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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF4EB8 it is the complementary color #20B147. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF4EB8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF4EB8 shade: #E44EB3, #F560C6, #FF72D9, #FF84EC and #FF96FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF4EB8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF4EB8 shade: #DF4EB8, #CE3CA5, #BD2A92, #AC187F and #9B066C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF4EB8 shade: #DF4EB8, #DF4E91, #DF4E6A and #DF4E4E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF4EB8 shade: #DF4EB8, #DE4EDF, #B84EDF, #914EDF and #6A4EDF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF4EB8 shade matches the following richer shades: #DF4EB8 and #F03DC0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF4EB8 shade: #DF4EB8, #CE5FB0, #BD70A8, #AC81A0 and #9B9299

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF4EB8 shade: #B84EDF, #DF4EDF, #DF4EB8, #DF4E92 and #DF4E6B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF4EB8 shade: #B92290, #D82BAA, #DF4EB8, #E571C6 and #EB94D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF4EB8 shade: #DF4EB8, #DF924E and #4EDFCB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF4EB8 shade: #DF4EB8, #B8DF4E and #4EB8DF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF4EB8 shade: #DF4EB8, #DF924E, #4EDF75 and #4E9BDF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF4EB8 shade: #DF4EB8, #DFBD4E, #4EDF75 and #4E70DF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 17 / 13

HEX #DF4EB8

RGB 223 78 184

HSL 316.14, 0.69%, 0.59%

LAB 56.68, 66.97, -26.79

 

Complementary color

CMYK 82 / 0 / 60 / 31

HEX #20B147

RGB 32 177 71

HSL 136.14, 0.69%, 0.41%

LAB 63.51, -58.52, 43.22

 

CMYK 0 / 66 / 21 / 11

HEX #E44EB3

RGB 228 78 179

HSL 319.6, 0.74%, 0.6%

LAB 57.27, 67.6, -22.93

 

CMYK 0 / 61 / 19 / 4

HEX #F560C6

RGB 245 96 198

HSL 318.93, 0.88%, 0.67%

LAB 63.22, 67.54, -24.44

 

CMYK 0 / 55 / 15 / 0

HEX #FF72D9

RGB 255 114 217

HSL 316.17, 1%, 0.72%

LAB 68.24, 65.27, -27.27

 

CMYK 0 / 48 / 7 / 0

HEX #FF84EC

RGB 255 132 236

HSL 309.27, 1%, 0.76%

LAB 72.11, 59.91, -31.82

 

CMYK 0 / 41 / 0 / 0

HEX #FF96FF

RGB 255 150 255

HSL 300, 1%, 0.79%

LAB 76.25, 54.33, -35.75

 

CMYK 0 / 65 / 17 / 13

HEX #DF4EB8

RGB 223 78 184

HSL 316.14, 0.69%, 0.59%

LAB 56.68, 66.97, -26.79

 

CMYK 0 / 71 / 20 / 19

HEX #CE3CA5

RGB 206 60 165

HSL 316.85, 0.6%, 0.52%

LAB 50.77, 66.65, -25.06

 

CMYK 0 / 78 / 23 / 26

HEX #BD2A92

RGB 189 42 146

HSL 317.55, 0.64%, 0.45%

LAB 45.01, 65.71, -22.86

 

CMYK 0 / 86 / 26 / 33

HEX #AC187F

RGB 172 24 127

HSL 318.24, 0.76%, 0.38%

LAB 39.51, 63.84, -19.99

 

CMYK 0 / 96 / 30 / 39

HEX #9B066C

RGB 155 6 108

HSL 318.93, 0.93%, 0.32%

LAB 34.36, 60.67, -16.26

 

CMYK 0 / 65 / 17 / 13

HEX #DF4EB8

RGB 223 78 184

HSL 316.14, 0.69%, 0.59%

LAB 56.68, 66.97, -26.79

 

CMYK 0 / 65 / 35 / 13

HEX #DF4E91

RGB 223 78 145

HSL 332.28, 0.69%, 0.59%

LAB 55.26, 62.05, -6.18

 

CMYK 0 / 65 / 52 / 13

HEX #DF4E6A

RGB 223 78 106

HSL 348.41, 0.69%, 0.59%

LAB 54.21, 58.3, 15.45

 

CMYK 0 / 65 / 65 / 13

HEX #DF4E4E

RGB 223 78 78

HSL 0, 0.69%, 0.59%

LAB 53.69, 56.37, 31.23

 

CMYK 0 / 65 / 17 / 13

HEX #DF4EB8

RGB 223 78 184

HSL 316.14, 0.69%, 0.59%

LAB 56.68, 66.97, -26.79

 

CMYK 0 / 65 / 0 / 13

HEX #DE4EDF

RGB 222 78 223

HSL 299.59, 0.69%, 0.59%

LAB 58.33, 72.67, -46.46

 

CMYK 17 / 65 / 0 / 13

HEX #B84EDF

RGB 184 78 223

HSL 283.86, 0.69%, 0.59%

LAB 52.91, 64.09, -55.4

 

CMYK 35 / 65 / 0 / 13

HEX #914EDF

RGB 145 78 223

HSL 267.72, 0.69%, 0.59%

LAB 48, 55.71, -63.56

 

CMYK 52 / 65 / 0 / 13

HEX #6A4EDF

RGB 106 78 223

HSL 251.59, 0.69%, 0.59%

LAB 44, 48.3, -70.24

 

CMYK 0 / 65 / 17 / 13

HEX #DF4EB8

RGB 223 78 184

HSL 316.14, 0.69%, 0.59%

LAB 56.68, 66.97, -26.79

 

CMYK 0 / 75 / 20 / 6

HEX #F03DC0

RGB 240 61 192

HSL 316.09, 0.86%, 0.59%

LAB 57.72, 77.96, -29.57

 

CMYK 0 / 65 / 17 / 13

HEX #DF4EB8

RGB 223 78 184

HSL 316.14, 0.69%, 0.59%

LAB 56.68, 66.97, -26.79

 

CMYK 0 / 54 / 15 / 19

HEX #CE5FB0

RGB 206 95 176

HSL 316.22, 0.53%, 0.59%

LAB 56.53, 53.72, -22.62

 

CMYK 0 / 41 / 11 / 26

HEX #BD70A8

RGB 189 112 168

HSL 316.36, 0.37%, 0.59%

LAB 57.3, 38.45, -17.01

 

CMYK 0 / 25 / 7 / 33

HEX #AC81A0

RGB 172 129 160

HSL 316.74, 0.21%, 0.59%

LAB 58.98, 21.74, -10.07

 

CMYK 0 / 6 / 1 / 39

HEX #9B9299

RGB 155 146 153

HSL 313.33, 0.04%, 0.59%

LAB 61.5, 4.64, -2.51

 

CMYK 17 / 65 / 0 / 13

HEX #B84EDF

RGB 184 78 223

HSL 283.86, 0.69%, 0.59%

LAB 52.91, 64.09, -55.4

 

CMYK 0 / 65 / 0 / 13

HEX #DF4EDF

RGB 223 78 223

HSL 300, 0.69%, 0.59%

LAB 58.48, 72.9, -46.22

 

CMYK 0 / 65 / 17 / 13

HEX #DF4EB8

RGB 223 78 184

HSL 316.14, 0.69%, 0.59%

LAB 56.68, 66.97, -26.79

 

CMYK 0 / 65 / 35 / 13

HEX #DF4E92

RGB 223 78 146

HSL 331.86, 0.69%, 0.59%

LAB 55.29, 62.17, -6.72

 

CMYK 0 / 65 / 52 / 13

HEX #DF4E6B

RGB 223 78 107

HSL 348, 0.69%, 0.59%

LAB 54.24, 58.38, 14.89

 

CMYK 0 / 82 / 22 / 27

HEX #B92290

RGB 185 34 144

HSL 316.29, 0.69%, 0.43%

LAB 43.47, 66.64, -24.1

 

CMYK 0 / 80 / 21 / 15

HEX #D82BAA

RGB 216 43 170

HSL 315.95, 0.69%, 0.51%

LAB 50.95, 74.63, -27.59

 

CMYK 0 / 65 / 17 / 13

HEX #DF4EB8

RGB 223 78 184

HSL 316.14, 0.69%, 0.59%

LAB 56.68, 66.97, -26.79

 

CMYK 0 / 51 / 14 / 10

HEX #E571C6

RGB 229 113 198

HSL 316.03, 0.69%, 0.67%

LAB 63.79, 55.38, -23.77

 

CMYK 0 / 37 / 10 / 8

HEX #EB94D4

RGB 235 148 212

HSL 315.86, 0.69%, 0.75%

LAB 71.96, 41.87, -19.06

 

CMYK 0 / 65 / 17 / 13

HEX #DF4EB8

RGB 223 78 184

HSL 316.14, 0.69%, 0.59%

LAB 56.68, 66.97, -26.79

 

CMYK 0 / 35 / 65 / 13

HEX #DF924E

RGB 223 146 78

HSL 28.14, 0.69%, 0.59%

LAB 67.12, 22.8, 47.18

 

CMYK 65 / 0 / 9 / 13

HEX #4EDFCB

RGB 78 223 203

HSL 171.72, 0.69%, 0.59%

LAB 81.13, -43.01, -1.54

 

CMYK 0 / 65 / 17 / 13

HEX #DF4EB8

RGB 223 78 184

HSL 316.14, 0.69%, 0.59%

LAB 56.68, 66.97, -26.79

 

CMYK 17 / 0 / 65 / 13

HEX #B8DF4E

RGB 184 223 78

HSL 76.14, 0.69%, 0.59%

LAB 83.71, -32.93, 64.3

 

CMYK 65 / 17 / 0 / 13

HEX #4EB8DF

RGB 78 184 223

HSL 196.14, 0.69%, 0.59%

LAB 70.34, -18.59, -28.56

 

CMYK 0 / 65 / 17 / 13

HEX #DF4EB8

RGB 223 78 184

HSL 316.14, 0.69%, 0.59%

LAB 56.68, 66.97, -26.79

 

CMYK 0 / 35 / 65 / 13

HEX #DF924E

RGB 223 146 78

HSL 28.14, 0.69%, 0.59%

LAB 67.12, 22.8, 47.18

 

CMYK 65 / 0 / 48 / 13

HEX #4EDF75

RGB 78 223 117

HSL 136.14, 0.69%, 0.59%

LAB 79.43, -60.84, 40.69

 

CMYK 65 / 30 / 0 / 13

HEX #4E9BDF

RGB 78 155 223

HSL 208.14, 0.69%, 0.59%

LAB 61.99, -2.75, -41.53

 

CMYK 0 / 65 / 17 / 13

HEX #DF4EB8

RGB 223 78 184

HSL 316.14, 0.69%, 0.59%

LAB 56.68, 66.97, -26.79

 

CMYK 0 / 15 / 65 / 13

HEX #DFBD4E

RGB 223 189 78

HSL 45.93, 0.69%, 0.59%

LAB 77.66, -0.06, 58.81

 

CMYK 65 / 0 / 48 / 13

HEX #4EDF75

RGB 78 223 117

HSL 136.14, 0.69%, 0.59%

LAB 79.43, -60.84, 40.69

 

CMYK 65 / 50 / 0 / 13

HEX #4E70DF

RGB 78 112 223

HSL 225.93, 0.69%, 0.59%

LAB 50.14, 23.09, -60.38

 

Description

Color code: HEX #DF4EB8 | qconv.com Color code: HEX #DF4EB8 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 78 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 78 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 17 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 17% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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