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Color name
HEX #DF5035

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF5035 it is the complementary color #20AFCA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF5035. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF5035 shade: #E45030, #F56243, #FF7456, #FF8669 and #FF987C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF5035. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF5035 shade: #DF5035, #CE3E22, #BD2C0F, #AC1A00 and #9B0800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF5035 shade: #DF4F34 and #DF3434

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF5035 shade: #DF4F34, #DF7D34, #DFAC34, #DFDA34 and #B7DF34

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF5035 shade matches the following richer shades: #DF4F34 and #F24221

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF5035 shade: #DF4F34, #CC5C47, #B9695A, #A6766D and #938380

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF5035 shade: #DF3476, #DF3448, #DF4E34, #DF7B34 and #DFA934

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF5035 shade: #A7301A, #CB3B20, #DF4F34, #E56E58 and #EA8D7B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF5035 shade: #DF5035, #A3DF34 and #345FDF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF5035 shade: #DF5035, #34DF4E and #4E34DF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF5035 shade: #DF5035, #A3DF34, #34C6DF and #7034DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF5035 shade: #DF5035, #70DF34, #34C6DF and #A334DF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 76 / 13

HEX #DF5035

RGB 223 80 53

HSL 9.53, 0.73%, 0.54%

LAB 53.69, 54.36, 45.05

 

Complementary color

CMYK 84 / 13 / 0 / 21

HEX #20AFCA

RGB 32 175 202

HSL 189.53, 0.73%, 0.46%

LAB 65.93, -26.14, -23.87

 

CMYK 0 / 65 / 79 / 11

HEX #E45030

RGB 228 80 48

HSL 10.67, 0.77%, 0.54%

LAB 54.5, 55.87, 48.69

 

CMYK 0 / 60 / 73 / 4

HEX #F56243

RGB 245 98 67

HSL 10.45, 0.9%, 0.61%

LAB 60.39, 54.7, 46.04

 

CMYK 0 / 55 / 66 / 0

HEX #FF7456

RGB 255 116 86

HSL 10.65, 1%, 0.67%

LAB 65.3, 50.95, 42.05

 

CMYK 0 / 47 / 59 / 0

HEX #FF8669

RGB 255 134 105

HSL 11.6, 1%, 0.71%

LAB 68.99, 43.43, 36.37

 

CMYK 0 / 40 / 51 / 0

HEX #FF987C

RGB 255 152 124

HSL 12.82, 1%, 0.74%

LAB 73, 35.79, 31.27

 

CMYK 0 / 64 / 76 / 13

HEX #DF5035

RGB 223 80 53

HSL 9.53, 0.73%, 0.54%

LAB 53.69, 54.36, 45.05

 

CMYK 0 / 70 / 83 / 19

HEX #CE3E22

RGB 206 62 34

HSL 9.77, 0.72%, 0.47%

LAB 47.86, 55.31, 47.83

 

CMYK 0 / 77 / 92 / 26

HEX #BD2C0F

RGB 189 44 15

HSL 10, 0.85%, 0.4%

LAB 42.24, 55.84, 50.07

 

CMYK 0 / 85 / 100 / 33

HEX #AC1A00

RGB 172 26 0

HSL 9.07, 1%, 0.34%

LAB 36.95, 55.59, 50.55

 

CMYK 0 / 95 / 100 / 39

HEX #9B0800

RGB 155 8 0

HSL 3.1, 1%, 0.3%

LAB 32.13, 54.1, 45.93

 

CMYK 0 / 65 / 77 / 13

HEX #DF4F34

RGB 223 79 52

HSL 9.47, 0.73%, 0.54%

LAB 53.52, 54.74, 45.4

 

CMYK 0 / 77 / 77 / 13

HEX #DF3434

RGB 223 52 52

HSL 0, 0.73%, 0.54%

LAB 49.97, 64.5, 41.66

 

CMYK 0 / 65 / 77 / 13

HEX #DF4F34

RGB 223 79 52

HSL 9.47, 0.73%, 0.54%

LAB 53.52, 54.74, 45.4

 

CMYK 0 / 44 / 77 / 13

HEX #DF7D34

RGB 223 125 52

HSL 25.61, 0.73%, 0.54%

LAB 62.17, 32.64, 54.15

 

CMYK 0 / 23 / 77 / 13

HEX #DFAC34

RGB 223 172 52

HSL 42.11, 0.73%, 0.54%

LAB 73.18, 7.6, 64.73

 

CMYK 0 / 2 / 77 / 13

HEX #DFDA34

RGB 223 218 52

HSL 58.25, 0.73%, 0.54%

LAB 85.04, -16.03, 75.6

 

CMYK 18 / 0 / 77 / 13

HEX #B7DF34

RGB 183 223 52

HSL 74.04, 0.73%, 0.54%

LAB 83.49, -34.75, 73.12

 

CMYK 0 / 65 / 77 / 13

HEX #DF4F34

RGB 223 79 52

HSL 9.47, 0.73%, 0.54%

LAB 53.52, 54.74, 45.4

 

CMYK 0 / 73 / 86 / 5

HEX #F24221

RGB 242 66 33

HSL 9.47, 0.89%, 0.54%

LAB 54.95, 65.21, 56.92

 

CMYK 0 / 65 / 77 / 13

HEX #DF4F34

RGB 223 79 52

HSL 9.47, 0.73%, 0.54%

LAB 53.52, 54.74, 45.4

 

CMYK 0 / 55 / 65 / 20

HEX #CC5C47

RGB 204 92 71

HSL 9.47, 0.57%, 0.54%

LAB 52.89, 42.98, 33.54

 

CMYK 0 / 43 / 51 / 27

HEX #B9695A

RGB 185 105 90

HSL 9.47, 0.4%, 0.54%

LAB 53.12, 30.37, 22.39

 

CMYK 0 / 29 / 34 / 35

HEX #A6766D

RGB 166 118 109

HSL 9.47, 0.24%, 0.54%

LAB 54.2, 17.6, 12.45

 

CMYK 0 / 11 / 13 / 42

HEX #938380

RGB 147 131 128

HSL 9.47, 0.08%, 0.54%

LAB 56.08, 5.53, 3.83

 

CMYK 0 / 77 / 47 / 13

HEX #DF3476

RGB 223 52 118

HSL 336.84, 0.73%, 0.54%

LAB 51.21, 68.44, 4.02

 

CMYK 0 / 77 / 68 / 13

HEX #DF3448

RGB 223 52 72

HSL 352.98, 0.73%, 0.54%

LAB 50.23, 65.34, 30.45

 

CMYK 0 / 65 / 77 / 13

HEX #DF4E34

RGB 223 78 52

HSL 9.12, 0.73%, 0.54%

LAB 53.37, 55.15, 45.24

 

CMYK 0 / 45 / 77 / 13

HEX #DF7B34

RGB 223 123 52

HSL 24.91, 0.73%, 0.54%

LAB 61.74, 33.68, 53.73

 

CMYK 0 / 24 / 77 / 13

HEX #DFA934

RGB 223 169 52

HSL 41.05, 0.73%, 0.54%

LAB 72.44, 9.2, 64.03

 

CMYK 0 / 71 / 84 / 35

HEX #A7301A

RGB 167 48 26

HSL 9.36, 0.73%, 0.38%

LAB 38.56, 47.54, 40.6

 

CMYK 0 / 71 / 84 / 20

HEX #CB3B20

RGB 203 59 32

HSL 9.47, 0.73%, 0.46%

LAB 46.88, 55.41, 47.7

 

CMYK 0 / 65 / 77 / 13

HEX #DF4F34

RGB 223 79 52

HSL 9.47, 0.73%, 0.54%

LAB 53.52, 54.74, 45.4

 

CMYK 0 / 52 / 62 / 10

HEX #E56E58

RGB 229 110 88

HSL 9.36, 0.73%, 0.62%

LAB 60.35, 44.5, 34.06

 

CMYK 0 / 40 / 47 / 8

HEX #EA8D7B

RGB 234 141 123

HSL 9.73, 0.73%, 0.7%

LAB 68, 33.41, 24.71

 

CMYK 0 / 64 / 76 / 13

HEX #DF5035

RGB 223 80 53

HSL 9.53, 0.73%, 0.54%

LAB 53.69, 54.36, 45.05

 

CMYK 27 / 0 / 77 / 13

HEX #A3DF34

RGB 163 223 52

HSL 81.05, 0.73%, 0.54%

LAB 82.28, -42.43, 71.55

 

CMYK 77 / 57 / 0 / 13

HEX #345FDF

RGB 52 95 223

HSL 224.91, 0.73%, 0.54%

LAB 44.58, 30.35, -69.45

 

CMYK 0 / 64 / 76 / 13

HEX #DF5035

RGB 223 80 53

HSL 9.53, 0.73%, 0.54%

LAB 53.69, 54.36, 45.05

 

CMYK 77 / 0 / 65 / 13

HEX #34DF4E

RGB 52 223 78

HSL 129.12, 0.73%, 0.54%

LAB 78.49, -70, 57.15

 

CMYK 65 / 77 / 0 / 13

HEX #4E34DF

RGB 78 52 223

HSL 249.12, 0.73%, 0.54%

LAB 36.75, 58.1, -82.24

 

CMYK 0 / 64 / 76 / 13

HEX #DF5035

RGB 223 80 53

HSL 9.53, 0.73%, 0.54%

LAB 53.69, 54.36, 45.05

 

CMYK 27 / 0 / 77 / 13

HEX #A3DF34

RGB 163 223 52

HSL 81.05, 0.73%, 0.54%

LAB 82.28, -42.43, 71.55

 

CMYK 77 / 11 / 0 / 13

HEX #34C6DF

RGB 52 198 223

HSL 188.77, 0.73%, 0.54%

LAB 73.83, -29.07, -23.25

 

CMYK 50 / 77 / 0 / 13

HEX #7034DF

RGB 112 52 223

HSL 261.05, 0.73%, 0.54%

LAB 39.96, 62.15, -76.83

 

CMYK 0 / 64 / 76 / 13

HEX #DF5035

RGB 223 80 53

HSL 9.53, 0.73%, 0.54%

LAB 53.69, 54.36, 45.05

 

CMYK 50 / 0 / 77 / 13

HEX #70DF34

RGB 112 223 52

HSL 98.95, 0.73%, 0.54%

LAB 79.88, -59.42, 68.44

 

CMYK 77 / 11 / 0 / 13

HEX #34C6DF

RGB 52 198 223

HSL 188.77, 0.73%, 0.54%

LAB 73.83, -29.07, -23.25

 

CMYK 27 / 77 / 0 / 13

HEX #A334DF

RGB 163 52 223

HSL 278.95, 0.73%, 0.54%

LAB 46.41, 70.12, -66.04

 

Description

Color code: HEX #DF5035 | qconv.com Color code: HEX #DF5035 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 80 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 80 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 76 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 76% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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