

 

CMYK 0 / 38 / 45 / 8

HEX #EA9081

RGB 234 144 129

HSL 8.57, 0.71%, 0.71%

LAB 68.77, 32.42, 22.43

 

CMYK 0 / 63 / 74 / 13

HEX #DF533B

RGB 223 83 59

HSL 8.78, 0.72%, 0.55%

LAB 54.23, 53.32, 42.47

 

CMYK 25 / 0 / 74 / 13

HEX #A8DF3A

RGB 168 223 58

HSL 80, 0.72%, 0.55%

LAB 82.6, -40.26, 70.08

 

CMYK 74 / 54 / 0 / 13

HEX #3A66DF

RGB 58 102 223

HSL 224, 0.72%, 0.55%

LAB 46.62, 26.57, -66.12

 

CMYK 0 / 63 / 74 / 13

HEX #DF533B

RGB 223 83 59

HSL 8.78, 0.72%, 0.55%

LAB 54.23, 53.32, 42.47

 

CMYK 74 / 0 / 64 / 13

HEX #3ADF50

RGB 58 223 80

HSL 128, 0.72%, 0.55%

LAB 78.61, -68.96, 56.49

 

CMYK 64 / 74 / 0 / 13

HEX #503ADF

RGB 80 58 223

HSL 248, 0.72%, 0.55%

LAB 37.95, 55.34, -80.25

 

CMYK 0 / 63 / 74 / 13

HEX #DF533B

RGB 223 83 59

HSL 8.78, 0.72%, 0.55%

LAB 54.23, 53.32, 42.47

 

CMYK 25 / 0 / 74 / 13

HEX #A8DF3A

RGB 168 223 58

HSL 80, 0.72%, 0.55%

LAB 82.6, -40.26, 70.08

 

CMYK 74 / 10 / 0 / 13

HEX #3AC9DF

RGB 58 201 223

HSL 188, 0.72%, 0.55%

LAB 74.83, -29.89, -21.73

 

CMYK 49 / 74 / 0 / 13

HEX #713ADF

RGB 113 58 223

HSL 260, 0.72%, 0.55%

LAB 41, 59.63, -75.12

 

CMYK 0 / 63 / 74 / 13

HEX #DF533B

RGB 223 83 59

HSL 8.78, 0.72%, 0.55%

LAB 54.23, 53.32, 42.47

 

CMYK 47 / 0 / 74 / 13

HEX #76DF3A

RGB 118 223 58

HSL 98.18, 0.72%, 0.55%

LAB 80.14, -57.31, 66.86

 

CMYK 74 / 10 / 0 / 13

HEX #3AC9DF

RGB 58 201 223

HSL 188, 0.72%, 0.55%

LAB 74.83, -29.89, -21.73

 

CMYK 27 / 74 / 0 / 13

HEX #A23ADF

RGB 162 58 223

HSL 277.82, 0.72%, 0.55%

LAB 47.02, 67.78, -65.05

 

Description

Color code: HEX #DF533B | qconv.com Color code: HEX #DF533B | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 83 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 83 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 74 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 74% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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