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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF4F61 it is the complementary color #20B09E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF4F61. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF4F61 shade: #E44F5C, #F5616F, #FF7382, #FF8595 and #FF97A8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF4F61. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF4F61 shade: #DF4F61, #CE3D4E, #BD2B3B, #AC1928 and #9B0715

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF4F61 shade: #DF4E60 and #DF4E4E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF4F61 shade: #DF4E60, #DF4E87, #DF4EAE, #DF4ED5 and #C14EDF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF4F61 shade matches the following richer shades: #DF4E60 and #F03D54

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF4F61 shade: #DF4E60, #CE5F6D, #BD707A, #AC8186 and #9B9293

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF4F61 shade: #DF4EAE, #DF4E88, #DF4E62, #DF624E and #DF884E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF4F61 shade: #B92235, #D82B41, #DF4E60, #E57180 and #EB949F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF4F61 shade: #DF4F61, #D5DF4E and #4E9BDF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF4F61 shade: #DF4F61, #62DF4E and #4E62DF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF4F61 shade: #DF4F61, #D5DF4E, #4EDFCB and #584EDF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF4F61 shade: #DF4F61, #AADF4E, #4EDFCB and #834EDF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 57 / 13

HEX #DF4F61

RGB 223 79 97

HSL 352.5, 0.69%, 0.59%

LAB 54.18, 57.2, 20.73

 

Complementary color

CMYK 82 / 0 / 10 / 31

HEX #20B09E

RGB 32 176 158

HSL 172.5, 0.69%, 0.41%

LAB 64.82, -40.03, -1.09

 

CMYK 0 / 65 / 60 / 11

HEX #E44F5C

RGB 228 79 92

HSL 354.77, 0.73%, 0.6%

LAB 54.93, 58.45, 24.82

 

CMYK 0 / 60 / 55 / 4

HEX #F5616F

RGB 245 97 111

HSL 354.32, 0.88%, 0.67%

LAB 60.88, 57.75, 22.18

 

CMYK 0 / 55 / 49 / 0

HEX #FF7382

RGB 255 115 130

HSL 353.57, 1%, 0.73%

LAB 65.85, 54.55, 18.34

 

CMYK 0 / 48 / 42 / 0

HEX #FF8595

RGB 255 133 149

HSL 352.13, 1%, 0.76%

LAB 69.62, 47.76, 12.87

 

CMYK 0 / 41 / 34 / 0

HEX #FF97A8

RGB 255 151 168

HSL 350.19, 1%, 0.8%

LAB 73.69, 40.83, 8.09

 

CMYK 0 / 65 / 57 / 13

HEX #DF4F61

RGB 223 79 97

HSL 352.5, 0.69%, 0.59%

LAB 54.18, 57.2, 20.73

 

CMYK 0 / 70 / 62 / 19

HEX #CE3D4E

RGB 206 61 78

HSL 352.97, 0.6%, 0.52%

LAB 48.27, 57.62, 23.73

 

CMYK 0 / 77 / 69 / 26

HEX #BD2B3B

RGB 189 43 59

HSL 353.42, 0.63%, 0.45%

LAB 42.56, 57.55, 27.35

 

CMYK 0 / 85 / 77 / 33

HEX #AC1928

RGB 172 25 40

HSL 353.88, 0.75%, 0.39%

LAB 37.15, 56.67, 31.71

 

CMYK 0 / 95 / 86 / 39

HEX #9B0715

RGB 155 7 21

HSL 354.32, 0.91%, 0.32%

LAB 32.2, 54.58, 36.58

 

CMYK 0 / 65 / 57 / 13

HEX #DF4E60

RGB 223 78 96

HSL 352.55, 0.69%, 0.59%

LAB 54.01, 57.54, 21.1

 

CMYK 0 / 65 / 65 / 13

HEX #DF4E4E

RGB 223 78 78

HSL 0, 0.69%, 0.59%

LAB 53.69, 56.37, 31.23

 

CMYK 0 / 65 / 57 / 13

HEX #DF4E60

RGB 223 78 96

HSL 352.55, 0.69%, 0.59%

LAB 54.01, 57.54, 21.1

 

CMYK 0 / 65 / 39 / 13

HEX #DF4E87

RGB 223 78 135

HSL 336.41, 0.69%, 0.59%

LAB 54.95, 60.97, -0.72

 

CMYK 0 / 65 / 22 / 13

HEX #DF4EAE

RGB 223 78 174

HSL 320.28, 0.69%, 0.59%

LAB 56.28, 65.61, -21.62

 

CMYK 0 / 65 / 4 / 13

HEX #DF4ED5

RGB 223 78 213

HSL 304.14, 0.69%, 0.59%

LAB 57.98, 71.29, -41.35

 

CMYK 13 / 65 / 0 / 13

HEX #C14EDF

RGB 193 78 223

HSL 287.59, 0.69%, 0.59%

LAB 54.15, 66.1, -53.36

 

CMYK 0 / 65 / 57 / 13

HEX #DF4E60

RGB 223 78 96

HSL 352.55, 0.69%, 0.59%

LAB 54.01, 57.54, 21.1

 

CMYK 0 / 75 / 65 / 6

HEX #F03D54

RGB 240 61 84

HSL 352.29, 0.86%, 0.59%

LAB 54.56, 68.07, 29.46

 

CMYK 0 / 65 / 57 / 13

HEX #DF4E60

RGB 223 78 96

HSL 352.55, 0.69%, 0.59%

LAB 54.01, 57.54, 21.1

 

CMYK 0 / 54 / 47 / 19

HEX #CE5F6D

RGB 206 95 109

HSL 352.43, 0.53%, 0.59%

LAB 54.46, 45.24, 13.6

 

CMYK 0 / 41 / 35 / 26

HEX #BD707A

RGB 189 112 122

HSL 352.21, 0.37%, 0.59%

LAB 55.9, 31.63, 7.66

 

CMYK 0 / 25 / 22 / 33

HEX #AC8186

RGB 172 129 134

HSL 353.02, 0.21%, 0.59%

LAB 58.22, 17.34, 3.77

 

CMYK 0 / 6 / 5 / 39

HEX #9B9293

RGB 155 146 147

HSL 353.33, 0.04%, 0.59%

LAB 61.34, 3.5, 0.66

 

CMYK 0 / 65 / 22 / 13

HEX #DF4EAE

RGB 223 78 174

HSL 320.28, 0.69%, 0.59%

LAB 56.28, 65.61, -21.62

 

CMYK 0 / 65 / 39 / 13

HEX #DF4E88

RGB 223 78 136

HSL 336, 0.69%, 0.59%

LAB 54.98, 61.08, -1.27

 

CMYK 0 / 65 / 56 / 13

HEX #DF4E62

RGB 223 78 98

HSL 351.72, 0.69%, 0.59%

LAB 54.05, 57.68, 19.97

 

CMYK 0 / 56 / 65 / 13

HEX #DF624E

RGB 223 98 78

HSL 8.28, 0.69%, 0.59%

LAB 57.05, 47.48, 35.35

 

CMYK 0 / 39 / 65 / 13

HEX #DF884E

RGB 223 136 78

HSL 24, 0.69%, 0.59%

LAB 64.84, 28.14, 44.57

 

CMYK 0 / 82 / 71 / 27

HEX #B92235

RGB 185 34 53

HSL 352.45, 0.69%, 0.43%

LAB 40.76, 58.68, 28.66

 

CMYK 0 / 80 / 70 / 15

HEX #D82B41

RGB 216 43 65

HSL 352.37, 0.69%, 0.51%

LAB 47.89, 65.56, 31.44

 

CMYK 0 / 65 / 57 / 13

HEX #DF4E60

RGB 223 78 96

HSL 352.55, 0.69%, 0.59%

LAB 54.01, 57.54, 21.1

 

CMYK 0 / 51 / 44 / 10

HEX #E57180

RGB 229 113 128

HSL 352.24, 0.69%, 0.67%

LAB 61.68, 46.37, 13.12

 

CMYK 0 / 37 / 32 / 8

HEX #EB949F

RGB 235 148 159

HSL 352.41, 0.69%, 0.75%

LAB 70.42, 34.1, 8.08

 

CMYK 0 / 65 / 57 / 13

HEX #DF4F61

RGB 223 79 97

HSL 352.5, 0.69%, 0.59%

LAB 54.18, 57.2, 20.73

 

CMYK 4 / 0 / 65 / 13

HEX #D5DF4E

RGB 213 223 78

HSL 64.14, 0.69%, 0.59%

LAB 85.74, -21.37, 67.05

 

CMYK 65 / 30 / 0 / 13

HEX #4E9BDF

RGB 78 155 223

HSL 208.14, 0.69%, 0.59%

LAB 61.99, -2.75, -41.53

 

CMYK 0 / 65 / 57 / 13

HEX #DF4F61

RGB 223 79 97

HSL 352.5, 0.69%, 0.59%

LAB 54.18, 57.2, 20.73

 

CMYK 56 / 0 / 65 / 13

HEX #62DF4E

RGB 98 223 78

HSL 111.72, 0.69%, 0.59%

LAB 79.57, -61.23, 58.64

 

CMYK 65 / 56 / 0 / 13

HEX #4E62DF

RGB 78 98 223

HSL 231.72, 0.69%, 0.59%

LAB 46.56, 31.81, -66.18

 

CMYK 0 / 65 / 57 / 13

HEX #DF4F61

RGB 223 79 97

HSL 352.5, 0.69%, 0.59%

LAB 54.18, 57.2, 20.73

 

CMYK 4 / 0 / 65 / 13

HEX #D5DF4E

RGB 213 223 78

HSL 64.14, 0.69%, 0.59%

LAB 85.74, -21.37, 67.05

 

CMYK 65 / 0 / 9 / 13

HEX #4EDFCB

RGB 78 223 203

HSL 171.72, 0.69%, 0.59%

LAB 81.13, -43.01, -1.54

 

CMYK 61 / 65 / 0 / 13

HEX #584EDF

RGB 88 78 223

HSL 244.14, 0.69%, 0.59%

LAB 42.54, 45.41, -72.7

 

CMYK 0 / 65 / 57 / 13

HEX #DF4F61

RGB 223 79 97

HSL 352.5, 0.69%, 0.59%

LAB 54.18, 57.2, 20.73

 

CMYK 24 / 0 / 65 / 13

HEX #AADF4E

RGB 170 223 78

HSL 81.93, 0.69%, 0.59%

LAB 82.85, -38.27, 63.12

 

CMYK 65 / 0 / 9 / 13

HEX #4EDFCB

RGB 78 223 203

HSL 171.72, 0.69%, 0.59%

LAB 81.13, -43.01, -1.54

 

CMYK 41 / 65 / 0 / 13

HEX #834EDF

RGB 131 78 223

HSL 261.93, 0.69%, 0.59%

LAB 46.45, 52.9, -66.16

 

Description

Color code: HEX #DF4F61 | qconv.com Color code: HEX #DF4F61 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 79 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 79 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 57 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 57% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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