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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF52AF it is the complementary color #20AD50. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF52AF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF52AF shade: #E452AA, #F564BD, #FF76D0, #FF88E3 and #FF9AF6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF52AF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF52AF shade: #DF52AF, #CE409C, #BD2E89, #AC1C76 and #9B0A63

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF52AF shade: #DF53AF, #DF5389, #DF5364 and #DF5353

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF52AF shade: #DF53AF, #DF53D5, #C353DF, #9D53DF and #7753DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF52AF shade matches the following richer shades: #DF53AF and #F042B5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF52AF shade: #DF53AF, #CF63AA, #BE74A5, #AE84A0 and #9D959A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF52AF shade: #C353DF, #DF53D6, #DF53B0, #DF538B and #DF5365

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF52AF shade: #BD2388, #D9309F, #DF53AF, #E675C0 and #EC98D0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF52AF shade: #DF52AF, #DF9E53 and #53DFD6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF52AF shade: #DF52AF, #B0DF53 and #53B0DF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF52AF shade: #DF52AF, #DF9E53, #53DF82 and #5394DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF52AF shade: #DF52AF, #DFC853, #53DF82 and #536ADF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 22 / 13

HEX #DF52AF

RGB 223 82 175

HSL 320.43, 0.69%, 0.6%

LAB 56.9, 64.15, -21.25

 

Complementary color

CMYK 82 / 0 / 54 / 32

HEX #20AD50

RGB 32 173 80

HSL 140.43, 0.69%, 0.4%

LAB 62.32, -55.93, 37.48

 

CMYK 0 / 64 / 25 / 11

HEX #E452AA

RGB 228 82 170

HSL 323.84, 0.73%, 0.61%

LAB 57.49, 64.87, -17.37

 

CMYK 0 / 59 / 23 / 4

HEX #F564BD

RGB 245 100 189

HSL 323.17, 0.88%, 0.68%

LAB 63.51, 64.65, -18.9

 

CMYK 0 / 54 / 18 / 0

HEX #FF76D0

RGB 255 118 208

HSL 320.58, 1%, 0.73%

LAB 68.59, 62.18, -21.74

 

CMYK 0 / 47 / 11 / 0

HEX #FF88E3

RGB 255 136 227

HSL 314.12, 1%, 0.77%

LAB 72.5, 56.55, -26.27

 

CMYK 0 / 40 / 4 / 0

HEX #FF9AF6

RGB 255 154 246

HSL 305.35, 1%, 0.8%

LAB 76.69, 50.76, -30.2

 

CMYK 0 / 63 / 22 / 13

HEX #DF52AF

RGB 223 82 175

HSL 320.43, 0.69%, 0.6%

LAB 56.9, 64.15, -21.25

 

CMYK 0 / 69 / 24 / 19

HEX #CE409C

RGB 206 64 156

HSL 321.13, 0.59%, 0.53%

LAB 50.91, 64.05, -19.53

 

CMYK 0 / 76 / 28 / 26

HEX #BD2E89

RGB 189 46 137

HSL 321.82, 0.61%, 0.46%

LAB 45.05, 63.4, -17.35

 

CMYK 0 / 84 / 31 / 33

HEX #AC1C76

RGB 172 28 118

HSL 322.5, 0.72%, 0.39%

LAB 39.43, 61.91, -14.51

 

CMYK 0 / 94 / 36 / 39

HEX #9B0A63

RGB 155 10 99

HSL 323.17, 0.88%, 0.32%

LAB 34.16, 59.16, -10.79

 

CMYK 0 / 63 / 22 / 13

HEX #DF53AF

RGB 223 83 175

HSL 320.57, 0.69%, 0.6%

LAB 57.05, 63.74, -21.02

 

CMYK 0 / 63 / 39 / 13

HEX #DF5389

RGB 223 83 137

HSL 336.86, 0.69%, 0.6%

LAB 55.77, 59.13, -0.71

 

CMYK 0 / 63 / 55 / 13

HEX #DF5364

RGB 223 83 100

HSL 352.71, 0.69%, 0.6%

LAB 54.86, 55.74, 19.88

 

CMYK 0 / 63 / 63 / 13

HEX #DF5353

RGB 223 83 83

HSL 0, 0.69%, 0.6%

LAB 54.55, 54.57, 29.41

 

CMYK 0 / 63 / 22 / 13

HEX #DF53AF

RGB 223 83 175

HSL 320.57, 0.69%, 0.6%

LAB 57.05, 63.74, -21.02

 

CMYK 0 / 63 / 4 / 13

HEX #DF53D5

RGB 223 83 213

HSL 304.29, 0.69%, 0.6%

LAB 58.68, 69.36, -40.25

 

CMYK 13 / 63 / 0 / 13

HEX #C353DF

RGB 195 83 223

HSL 288, 0.69%, 0.6%

LAB 55.19, 64.42, -51.68

 

CMYK 30 / 63 / 0 / 13

HEX #9D53DF

RGB 157 83 223

HSL 271.71, 0.69%, 0.6%

LAB 50.31, 55.79, -59.76

 

CMYK 47 / 63 / 0 / 13

HEX #7753DF

RGB 119 83 223

HSL 255.43, 0.69%, 0.6%

LAB 46.23, 47.9, -66.57

 

CMYK 0 / 63 / 22 / 13

HEX #DF53AF

RGB 223 83 175

HSL 320.57, 0.69%, 0.6%

LAB 57.05, 63.74, -21.02

 

CMYK 0 / 73 / 25 / 6

HEX #F042B5

RGB 240 66 181

HSL 320.34, 0.85%, 0.6%

LAB 57.81, 75.07, -23.09

 

CMYK 0 / 63 / 22 / 13

HEX #DF53AF

RGB 223 83 175

HSL 320.57, 0.69%, 0.6%

LAB 57.05, 63.74, -21.02

 

CMYK 0 / 52 / 18 / 19

HEX #CF63AA

RGB 207 99 170

HSL 320.56, 0.53%, 0.6%

LAB 57.16, 51.19, -18.16

 

CMYK 0 / 39 / 13 / 25

HEX #BE74A5

RGB 190 116 165

HSL 320.27, 0.36%, 0.6%

LAB 58.18, 36.12, -13.94

 

CMYK 0 / 24 / 8 / 32

HEX #AE84A0

RGB 174 132 160

HSL 320, 0.21%, 0.6%

LAB 59.92, 20.76, -8.64

 

CMYK 0 / 5 / 2 / 38

HEX #9D959A

RGB 157 149 154

HSL 322.5, 0.04%, 0.6%

LAB 62.5, 3.88, -1.58

 

CMYK 13 / 63 / 0 / 13

HEX #C353DF

RGB 195 83 223

HSL 288, 0.69%, 0.6%

LAB 55.19, 64.42, -51.68

 

CMYK 0 / 63 / 4 / 13

HEX #DF53D6

RGB 223 83 214

HSL 303.86, 0.69%, 0.6%

LAB 58.72, 69.52, -40.74

 

CMYK 0 / 63 / 21 / 13

HEX #DF53B0

RGB 223 83 176

HSL 320.14, 0.69%, 0.6%

LAB 57.08, 63.88, -21.54

 

CMYK 0 / 63 / 38 / 13

HEX #DF538B

RGB 223 83 139

HSL 336, 0.69%, 0.6%

LAB 55.83, 59.35, -1.81

 

CMYK 0 / 63 / 55 / 13

HEX #DF5365

RGB 223 83 101

HSL 352.29, 0.69%, 0.6%

LAB 54.88, 55.82, 19.32

 

CMYK 0 / 81 / 28 / 26

HEX #BD2388

RGB 189 35 136

HSL 320.65, 0.69%, 0.44%

LAB 43.94, 66.33, -18.44

 

CMYK 0 / 78 / 27 / 15

HEX #D9309F

RGB 217 48 159

HSL 320.59, 0.69%, 0.52%

LAB 51.12, 72.24, -20.82

 

CMYK 0 / 63 / 22 / 13

HEX #DF53AF

RGB 223 83 175

HSL 320.57, 0.69%, 0.6%

LAB 57.05, 63.74, -21.02

 

CMYK 0 / 49 / 17 / 10

HEX #E675C0

RGB 230 117 192

HSL 320.18, 0.69%, 0.68%

LAB 64.44, 52.83, -19.37

 

CMYK 0 / 36 / 12 / 7

HEX #EC98D0

RGB 236 152 208

HSL 320, 0.69%, 0.76%

LAB 72.79, 39.44, -15.59

 

CMYK 0 / 63 / 22 / 13

HEX #DF52AF

RGB 223 82 175

HSL 320.43, 0.69%, 0.6%

LAB 56.9, 64.15, -21.25

 

CMYK 0 / 29 / 63 / 13

HEX #DF9E53

RGB 223 158 83

HSL 32.14, 0.69%, 0.6%

LAB 70.01, 16.69, 48.02

 

CMYK 63 / 0 / 4 / 13

HEX #53DFD6

RGB 83 223 214

HSL 176.14, 0.69%, 0.6%

LAB 81.55, -39.35, -6.76

 

CMYK 0 / 63 / 22 / 13

HEX #DF52AF

RGB 223 82 175

HSL 320.43, 0.69%, 0.6%

LAB 56.9, 64.15, -21.25

 

CMYK 21 / 0 / 63 / 13

HEX #B0DF53

RGB 176 223 83

HSL 80.14, 0.69%, 0.6%

LAB 83.25, -35.64, 61.64

 

CMYK 63 / 21 / 0 / 13

HEX #53B0DF

RGB 83 176 223

HSL 200.14, 0.69%, 0.6%

LAB 68.18, -13.53, -31.87

 

CMYK 0 / 63 / 22 / 13

HEX #DF52AF

RGB 223 82 175

HSL 320.43, 0.69%, 0.6%

LAB 56.9, 64.15, -21.25

 

CMYK 0 / 29 / 63 / 13

HEX #DF9E53

RGB 223 158 83

HSL 32.14, 0.69%, 0.6%

LAB 70.01, 16.69, 48.02

 

CMYK 63 / 0 / 42 / 13

HEX #53DF82

RGB 83 223 130

HSL 140.14, 0.69%, 0.6%

LAB 79.74, -57.8, 34.67

 

CMYK 63 / 34 / 0 / 13

HEX #5394DF

RGB 83 148 223

HSL 212.14, 0.69%, 0.6%

LAB 60.2, 2.16, -44.33

 

CMYK 0 / 63 / 22 / 13

HEX #DF52AF

RGB 223 82 175

HSL 320.43, 0.69%, 0.6%

LAB 56.9, 64.15, -21.25

 

CMYK 0 / 10 / 63 / 13

HEX #DFC853

RGB 223 200 83

HSL 50.14, 0.69%, 0.6%

LAB 80.53, -5.44, 59.73

 

CMYK 63 / 0 / 42 / 13

HEX #53DF82

RGB 83 223 130

HSL 140.14, 0.69%, 0.6%

LAB 79.74, -57.8, 34.67

 

CMYK 63 / 52 / 0 / 13

HEX #536ADF

RGB 83 106 223

HSL 230.14, 0.69%, 0.6%

LAB 48.85, 27.65, -62.45

 

Description

Color code: HEX #DF52AF | qconv.com Color code: HEX #DF52AF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 82 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 82 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 22 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 22% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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