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Color name
HEX #DF520B

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF520B it is the complementary color #20ADF4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF520B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF520B shade: #E45206, #F56419, #FF762C, #FF883F and #FF9A52

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF520B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF520B shade: #DF520B, #CE4000, #BD2E00, #AC1C00 and #9B0A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF520B shade: #E0520B, #E0180B and #E00B0B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF520B shade: #E0520B, #E08C0B, #E0C50B, #C1E00B and #88E00B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF520B shade matches the following richer shades: #E0520B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF520B shade: #E0520B, #CD581E, #BA5F31, #A76543 and #946B56

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF520B shade: #E00B35, #E0190B, #E0520B, #E08B0B and #E0C40B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF520B shade: #913507, #B94409, #E0520B, #F4671F and #F68247

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF520B shade: #DF520B, #6EE00B and #0B19E0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF520B shade: #DF520B, #0BE052 and #520BE0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF520B shade: #DF520B, #6EE00B, #0B99E0 and #7C0BE0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF520B shade: #DF520B, #2EE00B, #0B99E0 and #BC0BE0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 95 / 13

HEX #DF520B

RGB 223 82 11

HSL 20.09, 0.91%, 0.46%

LAB 53.76, 52.54, 61.61

 

Complementary color

CMYK 87 / 29 / 0 / 4

HEX #20ADF4

RGB 32 173 244

HSL 200.09, 0.91%, 0.54%

LAB 67.07, -10.71, -45.16

 

CMYK 0 / 64 / 97 / 11

HEX #E45206

RGB 228 82 6

HSL 20.54, 0.95%, 0.46%

LAB 54.6, 54.24, 63.57

 

CMYK 0 / 59 / 90 / 4

HEX #F56419

RGB 245 100 25

HSL 20.45, 0.92%, 0.53%

LAB 60.42, 52.59, 64.16

 

CMYK 0 / 54 / 83 / 0

HEX #FF762C

RGB 255 118 44

HSL 21.04, 1%, 0.59%

LAB 65.28, 48.31, 62.04

 

CMYK 0 / 47 / 75 / 0

HEX #FF883F

RGB 255 136 63

HSL 22.81, 1%, 0.62%

LAB 68.92, 40.13, 57.42

 

CMYK 0 / 40 / 68 / 0

HEX #FF9A52

RGB 255 154 82

HSL 24.97, 1%, 0.66%

LAB 72.88, 31.83, 52.77

 

CMYK 0 / 63 / 95 / 13

HEX #DF520B

RGB 223 82 11

HSL 20.09, 0.91%, 0.46%

LAB 53.76, 52.54, 61.61

 

CMYK 0 / 69 / 100 / 19

HEX #CE4000

RGB 206 64 0

HSL 18.64, 1%, 0.4%

LAB 47.99, 54.01, 59.36

 

CMYK 0 / 76 / 100 / 26

HEX #BD2E00

RGB 189 46 0

HSL 14.6, 1%, 0.37%

LAB 42.42, 55.02, 54.92

 

CMYK 0 / 84 / 100 / 33

HEX #AC1C00

RGB 172 28 0

HSL 9.77, 1%, 0.34%

LAB 37.12, 55.11, 50.63

 

CMYK 0 / 94 / 100 / 39

HEX #9B0A00

RGB 155 10 0

HSL 3.87, 1%, 0.3%

LAB 32.23, 53.82, 46

 

CMYK 0 / 63 / 95 / 12

HEX #E0520B

RGB 224 82 11

HSL 20, 0.91%, 0.46%

LAB 53.93, 52.89, 61.8

 

CMYK 0 / 89 / 95 / 12

HEX #E0180B

RGB 224 24 11

HSL 3.66, 0.91%, 0.46%

LAB 47.66, 70.27, 58.19

 

CMYK 0 / 95 / 95 / 12

HEX #E00B0B

RGB 224 11 11

HSL 0, 0.91%, 0.46%

LAB 47.12, 71.81, 57.91

 

CMYK 0 / 63 / 95 / 12

HEX #E0520B

RGB 224 82 11

HSL 20, 0.91%, 0.46%

LAB 53.93, 52.89, 61.8

 

CMYK 0 / 38 / 95 / 12

HEX #E08C0B

RGB 224 140 11

HSL 36.34, 0.91%, 0.46%

LAB 65.46, 24.14, 69.39

 

CMYK 0 / 12 / 95 / 12

HEX #E0C50B

RGB 224 197 11

HSL 52.39, 0.91%, 0.46%

LAB 79.5, -5.97, 79.48

 

CMYK 14 / 0 / 95 / 12

HEX #C1E00B

RGB 193 224 11

HSL 68.73, 0.91%, 0.46%

LAB 84.31, -32.27, 82.03

 

CMYK 39 / 0 / 95 / 12

HEX #88E00B

RGB 136 224 11

HSL 84.79, 0.91%, 0.46%

LAB 81.05, -53.69, 78.08

 

CMYK 0 / 63 / 95 / 12

HEX #E0520B

RGB 224 82 11

HSL 20, 0.91%, 0.46%

LAB 53.93, 52.89, 61.8

 

CMYK 0 / 63 / 95 / 12

HEX #E0520B

RGB 224 82 11

HSL 20, 0.91%, 0.46%

LAB 53.93, 52.89, 61.8

 

CMYK 0 / 57 / 85 / 20

HEX #CD581E

RGB 205 88 30

HSL 19.89, 0.74%, 0.46%

LAB 51.9, 43.57, 53.02

 

CMYK 0 / 49 / 74 / 27

HEX #BA5F31

RGB 186 95 49

HSL 20.15, 0.58%, 0.46%

LAB 50.51, 33.25, 41.96

 

CMYK 0 / 40 / 60 / 35

HEX #A76543

RGB 167 101 67

HSL 20.4, 0.43%, 0.46%

LAB 49.41, 23.2, 30.31

 

CMYK 0 / 28 / 42 / 42

HEX #946B56

RGB 148 107 86

HSL 20.32, 0.26%, 0.46%

LAB 48.86, 13.54, 18.21

 

CMYK 0 / 95 / 76 / 12

HEX #E00B35

RGB 224 11 53

HSL 348.17, 0.91%, 0.46%

LAB 47.42, 72.65, 38.39

 

CMYK 0 / 89 / 95 / 12

HEX #E0190B

RGB 224 25 11

HSL 3.94, 0.91%, 0.46%

LAB 47.71, 70.11, 58.22

 

CMYK 0 / 63 / 95 / 12

HEX #E0520B

RGB 224 82 11

HSL 20, 0.91%, 0.46%

LAB 53.93, 52.89, 61.8

 

CMYK 0 / 38 / 95 / 12

HEX #E08B0B

RGB 224 139 11

HSL 36.06, 0.91%, 0.46%

LAB 65.23, 24.67, 69.23

 

CMYK 0 / 13 / 95 / 12

HEX #E0C40B

RGB 224 196 11

HSL 52.11, 0.91%, 0.46%

LAB 79.24, -5.45, 79.29

 

CMYK 0 / 63 / 95 / 43

HEX #913507

RGB 145 53 7

HSL 20, 0.91%, 0.3%

LAB 35.17, 37, 44.05

 

CMYK 0 / 63 / 95 / 27

HEX #B94409

RGB 185 68 9

HSL 20.11, 0.91%, 0.38%

LAB 44.9, 45.08, 53.26

 

CMYK 0 / 63 / 95 / 12

HEX #E0520B

RGB 224 82 11

HSL 20, 0.91%, 0.46%

LAB 53.93, 52.89, 61.8

 

CMYK 0 / 58 / 87 / 4

HEX #F4671F

RGB 244 103 31

HSL 20.28, 0.91%, 0.54%

LAB 60.81, 50.98, 62.45

 

CMYK 0 / 47 / 71 / 4

HEX #F68247

RGB 246 130 71

HSL 20.23, 0.91%, 0.62%

LAB 66.53, 40.01, 50.79

 

CMYK 0 / 63 / 95 / 13

HEX #DF520B

RGB 223 82 11

HSL 20.09, 0.91%, 0.46%

LAB 53.76, 52.54, 61.61

 

CMYK 51 / 0 / 95 / 12

HEX #6EE00B

RGB 110 224 11

HSL 92.11, 0.91%, 0.46%

LAB 79.98, -61.78, 76.77

 

CMYK 95 / 89 / 0 / 12

HEX #0B19E0

RGB 11 25 224

HSL 236.06, 0.91%, 0.46%

LAB 29.78, 66.34, -94.47

 

CMYK 0 / 63 / 95 / 13

HEX #DF520B

RGB 223 82 11

HSL 20.09, 0.91%, 0.46%

LAB 53.76, 52.54, 61.61

 

CMYK 95 / 0 / 63 / 12

HEX #0BE052

RGB 11 224 82

HSL 140, 0.91%, 0.46%

LAB 78.46, -73.2, 55.35

 

CMYK 63 / 95 / 0 / 12

HEX #520BE0

RGB 82 11 224

HSL 260, 0.91%, 0.46%

LAB 32.73, 71.95, -89.45

 

CMYK 0 / 63 / 95 / 13

HEX #DF520B

RGB 223 82 11

HSL 20.09, 0.91%, 0.46%

LAB 53.76, 52.54, 61.61

 

CMYK 51 / 0 / 95 / 12

HEX #6EE00B

RGB 110 224 11

HSL 92.11, 0.91%, 0.46%

LAB 79.98, -61.78, 76.77

 

CMYK 95 / 32 / 0 / 12

HEX #0B99E0

RGB 11 153 224

HSL 200, 0.91%, 0.46%

LAB 60.1, -7.73, -45.15

 

CMYK 45 / 95 / 0 / 12

HEX #7C0BE0

RGB 124 11 224

HSL 271.83, 0.91%, 0.46%

LAB 37.67, 75.11, -81.12

 

CMYK 0 / 63 / 95 / 13

HEX #DF520B

RGB 223 82 11

HSL 20.09, 0.91%, 0.46%

LAB 53.76, 52.54, 61.61

 

CMYK 79 / 0 / 95 / 12

HEX #2EE00B

RGB 46 224 11

HSL 110.14, 0.91%, 0.46%

LAB 78.41, -74.88, 74.84

 

CMYK 95 / 32 / 0 / 12

HEX #0B99E0

RGB 11 153 224

HSL 200, 0.91%, 0.46%

LAB 60.1, -7.73, -45.15

 

CMYK 16 / 95 / 0 / 12

HEX #BC0BE0

RGB 188 11 224

HSL 289.86, 0.91%, 0.46%

LAB 47.38, 82.83, -64.85

 

Description

Color code: HEX #DF520B | qconv.com Color code: HEX #DF520B | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 82 green and 11 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 82 11 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 95 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 95% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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