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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF4EE2 it is the complementary color #20B11D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF4EE2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF4EE2 shade: #E44EDD, #F560F0, #FF72FF, #FF84FF and #FF96FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF4EE2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF4EE2 shade: #DF4EE2, #CE3CCF, #BD2ABC, #AC18A9 and #9B0696

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF4EE2 shade: #DF50E2, #E250BE, #E25096, #E2506F and #E25050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF4EE2 shade: #DF50E2, #B850E2, #9050E2, #6950E2 and #5050E2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF4EE2 shade matches the following richer shades: #DF50E2 and #EF3FF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF4EE2 shade: #DF50E2, #D060D2, #C071C1, #B081B1 and #A092A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF4EE2 shade: #8F50E2, #B650E2, #DE50E2, #E250C0 and #E25099

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF4EE2 shade: #BD1FC0, #D92CDD, #DF50E2, #E673E8 and #EC97EE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF4EE2 shade: #DF4EE2, #E26850 and #50E2A3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF4EE2 shade: #DF4EE2, #E2DE50 and #50E2DE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF4EE2 shade: #DF4EE2, #E26850, #54E250 and #50CAE2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF4EE2 shade: #DF4EE2, #E29450, #54E250 and #509EE2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 65 / 0 / 11

HEX #DF4EE2

RGB 223 78 226

HSL 298.78, 0.72%, 0.6%

LAB 58.63, 73.39, -47.66

 

Complementary color

CMYK 82 / 0 / 84 / 31

HEX #20B11D

RGB 32 177 29

HSL 118.78, 0.72%, 0.4%

LAB 63.21, -62.28, 58.66

 

CMYK 0 / 66 / 3 / 11

HEX #E44EDD

RGB 228 78 221

HSL 302.8, 0.74%, 0.6%

LAB 59.13, 73.72, -44.01

 

CMYK 0 / 61 / 2 / 4

HEX #F560F0

RGB 245 96 240

HSL 302.01, 0.88%, 0.67%

LAB 65.02, 73.83, -45.17

 

CMYK 0 / 55 / 0 / 0

HEX #FF72FF

RGB 255 114 255

HSL 300, 1%, 0.72%

LAB 69.83, 71.23, -45.76

 

CMYK 0 / 48 / 0 / 0

HEX #FF84FF

RGB 255 132 255

HSL 300, 1%, 0.76%

LAB 72.88, 63.08, -40.99

 

CMYK 0 / 41 / 0 / 0

HEX #FF96FF

RGB 255 150 255

HSL 300, 1%, 0.79%

LAB 76.25, 54.33, -35.75

 

CMYK 1 / 65 / 0 / 11

HEX #DF4EE2

RGB 223 78 226

HSL 298.78, 0.72%, 0.6%

LAB 58.63, 73.39, -47.66

 

CMYK 0 / 71 / 0 / 19

HEX #CE3CCF

RGB 206 60 207

HSL 299.59, 0.6%, 0.52%

LAB 52.79, 72.88, -46.3

 

CMYK 0 / 78 / 1 / 26

HEX #BD2ABC

RGB 189 42 188

HSL 300.41, 0.64%, 0.45%

LAB 47.11, 71.73, -44.51

 

CMYK 0 / 86 / 2 / 33

HEX #AC18A9

RGB 172 24 169

HSL 301.22, 0.76%, 0.38%

LAB 41.67, 69.63, -42.14

 

CMYK 0 / 96 / 3 / 39

HEX #9B0696

RGB 155 6 150

HSL 302.01, 0.93%, 0.32%

LAB 36.56, 66.26, -39.01

 

CMYK 1 / 65 / 0 / 11

HEX #DF50E2

RGB 223 80 226

HSL 298.77, 0.72%, 0.6%

LAB 58.9, 72.63, -47.24

 

CMYK 0 / 65 / 16 / 11

HEX #E250BE

RGB 226 80 190

HSL 314.79, 0.72%, 0.6%

LAB 57.68, 67.82, -28.66

 

CMYK 0 / 65 / 34 / 11

HEX #E25096

RGB 226 80 150

HSL 331.23, 0.72%, 0.6%

LAB 56.2, 62.68, -7.68

 

CMYK 0 / 65 / 51 / 11

HEX #E2506F

RGB 226 80 111

HSL 347.26, 0.72%, 0.6%

LAB 55.13, 58.83, 13.83

 

CMYK 0 / 65 / 65 / 11

HEX #E25050

RGB 226 80 80

HSL 0, 0.72%, 0.6%

LAB 54.54, 56.65, 31.24

 

CMYK 1 / 65 / 0 / 11

HEX #DF50E2

RGB 223 80 226

HSL 298.77, 0.72%, 0.6%

LAB 58.9, 72.63, -47.24

 

CMYK 19 / 65 / 0 / 11

HEX #B850E2

RGB 184 80 226

HSL 282.74, 0.72%, 0.6%

LAB 53.4, 63.82, -56.31

 

CMYK 36 / 65 / 0 / 11

HEX #9050E2

RGB 144 80 226

HSL 266.3, 0.72%, 0.6%

LAB 48.46, 55.24, -64.53

 

CMYK 54 / 65 / 0 / 11

HEX #6950E2

RGB 105 80 226

HSL 250.27, 0.72%, 0.6%

LAB 44.56, 47.9, -71.04

 

CMYK 65 / 65 / 0 / 11

HEX #5050E2

RGB 80 80 226

HSL 240, 0.72%, 0.6%

LAB 42.66, 44.06, -74.22

 

CMYK 1 / 65 / 0 / 11

HEX #DF50E2

RGB 223 80 226

HSL 298.77, 0.72%, 0.6%

LAB 58.9, 72.63, -47.24

 

CMYK 2 / 74 / 0 / 5

HEX #EF3FF3

RGB 239 63 243

HSL 298.67, 0.88%, 0.6%

LAB 60.23, 84.4, -54.48

 

CMYK 1 / 65 / 0 / 11

HEX #DF50E2

RGB 223 80 226

HSL 298.77, 0.72%, 0.6%

LAB 58.9, 72.63, -47.24

 

CMYK 1 / 54 / 0 / 18

HEX #D060D2

RGB 208 96 210

HSL 298.95, 0.56%, 0.6%

LAB 58.44, 59.45, -39.07

 

CMYK 1 / 41 / 0 / 24

HEX #C071C1

RGB 192 113 193

HSL 299.25, 0.39%, 0.6%

LAB 58.85, 43.33, -28.94

 

CMYK 1 / 27 / 0 / 31

HEX #B081B1

RGB 176 129 177

HSL 298.75, 0.24%, 0.6%

LAB 59.98, 26.34, -18.24

 

CMYK 0 / 9 / 0 / 37

HEX #A092A0

RGB 160 146 160

HSL 300, 0.07%, 0.6%

LAB 62.14, 7.8, -5.49

 

CMYK 37 / 65 / 0 / 11

HEX #8F50E2

RGB 143 80 226

HSL 265.89, 0.72%, 0.6%

LAB 48.35, 55.04, -64.72

 

CMYK 19 / 65 / 0 / 11

HEX #B650E2

RGB 182 80 226

HSL 281.92, 0.72%, 0.6%

LAB 53.14, 63.37, -56.75

 

CMYK 2 / 65 / 0 / 11

HEX #DE50E2

RGB 222 80 226

HSL 298.36, 0.72%, 0.6%

LAB 58.75, 72.41, -47.48

 

CMYK 0 / 65 / 15 / 11

HEX #E250C0

RGB 226 80 192

HSL 313.97, 0.72%, 0.6%

LAB 57.76, 68.11, -29.68

 

CMYK 0 / 65 / 32 / 11

HEX #E25099

RGB 226 80 153

HSL 330, 0.72%, 0.6%

LAB 56.29, 63.03, -9.29

 

CMYK 2 / 84 / 0 / 25

HEX #BD1FC0

RGB 189 31 192

HSL 298.88, 0.72%, 0.44%

LAB 46.45, 74.95, -47.9

 

CMYK 2 / 80 / 0 / 13

HEX #D92CDD

RGB 217 44 221

HSL 298.64, 0.72%, 0.52%

LAB 53.79, 81.74, -52.59

 

CMYK 1 / 65 / 0 / 11

HEX #DF50E2

RGB 223 80 226

HSL 298.77, 0.72%, 0.6%

LAB 58.9, 72.63, -47.24

 

CMYK 1 / 50 / 0 / 9

HEX #E673E8

RGB 230 115 232

HSL 298.97, 0.72%, 0.68%

LAB 65.68, 60.33, -39.85

 

CMYK 1 / 37 / 0 / 7

HEX #EC97EE

RGB 236 151 238

HSL 298.62, 0.72%, 0.76%

LAB 73.64, 45.14, -30.74

 

CMYK 1 / 65 / 0 / 11

HEX #DF4EE2

RGB 223 78 226

HSL 298.78, 0.72%, 0.6%

LAB 58.63, 73.39, -47.66

 

CMYK 0 / 54 / 65 / 11

HEX #E26850

RGB 226 104 80

HSL 9.86, 0.72%, 0.6%

LAB 58.65, 45.82, 36.29

 

CMYK 65 / 0 / 28 / 11

HEX #50E2A3

RGB 80 226 163

HSL 154.11, 0.72%, 0.6%

LAB 81.15, -53.29, 19.6

 

CMYK 1 / 65 / 0 / 11

HEX #DF4EE2

RGB 223 78 226

HSL 298.78, 0.72%, 0.6%

LAB 58.63, 73.39, -47.66

 

CMYK 0 / 2 / 65 / 11

HEX #E2DE50

RGB 226 222 80

HSL 58.36, 0.72%, 0.6%

LAB 86.5, -15.45, 67.37

 

CMYK 65 / 0 / 2 / 11

HEX #50E2DE

RGB 80 226 222

HSL 178.36, 0.72%, 0.6%

LAB 82.58, -39.03, -9.49

 

CMYK 1 / 65 / 0 / 11

HEX #DF4EE2

RGB 223 78 226

HSL 298.78, 0.72%, 0.6%

LAB 58.63, 73.39, -47.66

 

CMYK 0 / 54 / 65 / 11

HEX #E26850

RGB 226 104 80

HSL 9.86, 0.72%, 0.6%

LAB 58.65, 45.82, 36.29

 

CMYK 63 / 0 / 65 / 11

HEX #54E250

RGB 84 226 80

HSL 118.36, 0.72%, 0.6%

LAB 80.1, -65.3, 58.29

 

CMYK 65 / 11 / 0 / 11

HEX #50CAE2

RGB 80 202 226

HSL 189.86, 0.72%, 0.6%

LAB 75.72, -26.51, -21.94

 

CMYK 1 / 65 / 0 / 11

HEX #DF4EE2

RGB 223 78 226

HSL 298.78, 0.72%, 0.6%

LAB 58.63, 73.39, -47.66

 

CMYK 0 / 35 / 65 / 11

HEX #E29450

RGB 226 148 80

HSL 27.95, 0.72%, 0.6%

LAB 67.97, 23.1, 47.25

 

CMYK 63 / 0 / 65 / 11

HEX #54E250

RGB 84 226 80

HSL 118.36, 0.72%, 0.6%

LAB 80.1, -65.3, 58.29

 

CMYK 65 / 30 / 0 / 11

HEX #509EE2

RGB 80 158 226

HSL 207.95, 0.72%, 0.6%

LAB 63.05, -3.12, -41.52

 

Description

Color code: HEX #DF4EE2 | qconv.com Color code: HEX #DF4EE2 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 78 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 78 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 65 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 65% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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