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Color name
HEX #DF4FBA

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF4FBA it is the complementary color #20B045. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF4FBA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF4FBA shade: #E44FB5, #F561C8, #FF73DB, #FF85EE and #FF97FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF4FBA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF4FBA shade: #DF4FBA, #CE3DA7, #BD2B94, #AC1981 and #9B076E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF4FBA shade: #DF4EBA, #DF4E93, #DF4E6C and #DF4E4E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF4FBA shade: #DF4EBA, #DD4EDF, #B64EDF, #8F4EDF and #684EDF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF4FBA shade matches the following richer shades: #DF4EBA and #F03DC2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF4FBA shade: #DF4EBA, #CE5FB1, #BD70A9, #AC81A1 and #9B9299

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF4FBA shade: #B64EDF, #DC4EDF, #DF4EBB, #DF4E94 and #DF4E6E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF4FBA shade: #B92292, #D82BAC, #DF4EBA, #E571C7 and #EB94D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF4FBA shade: #DF4FBA, #DF8F4E and #4EDFC9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF4FBA shade: #DF4FBA, #BBDF4E and #4EBBDF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF4FBA shade: #DF4FBA, #DF8F4E, #4EDF72 and #4E9EDF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF4FBA shade: #DF4FBA, #DFBB4E, #4EDF72 and #4E72DF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 17 / 13

HEX #DF4FBA

RGB 223 79 186

HSL 315.42, 0.69%, 0.59%

LAB 56.9, 66.87, -27.6

 

Complementary color

CMYK 82 / 0 / 61 / 31

HEX #20B045

RGB 32 176 69

HSL 135.42, 0.69%, 0.41%

LAB 63.17, -58.45, 43.74

 

CMYK 0 / 65 / 21 / 11

HEX #E44FB5

RGB 228 79 181

HSL 318.93, 0.73%, 0.6%

LAB 57.48, 67.48, -23.75

 

CMYK 0 / 60 / 18 / 4

HEX #F561C8

RGB 245 97 200

HSL 318.24, 0.88%, 0.67%

LAB 63.45, 67.41, -25.22

 

CMYK 0 / 55 / 14 / 0

HEX #FF73DB

RGB 255 115 219

HSL 315.43, 1%, 0.73%

LAB 68.49, 65.12, -28.01

 

CMYK 0 / 48 / 7 / 0

HEX #FF85EE

RGB 255 133 238

HSL 308.36, 1%, 0.76%

LAB 72.37, 59.76, -32.51

 

CMYK 0 / 41 / 0 / 0

HEX #FF97FF

RGB 255 151 255

HSL 300, 1%, 0.8%

LAB 76.44, 53.83, -35.45

 

CMYK 0 / 65 / 17 / 13

HEX #DF4FBA

RGB 223 79 186

HSL 315.42, 0.69%, 0.59%

LAB 56.9, 66.87, -27.6

 

CMYK 0 / 70 / 19 / 19

HEX #CE3DA7

RGB 206 61 167

HSL 316.14, 0.6%, 0.52%

LAB 50.98, 66.58, -25.92

 

CMYK 0 / 77 / 22 / 26

HEX #BD2B94

RGB 189 43 148

HSL 316.85, 0.63%, 0.45%

LAB 45.2, 65.69, -23.78

 

CMYK 0 / 85 / 25 / 33

HEX #AC1981

RGB 172 25 129

HSL 317.55, 0.75%, 0.39%

LAB 39.67, 63.87, -20.99

 

CMYK 0 / 95 / 29 / 39

HEX #9B076E

RGB 155 7 110

HSL 318.24, 0.91%, 0.32%

LAB 34.49, 60.77, -17.33

 

CMYK 0 / 65 / 17 / 13

HEX #DF4EBA

RGB 223 78 186

HSL 315.31, 0.69%, 0.59%

LAB 56.76, 67.26, -27.81

 

CMYK 0 / 65 / 34 / 13

HEX #DF4E93

RGB 223 78 147

HSL 331.45, 0.69%, 0.59%

LAB 55.32, 62.28, -7.27

 

CMYK 0 / 65 / 52 / 13

HEX #DF4E6C

RGB 223 78 108

HSL 347.59, 0.69%, 0.59%

LAB 54.26, 58.46, 14.32

 

CMYK 0 / 65 / 65 / 13

HEX #DF4E4E

RGB 223 78 78

HSL 0, 0.69%, 0.59%

LAB 53.69, 56.37, 31.23

 

CMYK 0 / 65 / 17 / 13

HEX #DF4EBA

RGB 223 78 186

HSL 315.31, 0.69%, 0.59%

LAB 56.76, 67.26, -27.81

 

CMYK 1 / 65 / 0 / 13

HEX #DD4EDF

RGB 221 78 223

HSL 299.17, 0.69%, 0.59%

LAB 58.18, 72.44, -46.71

 

CMYK 18 / 65 / 0 / 13

HEX #B64EDF

RGB 182 78 223

HSL 283.03, 0.69%, 0.59%

LAB 52.64, 63.65, -55.85

 

CMYK 36 / 65 / 0 / 13

HEX #8F4EDF

RGB 143 78 223

HSL 266.9, 0.69%, 0.59%

LAB 47.77, 55.3, -63.95

 

CMYK 53 / 65 / 0 / 13

HEX #684EDF

RGB 104 78 223

HSL 250.76, 0.69%, 0.59%

LAB 43.83, 47.96, -70.54

 

CMYK 0 / 65 / 17 / 13

HEX #DF4EBA

RGB 223 78 186

HSL 315.31, 0.69%, 0.59%

LAB 56.76, 67.26, -27.81

 

CMYK 0 / 75 / 19 / 6

HEX #F03DC2

RGB 240 61 194

HSL 315.42, 0.86%, 0.59%

LAB 57.81, 78.21, -30.58

 

CMYK 0 / 65 / 17 / 13

HEX #DF4EBA

RGB 223 78 186

HSL 315.31, 0.69%, 0.59%

LAB 56.76, 67.26, -27.81

 

CMYK 0 / 54 / 14 / 19

HEX #CE5FB1

RGB 206 95 177

HSL 315.68, 0.53%, 0.59%

LAB 56.57, 53.88, -23.14

 

CMYK 0 / 41 / 11 / 26

HEX #BD70A9

RGB 189 112 169

HSL 315.58, 0.37%, 0.59%

LAB 57.34, 38.62, -17.54

 

CMYK 0 / 25 / 6 / 33

HEX #AC81A1

RGB 172 129 161

HSL 315.35, 0.21%, 0.59%

LAB 59.02, 21.93, -10.59

 

CMYK 0 / 6 / 1 / 39

HEX #9B9299

RGB 155 146 153

HSL 313.33, 0.04%, 0.59%

LAB 61.5, 4.64, -2.51

 

CMYK 18 / 65 / 0 / 13

HEX #B64EDF

RGB 182 78 223

HSL 283.03, 0.69%, 0.59%

LAB 52.64, 63.65, -55.85

 

CMYK 1 / 65 / 0 / 13

HEX #DC4EDF

RGB 220 78 223

HSL 298.76, 0.69%, 0.59%

LAB 58.03, 72.21, -46.95

 

CMYK 0 / 65 / 16 / 13

HEX #DF4EBB

RGB 223 78 187

HSL 314.9, 0.69%, 0.59%

LAB 56.81, 67.4, -28.32

 

CMYK 0 / 65 / 34 / 13

HEX #DF4E94

RGB 223 78 148

HSL 331.03, 0.69%, 0.59%

LAB 55.35, 62.39, -7.81

 

CMYK 0 / 65 / 51 / 13

HEX #DF4E6E

RGB 223 78 110

HSL 346.76, 0.69%, 0.59%

LAB 54.3, 58.63, 13.2

 

CMYK 0 / 82 / 21 / 27

HEX #B92292

RGB 185 34 146

HSL 315.5, 0.69%, 0.43%

LAB 43.56, 66.9, -25.17

 

CMYK 0 / 80 / 20 / 15

HEX #D82BAC

RGB 216 43 172

HSL 315.26, 0.69%, 0.51%

LAB 51.04, 74.88, -28.63

 

CMYK 0 / 65 / 17 / 13

HEX #DF4EBA

RGB 223 78 186

HSL 315.31, 0.69%, 0.59%

LAB 56.76, 67.26, -27.81

 

CMYK 0 / 51 / 13 / 10

HEX #E571C7

RGB 229 113 199

HSL 315.52, 0.69%, 0.67%

LAB 63.83, 55.53, -24.27

 

CMYK 0 / 37 / 9 / 8

HEX #EB94D5

RGB 235 148 213

HSL 315.17, 0.69%, 0.75%

LAB 71.99, 42.03, -19.56

 

CMYK 0 / 65 / 17 / 13

HEX #DF4FBA

RGB 223 79 186

HSL 315.42, 0.69%, 0.59%

LAB 56.9, 66.87, -27.6

 

CMYK 0 / 36 / 65 / 13

HEX #DF8F4E

RGB 223 143 78

HSL 26.9, 0.69%, 0.59%

LAB 66.43, 24.41, 46.39

 

CMYK 65 / 0 / 10 / 13

HEX #4EDFC9

RGB 78 223 201

HSL 170.9, 0.69%, 0.59%

LAB 81.08, -43.52, -0.56

 

CMYK 0 / 65 / 17 / 13

HEX #DF4FBA

RGB 223 79 186

HSL 315.42, 0.69%, 0.59%

LAB 56.9, 66.87, -27.6

 

CMYK 16 / 0 / 65 / 13

HEX #BBDF4E

RGB 187 223 78

HSL 74.9, 0.69%, 0.59%

LAB 83.91, -31.76, 64.57

 

CMYK 65 / 16 / 0 / 13

HEX #4EBBDF

RGB 78 187 223

HSL 194.9, 0.69%, 0.59%

LAB 71.21, -20.15, -27.22

 

CMYK 0 / 65 / 17 / 13

HEX #DF4FBA

RGB 223 79 186

HSL 315.42, 0.69%, 0.59%

LAB 56.9, 66.87, -27.6

 

CMYK 0 / 36 / 65 / 13

HEX #DF8F4E

RGB 223 143 78

HSL 26.9, 0.69%, 0.59%

LAB 66.43, 24.41, 46.39

 

CMYK 65 / 0 / 49 / 13

HEX #4EDF72

RGB 78 223 114

HSL 134.9, 0.69%, 0.59%

LAB 79.39, -61.29, 42.1

 

CMYK 65 / 29 / 0 / 13

HEX #4E9EDF

RGB 78 158 223

HSL 206.9, 0.69%, 0.59%

LAB 62.84, -4.45, -40.19

 

CMYK 0 / 65 / 17 / 13

HEX #DF4FBA

RGB 223 79 186

HSL 315.42, 0.69%, 0.59%

LAB 56.9, 66.87, -27.6

 

CMYK 0 / 16 / 65 / 13

HEX #DFBB4E

RGB 223 187 78

HSL 45.1, 0.69%, 0.59%

LAB 77.15, 0.98, 58.26

 

CMYK 65 / 0 / 49 / 13

HEX #4EDF72

RGB 78 223 114

HSL 134.9, 0.69%, 0.59%

LAB 79.39, -61.29, 42.1

 

CMYK 65 / 49 / 0 / 13

HEX #4E72DF

RGB 78 114 223

HSL 225.1, 0.69%, 0.59%

LAB 50.67, 21.85, -59.54

 

Description

Color code: HEX #DF4FBA | qconv.com Color code: HEX #DF4FBA | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 79 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 79 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 17 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 17% 13% C M Y K

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Provide designers and agencies with accurate color values.

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