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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF5178 it is the complementary color #20AE87. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF5178. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF5178 shade: #E45173, #F56386, #FF7599, #FF87AC and #FF99BF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF5178. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF5178 shade: #DF5178, #CE3F65, #BD2D52, #AC1B3F and #9B092C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF5178 shade: #DF5379 and #DF5353

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF5178 shade: #DF5379, #DF539F, #DF53C5, #D453DF and #AE53DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF5178 shade matches the following richer shades: #DF5379 and #F04272

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF5178 shade: #DF5379, #CF6381, #BE7488, #AE8490 and #9D9597

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF5178 shade: #DF53C6, #DF53A0, #DF537B, #DF5355 and #DF7653

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF5178 shade: #BD234D, #D9305E, #DF5379, #E67594 and #EC98AF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF5178 shade: #DF5178, #DFD453 and #53B3DF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF5178 shade: #DF5178, #7BDF53 and #537BDF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF5178 shade: #DF5178, #DFD453, #53DFB7 and #535EDF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF5178 shade: #DF5178, #C1DF53, #53DFB7 and #7153DF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 46 / 13

HEX #DF5178

RGB 223 81 120

HSL 343.52, 0.69%, 0.6%

LAB 55, 58.27, 8.24

 

Complementary color

CMYK 82 / 0 / 22 / 32

HEX #20AE87

RGB 32 174 135

HSL 163.52, 0.69%, 0.4%

LAB 63.61, -45.25, 9.93

 

CMYK 0 / 64 / 50 / 11

HEX #E45173

RGB 228 81 115

HSL 346.12, 0.73%, 0.61%

LAB 55.7, 59.39, 12.31

 

CMYK 0 / 60 / 45 / 4

HEX #F56386

RGB 245 99 134

HSL 345.62, 0.88%, 0.67%

LAB 61.7, 58.83, 10.04

 

CMYK 0 / 54 / 40 / 0

HEX #FF7599

RGB 255 117 153

HSL 344.35, 1%, 0.73%

LAB 66.74, 55.83, 6.53

 

CMYK 0 / 47 / 33 / 0

HEX #FF87AC

RGB 255 135 172

HSL 341.5, 1%, 0.76%

LAB 70.57, 49.36, 1.36

 

CMYK 0 / 40 / 25 / 0

HEX #FF99BF

RGB 255 153 191

HSL 337.65, 1%, 0.8%

LAB 74.7, 42.76, -3.14

 

CMYK 0 / 64 / 46 / 13

HEX #DF5178

RGB 223 81 120

HSL 343.52, 0.69%, 0.6%

LAB 55, 58.27, 8.24

 

CMYK 0 / 69 / 51 / 19

HEX #CE3F65

RGB 206 63 101

HSL 344.06, 0.59%, 0.53%

LAB 49.03, 58.55, 10.8

 

CMYK 0 / 76 / 57 / 26

HEX #BD2D52

RGB 189 45 82

HSL 344.58, 0.62%, 0.46%

LAB 43.22, 58.33, 13.98

 

CMYK 0 / 84 / 63 / 33

HEX #AC1B3F

RGB 172 27 63

HSL 345.1, 0.73%, 0.39%

LAB 37.69, 57.32, 17.96

 

CMYK 0 / 94 / 72 / 39

HEX #9B092C

RGB 155 9 44

HSL 345.62, 0.89%, 0.32%

LAB 32.58, 55.09, 22.96

 

CMYK 0 / 63 / 46 / 13

HEX #DF5379

RGB 223 83 121

HSL 343.71, 0.69%, 0.6%

LAB 55.33, 57.53, 8.12

 

CMYK 0 / 63 / 63 / 13

HEX #DF5353

RGB 223 83 83

HSL 0, 0.69%, 0.6%

LAB 54.55, 54.57, 29.41

 

CMYK 0 / 63 / 46 / 13

HEX #DF5379

RGB 223 83 121

HSL 343.71, 0.69%, 0.6%

LAB 55.33, 57.53, 8.12

 

CMYK 0 / 63 / 29 / 13

HEX #DF539F

RGB 223 83 159

HSL 327.43, 0.69%, 0.6%

LAB 56.46, 61.67, -12.6

 

CMYK 0 / 63 / 12 / 13

HEX #DF53C5

RGB 223 83 197

HSL 311.14, 0.69%, 0.6%

LAB 57.95, 66.88, -32.29

 

CMYK 5 / 63 / 0 / 13

HEX #D453DF

RGB 212 83 223

HSL 295.29, 0.69%, 0.6%

LAB 57.57, 68.39, -47.75

 

CMYK 22 / 63 / 0 / 13

HEX #AE53DF

RGB 174 83 223

HSL 279, 0.69%, 0.6%

LAB 52.41, 59.6, -56.28

 

CMYK 0 / 63 / 46 / 13

HEX #DF5379

RGB 223 83 121

HSL 343.71, 0.69%, 0.6%

LAB 55.33, 57.53, 8.12

 

CMYK 0 / 73 / 53 / 6

HEX #F04272

RGB 240 66 114

HSL 343.45, 0.85%, 0.6%

LAB 55.72, 68.4, 13.24

 

CMYK 0 / 63 / 46 / 13

HEX #DF5379

RGB 223 83 121

HSL 343.71, 0.69%, 0.6%

LAB 55.33, 57.53, 8.12

 

CMYK 0 / 52 / 38 / 19

HEX #CF6381

RGB 207 99 129

HSL 343.33, 0.53%, 0.6%

LAB 55.86, 45.73, 3.83

 

CMYK 0 / 39 / 28 / 25

HEX #BE7488

RGB 190 116 136

HSL 343.78, 0.36%, 0.6%

LAB 57.28, 31.68, 1.52

 

CMYK 0 / 24 / 17 / 32

HEX #AE8490

RGB 174 132 144

HSL 342.86, 0.21%, 0.6%

LAB 59.45, 18.01, -0.17

 

CMYK 0 / 5 / 4 / 38

HEX #9D9597

RGB 157 149 151

HSL 345, 0.04%, 0.6%

LAB 62.42, 3.31, -0.01

 

CMYK 0 / 63 / 11 / 13

HEX #DF53C6

RGB 223 83 198

HSL 310.71, 0.69%, 0.6%

LAB 57.99, 67.03, -32.79

 

CMYK 0 / 63 / 28 / 13

HEX #DF53A0

RGB 223 83 160

HSL 327, 0.69%, 0.6%

LAB 56.5, 61.79, -13.13

 

CMYK 0 / 63 / 45 / 13

HEX #DF537B

RGB 223 83 123

HSL 342.86, 0.69%, 0.6%

LAB 55.38, 57.72, 7.01

 

CMYK 0 / 63 / 62 / 13

HEX #DF5355

RGB 223 83 85

HSL 359.14, 0.69%, 0.6%

LAB 54.59, 54.7, 28.3

 

CMYK 0 / 47 / 63 / 13

HEX #DF7653

RGB 223 118 83

HSL 15, 0.69%, 0.6%

LAB 61.02, 37.88, 37.42

 

CMYK 0 / 81 / 59 / 26

HEX #BD234D

RGB 189 35 77

HSL 343.64, 0.69%, 0.44%

LAB 42.09, 60.87, 15.57

 

CMYK 0 / 78 / 57 / 15

HEX #D9305E

RGB 217 48 94

HSL 343.67, 0.69%, 0.52%

LAB 49.1, 66.12, 15.48

 

CMYK 0 / 63 / 46 / 13

HEX #DF5379

RGB 223 83 121

HSL 343.71, 0.69%, 0.6%

LAB 55.33, 57.53, 8.12

 

CMYK 0 / 49 / 36 / 10

HEX #E67594

RGB 230 117 148

HSL 343.54, 0.69%, 0.68%

LAB 63.08, 46.92, 3.66

 

CMYK 0 / 36 / 26 / 7

HEX #EC98AF

RGB 236 152 175

HSL 343.57, 0.69%, 0.76%

LAB 71.82, 34.47, 1.22

 

CMYK 0 / 64 / 46 / 13

HEX #DF5178

RGB 223 81 120

HSL 343.52, 0.69%, 0.6%

LAB 55, 58.27, 8.24

 

CMYK 0 / 5 / 63 / 13

HEX #DFD453

RGB 223 212 83

HSL 55.29, 0.69%, 0.6%

LAB 83.65, -11.53, 63.09

 

CMYK 63 / 20 / 0 / 13

HEX #53B3DF

RGB 83 179 223

HSL 198.86, 0.69%, 0.6%

LAB 69.05, -15.13, -30.53

 

CMYK 0 / 64 / 46 / 13

HEX #DF5178

RGB 223 81 120

HSL 343.52, 0.69%, 0.6%

LAB 55, 58.27, 8.24

 

CMYK 45 / 0 / 63 / 13

HEX #7BDF53

RGB 123 223 83

HSL 102.86, 0.69%, 0.6%

LAB 80.52, -53.89, 57.88

 

CMYK 63 / 45 / 0 / 13

HEX #537BDF

RGB 83 123 223

HSL 222.86, 0.69%, 0.6%

LAB 53.31, 17.14, -55.28

 

CMYK 0 / 64 / 46 / 13

HEX #DF5178

RGB 223 81 120

HSL 343.52, 0.69%, 0.6%

LAB 55, 58.27, 8.24

 

CMYK 0 / 5 / 63 / 13

HEX #DFD453

RGB 223 212 83

HSL 55.29, 0.69%, 0.6%

LAB 83.65, -11.53, 63.09

 

CMYK 63 / 0 / 18 / 13

HEX #53DFB7

RGB 83 223 183

HSL 162.86, 0.69%, 0.6%

LAB 80.76, -47.1, 8.54

 

CMYK 63 / 58 / 0 / 13

HEX #535EDF

RGB 83 94 223

HSL 235.29, 0.69%, 0.6%

LAB 45.87, 35.06, -67.28

 

CMYK 0 / 64 / 46 / 13

HEX #DF5178

RGB 223 81 120

HSL 343.52, 0.69%, 0.6%

LAB 55, 58.27, 8.24

 

CMYK 13 / 0 / 63 / 13

HEX #C1DF53

RGB 193 223 83

HSL 72.86, 0.69%, 0.6%

LAB 84.35, -29.07, 63.15

 

CMYK 63 / 0 / 18 / 13

HEX #53DFB7

RGB 83 223 183

HSL 162.86, 0.69%, 0.6%

LAB 80.76, -47.1, 8.54

 

CMYK 49 / 63 / 0 / 13

HEX #7153DF

RGB 113 83 223

HSL 252.86, 0.69%, 0.6%

LAB 45.67, 46.77, -67.5

 

Description

Color code: HEX #DF5178 | qconv.com Color code: HEX #DF5178 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 81 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 81 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 46 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 46% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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