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Color name
HEX #DF5250

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF5250 it is the complementary color #20ADAF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF5250. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF5250 shade: #E4524B, #F5645E, #FF7671, #FF8884 and #FF9A97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF5250. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF5250 shade: #DF5250, #CE403D, #BD2E2A, #AC1C17 and #9B0A04

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF5250 shade: #DF504E and #DF4E4E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF5250 shade: #DF504E, #DF774E, #DF9E4E, #DFC54E and #D1DF4E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF5250 shade matches the following richer shades: #DF504E and #F0403D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF5250 shade: #DF504E, #CE615F, #BD7170, #AC8281 and #9B9292

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF5250 shade: #DF4E9B, #DF4E75, #DF4E4E, #DF754E and #DF9B4E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF5250 shade: #B92422, #D82E2B, #DF504E, #E57371 and #EB9594

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF5250 shade: #DF5250, #C2DF4E and #4E88DF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF5250 shade: #DF5250, #4EDF4E and #4E4EDF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF5250 shade: #DF5250, #C2DF4E, #4EDFDF and #6B4EDF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF5250 shade: #DF5250, #96DF4E, #4EDFDF and #964EDF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 64 / 13

HEX #DF5250

RGB 223 82 80

HSL 0.84, 0.69%, 0.59%

LAB 54.35, 54.82, 30.89

 

Complementary color

CMYK 82 / 1 / 0 / 31

HEX #20ADAF

RGB 32 173 175

HSL 180.84, 0.69%, 0.41%

LAB 64.39, -33.7, -11.19

 

CMYK 0 / 64 / 67 / 11

HEX #E4524B

RGB 228 82 75

HSL 2.75, 0.74%, 0.59%

LAB 55.11, 56.2, 34.87

 

CMYK 0 / 59 / 62 / 4

HEX #F5645E

RGB 245 100 94

HSL 2.38, 0.88%, 0.66%

LAB 61.08, 55.25, 32.14

 

CMYK 0 / 54 / 56 / 0

HEX #FF7671

RGB 255 118 113

HSL 2.11, 1%, 0.72%

LAB 66.07, 51.77, 28.21

 

CMYK 0 / 47 / 48 / 0

HEX #FF8884

RGB 255 136 132

HSL 1.95, 1%, 0.76%

LAB 69.85, 44.61, 22.68

 

CMYK 0 / 40 / 41 / 0

HEX #FF9A97

RGB 255 154 151

HSL 1.73, 1%, 0.8%

LAB 73.94, 37.37, 17.8

 

CMYK 0 / 63 / 64 / 13

HEX #DF5250

RGB 223 82 80

HSL 0.84, 0.69%, 0.59%

LAB 54.35, 54.82, 30.89

 

CMYK 0 / 69 / 70 / 19

HEX #CE403D

RGB 206 64 61

HSL 1.24, 0.6%, 0.52%

LAB 48.42, 55.54, 33.97

 

CMYK 0 / 76 / 78 / 26

HEX #BD2E2A

RGB 189 46 42

HSL 1.63, 0.64%, 0.45%

LAB 42.67, 55.86, 37.52

 

CMYK 0 / 84 / 87 / 33

HEX #AC1C17

RGB 172 28 23

HSL 2.01, 0.76%, 0.38%

LAB 37.23, 55.46, 41.31

 

CMYK 0 / 94 / 97 / 39

HEX #9B0A04

RGB 155 10 4

HSL 2.38, 0.95%, 0.31%

LAB 32.25, 53.87, 44.38

 

CMYK 0 / 64 / 65 / 13

HEX #DF504E

RGB 223 80 78

HSL 0.83, 0.69%, 0.59%

LAB 54, 55.54, 31.61

 

CMYK 0 / 65 / 65 / 13

HEX #DF4E4E

RGB 223 78 78

HSL 0, 0.69%, 0.59%

LAB 53.69, 56.37, 31.23

 

CMYK 0 / 64 / 65 / 13

HEX #DF504E

RGB 223 80 78

HSL 0.83, 0.69%, 0.59%

LAB 54, 55.54, 31.61

 

CMYK 0 / 47 / 65 / 13

HEX #DF774E

RGB 223 119 78

HSL 16.97, 0.69%, 0.59%

LAB 61.16, 37.05, 40.27

 

CMYK 0 / 29 / 65 / 13

HEX #DF9E4E

RGB 223 158 78

HSL 33.1, 0.69%, 0.59%

LAB 69.96, 16.37, 50.38

 

CMYK 0 / 12 / 65 / 13

HEX #DFC54E

RGB 223 197 78

HSL 49.24, 0.69%, 0.59%

LAB 79.71, -4.2, 60.99

 

CMYK 6 / 0 / 65 / 13

HEX #D1DF4E

RGB 209 223 78

HSL 65.79, 0.69%, 0.59%

LAB 85.44, -22.99, 66.65

 

CMYK 0 / 64 / 65 / 13

HEX #DF504E

RGB 223 80 78

HSL 0.83, 0.69%, 0.59%

LAB 54, 55.54, 31.61

 

CMYK 0 / 73 / 75 / 6

HEX #F0403D

RGB 240 64 61

HSL 1.01, 0.86%, 0.59%

LAB 54.58, 66.07, 42.63

 

CMYK 0 / 64 / 65 / 13

HEX #DF504E

RGB 223 80 78

HSL 0.83, 0.69%, 0.59%

LAB 54, 55.54, 31.61

 

CMYK 0 / 53 / 54 / 19

HEX #CE615F

RGB 206 97 95

HSL 1.08, 0.53%, 0.59%

LAB 54.55, 42.99, 21.93

 

CMYK 0 / 40 / 41 / 26

HEX #BD7170

RGB 189 113 112

HSL 0.78, 0.37%, 0.59%

LAB 55.89, 29.88, 13.47

 

CMYK 0 / 24 / 25 / 33

HEX #AC8281

RGB 172 130 129

HSL 1.4, 0.21%, 0.59%

LAB 58.34, 16.01, 6.82

 

CMYK 0 / 6 / 6 / 39

HEX #9B9292

RGB 155 146 146

HSL 0, 0.04%, 0.59%

LAB 61.31, 3.32, 1.18

 

CMYK 0 / 65 / 30 / 13

HEX #DF4E9B

RGB 223 78 155

HSL 328.14, 0.69%, 0.59%

LAB 55.59, 63.21, -11.58

 

CMYK 0 / 65 / 48 / 13

HEX #DF4E75

RGB 223 78 117

HSL 343.86, 0.69%, 0.59%

LAB 54.47, 59.23, 9.27

 

CMYK 0 / 65 / 65 / 13

HEX #DF4E4E

RGB 223 78 78

HSL 0, 0.69%, 0.59%

LAB 53.69, 56.37, 31.23

 

CMYK 0 / 48 / 65 / 13

HEX #DF754E

RGB 223 117 78

HSL 16.14, 0.69%, 0.59%

LAB 60.75, 38.08, 39.78

 

CMYK 0 / 30 / 65 / 13

HEX #DF9B4E

RGB 223 155 78

HSL 31.86, 0.69%, 0.59%

LAB 69.24, 17.98, 49.58

 

CMYK 0 / 81 / 82 / 27

HEX #B92422

RGB 185 36 34

HSL 0.79, 0.69%, 0.43%

LAB 40.72, 57.43, 39.71

 

CMYK 0 / 79 / 80 / 15

HEX #D82E2B

RGB 216 46 43

HSL 1.04, 0.69%, 0.51%

LAB 47.91, 63.92, 44.01

 

CMYK 0 / 64 / 65 / 13

HEX #DF504E

RGB 223 80 78

HSL 0.83, 0.69%, 0.59%

LAB 54, 55.54, 31.61

 

CMYK 0 / 50 / 51 / 10

HEX #E57371

RGB 229 115 113

HSL 1.03, 0.69%, 0.67%

LAB 61.75, 43.96, 21.8

 

CMYK 0 / 37 / 37 / 8

HEX #EB9594

RGB 235 149 148

HSL 0.69, 0.69%, 0.75%

LAB 70.38, 32.24, 14.14

 

CMYK 0 / 63 / 64 / 13

HEX #DF5250

RGB 223 82 80

HSL 0.84, 0.69%, 0.59%

LAB 54.35, 54.82, 30.89

 

CMYK 13 / 0 / 65 / 13

HEX #C2DF4E

RGB 194 223 78

HSL 72, 0.69%, 0.59%

LAB 84.38, -29.01, 65.21

 

CMYK 65 / 39 / 0 / 13

HEX #4E88DF

RGB 78 136 223

HSL 216, 0.69%, 0.59%

LAB 56.64, 8.39, -49.98

 

CMYK 0 / 63 / 64 / 13

HEX #DF5250

RGB 223 82 80

HSL 0.84, 0.69%, 0.59%

LAB 54.35, 54.82, 30.89

 

CMYK 65 / 0 / 65 / 13

HEX #4EDF4E

RGB 78 223 78

HSL 120, 0.69%, 0.59%

LAB 79.01, -65.7, 57.87

 

CMYK 65 / 65 / 0 / 13

HEX #4E4EDF

RGB 78 78 223

HSL 240, 0.69%, 0.59%

LAB 41.84, 44, -73.87

 

CMYK 0 / 63 / 64 / 13

HEX #DF5250

RGB 223 82 80

HSL 0.84, 0.69%, 0.59%

LAB 54.35, 54.82, 30.89

 

CMYK 13 / 0 / 65 / 13

HEX #C2DF4E

RGB 194 223 78

HSL 72, 0.69%, 0.59%

LAB 84.38, -29.01, 65.21

 

CMYK 65 / 0 / 0 / 13

HEX #4EDFDF

RGB 78 223 223

HSL 180, 0.69%, 0.59%

LAB 81.69, -37.68, -11.35

 

CMYK 52 / 65 / 0 / 13

HEX #6B4EDF

RGB 107 78 223

HSL 252, 0.69%, 0.59%

LAB 44.09, 48.47, -70.09

 

CMYK 0 / 63 / 64 / 13

HEX #DF5250

RGB 223 82 80

HSL 0.84, 0.69%, 0.59%

LAB 54.35, 54.82, 30.89

 

CMYK 33 / 0 / 65 / 13

HEX #96DF4E

RGB 150 223 78

HSL 90.21, 0.69%, 0.59%

LAB 81.73, -45.51, 61.61

 

CMYK 65 / 0 / 0 / 13

HEX #4EDFDF

RGB 78 223 223

HSL 180, 0.69%, 0.59%

LAB 81.69, -37.68, -11.35

 

CMYK 33 / 65 / 0 / 13

HEX #964EDF

RGB 150 78 223

HSL 269.79, 0.69%, 0.59%

LAB 48.59, 56.74, -62.59

 

Description

Color code: HEX #DF5250 | qconv.com Color code: HEX #DF5250 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 82 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 82 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 64 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 64% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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