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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF51593F it is the complementary color #20AEA63F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF51593F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF51593F shade: #E451543F, #F563673F, #FF757A3F, #FF878D3F and #FF99A03F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF51593F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF51593F shade: #DF51593F, #CE3F463F, #BD2D333F, #AC1B203F and #9B090D3F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF51593F shade: #DF535B and #DF5353

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF51593F shade: #DF535B, #DF5381, #DF53A6, #DF53CC and #CC53DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF51593F shade matches the following richer shades: #DF535B and #F0424C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF51593F shade: #DF535B, #CF6369, #BE7478, #AE8486 and #9D9595

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF51593F shade: #DF53A7, #DF5382, #DF535C, #DF6F53 and #DF9453

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF51593F shade: #BD232B, #D93039, #DF535B, #E6757C and #EC989D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF51593F shade: #DF5159, #CDDF53 and #5394DF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF51593F shade: #DF5159, #5CDF53 and #535CDF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF51593F shade: #DF5159, #CDDF53, #53DFD6 and #6553DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF51593F shade: #DF5159, #A2DF53, #53DFD6 and #9053DF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 15 / 3

HEX #DF51593F

RGBA 223 81 89 0.25

HSLA 356.62, 0.69%, 0.6%, 0.25

LABA 54.34, 55.81, 25.65, 0.25

 

Complementary color

CMYK 20 / 0 / 1 / 8

HEX #20AEA63F

RGBA 32 174 166 0.25

HSLA 176.62, 0.69%, 0.4%, 0.25

LABA 64.43, -36.85, -6.13, 0.25

 

CMYK 0 / 16 / 16 / 3

HEX #E451543F

RGBA 228 81 84 0.25

HSLA 358.78, 0.73%, 0.61%, 0.25

LABA 55.09, 57.12, 29.69, 0.25

 

CMYK 0 / 15 / 14 / 1

HEX #F563673F

RGBA 245 99 103 0.25

HSLA 358.36, 0.88%, 0.67%, 0.25

LABA 61.06, 56.29, 27.01, 0.25

 

CMYK 0 / 14 / 13 / 0

HEX #FF757A3F

RGBA 255 117 122 0.25

HSLA 357.83, 1%, 0.73%, 0.25

LABA 66.05, 52.94, 23.14, 0.25

 

CMYK 0 / 12 / 11 / 0

HEX #FF878D3F

RGBA 255 135 141 0.25

HSLA 357, 1%, 0.76%, 0.25

LABA 69.83, 45.96, 17.65, 0.25

 

CMYK 0 / 10 / 9 / 0

HEX #FF99A03F

RGBA 255 153 160 0.25

HSLA 355.88, 1%, 0.8%, 0.25

LABA 73.92, 38.88, 12.83, 0.25

 

CMYK 0 / 16 / 15 / 3

HEX #DF51593F

RGBA 223 81 89 0.25

HSLA 356.62, 0.69%, 0.6%, 0.25

LABA 54.34, 55.81, 25.65, 0.25

 

CMYK 0 / 17 / 17 / 5

HEX #CE3F463F

RGBA 206 63 70 0.25

HSLA 357.06, 0.59%, 0.53%, 0.25

LABA 48.41, 56.39, 28.69, 0.25

 

CMYK 0 / 19 / 18 / 6

HEX #BD2D333F

RGBA 189 45 51 0.25

HSLA 357.5, 0.62%, 0.46%, 0.25

LABA 42.66, 56.54, 32.3, 0.25

 

CMYK 0 / 21 / 20 / 8

HEX #AC1B203F

RGBA 172 27 32 0.25

HSLA 357.93, 0.73%, 0.39%, 0.25

LABA 37.22, 55.93, 36.48, 0.25

 

CMYK 0 / 24 / 23 / 10

HEX #9B090D3F

RGBA 155 9 13 0.25

HSLA 358.36, 0.89%, 0.32%, 0.25

LABA 32.24, 54.14, 40.64, 0.25

 

CMYK 0 / 63 / 59 / 13

HEX #DF535B

RGB 223 83 91

HSL 356.57, 0.69%, 0.6%

LAB 54.69, 55.09, 24.94

 

CMYK 0 / 63 / 63 / 13

HEX #DF5353

RGB 223 83 83

HSL 0, 0.69%, 0.6%

LAB 54.55, 54.57, 29.41

 

CMYK 0 / 63 / 59 / 13

HEX #DF535B

RGB 223 83 91

HSL 356.57, 0.69%, 0.6%

LAB 54.69, 55.09, 24.94

 

CMYK 0 / 63 / 42 / 13

HEX #DF5381

RGB 223 83 129

HSL 340.29, 0.69%, 0.6%

LAB 55.54, 58.3, 3.69

 

CMYK 0 / 63 / 26 / 13

HEX #DF53A6

RGB 223 83 166

HSL 324.43, 0.69%, 0.6%

LAB 56.71, 62.55, -16.31

 

CMYK 0 / 63 / 9 / 13

HEX #DF53CC

RGB 223 83 204

HSL 308.14, 0.69%, 0.6%

LAB 58.26, 67.95, -35.8

 

CMYK 9 / 63 / 0 / 13

HEX #CC53DF

RGB 204 83 223

HSL 291.86, 0.69%, 0.6%

LAB 56.44, 66.52, -49.62

 

CMYK 0 / 63 / 59 / 13

HEX #DF535B

RGB 223 83 91

HSL 356.57, 0.69%, 0.6%

LAB 54.69, 55.09, 24.94

 

CMYK 0 / 73 / 68 / 6

HEX #F0424C

RGB 240 66 76

HSL 356.55, 0.85%, 0.6%

LAB 55.01, 66.05, 34.67

 

CMYK 0 / 63 / 59 / 13

HEX #DF535B

RGB 223 83 91

HSL 356.57, 0.69%, 0.6%

LAB 54.69, 55.09, 24.94

 

CMYK 0 / 52 / 49 / 19

HEX #CF6369

RGB 207 99 105

HSL 356.67, 0.53%, 0.6%

LAB 55.29, 43.24, 17.11

 

CMYK 0 / 39 / 37 / 25

HEX #BE7478

RGB 190 116 120

HSL 356.76, 0.36%, 0.6%

LAB 56.87, 29.58, 10.22

 

CMYK 0 / 24 / 23 / 32

HEX #AE8486

RGB 174 132 134

HSL 357.14, 0.21%, 0.6%

LAB 59.18, 16.42, 5.18

 

CMYK 0 / 5 / 5 / 38

HEX #9D9595

RGB 157 149 149

HSL 0, 0.04%, 0.6%

LAB 62.37, 2.94, 1.04

 

CMYK 0 / 63 / 25 / 13

HEX #DF53A7

RGB 223 83 167

HSL 324, 0.69%, 0.6%

LAB 56.75, 62.68, -16.83

 

CMYK 0 / 63 / 42 / 13

HEX #DF5382

RGB 223 83 130

HSL 339.86, 0.69%, 0.6%

LAB 55.57, 58.41, 3.13

 

CMYK 0 / 63 / 59 / 13

HEX #DF535C

RGB 223 83 92

HSL 356.14, 0.69%, 0.6%

LAB 54.71, 55.16, 24.38

 

CMYK 0 / 50 / 63 / 13

HEX #DF6F53

RGB 223 111 83

HSL 12, 0.69%, 0.6%

LAB 59.6, 41.44, 35.69

 

CMYK 0 / 34 / 63 / 13

HEX #DF9453

RGB 223 148 83

HSL 27.86, 0.69%, 0.6%

LAB 67.64, 22.05, 45.29

 

CMYK 0 / 81 / 77 / 26

HEX #BD232B

RGB 189 35 43

HSL 356.88, 0.69%, 0.44%

LAB 41.52, 59.15, 35.72

 

CMYK 0 / 78 / 74 / 15

HEX #D93039

RGB 217 48 57

HSL 356.8, 0.69%, 0.52%

LAB 48.46, 64.12, 36.85

 

CMYK 0 / 63 / 59 / 13

HEX #DF535B

RGB 223 83 91

HSL 356.57, 0.69%, 0.6%

LAB 54.69, 55.09, 24.94

 

CMYK 0 / 49 / 46 / 10

HEX #E6757C

RGB 230 117 124

HSL 356.28, 0.69%, 0.68%

LAB 62.51, 44.34, 16.58

 

CMYK 0 / 36 / 33 / 7

HEX #EC989D

RGB 236 152 157

HSL 356.43, 0.69%, 0.76%

LAB 71.37, 32.11, 10.56

 

CMYK 0 / 64 / 60 / 13

HEX #DF5159

RGB 223 81 89

HSL 356.62, 0.69%, 0.6%

LAB 54.34, 55.81, 25.65

 

CMYK 8 / 0 / 63 / 13

HEX #CDDF53

RGB 205 223 83

HSL 67.71, 0.69%, 0.6%

LAB 85.19, -24.29, 64.3

 

CMYK 63 / 34 / 0 / 13

HEX #5394DF

RGB 83 148 223

HSL 212.14, 0.69%, 0.6%

LAB 60.2, 2.16, -44.33

 

CMYK 0 / 64 / 60 / 13

HEX #DF5159

RGB 223 81 89

HSL 356.62, 0.69%, 0.6%

LAB 54.34, 55.81, 25.65

 

CMYK 59 / 0 / 63 / 13

HEX #5CDF53

RGB 92 223 83

HSL 116.14, 0.69%, 0.6%

LAB 79.43, -62.19, 56.37

 

CMYK 63 / 59 / 0 / 13

HEX #535CDF

RGB 83 92 223

HSL 236.14, 0.69%, 0.6%

LAB 45.39, 36.29, -68.06

 

CMYK 0 / 64 / 60 / 13

HEX #DF5159

RGB 223 81 89

HSL 356.62, 0.69%, 0.6%

LAB 54.34, 55.81, 25.65

 

CMYK 8 / 0 / 63 / 13

HEX #CDDF53

RGB 205 223 83

HSL 67.71, 0.69%, 0.6%

LAB 85.19, -24.29, 64.3

 

CMYK 63 / 0 / 4 / 13

HEX #53DFD6

RGB 83 223 214

HSL 176.14, 0.69%, 0.6%

LAB 81.55, -39.35, -6.76

 

CMYK 55 / 63 / 0 / 13

HEX #6553DF

RGB 101 83 223

HSL 247.71, 0.69%, 0.6%

LAB 44.63, 44.62, -69.23

 

CMYK 0 / 64 / 60 / 13

HEX #DF5159

RGB 223 81 89

HSL 356.62, 0.69%, 0.6%

LAB 54.34, 55.81, 25.65

 

CMYK 27 / 0 / 63 / 13

HEX #A2DF53

RGB 162 223 83

HSL 86.14, 0.69%, 0.6%

LAB 82.42, -40.85, 60.51

 

CMYK 63 / 0 / 4 / 13

HEX #53DFD6

RGB 83 223 214

HSL 176.14, 0.69%, 0.6%

LAB 81.55, -39.35, -6.76

 

CMYK 35 / 63 / 0 / 13

HEX #9053DF

RGB 144 83 223

HSL 266.14, 0.69%, 0.6%

LAB 48.81, 52.98, -62.26

 

Description

Color code: HEX #DF51593F | qconv.com Color code: HEX #DF51593F | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 81 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 81 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 15 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 15% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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